Added: 3 years ago
From: Onegin65
Views: 4,831
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  • I´d never heard before a Hig C from Gigli. IN fact never expected tha he could sing a high C... great!!!!!!!!!

  • @aguacun why? you thught that he could not reach that notes? just search di quella pira 1936 by gigli you'll drop your jaw!!

  • @pabloprado77 Yes, I thought that because in his autobiography he said that a teacher once had to deceive, to trick him at the piano because he had problems beyound de B flat and the teacher made him to sing beyound the high C vocalizing. Gigli has a huge repertory but I ´d never consider him like an Alfredo Kraus or Nicolai Gedda as, precisely, a tenor who shows often high notes (meaning C´s or D´s).

  • @aguacun i'd love if you could send me the gigli's autobiography please!! or if you cant send me the link please! thanks!

  • Favolosi Gigli e Favero!...

  • Faveros voice is the ideal for Violetta, light high, supertechnic and very moveing. In combination with Gigli the best Traviata- singers !

  • The ideal voices for the La Traviata. This is opera in highest quality ! Falveros voice is most light and quickly, therefor ideal for this scene !

  • Wonderful.

  • With such a pair, who needs more?

  • Recorded a 1/2 step higher but nevertheless it captures the brilliance and intensity of their voices.

  • The great Gigli and marvelous Favero. NOTHING on the operatic stage TODAY can ever

    come close to this brilliant singing. It is a LOST ART of SINGING

  • enough to have an idea aboout the voice technic and sense of music from these marvelous singers. just listen to what you have to hear and learn

  • doesnt sound like favero?

  • Great voices of the past, when apprenticeship was 6 yrs

    before one's ready for the stage, oh! Schipa, Martinelli,

    wherefore art thou.

  • this is how opera must be

  • great! thank you.

  • This is Traviata as it SHOULD be sung unlike what is heard on the contemporary operatic stage

  • How amazing.

  • Wonderful document, thanks

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