I have to admit that is there's anything that especially impresses me about Starker's playing, it's his clarity of tone and how amazingly accurate he is technically.
He skips 3 measures, actually. It happens at the first recap, at the second Andante on the second page. He skips the measure before the Andante, and then the two measures AT the Andante (mm. 38-40, if you count). He just holds the low e, which isn't written, then skips to the a minor chord section (1:49). I am sure it is an artistic decision. My guess is that he just wanted to save the main theme for only the beginning and end of the piece.
@zonaras83 Yes, these are harmonics! The harmonics actually fall in easy-to-play positions, so it isn't as difficult as it sounds. Still, he plays it perfectly, which is always impressive!
@simplythreetrio Right on, when i first heard this piece, over a year ago, i initially thought it must be very difficult... but in trying it out i found it was, like you said, in position. sounds hard as shit tho so its great!
I am a cellist, and at that part it switches between natural (open string) and artificial (using the thumb to change the string length) harmonics. It's a cool effect and he does it really seamlessly and nearly flawlessly. It's a lot of work to be able to play artificial (or false) harmonics well.
I'm happy to read so many comments by cellists: I've a question for you guys: at 2.30/2.40 does he play the harmonics? that sounds very very difficult and mostly impressive! I didn't know either this composer, Cassado... good discovery! thanks!
He skip a 2 bars in this piece, and an entire page in kodaly sonata. This is weird. Knowing the man it is definitely not a gap in his memory, any clue ?
His style and technique clearly shows and sorry to those to who this applies to, his playing of Cassado clearly bests all!
Also, a shout-out to all those who might know the answer, but does Starker skip about 3 measures from 1:50-ish? As I have seen the music, I noticed he does not play three measures. Is it just me?
Anyways, it doesn't really affect this masterpiece playing but I wish he played it so aspiring cellists would know how he plays that part. Superb though
I wasn't trying to give him tips, it's not like he's even going to read this. He played very well, I'm just saying, according to my copy of the music, he skips measures 40-43. It happens at 1:48 in the video. Maybe he has a different edition of the music.
His performance is fantastic; I watch it and listen to it and at the same time, it doesn't seem possible, especially the section with the rapid harmonics.
@intormentis What makes him special is the fact that watching him makes you think it IS possible and not even so hard, that the music HAS TO flow this way naturally :). (of course it's difficult as hell)
@tapiq Starker would call it inevitable. predictable is the opposite. amazing. once you hear starker, you can't listen to anyone else. especailly when it comes to these works.
well the A and D strings are so thin, so the rubber-things are there to protect the strings from breaking. Violinists often have those rubbers between the string and the bridge. And I also think the rubbers are there to prevent the string from cutting in to the bridge and make a crack, especially when the string is so thin.
What I really enjoy about Starker is that he is so absolutely wonderful without making so much excessive movement that many audiences believe characterizes a great player. Can't wait to get masterclasses from at IU next year!
I completely agree about his loyalty to the traditional stage presence of Heifetz and others.
But it's funny how on all of Starker's videos I've watched that you've commented on you feel the need to talk about your master classes at IU... haha. I mean I think it's great that you're going to study with him, but maybe exercise a little discretion or modesty?
Yeah, it's a slightly weird interpretation, but... wow. That's a stunning performance. I'm happy to hear Starker's ideas any day, even if they run afoul of the composer's intentions.
oh thanks- now it makes more sense the reason why he skipped. i love the way he ended the piece though- im performing it in 3 weeks and probably will do the same.
i agree- he is an amazing cellist, but still, i prefer the whole suite not to run so much.
I've had the privilege of being in the school where he teaches for 4 years now. The reason he skipped a few bars at 1:50 is because he plays everything from his own editions... basically modifies and the fingers the music as he sees fit. As to the old argument that he is too fast and unmusical I will simply say that I believe he is amazingly musical in his own particular idiom and character; but he sometimes puts his ideas as a first priority and the composers ideas second. Hungarian Character!
I honestly can say that when musicians play with their eyes closed or open they are always thinking. What is the next pitch supposed to sound like. I'm sure he has thought about emotions but when he plays he has to be thinking.
P.S. Anyone who says there is no emotion in this is absolutely retarded. I felt a lot after listening to this, and if even one person is moved by a performance, then to call it "emotionless" would just be foolish. Starker just has a way of presenting the music in a very modest yet beautiful manner. The sound of his C-String is unmatched.
The second note is really, really sharp, but it's ok, no cellist has perfect intonation. This is a great performance, I've never heard this piece before, but I like it.
This comment has received too many negative votesshow
This piece isnt so difficult..
I'm learning it now
It's one of the easiest hard pieces for cello should i say?? Along with Saint-Saens D minor Concerto, Hayden's C major concerto and more. Like after this, it goes onto real hard out repotoirs(or however you spell it)and sonatas and everything My cello teacher told me, and starker used to be her teacher and he told her that so im telling the truth! hehe
He is my cello teacher's teacher, and he said he was very stricked, I can understand why you think he may seem stern and somewhat emotionless, but, the fact is that if you listen to his music, you will here that all of his emotion is going into his playing. It is not necessarily the emotion on the inside that counts, try closing your eyes.
Gracias por la aclaracion, pense que ya no estaba vigente como profesor, no lo sabía, genial que todavia pueda aportar toda su sabiduria, es un maestro de maestros!!!
Any idiot that has the lack of understanding of true music making,flawless technique and self control that speaks the music, rather than exhibts self indulgent emotional diplay, should never listen to Mr.Starker,let alone critic this great artist on any way.I am offended ,and disturbed by some of these igorant comments.If you don't have the brains and understanding to understand such greatness,go limit your self to the lesser artists.
As a cellist, I agree. I prefer to see technical skill rather than theatre. It's probably good to be aware however that those who do not play the cello (particularly non-musicians) may not be able to appreciate pure technical skill in the same way, and for them theatre might add to the performance.
Starker proves that you can be expressive without necessarily being romantic. It has always confounded me when people described his playing as emotionless.
@proggoth I know you made this comment a couple years back, and your opinion may be different now, but trust me I believe in it still. Starker was all about making the best sound possible, not necessarily giving an athletic performance, like so many performers do today...
Hello, does anybody have the sheet for this piece?
mpafos32 1 week ago
I have to admit that is there's anything that especially impresses me about Starker's playing, it's his clarity of tone and how amazingly accurate he is technically.
jokerXL512 4 months ago
OMStarker..
MssFlautista 6 months ago
@MssFlautista lol
TheJstaten1 4 months ago
@TheJstaten1 :D
MssFlautista 4 months ago
Ooh, 4 measures! He skipped measure 48, too! (2:11). It seems like he thought the figure was too repetitive, so he just cut it.
simplythreetrio 8 months ago
@simplythreetrio what about the composer? how can he do that...?
motu828mk2 5 months ago
He skips 3 measures, actually. It happens at the first recap, at the second Andante on the second page. He skips the measure before the Andante, and then the two measures AT the Andante (mm. 38-40, if you count). He just holds the low e, which isn't written, then skips to the a minor chord section (1:49). I am sure it is an artistic decision. My guess is that he just wanted to save the main theme for only the beginning and end of the piece.
simplythreetrio 8 months ago
at 2.20 does he play the harmonics, isnt'it? I'm not a chelloist, so be patient with me ;-)
zonaras83 9 months ago
@zonaras83 Yes, these are harmonics! The harmonics actually fall in easy-to-play positions, so it isn't as difficult as it sounds. Still, he plays it perfectly, which is always impressive!
simplythreetrio 8 months ago
@simplythreetrio Right on, when i first heard this piece, over a year ago, i initially thought it must be very difficult... but in trying it out i found it was, like you said, in position. sounds hard as shit tho so its great!
jwunschie14 8 months ago
@zonaras83
I am a cellist, and at that part it switches between natural (open string) and artificial (using the thumb to change the string length) harmonics. It's a cool effect and he does it really seamlessly and nearly flawlessly. It's a lot of work to be able to play artificial (or false) harmonics well.
jokerXL512 4 months ago
I'm happy to read so many comments by cellists: I've a question for you guys: at 2.30/2.40 does he play the harmonics? that sounds very very difficult and mostly impressive! I didn't know either this composer, Cassado... good discovery! thanks!
zonaras83 9 months ago
effortless
insomniawheesung 10 months ago
I want to play it....it`s a big challenge for me....
zoefan87 11 months ago
2:25 is crazy
dylanlawless1 1 year ago
this man inspired me to learn the cello <3
animelvr510 1 year ago
He skip a 2 bars in this piece, and an entire page in kodaly sonata. This is weird. Knowing the man it is definitely not a gap in his memory, any clue ?
anisometropie 1 year ago
@anisometropie probably just his way of playing the piece
malerockdemon2 11 months ago
love =)
AlessioDan 1 year ago
Comment removed
rookitchen 1 year ago
2:20 oh....my....god
triviumlambofgod 1 year ago
How does Starker do it? Even though some parts have been modified, it still sounds beautiful!
cellomom1000 1 year ago
Wonderful and clean playing!
His style and technique clearly shows and sorry to those to who this applies to, his playing of Cassado clearly bests all!
Also, a shout-out to all those who might know the answer, but does Starker skip about 3 measures from 1:50-ish? As I have seen the music, I noticed he does not play three measures. Is it just me?
Anyways, it doesn't really affect this masterpiece playing but I wish he played it so aspiring cellists would know how he plays that part. Superb though
cellomom1000 1 year ago
@cellomom1000
I was just following along with my music, and it seems that he does skip a few measures there... I'm confused.
LegoCritic 1 year ago
Comment removed
triviumlambofgod 1 year ago
@LegoCritic what measures? i dont think u should be giving any tips to Mr. Starker, maybe play with some more lego
triviumlambofgod 1 year ago
@triviumlambofgod
I wasn't trying to give him tips, it's not like he's even going to read this. He played very well, I'm just saying, according to my copy of the music, he skips measures 40-43. It happens at 1:48 in the video. Maybe he has a different edition of the music.
LegoCritic 1 year ago
I'm speechless...
milatiadess 1 year ago
His performance is fantastic; I watch it and listen to it and at the same time, it doesn't seem possible, especially the section with the rapid harmonics.
intormentis 1 year ago
@intormentis What makes him special is the fact that watching him makes you think it IS possible and not even so hard, that the music HAS TO flow this way naturally :). (of course it's difficult as hell)
tapiq 1 year ago
@tapiq Starker would call it inevitable. predictable is the opposite. amazing. once you hear starker, you can't listen to anyone else. especailly when it comes to these works.
HLcalculus 1 year ago
Comment removed
rookitchen 1 year ago
Comment removed
rookitchen 1 year ago
such a clean performance
LawBLin 2 years ago 2
Can hear some Kodaly in there.
FreeInquisition 2 years ago 3
Fantastic piece and performance! Can I get the original video recording somewhere?
cellete 2 years ago
are those rubbers on the bridge of his cello ?
between the bridge and the A and D string ?
FelipeValen 2 years ago
yo, mute,
jwunschie14 2 years ago
@FelipeValen
yes they are...
n1tro1337 2 years ago
@n1tro1337
And what are they for ?
I play the cello too, and would like to know
FelipeValen 2 years ago
well the A and D strings are so thin, so the rubber-things are there to protect the strings from breaking. Violinists often have those rubbers between the string and the bridge. And I also think the rubbers are there to prevent the string from cutting in to the bridge and make a crack, especially when the string is so thin.
cellogeek95 2 years ago
oh those um i think what they do is to stop those thinner strings eventually cutting into the bridge.
munkybrain 2 years ago
he was born to play the cello
jrossmoss 2 years ago
Too fast for my liking. Changes tempos way too often, too erratic.
niknik222 2 years ago
ITS CASSADO ... spanish music.. and HE IS Starker
had9s8888 2 years ago
Comment removed
recklessfearless 2 years ago
Does Starker play on a Strad?
jwunschie14 2 years ago
He owns one (or owned one) but he doesn't play it.
Myers6609 2 years ago
Since 1965 he plays on a Matteo Gofriller.
This cello is called the « Starker; Spencer; James », for : Ivory James, Walter Spencer...
atnb40 2 years ago
... also called "The Star" - 1706
atnb40 2 years ago
What I really enjoy about Starker is that he is so absolutely wonderful without making so much excessive movement that many audiences believe characterizes a great player. Can't wait to get masterclasses from at IU next year!
jwunschie14 2 years ago
I completely agree about his loyalty to the traditional stage presence of Heifetz and others.
But it's funny how on all of Starker's videos I've watched that you've commented on you feel the need to talk about your master classes at IU... haha. I mean I think it's great that you're going to study with him, but maybe exercise a little discretion or modesty?
Another great performance by Starker!!
cellosuperfreak 2 years ago
Well, I didn't know I had a stalker. And really, why do you even care? Actually don't tell me.
jwunschie14 2 years ago
no lost memory?
63023FB 2 years ago
He jumps over 2 bars of the (repeated) introduction,
changes the ending before that and skips 2 more bits (nothing important) probably deliberately and maybe improved the piece that way.
michaharan 2 years ago
Yeah, it's a slightly weird interpretation, but... wow. That's a stunning performance. I'm happy to hear Starker's ideas any day, even if they run afoul of the composer's intentions.
EndeavourMorse 3 years ago
Starker's weird musical interpretations only work with him.
BachforBarack 3 years ago 3
Genious, in his own way, like all of the great ones! The cello world NEEDED Starker for us to learn so much from
pichat1 3 years ago 12
He is one of the greatest of all time.
cattleman6420012000 3 years ago 6
I love how through his playing you can tell that the music touches him deeply.
Gnomentanz 3 years ago 2
This comment has received too many negative votes show
eww!
black0jackass 3 years ago
oh thanks- now it makes more sense the reason why he skipped. i love the way he ended the piece though- im performing it in 3 weeks and probably will do the same.
i agree- he is an amazing cellist, but still, i prefer the whole suite not to run so much.
dasha1983 3 years ago
why did he skip a part in the middle?
and why is it SO fast?
dasha1983 3 years ago
I've had the privilege of being in the school where he teaches for 4 years now. The reason he skipped a few bars at 1:50 is because he plays everything from his own editions... basically modifies and the fingers the music as he sees fit. As to the old argument that he is too fast and unmusical I will simply say that I believe he is amazingly musical in his own particular idiom and character; but he sometimes puts his ideas as a first priority and the composers ideas second. Hungarian Character!
frodobolson666 3 years ago 3
He is great.
Im doing Kodaly now and skip the page in the 3rd mvt. it makes so much sense.
I've heard someone perform it without the cut and it doesn't sound right ))
My teacher now was a student of his a long long time ago
dasha1983 2 years ago
Excellent interpretation
ilshatt 3 years ago
This is probably the best I've ever heard starker play.
BachforBarack 3 years ago
then listen to kodaly :)
caradeescusado 3 years ago
Okay.
BachforBarack 3 years ago
yeah, in the kodaly he pretty much plays perfectly.
thecelloking 3 years ago
Well played but I agree with Brutalcellist that he skips 2 bars at 1:50
LMDraaijer 3 years ago
I didn't even notice until it was pointed out haha. He's still amazing to watch/ listen to though.
Gnomentanz 3 years ago
minchia che suono
stebax86 3 years ago
technically incredible, musically too much fast..
at 1.50 he invents the notes! (he doesn't play 2 bars..)
Brutalcellist 3 years ago
Wow! Bravo!
Dynias2 3 years ago
I wonder what he sees, or what he is thinking about when he plays with his eyes closed.
julyconcerto 3 years ago
I honestly can say that when musicians play with their eyes closed or open they are always thinking. What is the next pitch supposed to sound like. I'm sure he has thought about emotions but when he plays he has to be thinking.
cellodude1 3 years ago 3
I can claim to be one of starker's cello grandson's =) Yay!
What efficency!
jonathantosio 3 years ago
he's is like my cellistic 4th cousin via Klengel
mrn93 3 years ago
I'm one of Jensen's. :D
drclumbles 3 years ago
P.S. Anyone who says there is no emotion in this is absolutely retarded. I felt a lot after listening to this, and if even one person is moved by a performance, then to call it "emotionless" would just be foolish. Starker just has a way of presenting the music in a very modest yet beautiful manner. The sound of his C-String is unmatched.
AbsoluteZ3R0 3 years ago 3
The second note is really, really sharp, but it's ok, no cellist has perfect intonation. This is a great performance, I've never heard this piece before, but I like it.
AbsoluteZ3R0 3 years ago
This comment has received too many negative votes show
This piece isnt so difficult..
I'm learning it now
It's one of the easiest hard pieces for cello should i say?? Along with Saint-Saens D minor Concerto, Hayden's C major concerto and more. Like after this, it goes onto real hard out repotoirs(or however you spell it)and sonatas and everything My cello teacher told me, and starker used to be her teacher and he told her that so im telling the truth! hehe
LeehanSarang 3 years ago
He is my cello teacher's teacher, and he said he was very stricked, I can understand why you think he may seem stern and somewhat emotionless, but, the fact is that if you listen to his music, you will here that all of his emotion is going into his playing. It is not necessarily the emotion on the inside that counts, try closing your eyes.
purpleAiPEy 3 years ago
He was my cello teacher's teacher too lol
LeehanSarang 3 years ago
Me too! Wow =)
jonathantosio 3 years ago
is this a difficult piece? just wonderinng
swimmer1215 3 years ago
It defenitely is a difficult piece! Up to now, watching this vid, I thought it is impossible to play it which such calmness like Starker has ...
jurikanni 3 years ago
is it as hard as shosti concerto?
swimmer1215 3 years ago
I think it's pretty difficult to compare two such different pieces.. Besides i didn't play the Shostakovitch concerto up till now..
jurikanni 3 years ago
as hard as kodaly?
swimmer1215 3 years ago
yeah. They're in the same class of piece.
cellodude1 3 years ago
i dont think this one is as hard as kodaly technically.
swimmer1215 3 years ago
Wow - the harmonics are particularly fantastic!
theoceanave 3 years ago
what magnificent bow control (ok and the LH too...)
charlesbrooks 3 years ago
Fantastico!!! Starker fue un gran cellista!
Natalejo 3 years ago
fue y lo es, está vivo y aún da clases. :) en Indiana
juLiaFyB 3 years ago
Gracias por la aclaracion, pense que ya no estaba vigente como profesor, no lo sabía, genial que todavia pueda aportar toda su sabiduria, es un maestro de maestros!!!
Natalejo 3 years ago
he makes everyone else sound out of tune
whatthecello42 3 years ago 2
Teodora Miteva
chosta88 4 years ago
truly remarkable piece and player; and played with such deep emotion.
wrtr734 4 years ago
He is so old today but still a great teacher and player...
cellodude1 4 years ago
Hi obukhonala! thanks for posting this videos of starker, impressive, my favorite performance of the Kodaly and Cassado.
Could you tell me where to find the complete sonata and suite by starker, please?
Thanks, Ivan
celloadict90 4 years ago
Any idiot that has the lack of understanding of true music making,flawless technique and self control that speaks the music, rather than exhibts self indulgent emotional diplay, should never listen to Mr.Starker,let alone critic this great artist on any way.I am offended ,and disturbed by some of these igorant comments.If you don't have the brains and understanding to understand such greatness,go limit your self to the lesser artists.
mightyrome 4 years ago 2
Technically the greatest. Plays the cello like a giant violin. But a bit on the soulless side.
gnolti 4 years ago
I wouldn't call it soulless.
BrennenBear 4 years ago
I will concede that I wouldn't choose anyone else to play Cassado.
gnolti 4 years ago
"I cry in a different way"
that is from an interview, it should explain his interpretation well
mrn93 3 years ago
How would you say that. Is emotion to you just swaying around. This man is one of the most emotional players there have ever been.
Every virtuosic phrase is painted perfectly. Full of vigor and excitement.
cellodude1 3 years ago
This comment has received too many negative votes show
Yeah, I prefer my cellists to sway around as they play.
gnolti 3 years ago
There is stupid and then there is that comment. Swaying around does not make the music sound any better.
That is stupid and insultive.
WHAT AN AWFUL COMMENT
cellodude1 3 years ago
As a cellist, I agree. I prefer to see technical skill rather than theatre. It's probably good to be aware however that those who do not play the cello (particularly non-musicians) may not be able to appreciate pure technical skill in the same way, and for them theatre might add to the performance.
nathan87 2 years ago
Starker proves that you can be expressive without necessarily being romantic. It has always confounded me when people described his playing as emotionless.
proggoth 3 years ago 16
@proggoth I know you made this comment a couple years back, and your opinion may be different now, but trust me I believe in it still. Starker was all about making the best sound possible, not necessarily giving an athletic performance, like so many performers do today...
jwunschie14 1 year ago
Where did you find this video? I want to see all of Kodaly and Cassado.
lambicframbroise 4 years ago
amazing technique and performance!
inaned 4 years ago
I much prefer Teodora Miteva's interpretation (which is up here on youtube, under the wrong title). This felt rushed.
xiooua 4 years ago
Noooo comment, fantastic
amaraacello 4 years ago
This comment has received too many negative votes show
mr. starker, this is not an etude.
katsukawa123 4 years ago
He didn't play it like an etude.
uxnosidda 4 years ago
Can't you feel his great music?!
violonluna 4 years ago 2
Així es toca Cassadó! Endavant Starker.
eriqkk 4 years ago
good..
hyuroo88 4 years ago
best of best
hyuroo88 4 years ago 2
Hi thank you for posting this. But what is with the other movements? Do you have this?
had9s8888 4 years ago
Hear the version by cheglakov.
sein12 4 years ago
technically fantastic playing, but where is the heart? he's just rushing through the movement.
flotan 4 years ago
His right arm also amazes me, flawless and so relaxt.
If you want to hear this work played with more heart, try the George Neikrug video....
Anyway, nice to see you here,flotan.....
MichaSchlechtriem 4 years ago 2
breathless
ilshatt 4 years ago
Amazing!!!
I enjoyed this work very much!
cellodude1 4 years ago 2
Though the beginning was a but awkward for my taste, I caught on quickly to the pace he was going at and whole-heartedly enjoyed it. Amazing!
cello4ever 4 years ago
Starker had the BEST left hand in the biz!
AlamoCityCello 4 years ago
I don't know -- its that right hand that impresses me. Really sharp. The harmonics, though, are cool indeed.
pix40 4 years ago 2
Excellent Video!!!!!!! Thank You for posting.
cellofan98 4 years ago