es increible como en este video la mayoria de comentarios venga de personas de idioma anglosajón, ahi se refleja la poca cultura de nuestra latinoamerica, claro con excepeciones :(
Did Michelangeli practice that piece for a month straight, then record this about 10 0 times before he finally hit the 1 in 100 where you don't make even the slightest mistake and achieve perfection, or was he really THAT good?!?
Enrique 19889 - can you tell me where I can buy this recording? It's so much better than AB's other recordings of L449 - so light & unstudied - really wonderful. Thanks
Not one wrong note, everything well placed, excellent technique and fluid passages, the Scarlatti sonatas are preludes into entry of the more difficult Russian and German piano pieces and these pieces are the rare gems of the piano repertoire. I like the power that Argerich exudes in the D minor as well as Horowitz and Pogorelich, all of which are the legendary pianists of the last 100 years.
Michelangeli was in a class all by himself. The magic of this particular interpretation is that he eliminates all expressive non-essentials, and yet says all that needs to be said in this piece. The beauty is in the touch and the color. Any added expressive devices would be superfluous.
@arturon111 & bersilu : this expression given by michelangeli is simply sublime and represent the most , the higher expression of Scarlatti !!!!! No one can afford himself this precision and speed together in a romantic way....this is what Scarlatti wanted . I'm sorry but you donì't understand nothing about classical music .
Remember Scarlatti is Italian.......Michelangeli also.......
I found this version to be most moving. It's all about the notes and their relationship to each other, and those notes are more wistful than any performer can imagine. The more "expressive" interpretations I've seen seem to drain the life out of the notes and wash the sound with synthetic brighteners instead. But the performer here has not merely flipped a switch on a musical machine, he has awakened it with a sympathetic kiss.
No one plays Scarlatti, Bach and/or Soler, than the great Alicia de Larrocha, (may she rest in peace now),... best clarity, sound, control, polyphony and colors,...
I respectfully disagree. To me it's sounds rather mechanical (a bit as if under futurist influence), I don't hear variety, ideas, colour (with maybe two exceptions), in contrast to, let's say, Marcelle Meyer's account. Which, of course, does not mean that I deny ABM's general splendor.
But these Scarlatti sonatas were meant to be played by harpsicord, an instrument which can't surely expresse the variety and the colours of the piano. So according to me Michelangeli's performance is conform to the idea of the composer.
Well, I still disagree. First, in my opinion using the piano instead of the instrument a piece was written for implies the need to use this new instrument's means of expression. Second, there are ways to achieve variety on a harpsichord, among which expressive phrasing. I don't hear much imaginative phrasing in ABM's interpretation. Third, I haven't heard many interpretations of this piece on a harspichord, but I would doubt that this speed would make sense on this instrument. Whatchuthink?
No sewing machines with Michelangeli,Samuel; only the most high expression of the old-european aristocratic elegance and a powerful and melanchonic passion painfully contained. But it takes a while to get in tune with it,I agree.
Nicely said. I agree - very often perceptions change in the course the years. And something one thought being boring and characterless turned out being touching and captivating some time later...
But right now, I really don't find much expression here... But YOU please enjoy!
@SamuelFeinberg I think this is the best version of all time... Look at the ABM's care for the details, that is impressive, considering the speed. The main feature of ABM's works is exactly the maniacal attention for the quality of sound... Also admitting the different point of view between you and me, I totally disagree your phrase "Where is the music"... Michelangeli seems not a pianist, but a MAGICIAN
I'm heartened by the comments which, in effect, say "Live and let live." Of course, Scarlatti didn't write this piece for the piano, and it is quite likely that he would be very surprised by the speed with which Michelangeli plays it. For me, the sheer technical perfection of Michelangeli's playing is in itself a delight and makes listening to it a thrilling experience. It is Classicism in the purest sense, like the regular perfection of a Greek temple.
The velocity impresses, that's for sure.. but it takes away from the beauty of the music itself. His virtuosity impresses, sure, but it doesn't grip me, cause I don't feel he's communicating other than his technical excellence, I don't feel spoken to, don't feel connected. That's why I think the interpretation of Murray Perahia is so much better, I think no-one plays this piece better than him. The way he plays it, I could listen to it all day long.
Mi è arrivato oggi l'acclamatissimo cd di Scarlatti eseguito da Sudbin. E' veramente stupendo. Ma sono innamorato di questa interpretazione di Michelangeli della K27...
Comunque, quel op. si riferisce al catalogo di Longo. A proposito, vedo che lei è italiano. È vero che è uscito da poco una nuova edizione delle sonate di Scarlatti, fatta da Emilia Fadini? Siccome non sono in Italia, non trovo quelli volumi. Li ha visto lei?
Y veo que tu eres español, así que, si quieres, podemos seguir en tu lengua, que adoro. A propósito de Fadini, he oido algo pero no estoy seguro de "una nueva edición"...me informo y te paso el dato. Claro que una edición de algunos años, existe ya, y es muy cara!. Si puedo ayudarte en alg más......
¡Ah, se me ha olvidado otra cosa! El catálogo de Pestelli, ¿es posterior al de Kirkpatrick? ¿Existe? Es que casi nunca veo que se use. Un saludo desde las islas Canarias :-)
El catálogo Pestelli, para mi, es posterior al de Kirkpatrick...pero no he visto jamás una sonata de Scarlatti publicada con el número de catálogo "pestelli"...
orry I had a mistake. It's funny because it's my Scarlatti's favourite sonata, but when I wrote the number my finger went out to the seven. I apologise again
Divino Maestro!! Lei non se ne avrà male se dico che in questa sonata preferisco Ghilels. La sua grandezza in qualsiasi caso è superiore a queste nostre piccole fisime.. Sono felice di essermi recato alla sua estrema dimora a Pura..Il Signore in cui lei credeva l'avrà certamente accolta con gli onori che si merita; lei, assieme a tutti i grandi dell'arte, di qualsiasi arte, che ci rendono, a volte, meno penoso questo tribolato eistere.
Scarlatti played by Michelangeli. Perfect! It has all the clarity and beauty of the finest chianti wine. His hands - like the antique white porcelain caressing ivory keys. He always played with such nobility, like a Prince.The Prince Of The Piano! I love this - I really do! Thanks for posting this video performance enrique 19889....it's wonderful!
eddai piantatela di cercare di fare i grandi critici,michelangeli è un grande pianista,se fa delle scelte musicali è per ragioni artistiche ben precise e pensate(che possono anche essere non condivise,sia chiaro,ma da qui a dire che manca di musicalità..)e poi è scarlatti mica chopin,io trovo che sia un'esecuzione impeccabile dal punto di vista stilistico
He escuchado muchas versiones de esta fantastica sonata, en clavicordio, piano y con diferentes velocidades. Todas son maravillosas. Cuando la oigo me dan ganas de llorar.
Una fantastica interpretazione, Michelangeli è un Dio. Unica pecca è il sonoro, dato che all'inizio c'è scritto "Sonata in si minore", il problema è che si sente un semitono sopra, in DO minore (avendo l'orecchio assoluto provo un grosso fastidio.....)
il solito gigantesco Michelangeli. Un suono formidabile...! Un genio, ma per il mio gusto, il suo massimo lo raggiunge con Chopin, Schumann e Debussy!
Darebbe fastidio se SAI che è in si minore e SAI tutte le note...ma se l'ascolti senza tutte queste "indicazioni" (intendo il "cartello" che dice che è in si minore, altrimenti tu diresti E' IN DO MINORE!), DICEVO, tanto vale in si minore che in do minore...non credo che il tuo raffinato orecchio assoluto ne risenta più di tanto. No?
Scusate, ma io non ci vedo niente di cantabile in questa sonata. Questa è la velocità a cui andrebbe suonata, e basta! Poi è chiaro, se uno non ce la fa...
predispone per il video alcune note di regia ed aggiunge un accordo conclusivo. Sembrerebbe un saggio, un campione di prova. La sonata così veloce è raro sentirla, ma non credo sia estranea allo spirito di Scarlatti la ricerca di un immagine artificiosa degli ingranaggi sonori, la perfezione fredda degli uccelli meccanici, degli orologi, dei giardini desolatamente incantati. Da febbre.Peccato non ci sia una versione simmetrica e cantabile dello stesso Michelangeli.
È un genio che suona una splendida opera di Scarlatti. Da notare il raddoppio del basso e l'accordo finale , che Michelangeli aggiunge come "firma". Splendido.
This is the more "historically accurate" way to play this piece; other interpretations, such as Perahia's, are certainly beautiful, but rather romanticized.
When a piece is supposed to be played fast, it should be. In my opinion, this is the perfect speed for this piece, and the others out there just sound like they drag on.
Go to Amazon and listen to clips of other professionals play this piece. This is easily more than twice as fast as anyone else and no one else plays it flawlessly like he does!!
es increible como en este video la mayoria de comentarios venga de personas de idioma anglosajón, ahi se refleja la poca cultura de nuestra latinoamerica, claro con excepeciones :(
TheChildArt 1 week ago
Beautiful, perfect, just perfect, so elegant and beautiful, beautiful.
051963mf 1 month ago
What to say, what words can you used...It is just perfect, so perfect and beautiful, and everything that is art to my ears.
051963mf 1 month ago
This has been flagged as spam show
Did Michelangeli practice that piece for a month straight, then record this about 10 0 times before he finally hit the 1 in 100 where you don't make even the slightest mistake and achieve perfection, or was he really THAT good?!?
philsonj 4 months ago
Comment removed
philsonj 4 months ago
As good as it could ever be.ABM is indeed one of the best ever.TY e for posting.
paulostroff99 5 months ago
Comment il fait ?
MrTIRILLY 6 months ago
Il Più grande!!! semplicità, ritmo, suono,equilibrio delle mani e dei tasti.Una forza della natura una gioia nel sentirlo!!
settiklavio 6 months ago
Enrique 19889 - can you tell me where I can buy this recording? It's so much better than AB's other recordings of L449 - so light & unstudied - really wonderful. Thanks
milfield2 8 months ago
Maravilloso !!
TheJosgu1 9 months ago
As Kissin said: "We never heard a single wrong note from MIchelangelli ..."
Excellent, the perfect technique of this piano master encourages me to continue learning and improving my piano abilities
FerCam04 9 months ago
Michelangeli adds the final chord and doubles the bass (F#). His touch gives to this Sonata a new life.
ToccodelDestino 9 months ago
Not one wrong note, everything well placed, excellent technique and fluid passages, the Scarlatti sonatas are preludes into entry of the more difficult Russian and German piano pieces and these pieces are the rare gems of the piano repertoire. I like the power that Argerich exudes in the D minor as well as Horowitz and Pogorelich, all of which are the legendary pianists of the last 100 years.
aeolianartists 10 months ago
Qué maravilla...
astronomo16 11 months ago
So elegant.
guitargeekusa 1 year ago
Michelangeli was in a class all by himself. The magic of this particular interpretation is that he eliminates all expressive non-essentials, and yet says all that needs to be said in this piece. The beauty is in the touch and the color. Any added expressive devices would be superfluous.
DavidAgdern 1 year ago
Great! The video editing is a perfect fit for the mood of the music and musician
rustyturnbuckle 1 year ago
I just came.
lostpebble 1 year ago
I've watched (and listened) this performance 1000 times, I think.
ToccodelDestino 1 year ago
This has been flagged as spam show
c'est dur à croire,mais qui pourrait me dire pourquoi le piano est accordé presque un demi ton plus haut?
labaviero 1 year ago
c'est dur à croire,mais qui pourrait me dire pourquoi le piano est accordé presque un demi ton plus haut?
labaviero 1 year ago
This has been flagged as spam show
this is the best recording of this piece ever!!! What sparkle and charm - I love to watch the dampers "dancing" with his ultraprecise pedaling at :55
88fingerspete 1 year ago
this is the best recording of this piece ever!!! What sparkle and charm - I love to watch the dampers "dancing" with his ultraprecise pedaling.
88fingerspete 1 year ago
This is proof of the existence of the Tree in my backyard. Only the TREE could bring create music like this.
PJinBston 1 year ago
I love his flawless & pure Italian Technique.
He´s the most complete pianist I´ve ever seen. From the technique to the interpretation!
ACE29q 1 year ago 3
This is clearly sped up! It's sharp!
brassmonkeyjew 1 year ago
@brassmonkeyjew
Oh no dear, it's the real speed.
I listened to him live 30 yrs ago.
But I agree that it's hard to believe.
fffwiz 1 year ago
@arturon111 & bersilu : this expression given by michelangeli is simply sublime and represent the most , the higher expression of Scarlatti !!!!! No one can afford himself this precision and speed together in a romantic way....this is what Scarlatti wanted . I'm sorry but you donì't understand nothing about classical music .
Remember Scarlatti is Italian.......Michelangeli also.......
dannys231 1 year ago
wervelwind in droge bladeren .......
jacomijn2009 2 years ago
I found this version to be most moving. It's all about the notes and their relationship to each other, and those notes are more wistful than any performer can imagine. The more "expressive" interpretations I've seen seem to drain the life out of the notes and wash the sound with synthetic brighteners instead. But the performer here has not merely flipped a switch on a musical machine, he has awakened it with a sympathetic kiss.
archkevinbrown 2 years ago 14
This is exactly how Scarlatti (and Bach f.i.) should by played, they are not romantic composers!
crocothemis 2 years ago
No one plays Scarlatti, Bach and/or Soler, than the great Alicia de Larrocha, (may she rest in peace now),... best clarity, sound, control, polyphony and colors,...
arturon111 2 years ago
pero esta no es la versión que más me gusta de esta sonata... demasiado rápida
bersilu 2 years ago
Technically impressive, sure. But where is the music? I doubt that Scarlatti had a sewing machine on his mind when he wrote this piece.
SamuelFeinberg 2 years ago
How can you say that? This music is sublime and that's exactly how it must be performed. He is one of the best!
alors24 2 years ago
I respectfully disagree. To me it's sounds rather mechanical (a bit as if under futurist influence), I don't hear variety, ideas, colour (with maybe two exceptions), in contrast to, let's say, Marcelle Meyer's account. Which, of course, does not mean that I deny ABM's general splendor.
SamuelFeinberg 2 years ago
But these Scarlatti sonatas were meant to be played by harpsicord, an instrument which can't surely expresse the variety and the colours of the piano. So according to me Michelangeli's performance is conform to the idea of the composer.
alors24 2 years ago
Well, I still disagree. First, in my opinion using the piano instead of the instrument a piece was written for implies the need to use this new instrument's means of expression. Second, there are ways to achieve variety on a harpsichord, among which expressive phrasing. I don't hear much imaginative phrasing in ABM's interpretation. Third, I haven't heard many interpretations of this piece on a harspichord, but I would doubt that this speed would make sense on this instrument. Whatchuthink?
SamuelFeinberg 2 years ago
ten más humildad... tus comentarios son fruto de la ignorancia...
bersilu 2 years ago
No sewing machines with Michelangeli,Samuel; only the most high expression of the old-european aristocratic elegance and a powerful and melanchonic passion painfully contained. But it takes a while to get in tune with it,I agree.
gorgiadilentini 2 years ago 9
Nicely said. I agree - very often perceptions change in the course the years. And something one thought being boring and characterless turned out being touching and captivating some time later...
But right now, I really don't find much expression here... But YOU please enjoy!
SamuelFeinberg 2 years ago
And YOU please enjoy the music YOU like, Sam.
gorgiadilentini 2 years ago
@SamuelFeinberg I think this is the best version of all time... Look at the ABM's care for the details, that is impressive, considering the speed. The main feature of ABM's works is exactly the maniacal attention for the quality of sound... Also admitting the different point of view between you and me, I totally disagree your phrase "Where is the music"... Michelangeli seems not a pianist, but a MAGICIAN
keepthemusicguyz 11 months ago
This is my favourite version of this piece, wonderful! I'd love to get hold of the audio for this!
deviantrake 2 years ago
I'm heartened by the comments which, in effect, say "Live and let live." Of course, Scarlatti didn't write this piece for the piano, and it is quite likely that he would be very surprised by the speed with which Michelangeli plays it. For me, the sheer technical perfection of Michelangeli's playing is in itself a delight and makes listening to it a thrilling experience. It is Classicism in the purest sense, like the regular perfection of a Greek temple.
Rik274 3 years ago
I like much more the Emil Gilels version.
And mine, obvious (haha).
SarrasaniPianoCircus 3 years ago
I agree...for that one of Gilels, of course! :-)
fabio0077 3 years ago
Eh....pay attention, don't understimate......
SarrasaniPianoCircus 3 years ago
Sorry Sir, I do NOT know yours! :-)
fabio0077 3 years ago
TALENTO ALLO STATO PURO!!!!
iguarni 3 years ago
Somebody should have clean those keys first!
Grigor99 3 years ago
I've just posted Perahia's version on my channel so you can compare yourself. enjoy
seanmckeen 3 years ago
The velocity impresses, that's for sure.. but it takes away from the beauty of the music itself. His virtuosity impresses, sure, but it doesn't grip me, cause I don't feel he's communicating other than his technical excellence, I don't feel spoken to, don't feel connected. That's why I think the interpretation of Murray Perahia is so much better, I think no-one plays this piece better than him. The way he plays it, I could listen to it all day long.
seanmckeen 3 years ago
oltre alla genialità, eleganza e compostezza già da giovane
berti48 3 years ago
GENIO!
cocoloco707 3 years ago
demasiado rápido a mi gusto. Pierde un poco de expresividad.
too much fast I think
balbaster 3 years ago
Mi è arrivato oggi l'acclamatissimo cd di Scarlatti eseguito da Sudbin. E' veramente stupendo. Ma sono innamorato di questa interpretazione di Michelangeli della K27...
manuelnasci 3 years ago
Which sonata is this?
jansma11 3 years ago
Scarlatti, Op.449 in B minor played by Arturo Benedetti Michelangeli
robertokerr 3 years ago
Thank you.
jansma11 3 years ago
Op.???... Scarlatti publications are L. (Longo) or K. (Kirpatrick) not OPUS!..perhaps recently F. (Fadini)
fabio0077 3 years ago
Comunque, quel op. si riferisce al catalogo di Longo. A proposito, vedo che lei è italiano. È vero che è uscito da poco una nuova edizione delle sonate di Scarlatti, fatta da Emilia Fadini? Siccome non sono in Italia, non trovo quelli volumi. Li ha visto lei?
anaklasis 2 years ago
Y veo que tu eres español, así que, si quieres, podemos seguir en tu lengua, que adoro. A propósito de Fadini, he oido algo pero no estoy seguro de "una nueva edición"...me informo y te paso el dato. Claro que una edición de algunos años, existe ya, y es muy cara!. Si puedo ayudarte en alg más......
fabio0077 2 years ago
Ah, qué bueno. Mejor, porque mi italiano es bastante malo :-D Es cierto lo de Fadini. Son como 30 euros cada volumen.
Por cierto, ¿hay algún libro en Italia que explique como hizo Longo el catálogo de Scarlatti? Muchas gracias!
anaklasis 2 years ago
Si, son efectivamente caras!. Como hizo el catálogo Longo?...ni idea si existe el libro...¿quieres que me informe?
fabio0077 2 years ago
¡Ah, se me ha olvidado otra cosa! El catálogo de Pestelli, ¿es posterior al de Kirkpatrick? ¿Existe? Es que casi nunca veo que se use. Un saludo desde las islas Canarias :-)
anaklasis 2 years ago
El catálogo Pestelli, para mi, es posterior al de Kirkpatrick...pero no he visto jamás una sonata de Scarlatti publicada con el número de catálogo "pestelli"...
fabio0077 2 years ago
domenico scarlatti, sonata K29
balbaster 3 years ago
balbaster, no, it´s from K27 !!!!
artsloving 3 years ago
orry I had a mistake. It's funny because it's my Scarlatti's favourite sonata, but when I wrote the number my finger went out to the seven. I apologise again
balbaster 3 years ago
I couldn´t agree more, Michelangeli is definitely the perfection!
robertokerr 3 years ago
Se al pianoforte esiste la perfezione lui l'aveva definitivmente raggiunta. In lacrime di commozione lo ringrazio.
ephaistion 3 years ago 2
I couldn´t agree more!!!! Michelangeli is definitely the perfection!
robertokerr 3 years ago
trascendentale.
aedo67 3 years ago
Divino Maestro!! Lei non se ne avrà male se dico che in questa sonata preferisco Ghilels. La sua grandezza in qualsiasi caso è superiore a queste nostre piccole fisime.. Sono felice di essermi recato alla sua estrema dimora a Pura..Il Signore in cui lei credeva l'avrà certamente accolta con gli onori che si merita; lei, assieme a tutti i grandi dell'arte, di qualsiasi arte, che ci rendono, a volte, meno penoso questo tribolato eistere.
Quaggiù siamo in tanti ad averla nel cuore.!
ilovescarlatti 4 years ago
senza intenti pedagogici ci tenevo a dire che michelangelo è stato un grandissimo artista.
luca s.
breamilcattivo 4 years ago
Si...Buonarroti!...questo è MichelangelI, e non è un nome, bensì un COGNOME.. :-) SI chiamava Arturo... Ciro per gli amici.
fabio0077 3 years ago
le illumination di rimbaud non hanno nulla da invidiare al tuo commento. grazie ancora
breamilcattivo 3 years ago
ahhh scusa anche in questo caso c'è un errore di battitura(le illuminazioni). ovvio!! certi errori sono irrimediabili. sarà colpa di madre natura?
breamilcattivo 3 years ago
...sicuramente!...
fabio0077 3 years ago
moi grande!
uhr1kraft 3 years ago
non basta il coraggio di fare delle scelte musicali occorre essere liberi di portele fare.
lo studio non deve mai renderci alieni da quello che abbiamo il dovere di capire ma anche di amare.
breamilcattivo 4 years ago
He had one of the most marvelous sounds
pentium1000 4 years ago
incredible
fighter79mi 4 years ago
Scarlatti played by Michelangeli. Perfect! It has all the clarity and beauty of the finest chianti wine. His hands - like the antique white porcelain caressing ivory keys. He always played with such nobility, like a Prince.The Prince Of The Piano! I love this - I really do! Thanks for posting this video performance enrique 19889....it's wonderful!
Phillip Wilcher (composer)
PhillipLWilcher 4 years ago
I've never thought of playing this sonata this fast but it sounds great this way
Neongrapes 4 years ago
The question to answer isn't, "Is this Baroque?" The question is, "Is this good?" And it is.
MitchelWeaver 4 years ago
Marvelous! Although the audio is in fact a half step higher to what he's actually playing.
pupusman 4 years ago
eddai piantatela di cercare di fare i grandi critici,michelangeli è un grande pianista,se fa delle scelte musicali è per ragioni artistiche ben precise e pensate(che possono anche essere non condivise,sia chiaro,ma da qui a dire che manca di musicalità..)e poi è scarlatti mica chopin,io trovo che sia un'esecuzione impeccabile dal punto di vista stilistico
pspdipendente 4 years ago
I like it,I listen respectfully,but on my op.
it's absurdly fast overall,missing musicality-
It's his rendition,not the unique acceptable
one =
indigoblue555 4 years ago
To fast for my taste.
Terpentijn 4 years ago
He escuchado muchas versiones de esta fantastica sonata, en clavicordio, piano y con diferentes velocidades. Todas son maravillosas. Cuando la oigo me dan ganas de llorar.
condoritomex 4 years ago
Comment removed
brianCIM 4 years ago
Demasiado rápido sin dudas. El típico vicio de los virtuosos. Las líneas se confunden después de la mitad.
Cultor1 4 years ago
Una fantastica interpretazione, Michelangeli è un Dio. Unica pecca è il sonoro, dato che all'inizio c'è scritto "Sonata in si minore", il problema è che si sente un semitono sopra, in DO minore (avendo l'orecchio assoluto provo un grosso fastidio.....)
pianomusic92 4 years ago
invece la tua modestia è mezzo tono sotto
caccaminguscia 4 years ago 2
il solito gigantesco Michelangeli. Un suono formidabile...! Un genio, ma per il mio gusto, il suo massimo lo raggiunge con Chopin, Schumann e Debussy!
parolibera 4 years ago
Darebbe fastidio se SAI che è in si minore e SAI tutte le note...ma se l'ascolti senza tutte queste "indicazioni" (intendo il "cartello" che dice che è in si minore, altrimenti tu diresti E' IN DO MINORE!), DICEVO, tanto vale in si minore che in do minore...non credo che il tuo raffinato orecchio assoluto ne risenta più di tanto. No?
fabio0077 3 years ago
prima di parlare di Benedetti michelangeli sciacquarsi la bocca, please!
veliko1970 4 years ago
Si Domenico hubiera tenido un piano moderno habria escrito distinto. Nadaque ver con la intencion del compositor.
internosil 4 years ago
From personal taste to absolute statements! Is there a third way between?
indigoblue555 4 years ago
Scusate, ma io non ci vedo niente di cantabile in questa sonata. Questa è la velocità a cui andrebbe suonata, e basta! Poi è chiaro, se uno non ce la fa...
framaulo 4 years ago
wat beautiful hands! but wat a dirty piano...
jazaleax 4 years ago
Did he record compilations of baroque keybord music?
I'd like to listen him playing 600/700 composers -
Thank you for help.
indigoblue555 4 years ago
predispone per il video alcune note di regia ed aggiunge un accordo conclusivo. Sembrerebbe un saggio, un campione di prova. La sonata così veloce è raro sentirla, ma non credo sia estranea allo spirito di Scarlatti la ricerca di un immagine artificiosa degli ingranaggi sonori, la perfezione fredda degli uccelli meccanici, degli orologi, dei giardini desolatamente incantati. Da febbre.Peccato non ci sia una versione simmetrica e cantabile dello stesso Michelangeli.
enantiodrom 4 years ago
omg it's scarlatti
come on!
jefftam1234 4 years ago
Maravilloso, mi sonata favorita tocada por un maestro.
condoritomex 4 years ago
gilels la suonava molto piu lenta...cosi nn l'ho mai sentita...stupenda..grande !
goldberg72 5 years ago
È un genio che suona una splendida opera di Scarlatti. Da notare il raddoppio del basso e l'accordo finale , che Michelangeli aggiunge come "firma". Splendido.
ToccodelDestino 5 years ago
i geni non hanno bisogno di commenti
baccomatto 5 years ago
Arturo Benedetti Michelangeli era unico! é stato il più grande pianista di sempre con tutte le sue manie e le sue follie! un genio!!!
ccamonline 5 years ago
Not necessarily. "This is" and "it's" are both valid translations, depending on the context. In this case "it's" is clearly better.
weikko79 5 years ago
This is the more "historically accurate" way to play this piece; other interpretations, such as Perahia's, are certainly beautiful, but rather romanticized.
Tajoumaru 5 years ago
Dig the pinky ring! ha ha
MitchelWeaver 5 years ago
Cette interpretation est fabuleuse, c'est simplement Beau !
This interpretation is fabulous, it's simply Beautiful !
rhadamanthes82 5 years ago
When a piece is supposed to be played fast, it should be. In my opinion, this is the perfect speed for this piece, and the others out there just sound like they drag on.
pianoman2112 5 years ago
the best video of piano ever; du grand art
angelussilecius 5 years ago
So the faster one plays the better??? Like a car race? Never quite considered that perspective of piano playing.
shilloshillos 5 years ago
Go to Amazon and listen to clips of other professionals play this piece. This is easily more than twice as fast as anyone else and no one else plays it flawlessly like he does!!
StrivetobeDust 5 years ago
I certainly don't mean it as an insult to the man himself, really. Good-natured ribbing, I'd call it.
I used to envision him as a human player-piano until I heard his take on "Gaspard de la nuit."
Previati 5 years ago
He is probably the most perfect pianist to watch. Amazing mechanism and a great (although sometimes too quiky) musician.
suremate 5 years ago
Very nice Scarlatti from that Italian andriod.
The video itself is very well made, to boot.
Previati 5 years ago
He is precise, what is expected in this type of piece, but an android sounds abit insultive.
waytoocool 5 years ago
awesome, we need more michelangeli!
dongchinchin 5 years ago