great playingSIR pls may I ask of your HELP I have been trying to Help WARN the DRUMMER COMMUNITY about the WESTs 3rd BIGGEST KILLER and theWESTs 1st INCAPACITATOR its about the danger of S T R O K E TO US DRUMMERS as I have been Paralysed by a big one and i can only make noise with just ONE HAND& ONE FOOT ONLY I am genuinely trying to HELP my bros&sistrs pls help by sending my 2 part film to ALL YOUR CONTACTS
The best thing in my opinion about polyrhythms is you can make nice and smooth tempo changes instead of changing the tempo out of nowhere. Great example is from the band Between the Buried and Me. They do it all the time!
oh, and he says himself he compromises the rhythm at the end of the fill when the rhythm doesn't end on the downbeat. I think, in order to insure its a polymeter, that it would have to remain constant in the piece.
could be but im not so conviced to make it into a polymetre it has to all finish properly. the polymetre could just be changed for the last bar to make it fit anyway so
Hmm, well I guess I'm not quite sure what a polymetre is then but I do know what a polyrhythm is, and this is one. It could be both but it's definitely a polyrhythm if it's anything.
That's not really a polyrhythm; you're just phrasing 16th notes in groups of fives. In the same vein, accenting every third 16th note isn't a polyrhythm. You also start by playing 4 over 5, not 5 over 4 (the second number is typically the quarter note). It's still a cool idea, though.
The RLRLL sticking is very common. Steve Smith goes into it in Steve Smith Part II, as does Steve Holmes in his video Shed Some Light.
by my understanding, i would agree that the fill is "polyrhythmic", given that multiple pulses are being felt simultaneously. can you clarify the distinction?
also... have i misunderstood? you're saying he should call it 4 over 5? by your logic, the second note being the quarter note, surely it should still be 5 over 4.
no its not. 5 over 4 are quintuplets accenting every fourth note. just like 3 vs 4 doesn't sound like 4 vs 3 its 2 different things. the first note is the subdivision the second is how often u accent it.
its not 4 over 5 because that would imply playing quintuplets and accenting in 4's... the subdivision (bottom note) is 4 because he is playing 16th notes and its 5 over 4 because he is accenting a group of 5 overlapping with a 4 subdivision
there are 2 meanings to 5 over 4... one is quintuplets and the other is a polyrhythm
so although your technically right, in this case it is classed as a "5 over 4 polyrhythm" not a subdivision of 5 over 4
id call it a polymetre but it works as a polyrhythm too. accenting every 5 notes in a 4 note bar is crossing the hands over the bar of foot. meaning its a polyrhythm, or polymetre for me
I've watched the youtube v=c6rUE5Px8pw, and he explains how the example presented is actually one of a polyMETER not polyrhythm. The difference is subtle, but interesting.
Anyone really interested in this stuff should check out Gary Chaffee's book "technique" from the pattern series. Chaffee taught Colaiuta and Smith this stuff. This book changed my life and totally redefined my style and approach toward drumming and playing music.
Great useful video. Ive been experimenting with this but theres some really good stuff to help develop 5's here. Check out some of my lesson videos if you get a chance.
Can you transcribe or write out the thing you do at Snare staying on back beat? So I can look at it written out. If you could Ill send you a message with my info.....If not, I'll understand but tell me...
It's not 5/16 over 4/4. It's either 5/16 over 1/4, or 20/16 over 4/4. Still, it's a good concept to know, if you have a bass player that gets it. Otherwise, you might find yourself in bad spot when you break it out on a gig and the rest of the band can't follow...
Yes, the pattern will resolve on beat 1 of bar 5, however unless you're playing in 5/4 or want to do one of those funky fills that goes into the next bar then you'd probably cut it short.
yeah I've been taught this would be a cross rhythm as well. being a repetitive phrase that crosses the bar line. but either way, doesn't matter, just splitting hairs. you're a very good drummer, and your youtube videos are great. some really nice concepts.
Great videos! your doing a birlliant job, I really love the concept of polyrhythms but its taking me a while to be able to play some grooves fluently using the technique.
dude you rock man...your the one dude i have met on youtube who plays great stuff...and are cool..and you play it with feel..i love the bay area drummers too..but you right there with them man...your fills arnet boring
The polyrhythm sounds the same, but occurs over 5 quarter notes. Once you know how it sounds you can start counting the other way round. This is just a way of implementing interesting over-the-barline patterns. I rarely use quintuplets as I'm not in Frank Zappa's band. To be honest, I rarely use this, but it's a good way of working accents and movements through the different 16th notes.
Agreed, but the accented polyrhythm still represents 4v5 or 5v4. Once you know how it sounds you can take it out of that particular 16th note context. If you're not playing a 4/4 groove like in the example you can count the snare part as quintuplets accenting the downbeat and the hihat accenting every 4th note. You could, if you wanted, modulate into a groove subdivided into quintuplets where the snare accents would represent the downbeat. You'd probably get fired though ;)
i should have known to do this a long time ago! thanks for making this easy and sharing this little gem with us all! Will you do a quick video of your technique on splashing the hi-hat....I don't know the correct technique and i want to do it for this lesson :) thanks buddy
great playingSIR pls may I ask of your HELP I have been trying to Help WARN the DRUMMER COMMUNITY about the WESTs 3rd BIGGEST KILLER and theWESTs 1st INCAPACITATOR its about the danger of S T R O K E TO US DRUMMERS as I have been Paralysed by a big one and i can only make noise with just ONE HAND& ONE FOOT ONLY I am genuinely trying to HELP my bros&sistrs pls help by sending my 2 part film to ALL YOUR CONTACTS
CHECK OUT
"DRUMBEATSTROKE"
& MAKE VIRAL
kynancecove 6 months ago
Are the sheets avaliable anywhere? Just to print them out as I find it easyer to learn the beats when I brake the beats down
DisturbedBehaviours 7 months ago
@DisturbedBehaviours Sorry, no sheets for most of the YouTube lessons.
pfefftube 7 months ago
...O.o this frazzled my brain D:
19DrummerGirl97 9 months ago
The best thing in my opinion about polyrhythms is you can make nice and smooth tempo changes instead of changing the tempo out of nowhere. Great example is from the band Between the Buried and Me. They do it all the time!
HiddenEvidence1992 10 months ago
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You will die in seven days if you don't post this comment on 10 videos in the next hour. If you do, tomorrow will be the best day of your life
drums1026 11 months ago
Love that floor tom/snare flam fill round 6:44.
Great vid as usual Joe!
tdrum21 1 year ago
Ha that beat at 3:40 is almost the exact same beat b4 the solo in rosetta stoned by Tool.
mattbassace 1 year ago
Very smooth. Nice vid man.
drumkrazy1984 1 year ago
Muy buenos tus videos y muy didácticos.
Un gran saludo desde Argentina
alejandrobrunini 1 year ago
why do you flail your fingers out on your right hand when playing the accents
alfinut 1 year ago
thats awesome! :)
DavidTananger123 1 year ago
dude you are badass as hell
pmcmanus22 1 year ago
ty very very mach to take me again to play drum. I live in sicily and didn't play from 5 years....
Ty very mach for your important lesson Joe....
God bless you....
MIRACOLADO 2 years ago
it's a pleasure to watch you play drums mate....thanks for sharing.
ALex1210M 2 years ago
wow you are amazing at drums man
nepalnt21 2 years ago
Hi, and great job, very use full. Can you tell me what type of drum set that is, are they yamaha's? Thanks!
snyder5911 2 years ago
have you ever taught to become drum teacher at berklee?
NikeDrums 2 years ago
This is a polymetre, not a polyrhythm.
Feskprins 2 years ago
Great video nonetheless, I should add. (y)
Feskprins 2 years ago 2
Check those definitions again. This is definitely a polyrhythm.
aids514 2 years ago
he's right. the groups of 5 are acting as a seperate time signature over the top of the rest. polymetric
plopenstien 2 years ago
No. because, after the 5 beat fill, he falls back into the main riff, which is totally in 4/4. And he keeps time in 4/4 during the fill, too.
muquesko 2 years ago
oh, and he says himself he compromises the rhythm at the end of the fill when the rhythm doesn't end on the downbeat. I think, in order to insure its a polymeter, that it would have to remain constant in the piece.
muquesko 2 years ago
could be but im not so conviced to make it into a polymetre it has to all finish properly. the polymetre could just be changed for the last bar to make it fit anyway so
plopenstien 2 years ago
Hmm, well I guess I'm not quite sure what a polymetre is then but I do know what a polyrhythm is, and this is one. It could be both but it's definitely a polyrhythm if it's anything.
aids514 2 years ago
it could very well be
plopenstien 2 years ago
Very nice video !!!
What snare drum and ride are you using?
greatkid1 2 years ago
Thanks.
It's a Pearl free floating 5x14 snare (wood) and a 20" K Custom Medium ride.
pfefftube 2 years ago
its free :D ? hehe i wish
Unrated48 2 years ago
That is BAD ASS shizzle!!!
DrummaMan75 2 years ago
You've been playing for as long I've been alive? (since '91) WOW!!!!
If you ever do a clinic in Baltimore please let me know! I want to know everything you know!
Moog167 2 years ago
-is he in 5/4 time
rob11057293 2 years ago
no 4/4 with 5 over the top.. its called a polyrhythm
irateradio 2 years ago
dude thanks!
musicman3000 2 years ago
That's not really a polyrhythm; you're just phrasing 16th notes in groups of fives. In the same vein, accenting every third 16th note isn't a polyrhythm. You also start by playing 4 over 5, not 5 over 4 (the second number is typically the quarter note). It's still a cool idea, though.
The RLRLL sticking is very common. Steve Smith goes into it in Steve Smith Part II, as does Steve Holmes in his video Shed Some Light.
Jackinthehizzle 2 years ago 2
by my understanding, i would agree that the fill is "polyrhythmic", given that multiple pulses are being felt simultaneously. can you clarify the distinction?
also... have i misunderstood? you're saying he should call it 4 over 5? by your logic, the second note being the quarter note, surely it should still be 5 over 4.
please correct me if i'm wrong. :-)
noisyneil 2 years ago
no its not. 5 over 4 are quintuplets accenting every fourth note. just like 3 vs 4 doesn't sound like 4 vs 3 its 2 different things. the first note is the subdivision the second is how often u accent it.
tnsoltw 2 years ago
its not 4 over 5 because that would imply playing quintuplets and accenting in 4's... the subdivision (bottom note) is 4 because he is playing 16th notes and its 5 over 4 because he is accenting a group of 5 overlapping with a 4 subdivision
there are 2 meanings to 5 over 4... one is quintuplets and the other is a polyrhythm
so although your technically right, in this case it is classed as a "5 over 4 polyrhythm" not a subdivision of 5 over 4
irateradio 2 years ago
id call it a polymetre but it works as a polyrhythm too. accenting every 5 notes in a 4 note bar is crossing the hands over the bar of foot. meaning its a polyrhythm, or polymetre for me
plopenstien 2 years ago
I've watched the youtube v=c6rUE5Px8pw, and he explains how the example presented is actually one of a polyMETER not polyrhythm. The difference is subtle, but interesting.
rivanov233 2 years ago
That's awesome!
the 5 instead of 4 by 4
remixer100 2 years ago
Anyone really interested in this stuff should check out Gary Chaffee's book "technique" from the pattern series. Chaffee taught Colaiuta and Smith this stuff. This book changed my life and totally redefined my style and approach toward drumming and playing music.
rouschno1 3 years ago
Your videos have improved my drumming immensly in the past 4 months and for that i thank you.
Slayer100 3 years ago 5
wow........thats sick man
killingmanbearpig 3 years ago
Can You just post of a video of you busting out. I just want to here to play, your such a solid drummer
somedudeinabox1 3 years ago 7
Great! What an initiative you've taken upon yourself... Awesome video!!!
dtpossx 3 years ago
Great useful video. Ive been experimenting with this but theres some really good stuff to help develop 5's here. Check out some of my lesson videos if you get a chance.
Peace
Sam Nadel
samnadel 3 years ago
do all polyrhythms at some point have to land on 1 together?
cfsvillanueva 3 years ago
eventually yes
amaranthinagony 3 years ago
yea kinda, but nt really, they don't have to
but most likely will end up landing on '1'
NickoMcBrainRulez 2 years ago
Never mind I can do it myself....I found a way even if Im not a great reader or writer'
juanbarros88 3 years ago
better written... Even though Im npt a great writer I have found a way around it hahahaha I guess thats better, I dunno
juanbarros88 3 years ago
Can you transcribe or write out the thing you do at Snare staying on back beat? So I can look at it written out. If you could Ill send you a message with my info.....If not, I'll understand but tell me...
juanbarros88 3 years ago
This just blew my mind. you got some nice stuff there. I'm only just getting into polyrhythms, this was really helpful, thanks
pensivechild 3 years ago
It's not 5/16 over 4/4. It's either 5/16 over 1/4, or 20/16 over 4/4. Still, it's a good concept to know, if you have a bass player that gets it. Otherwise, you might find yourself in bad spot when you break it out on a gig and the rest of the band can't follow...
merckk2 3 years ago
Incredible playing on this and all your lessons!
Is it safe to say that the 5 over 4 polyrhythm resolves back to 1 on Bar 5???All the time?
patricktiglao 3 years ago
Yes, the pattern will resolve on beat 1 of bar 5, however unless you're playing in 5/4 or want to do one of those funky fills that goes into the next bar then you'd probably cut it short.
pfefftube 3 years ago
The china that's between your hi-hat and your Zildjian crash, is an Orion Revolution Pro? Is 16'?
LdBTati 3 years ago
looks like its just a Oriental China Trash. 16" or smaller?
oOojUsTiNoOo 3 years ago
yeah I've been taught this would be a cross rhythm as well. being a repetitive phrase that crosses the bar line. but either way, doesn't matter, just splitting hairs. you're a very good drummer, and your youtube videos are great. some really nice concepts.
jonnykk1 3 years ago
In the U.S. we like to call this concept a Cross-rhythm.
TimEngle 3 years ago
Hi, how long have you been playing?
jazz4 3 years ago
since 1991.
pfefftube 3 years ago
Great videos! your doing a birlliant job, I really love the concept of polyrhythms but its taking me a while to be able to play some grooves fluently using the technique.
cheers
tbizhere 4 years ago
dude you rock man...your the one dude i have met on youtube who plays great stuff...and are cool..and you play it with feel..i love the bay area drummers too..but you right there with them man...your fills arnet boring
cheers
jonathanluchow 4 years ago
man never thought about it in so much detail! just have a bash and it'll come... sorry but that's the best way tp learn!
chrisbristol 4 years ago
not really 5 vs 4
for 5 vs 4 u would need to play 16th note quintuplets (5 vs 1) and accent every 4th note
ur just playing 16ths (4 vs 1) in groups of 5
ur hh is keeping the quarter note
tnsoltw 4 years ago
The polyrhythm sounds the same, but occurs over 5 quarter notes. Once you know how it sounds you can start counting the other way round. This is just a way of implementing interesting over-the-barline patterns. I rarely use quintuplets as I'm not in Frank Zappa's band. To be honest, I rarely use this, but it's a good way of working accents and movements through the different 16th notes.
pfefftube 4 years ago
it definately would not sound the same
the groove you played based it off of is 4/4 so you play 16ths in groups of 5 you'll break the bar line.
16ths in 5/4 = quintuplets in 4/4
tnsoltw 4 years ago
Agreed, but the accented polyrhythm still represents 4v5 or 5v4. Once you know how it sounds you can take it out of that particular 16th note context. If you're not playing a 4/4 groove like in the example you can count the snare part as quintuplets accenting the downbeat and the hihat accenting every 4th note. You could, if you wanted, modulate into a groove subdivided into quintuplets where the snare accents would represent the downbeat. You'd probably get fired though ;)
pfefftube 4 years ago
true it is a matter of convention same with
3 vs 4 and 4 vs 3
there are standards on how to notate polyrhythms so that everyone agrees
good playing on the vid
tnsoltw 4 years ago
i should have known to do this a long time ago! thanks for making this easy and sharing this little gem with us all! Will you do a quick video of your technique on splashing the hi-hat....I don't know the correct technique and i want to do it for this lesson :) thanks buddy
17masonry 4 years ago
Thank you for sharing your chops, very useful
Hercraft 4 years ago
I'm bad at drums : (
Glen060 4 years ago
good dlesson it is helping me quite abit! thanxs
drummerdan33 4 years ago
Amazing playing, and a great lesson. I DEMAND MORE (j/k (but not really))
cjcdrums 4 years ago
Brilliant ! Great playing, and information. This will really help me
Palves 5 years ago
very very cool
melky72 5 years ago