I"m a full-time professional bassist, and to all the non-believers that think Carol Kaye lies: She is so accomplished, she has no reason to lie about anything. I play both with my fingers and with a pick-- a dead set of flatwounds on bass can make fingers and picks sound the same, especially if the tone knob is tweeked just right. I know, I switch back and forth depending on the tune. Carol is the sh!t, and I believe her when she says she played on recordings.
@TheBelgiangiant since it was never documented, there's no way to know. Jamerson's not around to weigh in on it and Kaye was so prolific that there's no way she could remember every session she was on. Either one of those two would have been capable of producing a line like this. No matter who did it, it's one of the great historic bass lines.
I love this song & play it note for note as close as I can on the Bass too. You did an outstanding job my friend. There are 3 particular bass parts in this song I get a kick from, & you, nailed 2 of them. There's a slight hesitation Jamerson has on one of his grooves & I think you've heard it too. It's no biggie really...just the kind of shit I freakin' dig...especially when great players like you pick up on it too. I can tell you have a fine ear & can really listen.
Some questions about Motown bass & JJ that any fair-minded person can ask themselves. These are just _Qs_, so anyone giving this post a thumbs down or removing it is opposed to people asking these Qs (hmmmmm).
Did JJ play on '60s Motown using a pick?
Is a pick audible on the Four Tops' "Eleanor Rigby"? Who may have played bass on it?
Those who have enough true interest in JJ & CK, google "lost my athletic scholarship after participating in the civil rights sit-in". From that page about Frank Wilson (& note "regulars"): "The[...] musicians for [a particular late '65 Motown session] were pulled from the studio regulars that included[...] Carol Kaye[....] As far as it can be established the tapes were dispatched to Detroit [in] November 1965, where they were mixed by Lawrence Horn for submission to Billie Jean Brown."
Quote from Frank Wilson from that page, which says "Frank Wilson March 2009" near the top: "Gordy came out several times [to L.A....] [W]e were taking [him] to the airport[...] and he said, 'What makes you think you can produce?', I said, 'Because I've been producing much of the stuff that you've been hearing'. So he turned to Marc [Gordon] and Hal [Davis]. He said, 'Is that right?' And they said, 'Yes, that's right'." (Matches very well claims CK made to me JNS about 8 years ago)
More from that page about Frank Wilson: "When Berry Gordy decided to open a West Coast Motown office, following his visit there to attend a disc jockey convention in 1963, he asked L.A. veterans Hal Davis, and Marc Gordon to take charge." (Matches what CK's been saying publicly for years -- frequently resulting in scornful reactions from her energetic detractors)
More from that F. Wilson page you can find by googling "I lost my athletic scholarship after participating in the civil rights sit-in demonstrations": "During 1964-65 Frank [Wilson] saw an increasing number of his compositions being released[....] Frank[...] soon found himself[...] supervising recording sessions.[...] At some point in 1965 the decision was taken to launch Frank Wilson as a Motown artist in his own right[... recording in] Armin Steiner's 8 track Sound Recorders studio[....]"
Here is part of a 2/18/2002 (2:03 P.M.) post on the Soulful Detroit Forum: "[...] I'm Billy Wilson President of the Motown Alumni Association.[...] Carol did play on a few lesser know recordings at Motown . . . and I do mean LESSER KNOWN! [...] From 1964 to 1968 the company only used Jamerson." Note that that last sentence contradicts that Frank Wilson page, on which Andrew Rix describes Kaye as one of the "regulars" in L.A. as of '65. (cont.)
Note that Billy Wilson presents himself in the 2/18/2002 post as knowing who played bass on every 1964-1968 Motown recording. (!!!) Now check this out from the same post: "The Motown Alumni Associaton provides information and gives assistance to entities such as the Library Of Congress, the Smithsonian Institute, Motown/Universal Music Group [this is people like Harry Weinger] ,Rythum & Blues Foundation, Motown artists[...]" Should we be surprised there's a Kaye-is-a-liar myth?
Quote from Armin Steiner, Mix magazine interview with Maureen Droney, 2001; compare it to Frank Wilson who was there -- and then to Billy Wilson, and to the Kaye detractors' myths: "From that moment on, word started traveling. Motown got interested, and I was busy all the time. I had Glen Campbell, Billy Strange, Tommy Tedesco, Dennis Budamir, [...] Ray Pohlman[...]. Hal Blaine, Earl Palmer, Joe Osborne, Larry Knecht[e]l[...]" (cont.)
"[...] Bill Pittman, Mike Deasy and, of course, Carol Kaye.[...] I used to have The Supremes up there, Marvin Gaye — my mother used to cook for them. Stevie Wonder was in when he was 9 years old. People think I'm making this stuff up, but it's true. As a matter of fact, I did a film session with Stevie awhile back, and he remembered both me and my studio. It was a different time, a different place. You couldn't do that kind of thing now, the city wouldn't allow it. I mean, it was all illegal."
Regarding JJ and CK: Harry Weinger works for _Universal_ and has access to Motown master tapes. Weinger takes Slutsky seriously as a researcher. Is Weinger's only source for JJ on bass on SW's "I Made To Love Her" Slutsky? Is Slutsky's story that Benjamin's nickname being heard on the master of it proves that _Jamerson_ was present a reasonable story? Could Kaye and Benjamin have recorded together in LA, for instance? Who says Benjamin didn't session in LA? Slutsky, who never met JJ or BB?
Billy Wilson, president of the MAA, wrote to me yesterday: "Virtually all that [CK] has said is true[....]" I'm not sure what to think about the difference between that and what he wrote in 2002 (e.g. perhaps he's done quite a bit of research at some point during the last seven years?), but in fairness to him I'm mentioning it here.
a classic, mate you've got the notes but you're getting just a little carried-away and leaving the song behind. so take it steady, with bass playing the timing is everything.
This comment has received too many negative votesshow
Hi Everyone,
Carol Kaye did indeed play this bassline on the recording and not all of Motown was cut in Detroit.Some was cut in California.Carol is telling the truth.Her and Jamerson both are definately bass legends.
... According to Carol, this tune was recorded at Armin Steiner's studio and she recalls "I didn't like the final written riff that I played high up in unison with the horns. You can also hear where I was scuffling a bit with open strings a couple of times".
As far as "scuffling" around, the performance is perfect.
"I Was Made To Love Her" is rhythm section and strings. There are no horns on that record.
Absolute nonsense!! This was played by James Jamerson, there is a sworn affidavit by Henry Cosby, the co-writer, arranger and producer on this tune, and he had confirmed it was played by James Jamerson. Anyway, Motown didn't move its recording operations to California until 1972, "I Was Made To Love Her" was recorded and released in 1967.
Carol needs to just stop this craziness about having played James' parts. It's bizarre behavior that only casts a shadow on her other real accomplishments.
this actually very good, very fluid. do you like your p bass special? im thinkin but gettin one. i have to say though, you look at times as though you're havin an orgasm! lol. great job though
the p-bass is nice. i also own a fender jazz (MIA). i prefer the jazz because of its smaller neck (i have small hands) so its easyer to play for me. but for value/money the p-bass is great!
he was playing it right, its just that he needs to put the sponge under the strings to get it to sound authentic, youre hearing string mutes that normally wouldnt be needed with the sponge. try it on your bass its fun.
Don't apologise. Tricky line, and so great on so many levels. It was Jamerson. Carol Kaye never recorded in Detroit. This record was recorded at 2648. She recorded a lot of the later stuff, such as the Jackson 5, but she was not alone. Wilton Felder (Crusaders) played some beautiful things too. She seemed to go through a phase where she claimed credit for everything. Got caught out, and has been shamed ever since. Pity. She is a very fine musician. This is not her though.
YOU ARE AWESOME!!! I love that song, but what realllly makes that song is the bass... It's also great to see that your so into it, reminds me of myself when I'm driving and listening to it :-)
However, and if I may, it *was* Carol Kaye and not James Jamerson who played this bass part. You can check out Carol's web site and listen to the actual (isolated) bass track featured in her sound library. There, you'll also see the amazing (and endless) list of hits she played on. In fact, chances are she is the most recorded session musician bar none.
Well, there's what Carol claims and then there's everyone else:
"Hank Cosby who co-wrote, produced it, and who, in his own words, "was there every step of the way from the writing of the song to the day the 45's were shipped", vehemently denied any participation by Carol Kaye on this recording. Cosby added, "Fifty percent of the song was James Jamerson's bass line. No one played like that but Jamerson."
In the spirit of objectivity, I researched this myself and what I found confirms your report. Being a fan of huge fan of both Jamerson and Kaye, I had no reason to suspect that any such controversy would even exist. Now, I, must admit, I am leaning towards believing it was Jamerson. Incidentally, I did see the movie (Standing in the Shadow of Motown) and according to Jamerson's fellow band members, he plucked with only one finger! And he played "Grape vine" while lying on his back, on the floor.
Still obsessed with the issue of "Motive" Plus, I saw a clip where neither McCartney nor Harrison could remember who played bass on
"Golden Slumbers" and George Martin solved the puzzle by pointing out a subtle clue in the recordings (it was Harrison), here what I am thinking: If this bass line was PICKED then it was Carol who played it. If it was PLUCKED then it was Jamerson. Again, I am **totally** objective and I apologize if I have offended anyone with my follow up remarks.
i dont think anyone can emulate the real sound of james, but i know what you mean. the feeling of the song doesnt get supported that well through my playing. but as mentioned in the info, i was in a hurry and am not able to upload anything new any time soon.
don't worry about sounding like james. the best you can do is borrow his technique and incorporate it into your own playing. if you feel the song it'll just pour right out of your fingers without having to even think.
great job btw but like i said feel it in your bones and it'll sound 1000 times smoother and rounder.
But yeah re-record this. Sit down, Turn up the background music a little bit so people can hear what you're playing to a little bit better. (not that big of a problem by the way)
And don't work about having to do anything to look good while playing.
thx for your comment! if i have the time ill reupload. but the next few weeks im quite stressed... and i dont want to look good, this faces and movements just "happen" - im sorry ;)
You did a pretty good job dude. I do think you should re-record. Next time maybe sit down it will be easier to you to focus on. You messed up a couple of times. I'm giving you a four star because you're the person who I can hear both the bass and background music.
the main thing is that you look like you enjoy it and feel the real groove of the song. Like you said, it's not perfect and you get hung up a few times but overall your enthusiasm picked up those parts. 3 & 1/2 out of 5.
one milion percent this is jamersons bassline. EVEN STEVIE WONDER SAID SO. Carol Kaye let the late great man R.I.P
chu1111111 1 year ago
oh, and dude in video needs to practice a little more.
TheBelgiangiant 1 year ago
I"m a full-time professional bassist, and to all the non-believers that think Carol Kaye lies: She is so accomplished, she has no reason to lie about anything. I play both with my fingers and with a pick-- a dead set of flatwounds on bass can make fingers and picks sound the same, especially if the tone knob is tweeked just right. I know, I switch back and forth depending on the tune. Carol is the sh!t, and I believe her when she says she played on recordings.
TheBelgiangiant 1 year ago
@TheBelgiangiant since it was never documented, there's no way to know. Jamerson's not around to weigh in on it and Kaye was so prolific that there's no way she could remember every session she was on. Either one of those two would have been capable of producing a line like this. No matter who did it, it's one of the great historic bass lines.
olflatop 1 year ago
Fantastic job, man! And it is Jamerson on the original. Jamerson played with his finger, Kaye played with her pick. Different sound altogether.
mjs3888 1 year ago
Great fingering and technique....work on your time.
ROCKSTARCRANE 1 year ago
this sounds like such a james jamerson bassline.. would love to get a definitive answer
miamiwax 1 year ago
NO WAY Carol Kaye played this! She plays with a pick and Jamerson had had the legendary hook.
Duraan84 1 year ago
One of my favorite Jamerson songs! EXCELLENT job.
4eyed4stringer 1 year ago
Awesome!
oktoplay 2 years ago
Rught on the money, good job!
marexvr 2 years ago
I love this song & play it note for note as close as I can on the Bass too. You did an outstanding job my friend. There are 3 particular bass parts in this song I get a kick from, & you, nailed 2 of them. There's a slight hesitation Jamerson has on one of his grooves & I think you've heard it too. It's no biggie really...just the kind of shit I freakin' dig...especially when great players like you pick up on it too. I can tell you have a fine ear & can really listen.
Good choice in songs !!
jbyesterday 2 years ago
wow, beautiful bass dude
BassandLongboardguy 2 years ago
great!
s8thMPkar98 2 years ago
Wow - awesome, my brother!
BeeFlannel 2 years ago
Great job jocko! And the way you gave arcellus credit shows a lot of class!
crjaded 2 years ago
good job... this is definitely not Carol's bassline, she likes to put her name a lot of basslines that she did not write.
hamaduku 2 years ago
Hey man!
Is this Squier P Bass Special???
FunkyFellaDaBassist 2 years ago
Sure looks that way!
IcyMidnight 2 years ago
wow awesome! good JOB man!
Aux844 2 years ago
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Some questions about Motown bass & JJ that any fair-minded person can ask themselves. These are just _Qs_, so anyone giving this post a thumbs down or removing it is opposed to people asking these Qs (hmmmmm).
Did JJ play on '60s Motown using a pick?
Is a pick audible on the Four Tops' "Eleanor Rigby"? Who may have played bass on it?
Same Qs, Stevie's "Respect"?
Same, mono mix of Four Tops' "Bernadette"?
Same, B. Holloway's "Just Look What You've Done"?
Where has BH said the last was recorded?
JosephNScott 2 years ago
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Those who have enough true interest in JJ & CK, google "lost my athletic scholarship after participating in the civil rights sit-in". From that page about Frank Wilson (& note "regulars"): "The[...] musicians for [a particular late '65 Motown session] were pulled from the studio regulars that included[...] Carol Kaye[....] As far as it can be established the tapes were dispatched to Detroit [in] November 1965, where they were mixed by Lawrence Horn for submission to Billie Jean Brown."
JosephNScott 2 years ago
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Quote from Frank Wilson from that page, which says "Frank Wilson March 2009" near the top: "Gordy came out several times [to L.A....] [W]e were taking [him] to the airport[...] and he said, 'What makes you think you can produce?', I said, 'Because I've been producing much of the stuff that you've been hearing'. So he turned to Marc [Gordon] and Hal [Davis]. He said, 'Is that right?' And they said, 'Yes, that's right'." (Matches very well claims CK made to me JNS about 8 years ago)
JosephNScott 2 years ago
This has been flagged as spam show
More from that page about Frank Wilson: "When Berry Gordy decided to open a West Coast Motown office, following his visit there to attend a disc jockey convention in 1963, he asked L.A. veterans Hal Davis, and Marc Gordon to take charge." (Matches what CK's been saying publicly for years -- frequently resulting in scornful reactions from her energetic detractors)
JosephNScott 2 years ago
This has been flagged as spam show
More from that F. Wilson page you can find by googling "I lost my athletic scholarship after participating in the civil rights sit-in demonstrations": "During 1964-65 Frank [Wilson] saw an increasing number of his compositions being released[....] Frank[...] soon found himself[...] supervising recording sessions.[...] At some point in 1965 the decision was taken to launch Frank Wilson as a Motown artist in his own right[... recording in] Armin Steiner's 8 track Sound Recorders studio[....]"
JosephNScott 2 years ago
This has been flagged as spam show
Here is part of a 2/18/2002 (2:03 P.M.) post on the Soulful Detroit Forum: "[...] I'm Billy Wilson President of the Motown Alumni Association.[...] Carol did play on a few lesser know recordings at Motown . . . and I do mean LESSER KNOWN! [...] From 1964 to 1968 the company only used Jamerson." Note that that last sentence contradicts that Frank Wilson page, on which Andrew Rix describes Kaye as one of the "regulars" in L.A. as of '65. (cont.)
JosephNScott 2 years ago
This has been flagged as spam show
Note that Billy Wilson presents himself in the 2/18/2002 post as knowing who played bass on every 1964-1968 Motown recording. (!!!) Now check this out from the same post: "The Motown Alumni Associaton provides information and gives assistance to entities such as the Library Of Congress, the Smithsonian Institute, Motown/Universal Music Group [this is people like Harry Weinger] ,Rythum & Blues Foundation, Motown artists[...]" Should we be surprised there's a Kaye-is-a-liar myth?
JosephNScott 2 years ago
This has been flagged as spam show
Quote from Armin Steiner, Mix magazine interview with Maureen Droney, 2001; compare it to Frank Wilson who was there -- and then to Billy Wilson, and to the Kaye detractors' myths: "From that moment on, word started traveling. Motown got interested, and I was busy all the time. I had Glen Campbell, Billy Strange, Tommy Tedesco, Dennis Budamir, [...] Ray Pohlman[...]. Hal Blaine, Earl Palmer, Joe Osborne, Larry Knecht[e]l[...]" (cont.)
JosephNScott 2 years ago
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"[...] Bill Pittman, Mike Deasy and, of course, Carol Kaye.[...] I used to have The Supremes up there, Marvin Gaye — my mother used to cook for them. Stevie Wonder was in when he was 9 years old. People think I'm making this stuff up, but it's true. As a matter of fact, I did a film session with Stevie awhile back, and he remembered both me and my studio. It was a different time, a different place. You couldn't do that kind of thing now, the city wouldn't allow it. I mean, it was all illegal."
JosephNScott 2 years ago
This has been flagged as spam show
Regarding JJ and CK: Harry Weinger works for _Universal_ and has access to Motown master tapes. Weinger takes Slutsky seriously as a researcher. Is Weinger's only source for JJ on bass on SW's "I Made To Love Her" Slutsky? Is Slutsky's story that Benjamin's nickname being heard on the master of it proves that _Jamerson_ was present a reasonable story? Could Kaye and Benjamin have recorded together in LA, for instance? Who says Benjamin didn't session in LA? Slutsky, who never met JJ or BB?
JosephNScott 2 years ago
Billy Wilson, president of the MAA, wrote to me yesterday: "Virtually all that [CK] has said is true[....]" I'm not sure what to think about the difference between that and what he wrote in 2002 (e.g. perhaps he's done quite a bit of research at some point during the last seven years?), but in fairness to him I'm mentioning it here.
JosephNScott 2 years ago
nice you showed me i was on the right track!
ferdmert 2 years ago
Rockin
biscayne427 2 years ago
relax. but def good. keep up the good work
aldo4418 3 years ago
Great job ! I love that song.
dkcvv 3 years ago
nice playing! one of Jamersons best lines 5*
funkbrother007 3 years ago
didnt babbit play the stevie wonder tracks?
ferdmert 2 years ago
Nice!
runthe400m 3 years ago
a classic, mate you've got the notes but you're getting just a little carried-away and leaving the song behind. so take it steady, with bass playing the timing is everything.
eamonosu 3 years ago 2
i 've got the same bass and althought is a litle hrd you play it very well
MrSoft24 3 years ago
Nice job. Thanks for posting.
marksmail2 3 years ago
This comment has received too many negative votes show
Hi Everyone,
Carol Kaye did indeed play this bassline on the recording and not all of Motown was cut in Detroit.Some was cut in California.Carol is telling the truth.Her and Jamerson both are definately bass legends.
oldschoolbbass 3 years ago
... According to Carol, this tune was recorded at Armin Steiner's studio and she recalls "I didn't like the final written riff that I played high up in unison with the horns. You can also hear where I was scuffling a bit with open strings a couple of times".
As far as "scuffling" around, the performance is perfect.
"I Was Made To Love Her" is rhythm section and strings. There are no horns on that record.
Case closed.
psychedelicblues69 3 years ago
Absolute nonsense!! This was played by James Jamerson, there is a sworn affidavit by Henry Cosby, the co-writer, arranger and producer on this tune, and he had confirmed it was played by James Jamerson. Anyway, Motown didn't move its recording operations to California until 1972, "I Was Made To Love Her" was recorded and released in 1967.
EddieG1888 3 years ago
Carol needs to just stop this craziness about having played James' parts. It's bizarre behavior that only casts a shadow on her other real accomplishments.
idahovandal 3 years ago
this actually very good, very fluid. do you like your p bass special? im thinkin but gettin one. i have to say though, you look at times as though you're havin an orgasm! lol. great job though
T2TD 3 years ago
the p-bass is nice. i also own a fender jazz (MIA). i prefer the jazz because of its smaller neck (i have small hands) so its easyer to play for me. but for value/money the p-bass is great!
jockoPchetB 3 years ago
AFAIK That p-bass special (this is the satin pewter & black colour combo) comes with a jazz neck so should be the exact same size.
I just ordered this bass and my research indicates its so. This is of course for the 2009 line.
I hope it's pretty/bass ass looking ;P. It's so hard to find decent quality, real life pictures of this model online.
IcyMidnight 2 years ago
Too many incorrect notes and you're rushing it. Go back & listen closely.
ROCKSTARCRANE 3 years ago
are you a 62 year old nobody trying to get one last jab in before you fall face first into your morning farina?
jloch84 3 years ago
hahahahh lol!! that was great!!
T2TD 3 years ago
Haha, yeah I love how he doesn't have any videos himself.
NSGSplatmaster 3 years ago
he was playing it right, its just that he needs to put the sponge under the strings to get it to sound authentic, youre hearing string mutes that normally wouldnt be needed with the sponge. try it on your bass its fun.
ferdmert 2 years ago
great playing
you just rush some of the straight 16th note fills, which are the hardest. it just takes practice
norms005 3 years ago
I've got the same Bass. I love it. But in the video it isn't as beautiful like in reality. ;)
Well played!
luvas222 3 years ago
thx for that great compliment! :) yeah, i like that bass too!
jockoPchetB 3 years ago
thx for your comments guys! i really appreciate them =)
jockoPchetB 3 years ago
you just look like funny guy lol
kings57 3 years ago
i am ;)
jockoPchetB 3 years ago
Really COOL- consider will you that song is years older than he is!
akickinthenuts 3 years ago
STILLAVRIL1 3 years ago
Jamerson played everything with one finger. Stand up bass up into the precision. Good job pal
chersch5 3 years ago
thats my bass.
the same colour, everythin. LOLZZ
richardjaydan 3 years ago
YOU ARE AWESOME!!! I love that song, but what realllly makes that song is the bass... It's also great to see that your so into it, reminds me of myself when I'm driving and listening to it :-)
snustin44 3 years ago
thank you! and thanks for the info nudebass
jockoPchetB 3 years ago
i thought you did a good job
memefe 3 years ago
Hi,
Excellent job!
However, and if I may, it *was* Carol Kaye and not James Jamerson who played this bass part. You can check out Carol's web site and listen to the actual (isolated) bass track featured in her sound library. There, you'll also see the amazing (and endless) list of hits she played on. In fact, chances are she is the most recorded session musician bar none.
nudebass 3 years ago
Well, there's what Carol claims and then there's everyone else:
"Hank Cosby who co-wrote, produced it, and who, in his own words, "was there every step of the way from the writing of the song to the day the 45's were shipped", vehemently denied any participation by Carol Kaye on this recording. Cosby added, "Fifty percent of the song was James Jamerson's bass line. No one played like that but Jamerson."
EasternLtd 3 years ago
In the spirit of objectivity, I researched this myself and what I found confirms your report. Being a fan of huge fan of both Jamerson and Kaye, I had no reason to suspect that any such controversy would even exist. Now, I, must admit, I am leaning towards believing it was Jamerson. Incidentally, I did see the movie (Standing in the Shadow of Motown) and according to Jamerson's fellow band members, he plucked with only one finger! And he played "Grape vine" while lying on his back, on the floor.
nudebass 3 years ago
Still obsessed with the issue of "Motive" Plus, I saw a clip where neither McCartney nor Harrison could remember who played bass on
"Golden Slumbers" and George Martin solved the puzzle by pointing out a subtle clue in the recordings (it was Harrison), here what I am thinking: If this bass line was PICKED then it was Carol who played it. If it was PLUCKED then it was Jamerson. Again, I am **totally** objective and I apologize if I have offended anyone with my follow up remarks.
nudebass 3 years ago
Good technique, but please add some bottom to that sound. That does not honor the tone of Jamerson.
Brilliantbeing 3 years ago
thx brilliantbeing! yeah. unfortunately i do nut use any recording devices, i just play "live" and my webcam records the sound.
have a nice day!
jockoPchetB 3 years ago
thx jellstokhf!
i dont think anyone can emulate the real sound of james, but i know what you mean. the feeling of the song doesnt get supported that well through my playing. but as mentioned in the info, i was in a hurry and am not able to upload anything new any time soon.
thx for your comment though!
have a nice day :)
jockoPchetB 3 years ago
don't worry about sounding like james. the best you can do is borrow his technique and incorporate it into your own playing. if you feel the song it'll just pour right out of your fingers without having to even think.
great job btw but like i said feel it in your bones and it'll sound 1000 times smoother and rounder.
jloch84 3 years ago
But yeah re-record this. Sit down, Turn up the background music a little bit so people can hear what you're playing to a little bit better. (not that big of a problem by the way)
And don't work about having to do anything to look good while playing.
OtherWorld 3 years ago
thx for your comment! if i have the time ill reupload. but the next few weeks im quite stressed... and i dont want to look good, this faces and movements just "happen" - im sorry ;)
jockoPchetB 3 years ago
You did a pretty good job dude. I do think you should re-record. Next time maybe sit down it will be easier to you to focus on. You messed up a couple of times. I'm giving you a four star because you're the person who I can hear both the bass and background music.
OtherWorld 3 years ago
the main thing is that you look like you enjoy it and feel the real groove of the song. Like you said, it's not perfect and you get hung up a few times but overall your enthusiasm picked up those parts. 3 & 1/2 out of 5.
rhix 3 years ago
thank you very much rhix! its a great compliment to read that someone sees that im enjoying the bassline and feeling the groove.
jockoPchetB 3 years ago