At the beginning I happened to Luis Aracama. I did not understand the question of sagalat. Now I think he specifically asked for the central part of the "Danza de la moza donosa." Ginastera leaves the maiden to set her sights on the long, hard and tough "pampas" Argentine. Ginastera using fourths and fifths shows us the bitterness of those lands. I believe that the increase in volume and pedal here is right and lawful.
Dear Sagalat: Thank´s a lot for your comment. I would like to answer you but sorry I dont know what you mean when you say "much pedal and fortes in the mid-sections" Best Wishes
Agree with Michelmans. Real bravura stuff. Also heard don Luis' perf of 'Criollo Danzas' and the Monsalvatge. All tremendous. I do wonder if the score calls for that much pedal and fortes in the mid-sections?
hola, muy bien tocado, especialmente 'la moza donosa.' tambien estoy estudiandola.
atticus10090 3 years ago
At the beginning I happened to Luis Aracama. I did not understand the question of sagalat. Now I think he specifically asked for the central part of the "Danza de la moza donosa." Ginastera leaves the maiden to set her sights on the long, hard and tough "pampas" Argentine. Ginastera using fourths and fifths shows us the bitterness of those lands. I believe that the increase in volume and pedal here is right and lawful.
michelmans 4 years ago
Dear Sagalat: Thank´s a lot for your comment. I would like to answer you but sorry I dont know what you mean when you say "much pedal and fortes in the mid-sections" Best Wishes
araturco 4 years ago
Agree with Michelmans. Real bravura stuff. Also heard don Luis' perf of 'Criollo Danzas' and the Monsalvatge. All tremendous. I do wonder if the score calls for that much pedal and fortes in the mid-sections?
sagalat 4 years ago
One of the best Ginastera Argentine Dances I ever heard. Bravo. Fabulous Pianist
michelmans 4 years ago