this "song" is not about beauty... it is about a woman awaiting execution having been the cause of death to her baby and mother... she is in awareness of the loss of her soul in eternal death and abandoned in a cold jail...
Funnily enough she seems to be the ONLY person to have kept this in mind while interpreting this aria, which has suffered a vast history of misjudgement by some of the greatest singers in history!!
This is a magisterial recording of a very difficult dramatic aria. I have listened to many famous sopranos sing it well, but here Callas reduces them all to dust. She is simply phenomenal. Everything is there: exemplary phrasing and intonation, long breath control, pianissimo trills and diminuendi, masculine low notes, soaring high notes, overwhelming despair and darkness (listen how she ends the last word). A superb example of a very great singer at the peak of her art.
I love the desperate, almost insane sound she creates at the beginning of the aria, which then resolves into a resigned sweetness as she tells her soul to fly away like a bird. Just the way she says "L'aura e fredda" in that colorless, chilled voice sends shivers down my spine. The woman was a musical and dramatic genius with incredible instincts, but she also had the technical skill to support her instincts and let her genius have full flight within a stylistic framework. She was unique.
Yes! you´re right! I know her entire career.So.What I mean is that despite her further problems on later times,Maria never lost the ability and knowledge as a Complete Singer.And if there´s some people who dont appreciate her work,I think that´s because they are very biased in their appreciation of an artist.E.G.If I listen to a recording of the Great Renata Tebaldi in their lasts concerts would say had a beautiful voice,never was a spinto soprano, and he sang bell canto with no "legato"
Como siempre...la Callas es y será la mejor interpretación de cualquier aria, sea cual sea siento al oírla cantar que ella parecía entender y sentir el lenguaje de cada una!!!marcando un antes y un después en la lírica!!! brava!!!!
La profundidad de la voz que enaltece el sentimiendo y el carácter más íntimo y desgarrador del ser humano se refleja en esta aria. Es increíble como Callas sondea hasta lo más pronfundo de su corazón y hace de esta aria algo realmente único.
@sinuhe28 Debo agradecerte... no encontraba las palabras exactas para expresar lo que ES la Callas y tú lo lograste. Su voz, profunda, íntima, desgarradora, enaltece todo sentimiento ... sus cambios tonales son realmente magníficos
@gomongio Saber expresar las emociones que produce una voz como la de Callas y llegar hasta lo más profundo del sentimiento del canto, es algo tremendamente difícil pero he aquí la plenitud del carácter hecho aria, voz y música. Gracias por tu comentario. Larga vida a La Divina.
Un giorno accesi la radio , tanti anni fa, Maria cantava questo pezzo, a me noto ed ascoltato da altre grandi. Era come lo sentissi per la prima volta, una meraviglia assoluta::))
quest'aria, come tutte le arie dal contenuto estremamente tragico, danno emozioni centuplicate se cantate dalla callas, non è questione di voce è questione di anima
d'accordissimo.....non è solo voce, ci vuole il cuore....ci vogliono il sangue, le viscere....e lei, la Divina, metteva tutto questo cantando....dava tutta se stessa senza riserve, e questo ci giunge cristallino e lampante ancor oggi, consacrandola all'Immortalità dovuta a chi , come Lei, vivrà per sempre in virtù di ciò che ci ha lasciato in eredità...preziosissima....
GOOD NEWS dear Callas fans!!!! Striker capitulates! The automated production of feces is over. He's a nervous wreck because the great Filaredo gang has destroyed the white knight on his black donkey. Striker, you are alone in a hopeless plight!Go home and lick your wounds!!! Hoohooohaahaahhhaaa..... what a wonderful world...!!! Striker is only a picture of misery.....LOL
I discovered Maria from reading about Linda Ronstadt on Wikipidea. Linda says that hands down, Callas is the greatest female singer ever. I had to check it out for myself and I read maria on Wiki and then over to You Tube to see and hear for myself. I am new to opera and not really inclined to it but I must admit that this is very nice and her range and vocal artistry is remarkable. I have not felt this moved since Paul Potts sang Norma on BGT.
is not it wonderful that with 2 mouse clicks you hear and read whatever you want and most importantly such brilliant pieces ... we must appreciate that and make it better
All truly great singers bow down to Maria Callas, unless they are jealous of heights they will never attain.(Natalie Dessay for example). The rest of us true artist and singers understand why she is the pinnacle, the zenith of the Art of music/singing.
@angelovocci La Divina is and will always be the prime example of musicality, expression and great drama imbedded in one voice. I agree that great singers should be able to understand the grandness of this sublime artist.
This is a magisterial recording of a very difficult dramatic aria. I have heard many famous sopranos sing it well, but here Callas reduces all of them to dust. She is simply phenomenal. Everything is there: exemplary phrasing, long breath control, pianissimo trills and diminuendi, masculine low notes, soaring high notes, overwhelming despair and darkness (listen how she ends the last word). A superb example of a great singer at the peak of her art.
Niemand sonst schaffte es, so authentisch und glaubhaft Gefühle durch ihre Stimme an den Zuhörer zu übermitteln wie Maria Callas. Das gilt auch für die Gegenwart sowie für die Zukunft. Eine einzigartige Gabe, die sie unsterblich macht.
CallasBashers try in vain, to convince anyone they can, that this is not the greatest opera singer of all humanity. A futile effort on their part. All anyone has to do is listen to something like this, then they know there is only one La Divina, and there will be only one La Davina.........
Maria Calla interpreta esta aria con gran destreza de tonos, sentimientos y lo mas importante desde el estado de catarsis del compositor. Callas llega a prenetrar en el mundo de la psiquis y las imagenes, conjuntamente con una geometria y trazos-lineados, en donde el espectador sensible llega a unificarse con la musica, la inspiracion del aria, la humanidad y mas alla con algo atemporal. Gracias Maria Callas. RIP.
@mtnmanjt I strongly believe it is the record companies that have WIDELY published her later works that are at fault. It is hard to find a pre 1960 recording of Callas when in 1940's and early 50s her voice was on POINT and did not have that ridiculous wobble at the top
@roeslerswiss that "ridiculous wobble at the top" came long after she was a unique artist, earning her place at the top of Opera. My comment is aimed towards the VAST recordings showcasing her later works where her voice was not at her best when it got her where she is now. A lot of people do not appreciate her work due to those late recordings being widely circulated as opposed to earlier ones showing her perfection and what made Callas WHOLE
YouTube has brought to me many things, funny videos, pop songs, memories of childhood. But the way it has brought to me the world of Opera is profound, I havent really listened to it before, I knew of it, but did not understand.
I have listened to all the greats here, but nothing has turned me to tears like this lady singing this song.
@MarchesediCalatrava September 1954. It was part of an aria album designed to showcase Callas' versatility. On one side she sang coloratura arias from "Dinorah", "I vespri siciliani", "Lakmé" and "Il barbiere di Siviglia", on the other she sang heavier pieces from "Adriana Lecouvreur", "Andrea Chenier", "La Wally" and this aria from "Mefistofele". This reflected her programming for concerts where she often combined the coloratura arias with dramatic pieces.
This is the greatest rendition of this aria I ever hope to hear; Callas inhabits the character to such a degree that it is no longer an entertainment but a real life happening. Only Claudia Muzio is up to her level, but not in this piece. Bravo also to the superb Maestro, Tullio Serafin, and the magnificent Philharmonia Orchestra at its peak.
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While Calla's interpreation is magnificent, I would have to respectfully disagree with you and say I feel Muzio's voice had a certain natural and liquid/fluid quality to her voice that Callas never really had. Even in the mid to late forties when Callas was at her prime, her voice sounded manufactured to a degree.
However, the interpretation si very genuine, though.
@SqueakyIri The manufactured voice comment is an allegation that was also made about Guiditta Pasta and Maria Malibran. When one reads Chorley's writings about Pasta, one often thinks he was writing about Callas. But these women were called Geniuses of Song, and their voices and their use of their voices inspired composers such as Bellini and Donizetti to write their greatest masterpieces. When I wrote the Wikipedia article on Callas, I included a quote from Chorley which is worth reading.
Singing on a spiritual level doesn't get any better or any more elevated than this. What is the meaning of Life and death? Why are our spirits trapped within this material physical dimension? Is there a higher dimension to which it can soar?
She have been such good at her beginning .....Great! Do like her every time I can listen to her voice..... There is something in and in between...BRAVA!
even though with a voice which cannot compare in beauty and softness, in this instance Callas is far superior to Tebaldi exactly because she chooses to limit the boundless power of her voice in soft pianos and pianissimos that enhance the beauty of the aria and do honour to the interpreter as do the perfect pronunciation and clear coloratura.
This comment has received too many negative votesshow
it's not a top C it's a B but none the less beautiful. Her version of un bell di however i think is flawed, she pusshes the notes too hard and tips form passionate singing into bad voice production. shame but this piece she does beautifully
come il passero nel bosco, vola vola vola... it sounds like a bird trying to take flight... her soul trying to fly away from the prison cell... the first time it doesn't quite take flight... the second time it succeeds in getting out... and she dies... I suppose.
This comment has received too many negative votesshow
Smartsteve--
Never heard anything this beautiful? Check out Mirella Freni singing the same aria here on YouTube. Freni's version is NOT this beautiful; it is much MORE beautiful.
Hearing Callas sing, to me, is like stripping layers of grime off of a masterwork. Gone are the extraneous histrionics - everything that Callas sings comes directly from her character. Phrases like "l'aura fredda" are colored with such exquisite care. What an artist!
The 1958 Los Angeles performance is more bewitching, with more haunting vocal colours, but this is a superb performance. It's so musical, so haunting... it's literally a mad scene!
L'altra notte in fondo al mare il mio bimbo hanno gettato, or per farmi delirare voglion ch'io l'abbia affogato. L'aura è fredda, il carcer fosco, e la mesta anima mia come il passero del bosco vola via... In letargico sopore è mia madre addormentata, e per colmo dell'orrore dicon ch'io l'abbia attoscata. L'aura è fredda, il carcer fosco, e la mesta anima mia come il passero del bosco vola via...
When it comes to verismo-style music, Callas has few rivals. Her performance is great in terms of technique in the service of expression. Of course, Muzio's performance is remarkable too, and I also admire Tebaldi's singing of the aria.
Interesting, I find it's the other way round. In verismo she has more rivals than in bel canto and in fact I find her main rivals surpass her in verismo.
saverioorlando: I must confess Maria is a very dear creature to me but though I do my best I cannot help to suffer everytime she sings those wobbly and thin high notes and her poor middle.How can I do to understand her fabulous declamato as you said, it seems to me very weak.I suffer because I admire her
You are too eager to suffer for her... and you miss a lot.
Let your admiration for her aside and listen to her as any other singer. She suffered enough from people who expected her to be La Divina
Plus, these are the years when even her detractors would not find too much to say against anything she did... to be honest I wouldn't care what people say are the "good" years. I trust what I hear... And I do hear the best declamato ever in recorded operatic history.
When she sings, you feel as if you are listening into someones private moments, eavesdopping. A real person in distress, certainly not a singer singinging someone elses music and words. It is simply real.
qualcuno inserisca per favore l'esecuzione della stessa aria, live, tratta dal concerto di Los Angeles (la città, non la cantante!) del novembre 1958. (Io non riesco, ma possiedo il file audio)
ESa tensión que Callas daba inesperadamente a las notas y a las frases es el aporte más grande que vocalmente hizo a la Opera. Su canto era humano, vivo, creíble.
I don't think there is a reason to comment Callas' voice... The purity and divinity of her singing are present everytime and in anything she has sang... Simply La Divina...
CALLAS RULES!!! Even after her death in 77 she remains soprano sfogato assoluta of the 20th century! I never liked this aria not because of lack of musical beauty nut because all others sopranos sound fake i don´t belive a wor dthey sing but Callas makes you hear and feel every note! You can feel the regreat of loosing her child
La primera vez que escuché esta aria (fue precisamente esta grabación del 54) me enamoré de la melodía. Es una versión de antología, y para mí es la mejor interpretación que haya escuchado. Callas está maravillosa. Luce una voz extraordinaria.
I dare to advise you to listen to Claudio Muzio singing this song. She sings it in a very different way, but to me it seems, the girls madness is even better performed. And of course both performances are perfect.
@tinyvoicedgheorghiu Amen amen amen, and amen. There is NO excuse for not having a trill, and if you don't, then stick to Puccini, Mascagni, and Giordano. As Callas said, one would never excuse an instrumentalist for not having a trill or being unable to perform certain virtuosic passages. Singers should not be excused for technical deficiencies either.
I agree, a good trill is absolutely necessary here, and Maria had high, low, fast, slow, and soft trills. Tebaldi was incapable of singing this aria correctly because she didn't have a trill. I keep coming back to this recording and not only is the technical polish outstanding, but the interpretation is absolutely searing, overwhelming. I don't think anyone has ever sung this scene so brilliantly nor will it be sung like this again. What the French call DU TRES GRAND ART!
indeed this is very beautiful aria... I didn't know it at first...I heart it the first time in a lounge version, not knowing if it really came out of an opera, and if so, from what one, tried to find out, but couldn't...Than years later bying yet another callas album...There it was !!!
I am still trying to figure out how she changes the dynamics and tempi of her trills so easily. Magnificent document this aria is!
babydrane 4 months ago
tan rara como joan sutherland...............
bellini7verdi 5 months ago
Rare and true.
mariasarda 5 months ago
this "song" is not about beauty... it is about a woman awaiting execution having been the cause of death to her baby and mother... she is in awareness of the loss of her soul in eternal death and abandoned in a cold jail...
Funnily enough she seems to be the ONLY person to have kept this in mind while interpreting this aria, which has suffered a vast history of misjudgement by some of the greatest singers in history!!
MariaCaIIas 6 months ago 7
Que maravilloso debe haber sido ver a Maria Callas interpretando esta aria.
patovaldebenito 7 months ago
No words in my vocabulary can explain the sheer emotion this opera brings out in me.
Kazlat1989 8 months ago 2
Maria,eres unica e irrepetible.
arles1889 8 months ago
Cette interpretation de l' altra notte est pour moi inegalee tant au niveau de l emotion que de la voix
divine maria callas!
30011942 8 months ago 3
Maria emitted such love and spirit through this voice of hers .
A superb example of a great singer... Listen with eyes closed, and soar in another dimension!!
TheMarieV1 9 months ago
This is a magisterial recording of a very difficult dramatic aria. I have listened to many famous sopranos sing it well, but here Callas reduces them all to dust. She is simply phenomenal. Everything is there: exemplary phrasing and intonation, long breath control, pianissimo trills and diminuendi, masculine low notes, soaring high notes, overwhelming despair and darkness (listen how she ends the last word). A superb example of a very great singer at the peak of her art.
philipc67 10 months ago 5
The only version worth listening to! The others are just pathetic!
NEBESHIKU 10 months ago 2
I love the desperate, almost insane sound she creates at the beginning of the aria, which then resolves into a resigned sweetness as she tells her soul to fly away like a bird. Just the way she says "L'aura e fredda" in that colorless, chilled voice sends shivers down my spine. The woman was a musical and dramatic genius with incredible instincts, but she also had the technical skill to support her instincts and let her genius have full flight within a stylistic framework. She was unique.
Shahrdad 10 months ago 15
Callas .... and the others... NOT THE SAME WORLD she was a freak !
argentin 1 year ago 2
@argentin Freak que vous! tympans perforés doivent être! stupide
roeslerswiss 1 year ago
Yes! you´re right! I know her entire career.So.What I mean is that despite her further problems on later times,Maria never lost the ability and knowledge as a Complete Singer.And if there´s some people who dont appreciate her work,I think that´s because they are very biased in their appreciation of an artist.E.G.If I listen to a recording of the Great Renata Tebaldi in their lasts concerts would say had a beautiful voice,never was a spinto soprano, and he sang bell canto with no "legato"
roeslerswiss 1 year ago 3
Almost Supernatural, you can only feel Her, hard to explain on words !!!
Thank you Maria!!!
roeslerswiss 1 year ago
Como siempre...la Callas es y será la mejor interpretación de cualquier aria, sea cual sea siento al oírla cantar que ella parecía entender y sentir el lenguaje de cada una!!!marcando un antes y un después en la lírica!!! brava!!!!
CNoeliaSoprano 1 year ago 3
These are the moments when one feels connected to divinity.
chengducat 1 year ago
@chengducat ...hence the sobriquet "La Divina". She earned it. Love her.
dsenRuskin 1 year ago
Try to understand the passion and the feeling she put in her opera...so you will understand the voice of the music :-)
Thnx for this Video :-)
Sometimes I love Operas too :-D
Oceana84 1 year ago
la plus grande artistiquement, scéniquement , musicalement ,, elle a fait inverser le cours du lyrique ...
une femme blessée dès le départ et partie trop tôt
elle demeure dans nos consciences collectives
je demeure inconditionnelle avant pendant et après ***
amneris54 1 year ago 3
indescrivibile l'emozione che genera, un'aria già di per se emozionante, cantata da una voce unica
zoroas7 1 year ago
pelle d'oca!!
Agodipino 1 year ago
La profundidad de la voz que enaltece el sentimiendo y el carácter más íntimo y desgarrador del ser humano se refleja en esta aria. Es increíble como Callas sondea hasta lo más pronfundo de su corazón y hace de esta aria algo realmente único.
sinuhe28 1 year ago 4
@sinuhe28 Debo agradecerte... no encontraba las palabras exactas para expresar lo que ES la Callas y tú lo lograste. Su voz, profunda, íntima, desgarradora, enaltece todo sentimiento ... sus cambios tonales son realmente magníficos
gomongio 1 year ago
@gomongio Saber expresar las emociones que produce una voz como la de Callas y llegar hasta lo más profundo del sentimiento del canto, es algo tremendamente difícil pero he aquí la plenitud del carácter hecho aria, voz y música. Gracias por tu comentario. Larga vida a La Divina.
sinuhe28 1 year ago 3
Un giorno accesi la radio , tanti anni fa, Maria cantava questo pezzo, a me noto ed ascoltato da altre grandi. Era come lo sentissi per la prima volta, una meraviglia assoluta::))
federricoilgrande 1 year ago
grazie Maria!
ilcavalierriccardo 1 year ago
Very beautiful interpretation ! ! !
Thank you!!!
ManricoV 1 year ago
Thrilling beyond all expectations.
profgv 1 year ago 3
INARRIVABILE!!!!!!!!!!!!!!voto. 9.
MrFrancogianni 1 year ago
BRAVA!!!!!!!!!!
Yangsungeunzzang 1 year ago
Fabulosa Maria, que grandiosa interpretación.
eyez2green 2 years ago 3
quest'aria, come tutte le arie dal contenuto estremamente tragico, danno emozioni centuplicate se cantate dalla callas, non è questione di voce è questione di anima
altjj 2 years ago
@altjj
d'accordissimo.....non è solo voce, ci vuole il cuore....ci vogliono il sangue, le viscere....e lei, la Divina, metteva tutto questo cantando....dava tutta se stessa senza riserve, e questo ci giunge cristallino e lampante ancor oggi, consacrandola all'Immortalità dovuta a chi , come Lei, vivrà per sempre in virtù di ciò che ci ha lasciato in eredità...preziosissima....
nikicover 1 month ago
Callas has set the standards for what opera should be.
rshace4 2 years ago 5
Superb. Excellent. Thank you!
lanimabilanganligot 2 years ago 2
Awesome!
takeabow1010 2 years ago
So beautiful!
lornsby 2 years ago
You are right! She sings it perfect!
rossini0071 2 years ago 2
This has been flagged as spam show
Dear Callas fans!
Striker is a liar and fraud. He breaks the agreement with Filaredo group since 3 days and continues to bash Anna Netrebko on Anna Netrebko sites.
He cannot end his bad comments and we come back to Callas sites if he don't stop his insults right now.
gandor1337 2 years ago
quien podra subir la versión de Licia Albanesse sin duda una version insuperable
MarioAColmenares 2 years ago
Jonathan,
las arias y las canciones uploaded adquieren muchisimo si se agrega en "more info" el texto (lyrics )
Porfa...si ? andele manito !!
ciao desde Italia
eu
eutuve 2 years ago
This has been flagged as spam show
belmanotre 2 years ago
Divina Maria! Solo una parola: grazie.
antonellacolaianni 2 years ago 4
wonderful !
flotdr 2 years ago 2
I discovered Maria from reading about Linda Ronstadt on Wikipidea. Linda says that hands down, Callas is the greatest female singer ever. I had to check it out for myself and I read maria on Wiki and then over to You Tube to see and hear for myself. I am new to opera and not really inclined to it but I must admit that this is very nice and her range and vocal artistry is remarkable. I have not felt this moved since Paul Potts sang Norma on BGT.
bluekarma 2 years ago
is not it wonderful that with 2 mouse clicks you hear and read whatever you want and most importantly such brilliant pieces ... we must appreciate that and make it better
Protos7879 2 years ago
All truly great singers bow down to Maria Callas, unless they are jealous of heights they will never attain.(Natalie Dessay for example). The rest of us true artist and singers understand why she is the pinnacle, the zenith of the Art of music/singing.
angelovocci 2 years ago 10
@angelovocci La Divina is and will always be the prime example of musicality, expression and great drama imbedded in one voice. I agree that great singers should be able to understand the grandness of this sublime artist.
Turand0t 2 years ago
@angelovocci thaks for youy honestity, surely you are great and sensitive person and artis yoursef
anastasia7536 3 months ago
@angelovocci surely yo u are a great person and artist for recognized that ! thanks !
anastasia7536 3 months ago
ecco come si giunge all'immortalità.....
nikimovies 2 years ago
una dea, una voce incantatrice. Sublime, ti entra dentro, con la sua interpretazione semplicemente commovente.
nikimovies 2 years ago
e anche l'orchestra è incredibile.
maxtanz 2 years ago
davvero :)
senesino83 2 years ago
Il mio tesoro.... vocale assoluto.
mariasarda 2 years ago
...i have to do an audition with this song...she is such an inspiration..
blindvisions11 2 years ago
Genius
anthonela1 2 years ago 2
Brilliant! Brava Callas!
jimthewriter 2 years ago 4
Comment removed
jimthewriter 2 years ago
This is a magisterial recording of a very difficult dramatic aria. I have heard many famous sopranos sing it well, but here Callas reduces all of them to dust. She is simply phenomenal. Everything is there: exemplary phrasing, long breath control, pianissimo trills and diminuendi, masculine low notes, soaring high notes, overwhelming despair and darkness (listen how she ends the last word). A superb example of a great singer at the peak of her art.
philipc67 2 years ago 15
Non c'è ne sarà mai più un'altra così.....
melomane57 2 years ago 7
Brava Mariaaaaaaaaaaa
rusalkita 2 years ago 7
God-like. There can be no discussion whether she could or could not be rivalled: only weak-minded and deaf people can have doubts.
Instrumotional 2 years ago 8
Niemand sonst schaffte es, so authentisch und glaubhaft Gefühle durch ihre Stimme an den Zuhörer zu übermitteln wie Maria Callas. Das gilt auch für die Gegenwart sowie für die Zukunft. Eine einzigartige Gabe, die sie unsterblich macht.
VIVA LA CALLAS!!!
Medea59 2 years ago 9
CallasBashers try in vain, to convince anyone they can, that this is not the greatest opera singer of all humanity. A futile effort on their part. All anyone has to do is listen to something like this, then they know there is only one La Divina, and there will be only one La Davina.........
The Great Callas.
mtnmanjt 2 years ago 69
Maria Calla interpreta esta aria con gran destreza de tonos, sentimientos y lo mas importante desde el estado de catarsis del compositor. Callas llega a prenetrar en el mundo de la psiquis y las imagenes, conjuntamente con una geometria y trazos-lineados, en donde el espectador sensible llega a unificarse con la musica, la inspiracion del aria, la humanidad y mas alla con algo atemporal. Gracias Maria Callas. RIP.
felirafe 1 year ago 3
@mtnmanjt I strongly believe it is the record companies that have WIDELY published her later works that are at fault. It is hard to find a pre 1960 recording of Callas when in 1940's and early 50s her voice was on POINT and did not have that ridiculous wobble at the top
Dtenor87 1 year ago
@Dtenor87 Unique artwork and the best interpretation of these particular aria including those: "ridiculous wobble at the top"
roeslerswiss 1 year ago
@roeslerswiss that "ridiculous wobble at the top" came long after she was a unique artist, earning her place at the top of Opera. My comment is aimed towards the VAST recordings showcasing her later works where her voice was not at her best when it got her where she is now. A lot of people do not appreciate her work due to those late recordings being widely circulated as opposed to earlier ones showing her perfection and what made Callas WHOLE
Dtenor87 1 year ago
@mtnmanjt I totally agree !
breton2 1 year ago
Grande Maria! Una grande interpretazione, grazie per la registrazione stupenda.
ceccopisa 2 years ago 8
You can hear tears in her voice, and you see her sad soul JUST before your eyes... for me, She is the BSET !!
operabug 2 years ago 19
Callas is Margherita,or Gretchen in prison,not academic singing!Very great.
saverioorlando 2 years ago 9
YouTube has brought to me many things, funny videos, pop songs, memories of childhood. But the way it has brought to me the world of Opera is profound, I havent really listened to it before, I knew of it, but did not understand.
I have listened to all the greats here, but nothing has turned me to tears like this lady singing this song.
Unbelievable.
Music for ever.
redwaz 2 years ago 86
Comment removed
redwaz 2 years ago
best version!!
xooonii 2 years ago 4
This comment has received too many negative votes show
Da vero mi piacce la voce d' Callas. Ma in quest' aria preferisco Renata Tebaldi.
MARISOLDELMONACO 3 years ago
I love her ending
explorercur 3 years ago 3
Bravo!!!!!
bonsantematteo 3 years ago
Beautiful!! Which Year was this recorded?
MarchesediCalatrava 3 years ago
1954
SweetFiness 3 years ago
@MarchesediCalatrava September 1954. It was part of an aria album designed to showcase Callas' versatility. On one side she sang coloratura arias from "Dinorah", "I vespri siciliani", "Lakmé" and "Il barbiere di Siviglia", on the other she sang heavier pieces from "Adriana Lecouvreur", "Andrea Chenier", "La Wally" and this aria from "Mefistofele". This reflected her programming for concerts where she often combined the coloratura arias with dramatic pieces.
MadonnaImperia 5 months ago
@MadonnaImperia That is my all time favorite of her albums. I listen to it more than any other of her recital albums. Magnificent...
carolynhope1 5 months ago
@carolynhope1 I love it too :)
MadonnaImperia 5 months ago
This is the greatest rendition of this aria I ever hope to hear; Callas inhabits the character to such a degree that it is no longer an entertainment but a real life happening. Only Claudia Muzio is up to her level, but not in this piece. Bravo also to the superb Maestro, Tullio Serafin, and the magnificent Philharmonia Orchestra at its peak.
billyguns2 3 years ago 8
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While Calla's interpreation is magnificent, I would have to respectfully disagree with you and say I feel Muzio's voice had a certain natural and liquid/fluid quality to her voice that Callas never really had. Even in the mid to late forties when Callas was at her prime, her voice sounded manufactured to a degree.
However, the interpretation si very genuine, though.
SqueakyIri 3 years ago
@SqueakyIri The manufactured voice comment is an allegation that was also made about Guiditta Pasta and Maria Malibran. When one reads Chorley's writings about Pasta, one often thinks he was writing about Callas. But these women were called Geniuses of Song, and their voices and their use of their voices inspired composers such as Bellini and Donizetti to write their greatest masterpieces. When I wrote the Wikipedia article on Callas, I included a quote from Chorley which is worth reading.
Shahrdad 10 months ago
Oh God, this is just amazing...
senesino83 3 years ago 3
Singing on a spiritual level doesn't get any better or any more elevated than this. What is the meaning of Life and death? Why are our spirits trapped within this material physical dimension? Is there a higher dimension to which it can soar?
Listen with eyes closed, without images.
filippovonreutter 3 years ago 4
sorry for the negative marking it was a mistake of the typing. the intention was to mark positively.
egooidios 3 years ago 2
This gives me chills !
2ManyHighCs 3 years ago 4
Freni doesn't stand a chance, not a bit, not for a second...
Instrumotional 3 years ago
Considered to be the best ever recording of this aria by all critics. Just listen.
sportlucami28 3 years ago 9
She have been such good at her beginning .....Great! Do like her every time I can listen to her voice..... There is something in and in between...BRAVA!
Tebaldi is marvelous too!
Heraopera 3 years ago 3
even though with a voice which cannot compare in beauty and softness, in this instance Callas is far superior to Tebaldi exactly because she chooses to limit the boundless power of her voice in soft pianos and pianissimos that enhance the beauty of the aria and do honour to the interpreter as do the perfect pronunciation and clear coloratura.
idraote 3 years ago 3
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it's not a top C it's a B but none the less beautiful. Her version of un bell di however i think is flawed, she pusshes the notes too hard and tips form passionate singing into bad voice production. shame but this piece she does beautifully
Thomlinsonr 3 years ago
come il passero nel bosco, vola vola vola... it sounds like a bird trying to take flight... her soul trying to fly away from the prison cell... the first time it doesn't quite take flight... the second time it succeeds in getting out... and she dies... I suppose.
pasfresh123 3 years ago 4
I've never heard anything this beautiful !
smartsteve 3 years ago 10
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Smartsteve--
Never heard anything this beautiful? Check out Mirella Freni singing the same aria here on YouTube. Freni's version is NOT this beautiful; it is much MORE beautiful.
mwalsh2008 3 years ago
I will check it out ,but even if it is more beutiful than Maria's version I will not admit it as I am of Greek origin,thank you anyway!
smartsteve 3 years ago
Hearing Callas sing, to me, is like stripping layers of grime off of a masterwork. Gone are the extraneous histrionics - everything that Callas sings comes directly from her character. Phrases like "l'aura fredda" are colored with such exquisite care. What an artist!
Gigglingatagas 3 years ago 10
@Gigglingatagas That is a very beautiful metaphor :)
MadonnaImperia 5 months ago
the most beautiful B natural sang in the history of opera
DanyelHawkes 3 years ago 3
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If this is the most beautiful B natural sang in the history of opera it means DanyelHawkes like to eat shit
piruja61 3 years ago
casi me rompe el tímpano pero canta maravillosamente.
rambo2882 3 years ago 3
The 1958 Los Angeles performance is more bewitching, with more haunting vocal colours, but this is a superb performance. It's so musical, so haunting... it's literally a mad scene!
VivaMariaCallas 3 years ago 3
thanks for the text!!!Absolutely necessary to fully appreciate her majestic interpretation and marvelous singing.THank you squaletto
utineke 3 years ago
finitela di commentare ;D... nn c'è niente da dire solo una parola....divina....
buttas87 4 years ago
squaletto75 4 years ago 3
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ineguagliabile interpretazione,come bovio l avrebbe cantata se avesse avuto voce ....
gitana66 4 years ago
this is a magic.
CIBILCIKKK 4 years ago 6
When it comes to verismo-style music, Callas has few rivals. Her performance is great in terms of technique in the service of expression. Of course, Muzio's performance is remarkable too, and I also admire Tebaldi's singing of the aria.
meltzerboy 4 years ago 2
Interesting, I find it's the other way round. In verismo she has more rivals than in bel canto and in fact I find her main rivals surpass her in verismo.
Orfeus80 3 years ago
Nelle scene di delirio,la Callas era ineguagliabile.Qui i trilli,a contrasto con le note gravi,l'energia del declamato sono assai notevoli.
saverioorlando 4 years ago 6
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saverioorlando: I must confess Maria is a very dear creature to me but though I do my best I cannot help to suffer everytime she sings those wobbly and thin high notes and her poor middle.How can I do to understand her fabulous declamato as you said, it seems to me very weak.I suffer because I admire her
lohengrinteo 4 years ago
You are too eager to suffer for her... and you miss a lot.
Let your admiration for her aside and listen to her as any other singer. She suffered enough from people who expected her to be La Divina
Plus, these are the years when even her detractors would not find too much to say against anything she did... to be honest I wouldn't care what people say are the "good" years. I trust what I hear... And I do hear the best declamato ever in recorded operatic history.
CONTESTAR 3 years ago 4
When she sings, you feel as if you are listening into someones private moments, eavesdopping. A real person in distress, certainly not a singer singinging someone elses music and words. It is simply real.
jeffreypick57 4 years ago 5
qualcuno inserisca per favore l'esecuzione della stessa aria, live, tratta dal concerto di Los Angeles (la città, non la cantante!) del novembre 1958. (Io non riesco, ma possiedo il file audio)
akenato62 4 years ago
la più bella interpretazione della "margherita" di tutti i tempi
claudiospagnoletti 4 years ago 3
ESa tensión que Callas daba inesperadamente a las notas y a las frases es el aporte más grande que vocalmente hizo a la Opera. Su canto era humano, vivo, creíble.
filiodecallas 4 years ago
I don't think there is a reason to comment Callas' voice... The purity and divinity of her singing are present everytime and in anything she has sang... Simply La Divina...
stellasapon 4 years ago
Somebody please tell me Where can I find the libretto of this song. Please~~~
cek1111 4 years ago
CALLAS RULES!!! Even after her death in 77 she remains soprano sfogato assoluta of the 20th century! I never liked this aria not because of lack of musical beauty nut because all others sopranos sound fake i don´t belive a wor dthey sing but Callas makes you hear and feel every note! You can feel the regreat of loosing her child
NEBESHIKU 4 years ago
La primera vez que escuché esta aria (fue precisamente esta grabación del 54) me enamoré de la melodía. Es una versión de antología, y para mí es la mejor interpretación que haya escuchado. Callas está maravillosa. Luce una voz extraordinaria.
finisquo 4 years ago
This aria is wonderful and Callas just made it even more dramatic its super and those high notes were out of this world that high C geee BRAVA
MAPIAKALLAS 4 years ago
It's a B natural!
Marroiamaxu 3 years ago 2
absolutely fantastic.. thank you... but have someone the aria "sorge l'aurora pallida"? from mefistofele
LittlePasserotto 4 years ago
Fantastic!!!
DanBarthy 4 years ago
This is it! There are no words available to describe such a beaty. Too bad Boito wasn't there when it happened.
mycallas 4 years ago
I thins she's the only one that can sing perfectly this song.
MissLillyHiggins 4 years ago
I dare to advise you to listen to Claudio Muzio singing this song. She sings it in a very different way, but to me it seems, the girls madness is even better performed. And of course both performances are perfect.
561423 4 years ago
I love Muzio and find her supremely expressive and moving, but trills she has not, unfortunately.
tinyvoicedgheorghiu 4 years ago
that is an important part of this aria, without them, its like listening to O Patria Mia without the high C. Imagine how interesting that would be.
kgarmaker123 2 years ago
Exactly. Trill-less sopranos, IMHO, should stay away from this aria or roles like Anna Bolena or Leonora in Il Trovatore.
tinyvoicedgheorghiu 2 years ago
Absolutely. The trill is SO important here, as well as in Leonora... no trill is like castrating the aria ;)
senesino83 2 years ago 3
@tinyvoicedgheorghiu Amen amen amen, and amen. There is NO excuse for not having a trill, and if you don't, then stick to Puccini, Mascagni, and Giordano. As Callas said, one would never excuse an instrumentalist for not having a trill or being unable to perform certain virtuosic passages. Singers should not be excused for technical deficiencies either.
Shahrdad 10 months ago 4
I agree, a good trill is absolutely necessary here, and Maria had high, low, fast, slow, and soft trills. Tebaldi was incapable of singing this aria correctly because she didn't have a trill. I keep coming back to this recording and not only is the technical polish outstanding, but the interpretation is absolutely searing, overwhelming. I don't think anyone has ever sung this scene so brilliantly nor will it be sung like this again. What the French call DU TRES GRAND ART!
philipc67 2 years ago 3
I think that this ares is best by Callas than by Muzio, because Callas sings as if she were in another place, becoming crazy or something like that.
gondorado 4 years ago
indeed this is very beautiful aria... I didn't know it at first...I heart it the first time in a lounge version, not knowing if it really came out of an opera, and if so, from what one, tried to find out, but couldn't...Than years later bying yet another callas album...There it was !!!
markivens 4 years ago
In my opinion, this is such a beautiful aria...please post your comments =)..!!
brightside18 4 years ago