Added: 5 years ago
From: petertwang
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  • Man I want to do pottery so bad

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  • I'm kind of confused by your maneuver at the end of each pull. I think it's really interesting, and it obviously works for you because your pulls are incredibly uniform, and it doesn't look like you're getting any thick spots. I was wondering if you could you explain what you're doing with your left hand while your right hand holds that claw position?

  • @bkyamanaka And also, I think all of these comments are becoming more and more ridiculous. To the people who think this video is boring, you obviously don't understand throwing and the amount of patience this takes. Nor do you understand the amount of isometric muscle control he has to use just to keep his arms steady while moving at a consistent rate up the vessel.

  • @bkyamanaka And to the people who are asking about buying throwing wheels/kilns/clay, I definitely think taking a class at a community college/center before trying it on your own is a way better idea. You'll learn so much more about ceramics, not only when it comes to throwing but the technical terms and techniques that you'll need to know later on when you're on your own.

  • @bkyamanaka I mean, if you think you're doing a bisque firing at cone 10, and a high-fire glaze firing at cone 010, you're definitely going to have a problem.

  • how do you make "a pull?"

  • I'm in ceramics 2 in school now and started the wheel about a month ago, it's a lot of work to get a pot to look good and even

  • That pot in the background is bugging me... But other than that, love the video haha.

  • The video needs an explanation of what the potter is doing with each hand. No one who does not already know how to throw will be able to figure out what to do with the inside hand, for example.

  • @randy95060 he aint showing u how to do something he just doing it and ur just watching

  • i feel like he is the demon in paranormal activity

  • it's creepy when you look at the camera

  • Man you're good. we just started on the kick wheels today. you make it look so easy.

  • Man, you are sure good, I just started in ceramics class, and I just cant seem to do it, hopefully your vids can help me

  • OK! Throwing Competition! One peace of clay 25 pounds or less, who can throw the, tallest, widest, biggest, cleanest, nicest, best shaped vase! Winner is immortalized on U-Tube forever. Every one can judge six months from now. 8/12/09. So on 2/12/09 we will tally the votes. Label the video Throwing Competition and your name. I will favorite your entry so all can see. Also when you have an entry subscribe to my Channel and I will add your video.

  • first of all, i suck at centering, it takes forever lol, i see people in my pottery class center it so fast and i really dont know how and to use like a needle tool or any kind of other tool to open it, i use both of my thumbs, and i dont usually use much clay so thats prolly why i cant pull it up so far, but i make basic stuff lol and i want to get into bigger and cooler looking stuff, any ideas on helping me??:]

  • i would think to just buy stuf that says "throwing clay" i can get a 50 lb box for like 12 bucks at this art place by my house. I wouldnt have to mess with technicalities. but i dont even own a wheel yet.

  • very nice pulling... i can't pull that tall especially on porcelain...maybe 13"...wat's ur trick?

  • wow your portfolio is amazing, how long does it take to get that good?

  • Thanks so much for your help and advice...I'll be looking for the book =)

    You're very good at what you do, keep it up!

  • Wow thanks for the quick reply. My intent is to learn the ceramic process of it. I'm having a very difficult time even finding a company in the area that sells clay for throwing. For beginners, what would you suggest is the best clay to start practicing on? I'm basically interested in making and creating bowls, vases, etc. I plan on buying a kiln soon, but first i just wanna learn the basics on the wheel ;)

  • You're very welcome. The choice of clay is dictated by three major considerations: workability, surface treatment, and final desired use. Typically, tableware/functional use requires mid- to high-fire clay, rated from cone 5 to 10. You should best order these from ceramic suppliers; e.g., Amaco, or Laguna Clay. I strongly recommend reading Peterson's book because there is a huge amount of information that I just don't have the ability to share with you here.

  • @Icyrails12 if your a beginner why are you buying a kiln

  • @Icyrails12 if your a beginner why are you buying a kiln

  • @mayerpots wow that was a stupid comment. Why not buy a kiln?

  • @Icyrails12 For many people, kilns are a significant investment. One that is large enough for studio ceramics can be very heavy, require the gas/electric utility to make modifications on your property, and needs a suitable space to meet fire codes. But if these conditions can be met, then a kiln is an integral component of a studio space that enables you to learn ceramics on your own terms.

  • @Icyrails12 waste of money if your a beginner

  • @mayerpots Again, you are making assumptions about others that may not hold true. A small electric kiln might cost $2500. A 2-year private studio membership in my area would cost more than that. I am also a photographer, and the cost of my camera equipment dwarfs the cost of a kiln--I could have bought a 12 cu. ft downdraft for less money than my camera gear. For some, $2500 is half a day's income, and for others, it's a month's. Value is relative.

  • @mayerpots A kiln is essential for fired ceramics, as conventional ovens do not reach the necessary temperature to induce the necessary chemical changes in the clay (sintering and vitrification) to achieve permanence. In particular, porcelain must be kiln-fired. A wheel, by contrast, is not necessary, as many ceramics are not wheel-thrown. Because kilns can be expensive (electric = $1500+, gas = $10K+), many beginners use local community studios or colleges.

  • @petertwang i know what a kiln is ive been throwing for five years. i was simply asking why someone would buy theirselves a kiln when they are a beginner. seems like a poor investment unless they actually plan to pursue ceramics

  • @mayerpots Every creative endeavor has costs associated with it. As I pointed out, most beginners elect to learn through local community resources, both public and private. Some, however, have the means and desire to make the initial outlay a kiln represents, because they feel it would enhance their learning process. It isn't for you to decide for others whether it seems to be a good or bad investment for them.

  • I just bought my first potters wheel but am having trouble with distinguishing the right clay to use on a wheel. I bought 25 lbs. of clay today, described as: Amaco - Moist Pottery Clay X-15 Talc-Free. "A natural gray clay in moist form that fires to a light buff." Is this clay ok for throwing or only molding things? I'm trying to learn =/ Thanks in advance...

  • From what I can tell, X-15 is an air-dry clay. I don't know what's in it, and you could probably throw it--but one could throw a lot of things that I wouldn't necessarily call "clay." Air-dry means firing is optional; such clays are commonly used by young children since no kiln is required. But I wouldn't use it as dinnerware. If your intent is to learn about the ceramic process, you would also need a kiln, and glazes.

  • As for firing this clay, I do not know what cone it fires to. My recommendation, before purchasing materials and equipment at random, is to instead read Susan Peterson's book, "The Craft and Art of Clay." It will tell you far more than I can in the space of a YouTube comment. Good luck!

  • other pot to the right off center?

  • The pot is off center because it was previously thrown and removed from the wheel. It was later placed on a bat and set on another wheel to slowly air dry while turning.  This avoids warping out of round due to uneven drying. It doesn't need to be perfectly centered for this purpose.

  • Hum it does not look easy. I would like to hear more about the techniques being used. Like, tips about centering 11 lbs of clay or tips about drawing the clay out of the bottom of the pot (which is difficult). It looks like the thumb is being used to pull-up the clay. Care is taken to keep the pot shaped in a well-defined tapering cylinder.  Having patience is a requirement for working this process. Thanks for the video.

  • I like how instead of pulling all the way to the top, you just collar the last few inches.

  • Excellent work. I also throw pots, and I hope one day I can be this good. You said throwing pots isnt all about centering, but wouldnt it be extremely difficult to throw a nice pot without xentering?  just send me a message or something, i guees. I'm not trying to insult anyone im just akin.

  • this is really good. Every movement of his flows so smoothly. I really hope that can can become this proficient

  • Oh I miss doing that, I had my doubts at first that he was all that good, but my hat is off to him, great job!

  • haha, the big pot next to him is moving.. lol.

  • and its not centered...@_@

  • It's not centered because it was taken off the wheel, placed on a bat, and then put back on the wheel to turn while drying. What, you thought it was thrown off center like that? Your obsession with centering is narrow-minded; you obviously haven't seen some of the work by Fred Olsen. Throwing is not about making perfectly symmetric pots. For that, go to Pottery Barn and buy yourself some nice cast pieces. Throwing is about process, flow, and imparting your own individual mark on the clay.

  • Normally I wouldn't respond to derogatory comments but Silverdja did not just say "and it's not centered." He/She also said "if you can't center clay you should just quit." And my response took both of those comments into account. How discouraging is that to a beginner? It took me years just to learn centering. I'm not a machine, I'm a human being with feelings and ideas. Why put so much effort into making something that looks like you could buy it off the shelf for $10?

  • oh yeah, the pot is moving. lol

  • this guy is good. is he a pro? or just a ceramist?

  • the oeice behind it dosent look that centered

  • sorry, what a dork, i posted twice. bleh.

  • I love watching him, but I am terrible at centering. I did see this cool new tool when I was researching a new wheel. This thing, called a QuickCenter totally centers the clay for you... instantly! No kidding! I think it's made by Brend because I saw it on the Amaco site. Check it out, it's really cool! I might have to get one!

  • if you cant center clay you should just quit.

  • Centering is a basic step and everyone who throws should learn it or at least try to. But there are situations where centering isn't feasible. People with physical/developmental disabilities may find centering hard, yet be able to pull and shape. Production potters might find centering hundreds of pieces a day to be hard on their hands or skin. But for causal, proficient potter, one less tool to have to wash off is a blessing.

  • Seriously, he does make it look easy. I'm terrible at centering... but i found this cool thing when looking for a new wheel. It's called a QuickCenter and it totally centers the clay for you! No kidding! Saw it when I was looking for a new wheel. I think Brent makes it because it was on the Amaco site. Very cool!

  • i cant even center a small peice of clay =[ haha i cant even pull it up..he makes he look easy

  • You make it look easier then it is, lol awesome!

  • I've always wanted to use one of these before but i've never had the chance to! Damn

  • your great!!! where can we buy a pottery wheel?

  • won't play all the way through

  • I visit your web-site. Fantastic work.

    Till now I saw work like that from the English.

    vidimah

  • im in high school ceramics and everytime i see a guy like him throw it like amazes me because when ever i go to pull up on it it goes off center and it starts to wobble like his does but i have no clue how he makes it stop wobbling its crazy

  • Sounds like you need to slow down. Notice how the piece is going MUCH slower by the time he finishes it.

  • its poceilin he did five pulls and its 11 pounds of clay i think he knows what hes doing

  • i saw your work / article in ceramics monthly. congrats.. and well written, interesting article. Are you a full-time ceramicist?? I've been attempting to begin a career as an artist.

  • Oh, I had a question aswell, if you answer any of these, what kind of wheel is that, I've been looking for a new electric wheel since my Shimpo died. Is it a Shimpo or a Whisper? The wheel is for one of my aprentices and he's better on the electric wheel than on my Brint Flywheel.

  • in response to the type of wheel: It looks like a Brent Model C

  • Always nice to see an amazing potter. Throwing with porcelain is especially hard, but you seem to have mastered it. Keep up the good work, cuz take it from me, you'll go somewhere with it man.

  • do you know where i can buy a pottery wheel? and what are the material to use for?

  • Your work is so amazing. Before I started watching your clips I wondered how you were able to pull your pieces up so high..and then I realized you were able to fit your entire arm into it! Watching you shows me a few things I should be doing differently.. Amazing. I am truly in awe of your work.

  • you make it look so easy i tried it and everything goes flying and everything. your really good at throwing the potters wheel...

  • that looked really cool...im just getting started in ceramics at my school...and our teacher wont let the beginners on the potters wheel...cause he was spose to get 8 new ones...but he's still stuck with just 2...so he only lets the advanced classes throw...but i think i might take his class again...cause its really fun to work in clay

  • Whoever thinks this is boring is obviously not appreciating how amazing your work is. You are so precise and accurate. I love watching your videos. I'm just beginning this, it's so difficult to even raise it 8 inches. How long have you been working on the wheel?

  • ı think u are japanese:)if u are, japanese are always good at throwing on the wheel,we can see here!:))

  • I'm not Japanese, I'm Chinese-American. And I believe that anybody can learn to throw well.

  • oh really!ı am sorry then.but your are also good at in it as ı said before.ı went to china last october for ınternational ceramic sypmposium in tshungua univercity(maybe ıwrote it wrong)ı liked beijing.

  • Beautiful work. Very fun to watch. Where was this filmed?

  • It seems like this would be a stoner sport or something.

  • Your work is really impressive! Unfortunately I can only see this until 11s only....What a pity...

    Luckily, other 3 videos are OK :)

  • cant beleive i watched that whole thing.

  • And why waste those precious seconds of your invaluable life to leave a comment? How sad...

  • ehmmm sorry but I think it is boring...

  • Thank you for your comment. I would like to see you try to throw on the potter's wheel someday. Perhaps people would like you if you had the intelligence to stay silent about things you don't understand. I pity the unfortunate people who have to tolerate your presence in their lives.

  • OMG! Another sequel of the Adventures Of Boredom.

  • great video! i love the hand skill! it is an amazing achievement in life! many congratulations and i wish you all the success in the world my friend! :)

  • How do you do the designs later on??? i think ur amazing.

  • When you pull that high, how do you counteract torque to prevent it from ripping apart on you? Do you just use very wet hands? Is it the clay body? I've tried a vertical form like the one in the video several times, and, well, I'm sure you can guess the results. Having to buy my own clay and re-use it often, I tend to stick with much smaller, safer forms. Any pointers you could offer would be greatly appreciated.

  • usually, you would spin slower when your throwing...and yes you would just keep your hand wet, but not enough to were it'll create a puddle in it, your suppose to add some water before you pull, unless someone can do it without it, which is....bs...since it sticks a lot, i love electric brown, its grainy ^.^

  • Practice, a fine touch, using minimal water, the right clay body, proper technique, and the right tools....in roughly decreasing order of importance. A detailed explanation would take pages to write....

  • Fantastic! THanks for showing us HOW you do it.

  • what is in your hand while you are doing the pulls a sponge?

  • Yep, it's a sponge. One of those ratty, bright yellow, round, synthetic sponges that seem to be ubiquitous in ceramics. I use those things until they fall apart.... Never liked the natural ones, strangely enough.

  • Wait..Are you the one making the "thing"? (dont know english word for it:P) If so, why are you staring into to the camera some times..looks spookey!

  • Fascinating!

  • This is incredible - doing that successfully takes an enormous amount of practice and physical control of your entire body - and not just the arms and the hands. It's difficult enough for a novice like me to center the clay and build the wall past 4 inches. But five pulls and three stand-up pulls?! That's unthinkable. 5 stars

  • Very nice video. I will study it.

  • Way cool Peter, especially the Eagle claw move at the top of the first few pulls. Vary smooth. Makes me anticipate throwing again. Later, stay in there!

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