@Haeronthegreat You press the keys silently. They do this because if you play notes above it in it's overtone system it'll ring on.
@lovesGenet You can't teach someone how to love music. You can teach them how to appreciate it, but not how to really enjoy it. That's up to the listener. I could say that maybe more people would enjoy maths if it was taught to them, but they don't.
maybe if art in general was part of secondary music curriculum more people would love this music. People get stuck with Hadyn&Mozartand Chopin & never move to HOW IT FEELS NOW . As a pianist I was stuck with Chopin for years because its great and difficult. GalinaU.Sofia Gubaid,Schnittke,Carter,Babbitt,Copland have given me LIFE! Now if i can only get some compositional training. studying these scores esp.Beethoven quartets is a big help. There are second acts in American Life.
im a huge rockNroll fan and i just discovered this type of music about a week or so ago.i knew all the "famous" composers, Mozart, Bach, Chopin, etc but not until i heard Ornstein did i stop asking myself what they were missing.through Ornstein i eventually discovered Cowell and now im giving Schittke a listen.if i can get into scoring films, this type of music will definitely be my inspiration.on a side note, King Crimson created the most brilliant music imaginable
I enjoyed this piece a lot and I am a fan of Schnittke. This is the first piano piece I have heard of his, I have a lot of chamber and vocal music of his. Great language and style.
Wonderful work! I can't help but feel however that there are some portions in the work that bizarrely remind me of musings from Boulez's Douze Notations...
The piece revolves around variations of an 023 chord (ex.: c-d-eflat, e-fsharp-g, whole step-half step) in different octaves, pitches and order.
But it seems that Schnittke is not following the format throughout the whole piece, I found some parts where he uses notes from other chords (pitch-class groups). But it is interesting. Berman is a great pianist. Although I don't really enjoy this kind of 20th century music...
@Smaejdah I think that it`s a twelve note chord, it's like a dodecaphonic row, always using the same pitches (look at the notes in the score, you will notice what I'm saying). But the durations and the dynamics are employed freely. I hope that my explanation will be useful for you, my English is not very good...
Thanks for the video! I'd love to see more Schnittke. I don't know if you ever put up sheet music to orchestral pieces, but the Concerto Grosso #1 would be cool.
I don't upload orchestral pieces (non-concerto) owing to the fact that a full orchestral score is difficult to view in the youtube video screen. I may, however, upload the Concerto for Piano and Strings and definitely the Concerto Grosso No. 6 some day.
@Hexameron If you do, oh please let it be Auerbach&Kremer. Ivashkin&Gridenko are both great artist, but in juxtaposing the pieces, Auerbach&Kremer both seem incendiary and Ivashkin&Gredenko sound tame in comparison (on concerto grosso 6 - then again, I am comparing the Ivashkin Cd to the Auerbach live video on youtube). Although I've yet to hear (if there is one) Victoria Postnikova play it;
The pianist to whom it was dedicated. (but you probably knew that)
Variations on a time signature
snowboarderxzxz 4 months ago 2
what is the key signature? i know it's c or a minor but the keys have to much accidentals
2hyeok 6 months ago
@2hyeok The piece has no key, so it has no key signature. :)
Tamadrum1111 5 months ago
Thank you. Always nice to see more Schnittke.
karenlee29 7 months ago
why bother with a time sig or even bars if you keep changing them?
lsbrother 7 months ago
what's up with the ginormous time signature?
AkLvKk 8 months ago 2
next thing you know: variation on a note
AkLvKk 8 months ago
How do you achieve the notes written like harmonics?
Haeronthegreat 1 year ago
@Haeronthegreat You press the keys silently. They do this because if you play notes above it in it's overtone system it'll ring on.
@lovesGenet You can't teach someone how to love music. You can teach them how to appreciate it, but not how to really enjoy it. That's up to the listener. I could say that maybe more people would enjoy maths if it was taught to them, but they don't.
mickyj300x 1 year ago
maybe if art in general was part of secondary music curriculum more people would love this music. People get stuck with Hadyn&Mozartand Chopin & never move to HOW IT FEELS NOW . As a pianist I was stuck with Chopin for years because its great and difficult. GalinaU.Sofia Gubaid,Schnittke,Carter,Babbitt,Copland have given me LIFE! Now if i can only get some compositional training. studying these scores esp.Beethoven quartets is a big help. There are second acts in American Life.
lovesGenet 1 year ago
I lol'd at the time signatures.
Pageboy72 1 year ago
im a huge rockNroll fan and i just discovered this type of music about a week or so ago.i knew all the "famous" composers, Mozart, Bach, Chopin, etc but not until i heard Ornstein did i stop asking myself what they were missing.through Ornstein i eventually discovered Cowell and now im giving Schittke a listen.if i can get into scoring films, this type of music will definitely be my inspiration.on a side note, King Crimson created the most brilliant music imaginable
deSadetheImpaler 1 year ago
I enjoyed this piece a lot and I am a fan of Schnittke. This is the first piano piece I have heard of his, I have a lot of chamber and vocal music of his. Great language and style.
capthook1 1 year ago
This piece is so delightfully cellular and anti climactic! Schnittke had cajones!
mynameisandycostello 1 year ago
@mynameisandycostello I didn't know he wrote for Zambo Cavero ("cajón"). That's really neat Peruvian percussion. Or did you mean "cojones"?
paradiddleday 11 months ago
@paradiddleday yeah, definitely meant balls. Sorry for the typo!
mynameisandycostello 11 months ago
Magnificent. This is a masterpiece by a disgracefully underrated genius.
owatson322utube 2 years ago
schnittke underrated? he's very famous...
Medsas 2 years ago
Lovely melody. Great music for dancing to.
lewars1912 2 years ago
I find the macarena is best suited for this piece hhahahah
KBMKBMKBMKBM 2 years ago
Hum, the first part of this reminds me of Scriabin's 5th piano sonata.
EMPERORMIKI 2 years ago
Wonderful work! I can't help but feel however that there are some portions in the work that bizarrely remind me of musings from Boulez's Douze Notations...
MusicaRicercata 2 years ago
Nice
but.. which chord is it?
Smaejdah 2 years ago 45
It is not a tonal chord, per se, but a chord that could be created by taking each note in the row in their proper octave and vertically rendering it.
MusicaRicercata 2 years ago
hmm ok, thanks :)
Smaejdah 2 years ago
line the notes up vertically- they are restricted to a certain octave. A pretty big, bad-assed chord.
zutflutefleur 1 year ago
@Smaejdah
It's a 023 chord (in pitch class music)
The piece revolves around variations of an 023 chord (ex.: c-d-eflat, e-fsharp-g, whole step-half step) in different octaves, pitches and order.
But it seems that Schnittke is not following the format throughout the whole piece, I found some parts where he uses notes from other chords (pitch-class groups). But it is interesting. Berman is a great pianist. Although I don't really enjoy this kind of 20th century music...
shinobi1311991 1 year ago
@Smaejdah I think that it`s a twelve note chord, it's like a dodecaphonic row, always using the same pitches (look at the notes in the score, you will notice what I'm saying). But the durations and the dynamics are employed freely. I hope that my explanation will be useful for you, my English is not very good...
juanmaMCMLXXXII 1 year ago
I think it might be the Viennese tri-chord that appears at the lento section.
cwcaplinger 1 year ago
@Smaejdah A twelve note chord, always the same pitches. You can find the chord in the first and second measures:
C1, G#1, A1, D2, B2, Db3, F3, Eb4, Bb4, E5, G5, F#6
juanmaMCMLXXXII 11 months ago 3
Comment removed
VicPetkov 2 years ago
It's amazed! I'll play it on my next term!
VicPetkov 2 years ago
Thanks for the video! I'd love to see more Schnittke. I don't know if you ever put up sheet music to orchestral pieces, but the Concerto Grosso #1 would be cool.
sparkyfry 2 years ago 5
I don't upload orchestral pieces (non-concerto) owing to the fact that a full orchestral score is difficult to view in the youtube video screen. I may, however, upload the Concerto for Piano and Strings and definitely the Concerto Grosso No. 6 some day.
Hexameron 2 years ago
@Hexameron If you do, oh please let it be Auerbach&Kremer. Ivashkin&Gridenko are both great artist, but in juxtaposing the pieces, Auerbach&Kremer both seem incendiary and Ivashkin&Gredenko sound tame in comparison (on concerto grosso 6 - then again, I am comparing the Ivashkin Cd to the Auerbach live video on youtube). Although I've yet to hear (if there is one) Victoria Postnikova play it;
The pianist to whom it was dedicated. (but you probably knew that)
RaRaLandEQ 2 years ago
lol :P
npelletier89 2 years ago
beautiful!!!
scriabinwasmydad 2 years ago