I was pretty skeptical in the first 30 seconds, since I think this piece should not be played real fast, but there's some kind of point, really catching and I have to say that eventually I do like her performance.
@fatbumba oh, please. This was meant to be a virtuosic piece. She definitely brings the fire and passion out. You just feel threatened because you don't have the ability to play this quickly and skillfully.
@kwadruple You obviously don't know much about the French high baroque. Jealousy has nothing to do here — I've been playing this since my early 20s, and it's a pretty fluid item in any harpsichordist's register.
@kwadruple The word "virtuoso" applies more to a four-part composition from the "Art of the Fugue". This is a lovely, evocative piece that, like most in the mannerist style prized by my French compatriots, is best played with a sense of pace. Real specialists of the French repertoire, like Kenneth Gilbert, or Trevor Pinnock play it with such grace that it doesn't feel like an machine gun.
Bravo!! It's very easy to bring a "demon" to a harpsichord. the instrument allows itself to be played much faster than a modern piano. A former Piano player turned harpsichordist summed quite nicely: A harpsichord feels like a ballerina when being played, a piano feels like a fullback football player trying to be a ballerina, when being played!" Ms. Sone's playing is more "classical" than Elaine Comparone's in that she actually plays much faster than her but with half the flair! Cheers!
Funny..reviewers said that same thing about Pinnock's recording of this at the time...that it was too fast and wild!! God forefend that this music be played with any passion, eh?!
Entsetzlich. Transportiert wird hier nur noch die Virtuosität des Spiels und der Drill der Übung, nicht mehr die Komposition. Es kommt einem vor, als höre man einen Rohrstock, der auf die Finger klopft. Viel zu unklar herausgearbeitet, alle Klarheit geht unter.
S'il s'agit des Cyclopes ouraniens,Brontès (Tonnerre),Stéropès (Éclair)et Argès(Foudre), il faut reconnaître que cette pièce est bien plus que de la virtuosité gratuite, mais plutôt un tableau de la force tellurique de ces êtres qui ont participé à renverser Ouranos puis Cronos. Merci à la claveciniste de prendre tous ces risques pour évoquer la violence et la puissance monstrueuses de ces êtres !!!
the title is actually "Les cyclopes". The composer is Jean Phillipppe Rameau, a french composer from the rococo period. the piece is part of Rameau's book "pièces de clavessin" from 1724.
Impressive, but the shape of the piece would benefit from taking it just a little bit slower! I like the drama, but the phrases have to be fully shaped, too.
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すごい動画発見したよーっ(^^)ノ
「あむき」で検索してみてっ!!
こんなことで悩んでる人もいるんですね。
皆も一回見てみてー!!
hjua745assd 4 days ago
brava !!
cfeaugas 3 weeks ago
igorrr got me here
TheJl4life 1 month ago in playlist Liked videos
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cfeaugas 1 month ago
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cfeaugas 1 month ago
Wow I am amazed! She is great and played this very well!
Tenifus 7 months ago 2
cool! Very good, i'm like!
marinascalafiotti 7 months ago
Meravigliosamente giocato. Benne fato. Bravo.
srarrivadercci 8 months ago
Meravigliosamente giocato. Benne fato. Bravo.
srarrivadercci 8 months ago
I was pretty skeptical in the first 30 seconds, since I think this piece should not be played real fast, but there's some kind of point, really catching and I have to say that eventually I do like her performance.
KlaustoIsakara 8 months ago
彼女の昔の録音はもっと大人しい感じでした。スキップ・センペに影響を受けていますね。
hayakawashiki 11 months ago
Yesterday's program was probably a keyboard music by Rameau. From Book 2 of 1Q84.
so0chi1 1 year ago
sounds as if she have as a teacher the truly master of the harpsichord..Ralph Kirkpatrick
garriaga52 1 year ago
Probably my favorite Rameau keyboard performance.
Fuliginosus 1 year ago
She is really good, but she plays it wayyy too fast.
epar1628 1 year ago
スコット・ロスとスキップ・センペを混ぜたような感じ?
hayakawashiki 1 year ago
Please please more of her playing ,please i am addicted....
adaskopitasko 1 year ago
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adaskopitasko 1 year ago
Quel toucher !!!!!
Orientaliszt 1 year ago
OMG awesome !!! Best performance ive heared. Next week i will hear Pinnock live in this pice so i will have comparison
evitaercx 1 year ago
@evitaercx Where is Pinnock playing these days?
Mistermagoo77 1 year ago
@Mistermagoo77 In Poland during wratislavia cantans festival nfm.wroclaw.pl/mfwc/?page_id=6&lang=en
evitaercx 1 year ago
Maybe she plays the harpsichord like she is playing a piano, but she is very passionate and the result is interesting
maxmel73 1 year ago
This is like rock-and-roll!
Fuliginosus 1 year ago 2
Very nice playing, and what a lovely instrument!
pianopera 1 year ago 2
She has a virtuoso's skills, but she should definitly stop smoking crack, it doesn't do Les Cyclopes any good ...
veenaye 1 year ago 2
Abominable tempo. Sorry, but my feeling is that she runs over the lyrical contour of this piece with utter ignorance.
fatbumba 1 year ago
@fatbumba
Try Trevor Pinnock's recording instead.
fatbumba 1 year ago
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fatbumba 1 year ago
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fatbumba 1 year ago
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fatbumba 1 year ago
@fatbumba
Oh please, there's enough "informed" performances out there.
jealousy wont get you anywhere! :p
BTW, aint that a monster of an instrument? it's HUUUGE!
Audiolink 1 year ago 2
@fatbumba oh, please. This was meant to be a virtuosic piece. She definitely brings the fire and passion out. You just feel threatened because you don't have the ability to play this quickly and skillfully.
kwadruple 1 year ago
@kwadruple You obviously don't know much about the French high baroque. Jealousy has nothing to do here — I've been playing this since my early 20s, and it's a pretty fluid item in any harpsichordist's register.
fatbumba 1 year ago
@kwadruple The word "virtuoso" applies more to a four-part composition from the "Art of the Fugue". This is a lovely, evocative piece that, like most in the mannerist style prized by my French compatriots, is best played with a sense of pace. Real specialists of the French repertoire, like Kenneth Gilbert, or Trevor Pinnock play it with such grace that it doesn't feel like an machine gun.
fatbumba 1 year ago
Any other performance has been tepid since I first listened to this.
Bravissimo!
yuta1010blog 2 years ago
rameau si sta rivoltando nella tomba...non c'è musica in questo video...almeno non per me...
jsba1987 2 years ago
Bravo!! It's very easy to bring a "demon" to a harpsichord. the instrument allows itself to be played much faster than a modern piano. A former Piano player turned harpsichordist summed quite nicely: A harpsichord feels like a ballerina when being played, a piano feels like a fullback football player trying to be a ballerina, when being played!" Ms. Sone's playing is more "classical" than Elaine Comparone's in that she actually plays much faster than her but with half the flair! Cheers!
paqman67 2 years ago
This is amazing pice.. Very rare to find
krsnapunk 2 years ago
She brings a demon out from the harpsichord, which isn't known for it's ability to evoke such things.
revorrah 2 years ago 14
good!
TheGravicembalo 2 years ago
Excellent !
chriswales19 2 years ago
real improvisation style.interesting...
greekathanasios 2 years ago
Great elan and joie-de-vivre!Bravo!
jmtappenden 2 years ago
Performed with a joyfulness which really transmits & communicates.Bravo!
jmtappenden 2 years ago 8
Mayako is honestly the best I have heard recently.She plays with great panache.Bravo!
jmtappenden 2 years ago 3
Mayako conveys a real love & understanding of Rameau's music.Tour-de-force!Bravo!
jmtappenden 2 years ago 2
I love her!
Impresionant!
capmantarraya 2 years ago 2
Frankly I don't feel anything positive listening to such technique for its own sake. It sounds like a mad pianist trying to destroy a harpsichord.
FernandRaynaud 2 years ago
Good performance, but I prefer Elaine Comparone's rendition. She at least used the upper keyboard for contrast.
Viahandel06 2 years ago
Musique française, évidemment.
princechandy 2 years ago 2
Lovely!
Absolutely beautiful!
Rykhart 2 years ago
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Rykhart 2 years ago
sounds like shallow one by computer programming
aloofistpain 2 years ago
my favourite piece!!!!!!!!
UKpatriot90 2 years ago
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imitatec 2 years ago
simply amazing
trabalhosmanuais 3 years ago
i don't think it's too fast. her playing conveys the intensity of the battle between Odysseus and Polyphemus, the cyclop.
ShinAkiraX 3 years ago
first thing that i imagined from the piece was a boss fight in some epic game.
ShinAkiraX 3 years ago 2
Bloody hell woman! Slow down!
Give me Pinnock any day!
Mistermagoo77 3 years ago
Funny..reviewers said that same thing about Pinnock's recording of this at the time...that it was too fast and wild!! God forefend that this music be played with any passion, eh?!
Brava Sone-sen! Beautifully recorded too!
ravichandra70 3 years ago 2
Again...Give me Pinnock any day. Passion does not mean disrupting the flow of the piece. Too many stops and starts
Mistermagoo77 2 years ago
あでやか
BryanFantasia 3 years ago
Entsetzlich. Transportiert wird hier nur noch die Virtuosität des Spiels und der Drill der Übung, nicht mehr die Komposition. Es kommt einem vor, als höre man einen Rohrstock, der auf die Finger klopft. Viel zu unklar herausgearbeitet, alle Klarheit geht unter.
Navarra2222 3 years ago
It plays very well, but in transitions from fast to slow parts and vice versa is a bit "broken"
inviniveritas 3 years ago 2
i thought so too, it's annoying.. like a bunch of little solos, not one song.
xXWeezerXx 3 years ago
HOLY SMOKES, the technical ability on display here...!!!
Still, I find it blazingly fast, way too fast, I prefer Pinnock's interpretation.
accordionz 3 years ago
holy crap, that was amazing!
DaGuittarMan 3 years ago
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You're music is beautiful just like you. ^-^
SaiyanPrince339 3 years ago 4
S'il s'agit des Cyclopes ouraniens,Brontès (Tonnerre),Stéropès (Éclair)et Argès(Foudre), il faut reconnaître que cette pièce est bien plus que de la virtuosité gratuite, mais plutôt un tableau de la force tellurique de ces êtres qui ont participé à renverser Ouranos puis Cronos. Merci à la claveciniste de prendre tous ces risques pour évoquer la violence et la puissance monstrueuses de ces êtres !!!
trionitetis 3 years ago
très belle interprétation, c'est différent du piano mais tout aussi joli.
givemetime123 3 years ago
sorry, but I think it quite denatures a little the song as I know it.
She plays the rapid parts a bit too fast and the slowest parts a bit too slow.
I do not know if it is me but it is my feeling for the first half part.
Second part.. is incredibly executed with perfection and magnificence
rogersimpson23 3 years ago
French music is for French instrument.
Beautiful!
ArtofCembalo 3 years ago
the title is actually "Les cyclopes". The composer is Jean Phillipppe Rameau, a french composer from the rococo period. the piece is part of Rameau's book "pièces de clavessin" from 1724.
khronop 3 years ago
She has a very beautiful instrument and it sounds exceptionally good.
Indigoscence 3 years ago
Rameau Cyclopes
charcoal4826 3 years ago
What is the title of this music?
annakim925 3 years ago
Good! Toi cam thay duoc chat Boroque Phap qua tieng dan cua chi.
Couperin1221990 3 years ago
I never realised how devilishly difficult this piece is to play! Bravo!
morindhe 3 years ago
That's a pretty difficult song.I'm trying to find some sheets, but didn't find anything yet.
I have an AP-33 Celviano, and i've once tryied a real Harpsichord, and in comparation to my Harpsichord tone on my AP-33, it sounds almost identical.
n34t43v3r 3 years ago
Impressive, but the shape of the piece would benefit from taking it just a little bit slower! I like the drama, but the phrases have to be fully shaped, too.
AulicExclusiva 3 years ago