Added: 3 years ago
From: 100Singers
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  • It was called * Voce infantile* which is unfortunally lost today.

    She was great, a real Diva. Maravillosa cantante.

  • I never get sick of her voice! It is so sad to me that we do not have singers like her anymore.

  • I love this type of controlled vibrato - which I suspect has been all but eliminated today because of recordings. Supervia was wonderful- charm, elegance, art, character- the entire package! thank you.

  • Jane Powell sings like this only a little better !! love JP's flicker vibrator tooo!

  • ANITA CERQUETTIIIIIIIIIIIIIIIIIIIIII­IIIIIIIIIIIIIIIIIIIIIIIIIIIIII­IIIIII

    MA POSSIBILE CHE ANCORA NON SIA IN LISTA, 100 SINGERS?????????????

  • It is not a "strange vibrato" but a power of concentrated sound which in old times could not record better. Normally you would not hear that vibrato or it would be very little. Yes, I agree, there is no better musetta than her.........

  • no dejo de percibir el parecido con luisa tetrazzini, simplemente maravillosas ambas, se añoran voces así

  • Opera isn't having a big voice only, not about screaming, it's about singing, presentation and portraying a role with your voice. Who did this better, I ask you indeed. Noone sings this lovelier. Noone.

  • SON VOCES BONITAS.ANTIGUAS.CON UN ENCANTO AÑEJO.PERO CARECEN DE FUERZA.Y SE PARECEN MAS A BODEVIL CON TODOS MIS RESPETOS.LA VERSION DE ELIZABETH HARWOOD ES LA REAL CREO

  • A unique voice. And a unique artist. If you want to catch a glimpse of the impact she made on audiences, do watch the film 'Evensong', where she sings this same aria (in Italian!)

  • Beautiful! Supervia's rapid vibrato makes her voice almost seem perfectly pleated, as a Cluny silk! It's a lovely, fluttery sound... very distinctive! Brava!!!

  • Encantadora y sorprendente.

    Gracias por esta joya !!!

  • She has a strange vibrato, but she is without doubt one of the greatest artists of te century. What a voice, what an interpretation, what a technique, what a performance... I have all her songs on 12 LP's. So pity that I dont know to put some of them (for instance La Paloma) on You Tube....

  • I think the vibrato rate back then tended to be a bit faster in general. I, for one, love Supervia.

  • Wow, this is so different from what you'd be likely to hear today.

  • such a totally feminine voice

    so sweetly sensuous....and i love the oldtime flicker vibrato

  • from Peatcutter:

    Hers was the finest Carmen I have ever heard (on record, unfortunately, and a long time ago). A lovely voice, most definitely mezzo. So tragic - she died in childbirth, I believe.

  • Amazing!!!! Thank you very much for sharing this treasure!!!!

    I think she is a soprano, though

  • My father heard her and was enchanted. I think she had a certain fascination and the rare gift of making audiences love her.

  • Having never heard her in a live performance I would have to question whether being live could remove even a portion of the vibrato. Top 100? Not on my list.

  • bella voce, even if she was mezzo... but why in french??

  • bella voce even if she was mezzo? are you trying to say mezzo voices are ugly in general?

  • I love Mezzo, and contralto even more!!!, I said that because of the aria... I would prefer a mezzo aria on the original language

  • @contrafagot Yes that is a good question. Why IS it in French?

  • It is better to have vibrato than the awful wobbly, throaty, hooty singing heard today

  • awesome! Top 8 of women singers, no doubt!

  • I'm just curious about whom the other seven might be.

  • good question, i need reflexion about it! i promise to 100singers that give him my personnal rank, it's funny :)

  • Nadie ha hecho esto mejor. Es lo más encantador que se puede escuchar en esta aria, y suena tan exquisitamente francés...

  • Heavenly voice. I like the vibrato as it made her songs special.

  • Who cannot fall under her special charm. A wonderfull singer & artist.

  • I've never been particularly fond of Supervia, beacuse of an access of "vibrato" that I, personally, dislike.Nevertheless this rendition is extremely refined.

  • Those who heard Supervia in the flesh claim her vibrato was less noticeable than on recording (same thing for De Lucia). Personally, I love her voice and singing; the timbre is so individual and the phrasing so personal. She has the ability to capture perfectly the essence of an aria or song. Worthy of the list, IMO!

  • and dont forget the large number of colours her voice produced!

  • Carmen was French opera

  • Vibrato? No wonder, if she got Rossini's work back on the stage.

    Would you say Alva, Benelli or Dermota show an excess of vibrato?

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