The publisher always double-checked with the composer to make sure all notation was correct. so, I'm sure a repeat would not have escaped him. Nor would it have it escaped Mozart, Haydn, or any other composer who wrote anything in sonata-allegro form. The repeat is standard.
in this piece, beethoven "did" indicate a repeat. 1st editions may not be accurate but recent editions adhere more to beethoven's intentions especially the Henle-Urtext edition, where they based their sources from the manuscript and/or the composer's correction of the 1st edition. However, I myself don't do repeats. The important thing is the piece should be played wonderfully. Good job.
Too simple (musically). Opening chords (after the Largo) are too short and seemed "clipped". Technically it is amazing, but it is missing something musically.
On the subject of the repeat, I have also done some research, and, while I could not find anything on the repeat in this piece, I know that many repeats after 1800 or so were added by editors. Also, keep in mind that audiences at this time rarely heard a piece more than once, while modern audiences have often heard a single piece dozens of times. So, regardless of stylistic correctness, leaving out the repeat seems like a logical decision.
Wow, great performance! I appreciate the fast tempo, as I think that is what Beethoven was looking for. Although this piece was written before the invention of the metronome, and thus does not have a tempo marking indicated, one can clearly see from Beethoven's other works that he wanted faster tempos than the tempos at which modern performers often perform his pieces.
I apologize for the absent of the repetition. But it was our intention to do non repeat as I have done some research about publishing music in the classical period. It was very subjective, in many cases, whether the repeat signs were written by the composer or the publisher...
You can find articles and researches about it on internet. :) Thank you for your comment!
I know its nitpicky ;) Repeats will always be a point of controversy. Certainly in the Baroque, and especially with Baroque dance suites, the repeats seemed more a requirement of the form rather than making a statement about the meaning of the music. With Beethoven, and this is just a personal feeling, I feel there is sometimes more to the repeat than meets the eye.
Forgive me one other thing...to clarify...I mentioned Baroque because I feel repeats in that era were more formalities. Through the classical era and on towards the Romantics, I just feel the repeats are less mechanical
Really, really nice. The tempo, however, is a major flaw: It's way too fast. It doesn't show until the "harp"-part; but the climax feels quite rushed and the majesty of the moment is lost. If they played it a little slower, it would be a great interpretation and not just a technically perfect piece. Intonation's not everything!
i completely disagree. Listen to the amadeus for example: they play exactly this fast. Plus, beethoven on the score says: allegro, nothing more. So, let them decide their idea of allegro.
The publisher always double-checked with the composer to make sure all notation was correct. so, I'm sure a repeat would not have escaped him. Nor would it have it escaped Mozart, Haydn, or any other composer who wrote anything in sonata-allegro form. The repeat is standard.
elmbudsman 10 months ago
in this piece, beethoven "did" indicate a repeat. 1st editions may not be accurate but recent editions adhere more to beethoven's intentions especially the Henle-Urtext edition, where they based their sources from the manuscript and/or the composer's correction of the 1st edition. However, I myself don't do repeats. The important thing is the piece should be played wonderfully. Good job.
haydnesque 1 year ago
BRAVI! Congratulations from Germany
eckarteckart 1 year ago
Comment removed
eckarteckart 1 year ago
7:19-7:40 om nom nom
drurylane5 1 year ago
Amazing! I especially enjoy how they use no vibrato on those long chords- so inspired!
Milky111wtf 1 year ago
Next time try adding some drums or synth.
TheGloryofMusic 1 year ago
wonderful players, great 2nd violinst!!!!!
ddviolinist 2 years ago
Ensemble, intonation, sound, insight - this quartet has everything. Bravo!!!
violinhunter2 2 years ago
Thank you for posting this video of a wonderful performance!!
BobKy12 3 years ago
incredibly well played, and as a member of a quartet i'll say, you understand what playing in a quartet means.
Congratulations from italy
ashaam 3 years ago
Very good! Congratulations from Barcelona.
alvarito45 3 years ago
Too simple (musically). Opening chords (after the Largo) are too short and seemed "clipped". Technically it is amazing, but it is missing something musically.
rouler97 3 years ago
They are in school....jeez
ddviolinist 2 years ago
On the subject of the repeat, I have also done some research, and, while I could not find anything on the repeat in this piece, I know that many repeats after 1800 or so were added by editors. Also, keep in mind that audiences at this time rarely heard a piece more than once, while modern audiences have often heard a single piece dozens of times. So, regardless of stylistic correctness, leaving out the repeat seems like a logical decision.
barreltheif 3 years ago
Wow, great performance! I appreciate the fast tempo, as I think that is what Beethoven was looking for. Although this piece was written before the invention of the metronome, and thus does not have a tempo marking indicated, one can clearly see from Beethoven's other works that he wanted faster tempos than the tempos at which modern performers often perform his pieces.
barreltheif 3 years ago
Why do you say he wanted faster tempos? What's the evidence? I'm not challenging you, just wondering.
gxshere 2 years ago
hello. this is so beautiful. i'd love to play so well. amazing teamwork and i love the last note where you all do the same motion.
ihopno 3 years ago
That 1st violinist nailed her bit near the end.
lsder 3 years ago
Very good. My only beef is that Beethoven asked for a repeat of the exposition but its not here...if the master wants a repeat, it should be done.
tar23heel 3 years ago
I apologize for the absent of the repetition. But it was our intention to do non repeat as I have done some research about publishing music in the classical period. It was very subjective, in many cases, whether the repeat signs were written by the composer or the publisher...
You can find articles and researches about it on internet. :) Thank you for your comment!
Celloheaven 3 years ago
I know its nitpicky ;) Repeats will always be a point of controversy. Certainly in the Baroque, and especially with Baroque dance suites, the repeats seemed more a requirement of the form rather than making a statement about the meaning of the music. With Beethoven, and this is just a personal feeling, I feel there is sometimes more to the repeat than meets the eye.
tar23heel 3 years ago
...or should I have said 'ear' :)
In any event, very nice work and I rated you a 5 star.
tar23heel 3 years ago
Forgive me one other thing...to clarify...I mentioned Baroque because I feel repeats in that era were more formalities. Through the classical era and on towards the Romantics, I just feel the repeats are less mechanical
tar23heel 3 years ago
personally I don't mind that you didn't take the repeat.
kcellist 3 years ago
Really, really nice. The tempo, however, is a major flaw: It's way too fast. It doesn't show until the "harp"-part; but the climax feels quite rushed and the majesty of the moment is lost. If they played it a little slower, it would be a great interpretation and not just a technically perfect piece. Intonation's not everything!
Lederzunge4 3 years ago
i completely disagree. Listen to the amadeus for example: they play exactly this fast. Plus, beethoven on the score says: allegro, nothing more. So, let them decide their idea of allegro.
ashaam 3 years ago
Not bad! A little too fast, if anything.
Lederzunge4 3 years ago
Beethoven was the best composer who ever lived in the earth! God were with him,and the result was his amazig music!
boytub 4 years ago
It's debatable.
ricecreamdude 4 years ago
I don't know, Richard d. James is pretty good
ninjabackflip 4 years ago
What about Mozart then? and bach? they were very very good at is aswell
bzradly 4 years ago
I agree, Beethoven went further, yet we must remember he had the shoulders of his predecessors to stand on.
richardyingren 4 years ago
sounds good!
yukyo85 4 years ago