Otro foro donde se ve mucho listillo! Alguno de vosotros es cantante? Me gustaría escuchas algo vuestro. Estoy verdaderamente intrigada. Sería un placer escuchar las voces de quien parece tener tanto dominio de la técnica.
@oasisdelparaiso Correción, que seas un incauto musical cualquiera no te da el perdón de nadie que de verdad sabe de canto, Kraus era bueno, pero cantar para atrás JAMÁS es considerado mejor, y menos unos aguditos piratas aligerados, que de seguro se escuchaban del fiasco en vivo.
@lateralex90 ¿quien sabe de canto? obviamente tú no. Yo tengo oído, que ya quisieran muchos que "saben" de canto, y si no te basta con mi oído, tienes la opinión mundial. Explicame eso de cantar para atras... Alfredo Kraus siempre ha llegado más allá de donde ningún otro cantante llegó. Ahí están sus últimos conciertos a la edad de 72 años, con la calidad que ya quisiera Plácido, Carreras y Pavarotti juntos en sus tiempos mosos. Pobre, que pobre eres...
@oasisdelparaiso Me parece patético el hecho de pensar que se sabe de canto porque te gusta escuchar tipos gritones que pronuncian todo horriblemente. Se nota que no sabes de canto porque al parecer no tienes ni la más remota idea de la línea de canto que debe seguirse, y que ambos cantantes que me mencionaste avientan el sonido hacia atrás, osease, a la parte de atrás del paladar, lo que lo hace sonar feo, perder potencia entre otros facotres. Me da risa ver que te crees tan grande!
@lateralex90 ¿lo que lo hace sonar feo???? por favor, no sigas haciendo el ridículo. ¿lo que les hace perder potencia??? Mira .... de verdad te afirmo que no estabas escuchando a Alfredo Kraus cuando "notaste" todo eso....
Ignnoro que motivos tienes para intentar dejar mal al mejor tenor de toda la historia, Alfredo Kraus, aun quedandote en evidencia bochornosa, pero ya empiezo a pensar que eres uno de esos chalados que dicen que la cabra juan diego flores es el mejor cantante ajajajajaja
@lateralex90 ¿lo que lo hace sonar feo???? por favor, no sigas haciendo el ridículo. ¿lo que les hace perder potencia??? Mira .... de verdad te afirmo que no estabas escuchando a Alfredo Kraus cuando "notaste" todo eso....
Ignnoro que motivos tienes para intentar dejar mal al mejor tenor de toda la historia, Alfredo Kraus, aun quedandote en evidencia bochornosa, pero ya empiezo a pensar que eres uno de esos chalados que dicen que la cabra juan diego flores es el mejor cantante ajajajajaja
@oasisdelparaiso JAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJA Juan Diego Flores fue, es y seguirá siendo un fiasco. Yo no dije que Alfredo Kraus fuera malo, sus agudos eran feos, eso que ni que, pero, para qué desgastarme en discutir con un sujeto que se atreve a mencionar a Marcelo Alvarez como mejor que Corelli?...Bien, te dejo en tu puta burbuja de mierda; eres un ignorante operístico y te encanta creerte tu mierda como comida, adelante, be my guest...
@lateralex90 Nada, eres un pobre diablo, a ti ni te contesto. Además te mereces seguir en la ignorancia. "No echeis diamantes a los cerdos" ya lo decía la bibllia....
@oasisdelparaiso Con todo el respeto del mundo que se merecen estos señores... Debo decir que Alvarez siendo un tenor contemporáneo que sabe cantar muy bien, fue rechazado muchísimas veces en los teatros argentinos de prestigio mundial, el Colón de la Plata es de los 10 mejores a nivel continental y Alvarez NO pudo entrar jamás, cosa que Corelli si hizo :-) Corelli ha sido de los mas grandes tenores de la historia, no se compara con un tenor como Alvarez... De Kraus ni hablar.
@cremonaspinto amigo, esto es lo que dice la wikipedia de tu Franco Corelli, transcribo tal cual: "Sobresalió por su atractivo físico y la potencia de su voz. A pesar de un canto frecuentemente criticado como rudo, faltoso y poco cultivado ". Pero además, no me hace falta leer la wikipedia, me bastó mi oído, ví varias actuaciones de Corelli, sobretodo este tema, y realmente es bochornozo, realmente patético que por su figura le hayais dado tanta fama inmerecida.
@oasisdelparaiso Pues si tu criterio esta formado desde la wikipedia... Que lástima! Yo creí que hablaba con un estudioso como yo, no con un aficionado. Saludos.
@cremonaspinto ¿y has tardado un mes para escribir esto? Lo de la wikipedia lo puse para los que dicen que todo el mundo reconoce a Corelli como de los mas grandes tenores de la historia, cuando es mentira. Ahí la wikipedia si puede hacer de testimonio de todo el mundo pues puede ser reescrito y rebatido su contenido y sin embargo en este caso no se ha hecho, luego TODO EL MUNDO está deacuerdo con lo que dice la wikipedia sobre Corelli. Te repito que me bastó mi oído, nunca juzgo a la ligera.
@oasisdelparaiso Cuando Alvarez alcancé los RE sobreagudos que Corelli alcanzaba, cuando Alvarez ACTÚE como Corelli, cuando Alvarez deje de oírsele la voz TAN atrás... Solo tal vez ahí podríamos discutir acerca de quien es mejor. Como Corelli no ha existido otro igual y no estoy hablando de su atractivo físico ni de su timbre; simplemente hablo de su dominio técnico, el daba pianissimos en el si bemol de Celeste Aida... Cosa que POCOS pueden hacer. Saludos se despide un estudiante de canto.
@oasisdelparaiso El odio? Disculpa, pero creo que te sales de la tangente y si por odio comprendes decir la verdad... Pues hmm, si, seguire fomentandolo. Tu fuiste quien empezó atacando y lo sabes.
@oasisdelparaiso Contesto ya por educación... Como tu quieras, ándale que francamente ni tiempo tengo de esto, Placido es el mejor de la historia del universo, pero ya callate por favor.
And the final cadence is despicably poor. Amateur tenors sing it better. He has ZERO squillo on the Bb. The bugger yelled the final note for heaven's sake! Mr. Domingo:This is not pop music in case you've forgotten for some odd reason!
Appreciating Domingo for his interpretive skills is an oxymoron. Every tenor has two dimensions as an artist. The technician and the interpreter. The interpreter cannot do anything if the technician cannot produce sublimely. Given Domingo's major technical problems, do not talk about his interpretive skills. It does not make sense! Ever wondered why he sung 130 roles?
To each his own - each brings something of his own to the table. Personally I think they each are flawless at SOME things and lacking in others, but both are a pleasure to listen to. I find the musicality of Domingo combines with his charm to produce an exceptional performer, though. Some of Domingo's stuff I could listen to for hours and others not so good, but Pavarotti gets tiresome after a while - sorry!
Domingo isn't my favorite, but to claim he doesn't know how to use his voice is silly. This isn't Paul Potts fooling the masses here. Domingo's career has lasted more than 40 years, because he has an exceedingly versatile and capable voice and is an excellent stage actor. Is there anything he does better than anyone else? Probably not. But to say he's not a great singer is like saying DiMaggio wasn't a great ball player because he never led the league in home runs, RBI or average.
NADIE ha podido cantar esta aria como Alfredo Kraus, clase, técnica, señorío y un si natural que se alargaba interminablemente... Grandísimo Alfredo, GRANDE ENTRE LOS GRANDES
I think all singers have different styles, no one can say Caruso is the best as he was not of our generation. But at least Domingo is most probably the best in this general
A very honourable Des Grieux, Chénier, Dick Johnson and Don José... Although I cannot grant there were no better singers but the 'best' singer doesn't exist :) It depends on the aria of the opera...
In other words, he was not always realistic about his potentials ; to wish to sing is one category, but to be able to sing is another category ; if you mix these two you will probably sing around 130 or 200 roles ; in a way it becomes an unconscious self-irony.
I've read some comments here that Domingo is the best tenor ever. I think it's not true. He is one of the greatest, he is probably the most complete artist, but I don't think he is the greatest mainly because I can't find one role in his repertoire which he did the best of all tenors. Name one please ! In the best scenario he is probably always the second choice. The big number of roles he performed is not an index of quality but an index of being a pretentious tenor.
I've heard all great tenors singing this aria, and maybe they can match Pavarotti at certain degree but when it comes to the final notes they can all just applaud to The Ultimate Duca ; Pavarotti's final notes of this aria on his Bonynge, Sutherland, Milnes recording are incomparable.
He is solid here but Pavarotti blows him away as Duca. I like Domingo in some other roles but if you want to sing this role and to be remembered your singing has to be stratospheric and Domingo lacks that. Just listen to his final notes of the aria - makes a really great tenor sound like a second class singer in some redneck-bar.
He criticizes Domingo for transposing parts while he can't understand any difference between transposed and untransposed pieces of music since his sense of pitch is not sufficiently good.
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Tony-Greek sodomite. As a hypocrite and a person who lacks core honesty in your comments, mind your words. You live in a 2D world and think you know something. Get out of your bubble you little self righteous Greek sodomite!
It's not my fault if Domingo sounds as if someone's squeezing his balls when he's trying to produce a simple B4. Tony-Why don't you lend him a hand and make yourself useful.
Note theinquisition4ever lacks so much musical knowledge and abilities,his ear is so untrained that he suggested the high note in the Rigoletto duet ''Addio addio'' sung by Pavarotti and Scotto in 1966 was a high D while it was a high D-flat,half a step lower than he suggested.A simple proof of his lack of sufficient musical skills.
PLEASE! there is a reason he is one of the three great tenors, a lot of people think he is wonderful. I love him. Just because you don't like him and are obviously jealous of his success doesn't mean you have to bag on him, get a life.
I agree with you about inquistor4ever. Please forgive the guy. He is just a pathetic FAGGOT. I know that for sure as he is my neighbor. YOu are right too about his asshole - its overstretched from his heavy sodomite activity comments.
Silias-Note that there are hispanic tenors which I like: Fleta, Kraus, Aragall. They were tenors of utmost reputation who had great respect to the art form and served it to the best of their ability. The likes of Domingo, Villazon etc have no respect to the art form. Otherwise, they would have pursued a repertoire which would be suitable to their limited talents! And genuine opera lovers are supposed to overlook such an assault on opera? I don't think so!
Silias-Calling this piss poor performance "a bit flat" is a mega underevaluation. Here, Domingo decimates what is normally a beautiful lyric aria. His voice is not compatible, and nor is technique developed enough to do justice to the composer. Domingo has no shame in squeezing the notes in the final cadence. Amateurs tenors would be admonished by their vocal caches if they did such a thing! Another example of a decimated Italian aria by a hispanic tenor with feeble vocal ability!
Silias-Those who are the real bigots are the ones who support the likes of Villazon and Domingo just because they happen to be their fellow hispanic or latino. And Domingo's ethnocentric promotion of mediocre hispanic tenors as top notch artists is the racism. I happen to call them out of their shameless ethnocentric assault on opera. Think twice before you blurt something out and stop being an apologist. Political correctness is something they have been exploiting for years!
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By the way, the final cadence of La Donna e Mobile by MINGO (where's the Do?) was piss poor. The B4 is supposed to be glorious and ring. His top B is pushed and hence as flat as an ironing board. Keep applauding sheepishly. Do you even know what's artistically wholesome and what is not?
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Wil-As a 17 years old clueless hispanic fiddlestick from LA, it is your ethnocentric liking of Domingo who makes you look like a fool and a biggot. Have you even seen the inside of an opera house? Learn some manners and some basic English first and foremost. It'd come in handy when you step out of the barrio.
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I will concede that he displays talent that doesn't quite measure up to some Italian tenors. He does indeed sound a tad flat. However, does your definition of "manners" include making sweeping generalizations about other races and referring to others as "hispanic fiddlesticks"? You sir, appear to be the biggot. And don't attempt to make any accusations toward me. I'm snow white on both sides of the family. I'm merely attempting to give you a lesson in courtesy.
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Another beautiful lyric aria decimated by Domingo with his hooted, throaty, monochromatic and pushed hispanic voice. I have seen amateur tenor singing the final cadence, especially teh top B, better than Domingo.
It is very clear to me that you are a RACIST person. You are a genuine BIGOT which the world is trying to get rid .You always refer to ethnic groups like Latinos Voice etch. Voice is voice regardless of the race. We are all the same (Pari Siamo). So please respect people. You only disgrace the art of opera which we all love. Give your critique Not criticism & you will be glad you serve mankind well. I am not trying to put you down, I just want you to be civilized as you seem to understand music.
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Zaces-Do you even know what you're talking about? I'd suggest you inquire more about Domingo's behind the seen Macchiavellian business tricks and such you clueless fiddlestick!
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Fofesni-Are you trying to be just another young dumb idiot hispanic who speaks in favor of Domingo for he is a fellow hispanic? Now get lost you imbecile! By the way, Domingo's rendition of La Donna e Mobile is piss poor! Go listen to some top Italian tenors singing this aria. He can barely produce a glorious B!
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Singing 130 roles as Domingo did is indeed proof positive that reaching artistic excellence wasn't his purpose, and show lack of selectivity. He was a perfect salesman for many opera houses, singing anything and everything with just acceptable quality, selling millions of tickets to largely unsuspecting and clueless audiences. What he lacked in artistic talent, he made up for with sheer number and box office sales. That doesn't make him a GREAT tenor. No cut BS.
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That's right: He was a perfect salesman for many opera houses, singing anything and everything with just acceptable quality, selling millions of tickets to largely unsuspecting and clueless audiences. And do not forget he's closed many brilliant carreers specially tenors. He supports only Villazón 'cause he is a clown.
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Pavarotti had the phrasing of Schippa, the legato and technique of Gigli, the expressivity of di Stefano, the surgical precision in la misura of Bjorling, which he ripened with his genuis and perfect pitch + voice, creating operatic excellence thereby. Yo surely need to get a clue. Sobbing on every note to make up for technical shortcoming is not considered passionate singing as is the case with Domingo and Carreras. They have decimated the beautiful Italian repertoire.
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KNIGHT-Don't rely on the BBCs top 2O list. It's a market tool and is crap. Pavarotti excelled in operatic artisty in quite a few roles and had a technique second to none. MINGO committed artistic prostitution by singing 130 roles, most with acceptable mediocrity, becoming a best seller because of unsuspecting and clueless masses. How does that grab ya?
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The lyric Italian repertoire calls for a bright and resonant voice which is full of harmonics. Domingo's voice is perfectly suitable to mariachi singing but not the Italian repertoire, lyric or verissmo. He has decimated enough of the Italian repertoire.
Not an easy challenge for a dramatic tenor to sing a lyric tenor opera.But he did a wonderful job (better than Corelli,which in my opinion was not a very good Duca).I think no one can appoint any mistake to Placido.He's technically flawless,and he knows his limitations.He's probably the tenor with the most solid career ever to exist.He made every roles,sang in many languages (German, italian, french,spanish,latin),he will be remembered as one of the most complete tenors,if not the most complete.
I AGREE. You are darn RIGHT. Many people criticized Domingo because they do not know any better. The only thing they knew the best is Pav. Yes. Pav is good but not as musically talented and technically master as Domingo. Domingo is not just a singer; he is a MUSICIAN. Corelli is one good dramatic tenor but I found him to be over singing like Villazon. One I admire from an opera singer is their sincerity which Corelli lacks.
Murgino-By calling me names it show your true colors. You seem to be just another hispanic whose sheepish like of Domingo is ethnocentrics. I cannot help if MINGO (where's the do) sounds hooted, throaty and monochromatic. He's fared better if he didn't decimate the Italian lyric roles with his inferior singing. But it seems, he can just as well crap on silver plate and people like you would still eat it for the previously said reason. Now get lost you idiot.
''Domingo is not just a singer; he is a MUSICIAN''. What does that mean : ''the MUSICIAN''? This reminds me of a profesor of literature who knows everything about literature but can't write a novel. That's Domingo for me - he know's but he can't. In other words, he probably understands the role perfectly but most of the time he can't materialize this knowledge with his voice. That's why he probably does not own a single role ultimately.
--So he's been (wisely) sparing with his high notes. Doesn't mean he didn't use them when needed. Check out his RECORDED Turandot with Ricciarelli & al to hear a good high C (No principessa altera). Yes, I do understand the difference between a live and a studio recording--but it's a start.
--If you don't give him part ownership in this century of OTELLO, CALAF, DICK JOHNSON, then YHGTBFKM. That would display an ignorance of the history of opera.
''If you don't give him part ownership in this century of OTELLO, CALAF, DICK JOHNSON ...''. I don't because there were better tenors in this roles then Domingo - Vickers and del Monaco as Otello, Corelli and Pavarotti as Calaf and Corelli as Dick Johnson. I appreciate Domingo mainly because of his interpretative skills but that suits only for intelectual panels.
But when it comes to aesthetic experience, and that means to forget that there is a tenor singing an aria, to become one with a music, for me Domingo is insufficient here mainly because I don't like his production of sound - it lacks equality and facility - so when I listen to him I become disconcentrated with his sound faults. In orther words I can't be relaxed when listening to Domingo, unlike Pavarotti and some other tenors.
Ah. Well, in that sense, I think it's really in the ear of the beholder. I've always loved his sound, personally, but I realize lately how very musical he is. There may be scary moments, but he always tunes so well and interprets musically as well as dramatically. And the commitment is always 100%. It always strikes me as being more about the music than it is about him (I know others may disagree).
I would always give more for one note produced by Pavarotti's voice then all the musicianship of Domingo. As I said before Domingo knows how to sing but most of the time his production of sound is anoying for me. When it comes to Pavarotti and Domingo Pavarotti has shown that he can sing more dramatic roles and to be rememberd (Calaf or Rodolfo in ''Luisa MIller'') unlike Domingo who was never a belcanto singer because he could not sing roles of Tonio or Arthuro physically.
--listen to how on pitch he is with that big voice. More artistry required to do that then to sing some random aria at pitch.
--ferret around on YT for some tracks where he's accompanying his own singing. Pretty hard to fake.
--Find him on YT singing in Korean and Hungarian with approval being expressed. Great versatility. I'm not a Pav basher, but check out Pav's French when singing Gounod ::shudder:: and you will see the difference.
Domingo actually went off pitch more frequently than Pavarotti. Domingo when sharp frequently when being emotive and he frequently sang flat at the very top of his range.
Domingo's French was better than Pavarotti's, very true. But it still wasn't decent, listen to Gedda or Kraus for good French.
Oh, I'm not denying some of what's in the first paragraph. I don't think any of that explains all the hate he gets doused with on fan sites on a regular basis, however ;)
@sugarbist impressive that you have been through the comment thread to single out that particular, two-year-old remark. eh. most opera singers have bigger voices than normal people ;)
@suffisance I would think that your comment about Domingo having a BIG voice would be a comparison against other tenorsas appose to normal people.Isaw PD in Pagliacci about 16 years ago and he did quite well in the lyric portions of the opera, but he was almost inadible when it came to the passaggio and the B naturals which sounded like B flats.Domingo also omiitted the 2nd Bnatural in No Pagliccio Non Son.People do get upset when a singer is praised as1of the best ever,when it's not accurate.
Like Callas, Domingo does not possess the best vocal ability but his influence is too immense to be neglected. I think he totally deserves the number 1 rank in the 20 greatest tenors (not with Callas however). And Pavarotti, what else does he have aside from the extraodinary voice ?
Lanza is better than Pavarotti, too. His voice is much richer and sweeter, and he has the same range.
He was just underappreciated and dismissed, since he was in movies.That Hollywood culture killed him, forced him to keep losing weight whcih led to his early death.
I truly enjoy Placido Domingo. However, in all fairness, I would have to say that Pavarotti has it on him when it comes to high notes. Not to say that Domingo's voic is not stunning and beautiful -- because it is.
No me gustan las comparaciones pero me ha parecido brillante en general y muy afinado el final, que es donde algunos grandes han metido la pata sin querer, supongo, en sus grabaciones.
That´s your opinion and that´s something everyones entitled to. I think that if you´d asked Domingo he would have said that "the duke" simply ain´t he´s natural repetoar. If you wanna hear someone that didn´t struggle with this aria listen to Bjoerling.
I don´t think a tenor like Domingo would sing this aria half a step higher then the original score. I think he struggles with every high note here as usual when it´s high tessitura in an aria.
I thought you´d checked on a piano and that the recording speed had changed the pitch but I checked it on my piano and it´s a B-natural as Verdi written. Not even Alfredo Kraus would sing High C and he had a faboulous high C so why would Domingo who has problems with B-flats do it, not realistic
lol this song reminds of the videogame Grand Theft Auto 3. you know when your in a car and you can listen to radio station and theres an opera station and it has this song
Such a great performer. Nice cadenza at the end!!
SedonaMTB 2 months ago
Otro foro donde se ve mucho listillo! Alguno de vosotros es cantante? Me gustaría escuchas algo vuestro. Estoy verdaderamente intrigada. Sería un placer escuchar las voces de quien parece tener tanto dominio de la técnica.
wrichel 3 months ago
pizza
princeofdarknessxyz1 3 months ago
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Excellent! Thanks for the upload, I give this a thumbs up! :)
TouchMyPooper 4 months ago
Bravo Domingo !!
clown84700 4 months ago
Bravoo!!!
Asahelll 5 months ago
a quien no le puede gustar tan bella musica?
gaberuo 5 months ago
the best tenor alive...I consider Corelli the best :P but since he has expired, Placido the best
lateralex90 8 months ago
@lateralex90 Corelli is a shit. Marcelo alvarez is millions times better than corelli. The Best tenor is the world dead or alive is ALFREDO KRAUSS.
oasisdelparaiso 4 months ago
@oasisdelparaiso HAHAHA! Krauss? really? dear Lord...
lateralex90 4 months ago
@lateralex90 SI, ALFREDO KRAUSS, QUE SEAS UN ANALFABETO MUSICAL NO TE EXCULPA DE TU DELITO.
oasisdelparaiso 4 months ago
@oasisdelparaiso Correción, que seas un incauto musical cualquiera no te da el perdón de nadie que de verdad sabe de canto, Kraus era bueno, pero cantar para atrás JAMÁS es considerado mejor, y menos unos aguditos piratas aligerados, que de seguro se escuchaban del fiasco en vivo.
lateralex90 4 months ago
@lateralex90 ¿quien sabe de canto? obviamente tú no. Yo tengo oído, que ya quisieran muchos que "saben" de canto, y si no te basta con mi oído, tienes la opinión mundial. Explicame eso de cantar para atras... Alfredo Kraus siempre ha llegado más allá de donde ningún otro cantante llegó. Ahí están sus últimos conciertos a la edad de 72 años, con la calidad que ya quisiera Plácido, Carreras y Pavarotti juntos en sus tiempos mosos. Pobre, que pobre eres...
oasisdelparaiso 4 months ago
@oasisdelparaiso Me parece patético el hecho de pensar que se sabe de canto porque te gusta escuchar tipos gritones que pronuncian todo horriblemente. Se nota que no sabes de canto porque al parecer no tienes ni la más remota idea de la línea de canto que debe seguirse, y que ambos cantantes que me mencionaste avientan el sonido hacia atrás, osease, a la parte de atrás del paladar, lo que lo hace sonar feo, perder potencia entre otros facotres. Me da risa ver que te crees tan grande!
lateralex90 4 months ago
@lateralex90 ¿lo que lo hace sonar feo???? por favor, no sigas haciendo el ridículo. ¿lo que les hace perder potencia??? Mira .... de verdad te afirmo que no estabas escuchando a Alfredo Kraus cuando "notaste" todo eso....
Ignnoro que motivos tienes para intentar dejar mal al mejor tenor de toda la historia, Alfredo Kraus, aun quedandote en evidencia bochornosa, pero ya empiezo a pensar que eres uno de esos chalados que dicen que la cabra juan diego flores es el mejor cantante ajajajajaja
oasisdelparaiso 4 months ago
@lateralex90 ¿lo que lo hace sonar feo???? por favor, no sigas haciendo el ridículo. ¿lo que les hace perder potencia??? Mira .... de verdad te afirmo que no estabas escuchando a Alfredo Kraus cuando "notaste" todo eso....
Ignnoro que motivos tienes para intentar dejar mal al mejor tenor de toda la historia, Alfredo Kraus, aun quedandote en evidencia bochornosa, pero ya empiezo a pensar que eres uno de esos chalados que dicen que la cabra juan diego flores es el mejor cantante ajajajajaja
oasisdelparaiso 4 months ago
@oasisdelparaiso JAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJAJA Juan Diego Flores fue, es y seguirá siendo un fiasco. Yo no dije que Alfredo Kraus fuera malo, sus agudos eran feos, eso que ni que, pero, para qué desgastarme en discutir con un sujeto que se atreve a mencionar a Marcelo Alvarez como mejor que Corelli?...Bien, te dejo en tu puta burbuja de mierda; eres un ignorante operístico y te encanta creerte tu mierda como comida, adelante, be my guest...
lateralex90 4 months ago
@lateralex90 Nada, eres un pobre diablo, a ti ni te contesto. Además te mereces seguir en la ignorancia. "No echeis diamantes a los cerdos" ya lo decía la bibllia....
oasisdelparaiso 4 months ago
@oasisdelparaiso Con todo el respeto del mundo que se merecen estos señores... Debo decir que Alvarez siendo un tenor contemporáneo que sabe cantar muy bien, fue rechazado muchísimas veces en los teatros argentinos de prestigio mundial, el Colón de la Plata es de los 10 mejores a nivel continental y Alvarez NO pudo entrar jamás, cosa que Corelli si hizo :-) Corelli ha sido de los mas grandes tenores de la historia, no se compara con un tenor como Alvarez... De Kraus ni hablar.
cremonaspinto 4 months ago
@cremonaspinto amigo, esto es lo que dice la wikipedia de tu Franco Corelli, transcribo tal cual: "Sobresalió por su atractivo físico y la potencia de su voz. A pesar de un canto frecuentemente criticado como rudo, faltoso y poco cultivado ". Pero además, no me hace falta leer la wikipedia, me bastó mi oído, ví varias actuaciones de Corelli, sobretodo este tema, y realmente es bochornozo, realmente patético que por su figura le hayais dado tanta fama inmerecida.
oasisdelparaiso 4 months ago
@oasisdelparaiso Pues si tu criterio esta formado desde la wikipedia... Que lástima! Yo creí que hablaba con un estudioso como yo, no con un aficionado. Saludos.
cremonaspinto 3 months ago
@cremonaspinto ¿y has tardado un mes para escribir esto? Lo de la wikipedia lo puse para los que dicen que todo el mundo reconoce a Corelli como de los mas grandes tenores de la historia, cuando es mentira. Ahí la wikipedia si puede hacer de testimonio de todo el mundo pues puede ser reescrito y rebatido su contenido y sin embargo en este caso no se ha hecho, luego TODO EL MUNDO está deacuerdo con lo que dice la wikipedia sobre Corelli. Te repito que me bastó mi oído, nunca juzgo a la ligera.
oasisdelparaiso 3 months ago
@oasisdelparaiso Cuando Alvarez alcancé los RE sobreagudos que Corelli alcanzaba, cuando Alvarez ACTÚE como Corelli, cuando Alvarez deje de oírsele la voz TAN atrás... Solo tal vez ahí podríamos discutir acerca de quien es mejor. Como Corelli no ha existido otro igual y no estoy hablando de su atractivo físico ni de su timbre; simplemente hablo de su dominio técnico, el daba pianissimos en el si bemol de Celeste Aida... Cosa que POCOS pueden hacer. Saludos se despide un estudiante de canto.
cremonaspinto 3 months ago
@cremonaspinto Pues sigue estudiando, y a ver si cultivas más el oído. Saludos.
oasisdelparaiso 3 months ago
@oasisdelparaiso El odio? Disculpa, pero creo que te sales de la tangente y si por odio comprendes decir la verdad... Pues hmm, si, seguire fomentandolo. Tu fuiste quien empezó atacando y lo sabes.
cremonaspinto 3 months ago
@cremonaspinto eeeeeeehh???? esto que es?! Cultiva también la vista, que no se de donde sacas para arrojar semejante comentario aquí.
oasisdelparaiso 3 months ago
@oasisdelparaiso Contesto ya por educación... Como tu quieras, ándale que francamente ni tiempo tengo de esto, Placido es el mejor de la historia del universo, pero ya callate por favor.
Saludos!
cremonaspinto 2 months ago
@cremonaspinto jajajajaja, aaajajajajajaaa, que risa!! me hiciste arrancar una buena risa!
saludos! y dedicate al humor!
oasisdelparaiso 2 months ago
@oasisdelparaiso Tu dedícate al humor, pues ya es un chiste dejarte la piel por defender a un señor que no te hace en la vida...
cremonaspinto 2 months ago
@cremonaspinto pero si yo no defiendo a placido eres tú.
oasisdelparaiso 2 months ago
@oasisdelparaiso Joder, que ni me acuerdo de que era esta "conversación"...?
En fin, saludos!
cremonaspinto 2 months ago
pavarotti is better
JnJnism 8 months ago
@JnJnism was* better
Chaserpeach 8 months ago
que bonita!!!
tenor90210 9 months ago
dislike for rigolleto? dislike for placdio domingo? this is just wrong... <3 placido domingo!!
JenHuh2013 9 months ago
muy buena! manito verde si les gusto el video!
pauuAMF 10 months ago
DUCA DI MANTOVA = ALFREDO KRAUS
Frikinetto 10 months ago
el maestro domingo es el mejor
underchrix 10 months ago
La Donna e Mobile le que damejor a Pavarotti
ANTIteSISend 11 months ago
with no doubt Domingo is the best tenor ever !
trendyyy 1 year ago 2
Considerado en Inglaterra como el mejor tenor de la Historia. WOW. Bravo Maestro.
chaguino 1 year ago
Placido, une formidabile tenore,mai numero tre, Jussi, numero uno, Enrico numero due...
barretwallace2 1 year ago
God of the Opera! I especially love the pic at 1:29 :P
AnryK2690 1 year ago
I love Placido!!!
holograficbrilliant 1 year ago
affected?
charmingemily 2 years ago
ABRUMADOR.
rodikgork 2 years ago
Immenso , irraggiungibile !
carlottalotti 2 years ago
Uno de los grandes que todavía vive.
Extraordinario Placido Domingo, que como el buen vino ha mejorado con los años
aureyutu 2 years ago
Domingo is far better at this aria than Pavarotti.
milanchebaja 2 years ago
This is my Fav version. If you don't like it don't listen I doubt anyone of you haters could do better!!!
jfkgirl85 2 years ago 7
lol wut if we don't like it we have to match it?
LiangRome 2 years ago
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And the final cadence is despicably poor. Amateur tenors sing it better. He has ZERO squillo on the Bb. The bugger yelled the final note for heaven's sake! Mr. Domingo:This is not pop music in case you've forgotten for some odd reason!
TheInquisitive4Ever 2 years ago
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Appreciating Domingo for his interpretive skills is an oxymoron. Every tenor has two dimensions as an artist. The technician and the interpreter. The interpreter cannot do anything if the technician cannot produce sublimely. Given Domingo's major technical problems, do not talk about his interpretive skills. It does not make sense! Ever wondered why he sung 130 roles?
TheInquisitive4Ever 2 years ago
To each his own - each brings something of his own to the table. Personally I think they each are flawless at SOME things and lacking in others, but both are a pleasure to listen to. I find the musicality of Domingo combines with his charm to produce an exceptional performer, though. Some of Domingo's stuff I could listen to for hours and others not so good, but Pavarotti gets tiresome after a while - sorry!
Manxypop 2 years ago 3
Placido Domingo. Uno dei miei tenori preferiti! :P
nickettino89 2 years ago 2
also:
--Tito Schipa was Albanian in origin. I think you should deny him access to Italian music on those grounds. This ethnocentrism is lame, all right.
I don't usually post long comments here, but I'm so tired of seeing my hero insulted. Frankly I think it's about 10% discernment and 90% jealousy.
suffisance 2 years ago
For his age, he can still deliver.
franklindavid 2 years ago
Yeah, but that first picture creeps me out.
Meanwhile the comment thread is POSTER for what make the whole Domingo/Pavarotti debate so ridiculous and so howlingly funny. Too classic.
suffisance 2 years ago
Very nice. Love this song.
VandaVisions 2 years ago
Domingo isn't my favorite, but to claim he doesn't know how to use his voice is silly. This isn't Paul Potts fooling the masses here. Domingo's career has lasted more than 40 years, because he has an exceedingly versatile and capable voice and is an excellent stage actor. Is there anything he does better than anyone else? Probably not. But to say he's not a great singer is like saying DiMaggio wasn't a great ball player because he never led the league in home runs, RBI or average.
badpdx 2 years ago 2
molto bella rigatzza!!chicken fetuccini alfredo..
denez456 3 years ago
the first picture.. is amazing. i absolutely love it and him!
phantasma616 3 years ago
NADIE ha podido cantar esta aria como Alfredo Kraus, clase, técnica, señorío y un si natural que se alargaba interminablemente... Grandísimo Alfredo, GRANDE ENTRE LOS GRANDES
jcbcn751 3 years ago 2
all of the singers were and are awesome but imo caruso is the best didn't mean to offend anyone
jfkgirl85 3 years ago
Or at least as good as Domingo, but he was not without the question the best.
castorp1981 3 years ago
I think all singers have different styles, no one can say Caruso is the best as he was not of our generation. But at least Domingo is most probably the best in this general
nokia1242000 3 years ago 2
Tucker and Bergonzi were more convincing as Canio then Domingo. At least vocally.
castorp1981 3 years ago
I agree strongly.
Mooorhe 3 years ago
I will repeat : name one role he did the best of all ! I do respect this man but I find no solid arguments to state that he is the best.
castorp1981 3 years ago 2
Canio. Obviously subjective.
Chiliarches 3 years ago
A very honourable Des Grieux, Chénier, Dick Johnson and Don José... Although I cannot grant there were no better singers but the 'best' singer doesn't exist :) It depends on the aria of the opera...
HadrienB 3 years ago
In other words, he was not always realistic about his potentials ; to wish to sing is one category, but to be able to sing is another category ; if you mix these two you will probably sing around 130 or 200 roles ; in a way it becomes an unconscious self-irony.
castorp1981 3 years ago 2
I've read some comments here that Domingo is the best tenor ever. I think it's not true. He is one of the greatest, he is probably the most complete artist, but I don't think he is the greatest mainly because I can't find one role in his repertoire which he did the best of all tenors. Name one please ! In the best scenario he is probably always the second choice. The big number of roles he performed is not an index of quality but an index of being a pretentious tenor.
castorp1981 3 years ago
I've heard all great tenors singing this aria, and maybe they can match Pavarotti at certain degree but when it comes to the final notes they can all just applaud to The Ultimate Duca ; Pavarotti's final notes of this aria on his Bonynge, Sutherland, Milnes recording are incomparable.
castorp1981 3 years ago
Bjorling.
Chiliarches 3 years ago
I must agree. That recording is the best I have heard overall. Though I think Sutherland needs some better diction.
Pavarotti is my favorite for the Duca. He really takes a simple character and makes it musical genius.
vpgeiger08 3 years ago
Pavarotti is certainly the best.
redrumax 3 years ago
Oh, please! He's miles away from Alfredo Kraus on this aria...
HadrienB 3 years ago
Are you serious?
Performance101 3 years ago
He is solid here but Pavarotti blows him away as Duca. I like Domingo in some other roles but if you want to sing this role and to be remembered your singing has to be stratospheric and Domingo lacks that. Just listen to his final notes of the aria - makes a really great tenor sound like a second class singer in some redneck-bar.
castorp1981 3 years ago
Nice but Pavarotti owns this role.
castorp1981 3 years ago
2:18 ¡Por fín sale el barítono que lleva dentro!
TrovadorManrique 3 years ago
He criticizes Domingo for transposing parts while he can't understand any difference between transposed and untransposed pieces of music since his sense of pitch is not sufficiently good.
tonyantony1 3 years ago 2
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Tony-Greek sodomite. As a hypocrite and a person who lacks core honesty in your comments, mind your words. You live in a 2D world and think you know something. Get out of your bubble you little self righteous Greek sodomite!
It's not my fault if Domingo sounds as if someone's squeezing his balls when he's trying to produce a simple B4. Tony-Why don't you lend him a hand and make yourself useful.
TheInquisitive4Ever 3 years ago
Note theinquisition4ever lacks so much musical knowledge and abilities,his ear is so untrained that he suggested the high note in the Rigoletto duet ''Addio addio'' sung by Pavarotti and Scotto in 1966 was a high D while it was a high D-flat,half a step lower than he suggested.A simple proof of his lack of sufficient musical skills.
tonyantony1 3 years ago
your right domingo had no talent,
PLEASE! there is a reason he is one of the three great tenors, a lot of people think he is wonderful. I love him. Just because you don't like him and are obviously jealous of his success doesn't mean you have to bag on him, get a life.
OPERAMAN90 3 years ago 2
bravo domingo!
Pavarotti4eva 3 years ago 25
lets all vote a thumbs down to this arsehole inquisitor4evas comments, cos he is a bigot, and an immense stretched asshole!
Pavarotti4eva 3 years ago 6
I agree with you about inquistor4ever. Please forgive the guy. He is just a pathetic FAGGOT. I know that for sure as he is my neighbor. YOu are right too about his asshole - its overstretched from his heavy sodomite activity comments.
murgino 3 years ago
Bravo Domingo!
34fgsfgsdtu48w7qtaqt 3 years ago 16
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Silias-Note that there are hispanic tenors which I like: Fleta, Kraus, Aragall. They were tenors of utmost reputation who had great respect to the art form and served it to the best of their ability. The likes of Domingo, Villazon etc have no respect to the art form. Otherwise, they would have pursued a repertoire which would be suitable to their limited talents! And genuine opera lovers are supposed to overlook such an assault on opera? I don't think so!
TheInquisitive4Ever 3 years ago
Peraí... eu vou ali vomitar e depois comento o vídeo...
wlahmann 3 years ago
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Silias-Calling this piss poor performance "a bit flat" is a mega underevaluation. Here, Domingo decimates what is normally a beautiful lyric aria. His voice is not compatible, and nor is technique developed enough to do justice to the composer. Domingo has no shame in squeezing the notes in the final cadence. Amateurs tenors would be admonished by their vocal caches if they did such a thing! Another example of a decimated Italian aria by a hispanic tenor with feeble vocal ability!
TheInquisitive4Ever 3 years ago
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Silias-Those who are the real bigots are the ones who support the likes of Villazon and Domingo just because they happen to be their fellow hispanic or latino. And Domingo's ethnocentric promotion of mediocre hispanic tenors as top notch artists is the racism. I happen to call them out of their shameless ethnocentric assault on opera. Think twice before you blurt something out and stop being an apologist. Political correctness is something they have been exploiting for years!
TheInquisitive4Ever 3 years ago
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By the way, the final cadence of La Donna e Mobile by MINGO (where's the Do?) was piss poor. The B4 is supposed to be glorious and ring. His top B is pushed and hence as flat as an ironing board. Keep applauding sheepishly. Do you even know what's artistically wholesome and what is not?
TheInquisitive4Ever 3 years ago
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Wil-As a 17 years old clueless hispanic fiddlestick from LA, it is your ethnocentric liking of Domingo who makes you look like a fool and a biggot. Have you even seen the inside of an opera house? Learn some manners and some basic English first and foremost. It'd come in handy when you step out of the barrio.
TheInquisitive4Ever 3 years ago
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I will concede that he displays talent that doesn't quite measure up to some Italian tenors. He does indeed sound a tad flat. However, does your definition of "manners" include making sweeping generalizations about other races and referring to others as "hispanic fiddlesticks"? You sir, appear to be the biggot. And don't attempt to make any accusations toward me. I'm snow white on both sides of the family. I'm merely attempting to give you a lesson in courtesy.
silias4 3 years ago
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Another beautiful lyric aria decimated by Domingo with his hooted, throaty, monochromatic and pushed hispanic voice. I have seen amateur tenor singing the final cadence, especially teh top B, better than Domingo.
TheInquisitive4Ever 3 years ago
Dude, I said it before in nessun dorma, stop posting crap, you are just making fool of yourself, you must learn that domingo is an excelent tenor.
wilypp 3 years ago 6
It is very clear to me that you are a RACIST person. You are a genuine BIGOT which the world is trying to get rid .You always refer to ethnic groups like Latinos Voice etch. Voice is voice regardless of the race. We are all the same (Pari Siamo). So please respect people. You only disgrace the art of opera which we all love. Give your critique Not criticism & you will be glad you serve mankind well. I am not trying to put you down, I just want you to be civilized as you seem to understand music.
murgino 3 years ago 3
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Zaces-Do you even know what you're talking about? I'd suggest you inquire more about Domingo's behind the seen Macchiavellian business tricks and such you clueless fiddlestick!
TheInquisitive4Ever 3 years ago
You are an Asshole!!!!!
murgino 3 years ago
Pavarotti is a better singer but a horrible person. I cringle that is he an Italian. ughhh mi fa schifo.
I like domingo much better. Better person.
ma e' certo che ascolto piu' algi artisti popoli. come il grande laura pausini
zaces083 3 years ago
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Fofesni-Are you trying to be just another young dumb idiot hispanic who speaks in favor of Domingo for he is a fellow hispanic? Now get lost you imbecile! By the way, Domingo's rendition of La Donna e Mobile is piss poor! Go listen to some top Italian tenors singing this aria. He can barely produce a glorious B!
TheInquisitive4Ever 3 years ago
Domingo is the best tenor of the history in the world. Silence. Viva Plácido Domingo y la madre que lo pario
fofesni 3 years ago 5
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Singing 130 roles as Domingo did is indeed proof positive that reaching artistic excellence wasn't his purpose, and show lack of selectivity. He was a perfect salesman for many opera houses, singing anything and everything with just acceptable quality, selling millions of tickets to largely unsuspecting and clueless audiences. What he lacked in artistic talent, he made up for with sheer number and box office sales. That doesn't make him a GREAT tenor. No cut BS.
TheInquisitive4Ever 3 years ago
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That's right: He was a perfect salesman for many opera houses, singing anything and everything with just acceptable quality, selling millions of tickets to largely unsuspecting and clueless audiences. And do not forget he's closed many brilliant carreers specially tenors. He supports only Villazón 'cause he is a clown.
rositaibarra 3 years ago
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Pavarotti had the phrasing of Schippa, the legato and technique of Gigli, the expressivity of di Stefano, the surgical precision in la misura of Bjorling, which he ripened with his genuis and perfect pitch + voice, creating operatic excellence thereby. Yo surely need to get a clue. Sobbing on every note to make up for technical shortcoming is not considered passionate singing as is the case with Domingo and Carreras. They have decimated the beautiful Italian repertoire.
TheInquisitive4Ever 3 years ago
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KNIGHT-Don't rely on the BBCs top 2O list. It's a market tool and is crap. Pavarotti excelled in operatic artisty in quite a few roles and had a technique second to none. MINGO committed artistic prostitution by singing 130 roles, most with acceptable mediocrity, becoming a best seller because of unsuspecting and clueless masses. How does that grab ya?
TheInquisitive4Ever 3 years ago
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The lyric Italian repertoire calls for a bright and resonant voice which is full of harmonics. Domingo's voice is perfectly suitable to mariachi singing but not the Italian repertoire, lyric or verissmo. He has decimated enough of the Italian repertoire.
TheInquisitive4Ever 3 years ago
the ending c is poor..the rest was great
alexninko 3 years ago
DOmingo singing a C? hehehehe... is a B. May be younger and in studio record
aguacun 3 years ago
Alexninko. How can you say it is poor when you can't even tell what was the ending note. It is NOT a C but a Bb
murgino 3 years ago
It is actually a B..checked with a tuner.
robcaper 1 year ago
Not an easy challenge for a dramatic tenor to sing a lyric tenor opera.But he did a wonderful job (better than Corelli,which in my opinion was not a very good Duca).I think no one can appoint any mistake to Placido.He's technically flawless,and he knows his limitations.He's probably the tenor with the most solid career ever to exist.He made every roles,sang in many languages (German, italian, french,spanish,latin),he will be remembered as one of the most complete tenors,if not the most complete.
Kafkandinsky 3 years ago
True, but Corelli had a much heavier voice than Domingo. I don't think Domingo is a true dramatic tenor, his timbre is not thick enough.
GermanOperaSinger 3 years ago
I AGREE. You are darn RIGHT. Many people criticized Domingo because they do not know any better. The only thing they knew the best is Pav. Yes. Pav is good but not as musically talented and technically master as Domingo. Domingo is not just a singer; he is a MUSICIAN. Corelli is one good dramatic tenor but I found him to be over singing like Villazon. One I admire from an opera singer is their sincerity which Corelli lacks.
murgino 3 years ago
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Murgino-By calling me names it show your true colors. You seem to be just another hispanic whose sheepish like of Domingo is ethnocentrics. I cannot help if MINGO (where's the do) sounds hooted, throaty and monochromatic. He's fared better if he didn't decimate the Italian lyric roles with his inferior singing. But it seems, he can just as well crap on silver plate and people like you would still eat it for the previously said reason. Now get lost you idiot.
TheInquisitive4Ever 3 years ago
''Domingo is not just a singer; he is a MUSICIAN''. What does that mean : ''the MUSICIAN''? This reminds me of a profesor of literature who knows everything about literature but can't write a novel. That's Domingo for me - he know's but he can't. In other words, he probably understands the role perfectly but most of the time he can't materialize this knowledge with his voice. That's why he probably does not own a single role ultimately.
castorp278 3 years ago
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suffisance 2 years ago
also:
--So he's been (wisely) sparing with his high notes. Doesn't mean he didn't use them when needed. Check out his RECORDED Turandot with Ricciarelli & al to hear a good high C (No principessa altera). Yes, I do understand the difference between a live and a studio recording--but it's a start.
--If you don't give him part ownership in this century of OTELLO, CALAF, DICK JOHNSON, then YHGTBFKM. That would display an ignorance of the history of opera.
suffisance 2 years ago
''If you don't give him part ownership in this century of OTELLO, CALAF, DICK JOHNSON ...''. I don't because there were better tenors in this roles then Domingo - Vickers and del Monaco as Otello, Corelli and Pavarotti as Calaf and Corelli as Dick Johnson. I appreciate Domingo mainly because of his interpretative skills but that suits only for intelectual panels.
castorp278 2 years ago
But when it comes to aesthetic experience, and that means to forget that there is a tenor singing an aria, to become one with a music, for me Domingo is insufficient here mainly because I don't like his production of sound - it lacks equality and facility - so when I listen to him I become disconcentrated with his sound faults. In orther words I can't be relaxed when listening to Domingo, unlike Pavarotti and some other tenors.
castorp278 2 years ago
Ah. Well, in that sense, I think it's really in the ear of the beholder. I've always loved his sound, personally, but I realize lately how very musical he is. There may be scary moments, but he always tunes so well and interprets musically as well as dramatically. And the commitment is always 100%. It always strikes me as being more about the music than it is about him (I know others may disagree).
suffisance 2 years ago 3
I would always give more for one note produced by Pavarotti's voice then all the musicianship of Domingo. As I said before Domingo knows how to sing but most of the time his production of sound is anoying for me. When it comes to Pavarotti and Domingo Pavarotti has shown that he can sing more dramatic roles and to be rememberd (Calaf or Rodolfo in ''Luisa MIller'') unlike Domingo who was never a belcanto singer because he could not sing roles of Tonio or Arthuro physically.
castorp278 2 years ago 3
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Let's talk about what "musician" means:
--listen to how on pitch he is with that big voice. More artistry required to do that then to sing some random aria at pitch.
--ferret around on YT for some tracks where he's accompanying his own singing. Pretty hard to fake.
--Find him on YT singing in Korean and Hungarian with approval being expressed. Great versatility. I'm not a Pav basher, but check out Pav's French when singing Gounod ::shudder:: and you will see the difference.
suffisance 2 years ago
Domingo actually went off pitch more frequently than Pavarotti. Domingo when sharp frequently when being emotive and he frequently sang flat at the very top of his range.
Domingo's French was better than Pavarotti's, very true. But it still wasn't decent, listen to Gedda or Kraus for good French.
Mooorhe 2 years ago
Oh, I'm not denying some of what's in the first paragraph. I don't think any of that explains all the hate he gets doused with on fan sites on a regular basis, however ;)
suffisance 2 years ago
" don't think any of that explains all the hate he gets doused with on fan sites on a regular basis, however ;)"
Yeah, there are a few dicks on a crusade. Not a big deal.
Tralfamadoro 2 years ago
@suffisance It's ok to like Domingo. But he did not have a big voice.
sugarbist 5 months ago
@sugarbist impressive that you have been through the comment thread to single out that particular, two-year-old remark. eh. most opera singers have bigger voices than normal people ;)
suffisance 5 months ago
@suffisance I would think that your comment about Domingo having a BIG voice would be a comparison against other tenorsas appose to normal people.Isaw PD in Pagliacci about 16 years ago and he did quite well in the lyric portions of the opera, but he was almost inadible when it came to the passaggio and the B naturals which sounded like B flats.Domingo also omiitted the 2nd Bnatural in No Pagliccio Non Son.People do get upset when a singer is praised as1of the best ever,when it's not accurate.
sugarbist 5 months ago
Just for the hell of it, I'd would have loved to hear Vickers sing this song...
thugless 3 years ago
its a B at the end in the cadenza.always has been
the long held not is on eee is a F# and goed to b flat.
the discussion who sings this better is a bit stupid.
the domingo version is as usual more musical and has more feeling and the voice is darker and rounder.
but pavarotti has that brilliant cadenza and incridible high notes.
domingo sings technicaly better and more musicaly and has a nicer tone, ditto carerras but nobody has high notes like pavarotti.
just a mather of your own taste!!
sintinspanje 3 years ago
Like Callas, Domingo does not possess the best vocal ability but his influence is too immense to be neglected. I think he totally deserves the number 1 rank in the 20 greatest tenors (not with Callas however). And Pavarotti, what else does he have aside from the extraodinary voice ?
kngiht84 3 years ago 2
best vocal ability? he is still the best today not to mention he started out as a baritone.
Artisticz 3 years ago
better than pavarotti? WoooW... lmao
Sikakuhc 3 years ago
Lanza is better than Pavarotti, too. His voice is much richer and sweeter, and he has the same range.
He was just underappreciated and dismissed, since he was in movies.That Hollywood culture killed him, forced him to keep losing weight whcih led to his early death.
leticiavelasquez 3 years ago
I play this on paino!!! =]
kiera791 3 years ago
bravissimo
pikolivon 3 years ago 2
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fuck you all
blad9 3 years ago
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I truly enjoy Placido Domingo. However, in all fairness, I would have to say that Pavarotti has it on him when it comes to high notes. Not to say that Domingo's voic is not stunning and beautiful -- because it is.
robtul12 4 years ago 2
No me gustan las comparaciones pero me ha parecido brillante en general y muy afinado el final, que es donde algunos grandes han metido la pata sin querer, supongo, en sus grabaciones.
baldmetal 4 years ago
he sings it better the pavarotti
fflem01 4 years ago 4
That´s your opinion and that´s something everyones entitled to. I think that if you´d asked Domingo he would have said that "the duke" simply ain´t he´s natural repetoar. If you wanna hear someone that didn´t struggle with this aria listen to Bjoerling.
Bjoerrelli 4 years ago
Just compare it to MDM
tomzoricic 4 years ago
Esta vieja grabacion de Placido muestra la belleza de su voz. Nunca ha tenido agudos lindos, en el ultimo parece que le dieron una patada... ulps!
ugolinifu 4 years ago
Lo que hay que leer...
bluenoise10 4 years ago
Y además de ser el mejor tenor dle mundo, ahora que Pavarotti ha fallecido, es del Real Madrid
xxrafa89xx 4 years ago
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OettingerCroat 4 years ago
I don´t think a tenor like Domingo would sing this aria half a step higher then the original score. I think he struggles with every high note here as usual when it´s high tessitura in an aria.
Bjoerrelli 4 years ago
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OettingerCroat 4 years ago
I thought you´d checked on a piano and that the recording speed had changed the pitch but I checked it on my piano and it´s a B-natural as Verdi written. Not even Alfredo Kraus would sing High C and he had a faboulous high C so why would Domingo who has problems with B-flats do it, not realistic
Bjoerrelli 4 years ago
I think you are wrong he sings this very well better than paverotti
fflem01 4 years ago
These pictures are beautiful...his voice is beautiful...I'm in love all over again!! *purrs*
sjaeckh 4 years ago
grande placido
me piace molto
e benissimo
bacansisimo 4 years ago
Buenisimo el mejor tenor del mundo.
fabricio654321 4 years ago
lol this song reminds of the videogame Grand Theft Auto 3. you know when your in a car and you can listen to radio station and theres an opera station and it has this song
dahood07 4 years ago
Yeah lol,GTA 3 was awesome. I love the mafioso life style
YaaDogg 4 years ago
Who else could possibly be Count Danilo?
tahirih163 4 years ago
I really like your choice of pictures :-)
Jolantabuk 4 years ago