Added: 2 years ago
From: SonicArtsGallery
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  • confused, why don't they just add some more white/black keys so an octave looks like the same note? instead of keeping the same key format as on a normal piano :L sorry if this seems really stupid, i'm fifteen :S

  • I am intrigued. I wonder if I could combine my post-Babbitt/Martino serial writing with these new pitch-class resources for colour, or maybe, even, new structural means? I remember Ivor Darreg in San Diego (elderly at the time), brushed me off when I mentioned I liked Schönberg, but that was in 1985. Greetings from Guadalajara..

  • thanx for posting! i'm a 25 year old musician and recognize that some go their whole lifetime without exploring music to this extent. Thank you John! i'll be adding the H pi tuner box to my set up.

  • Have you ever come across an actual 19-TET set up on a real keyboard?

  • thx for the explainations.

  • @theillfrisch

    There are several "generalized keyboards" which can play 19 better than the regular 12 tone Halberstraat (7 white and 5 black) keyboard. Look up

    Array Instruments, the Microzone, Axis 64 or the Wilson/Hackleman 19 tone harpsichord. There are more, but instead of waiting , just map 19 on to the 12 tone keyboard.

  • @sonicartssandiego for now im stuck with my 12 tone acoustic piano until i get an electronic keyboard.

  • thanks for posting this - very good to see this!

  • I may be prejudiced but 19 equal is far superior for several reasons. Try exploring the seven and 11 ratios and their varieties if you have 19 on your synth. Jonathan

  • The last bit you played on the keyboard sounded quite bluesy, I bet 19-tone is great for that kind of music.

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