Added: 3 years ago
From: barkofink
Views: 57,016
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  • Is that jazz writing underneath me ?

  • とにかくこのトリオは最高です。すごく息があってる!

  • Has he ever done a days fucking work in his life

  • los tres impecables músicos!!! me encanta esta canción!!!

  • tres belle interprétation .

  • hey scottbos68,

    with all respect 2 u - but u r talkin nonsense bro ! - listen his solo from 3:14 .. something "unclear ".. ? - i hope not ..//of kors i know evans version - but dis one has absolutely great solo - thnx 4 posting bro bakofink - i didnt know dis one !!!!

  • Do think that if he actually did some scatting he'd hammer with his fists on the piano sympathetically?

    Yes, I'm being facetious :)

    But seriously, did he whine and groan when he played the classical concerts? Hmmm...

  • I love the sound Jarret gets when he plays single note melodies, seems to ping.

  • It's a 3/4 swing, i suppose.

  • @lattexx 4/4

  • @lattexx

    eh? This sounds 4/4 to me

  • @nezkeys79 u're right...maybe i was drunk at the moment i was writing....-.-

  • speechless...what an ending

  • WOW 8:11

  • Wow 6:30!

  • @morkus26 You referring to about 24 seconds of absolutely burning lines releasing into some simple shit that swings so hard that it would make you smack your grandma? I love that shit.

  • Hey, I have the same shirt that Jack is wearing! By the way, the music is wonderful. Thanks for the upload.

  • However there ARE MANY improvised performances that HAVE become definitive versions. The solos in Miles "Kind Of Blue", Brubeck's "Time Out", are great examples. But the most glaring example for me would be Phil Woods improvised alto sax solo in Billy Joel's tune "Just The Way You Are". Although not a jazz tune, sax players are required to play that solo note for note when playing that song on a gig. Woods improvised it when they cut the track.

  • is it just me or do they start off without being in time with each other?

  • No itsbenagain......it's you. Listen closely

  • Supposed to be.

  • ITS RUBATO!

  • Gary Peacock is a master bass player...!

    Just perfect...!

  • Great stuff. Check out the Tubby Hayes version too here on youtube.

  • This man is a genius

  • A bit too much compression in the conversion, no? :)

    As for the tune I prefer it as mid swing. You don't know what love is from the same concert is also played as free -> swing but I liked it that way more too.

  • Wonderful. I dig the swing tempo, but I bet that he would've played it just as well as a ballad. Really just depends upon how he feels like doing it.

    Awesome.

  • Beautiful song written in the mid-50's. Preference would've been ballad, but Keith Jarrett's still great a la Bill Evans.

    Thanks for this post.

  • There is still tenderness at this tempo. It's the playing of it with that in mind and soul.

  • this is a ballad not a swing tune bill evans got it alot more than keith did for this one but then who can play a ballad like evans?

  • standards can be played different ways,differents tempos,(even if actually,ballad is mentionned on the sheet,"tenderly" goes that way for exemple)for this one,jarrett plays it med/swing tempo like,it's another version,that's it.but you know,bill evans did the same way with standards,and actually kind of re-arrangement often used throughout all jazz,he not only changed the tempos,but also the metric,like 4/4 goes 3/4 etc..

    in definitive,jarrett and evans are two great musicians,that's it.

  • @barkofink that rite... i saw a band... play TAKE FIVE on 4/4... is stuning...

  • @scottbos68 You fail at jazz, buddy. To say that Keith doesn't get it illustrates a glaring lack of comprehension, both of what's being done here and, more importantly, of what constitutes the very spirit of jazz itself. I hope you figure it out soon...

  • @scottbos68 It's amazing how many people think that music is absolute. You can't do this. You can't do that. Sting relates that tunes are like children, you do the best for them, send them out into the world, after that it's pretty much out of your hands. Jazz is more than just syncopation or reharmonization. It's a musical dissertation on a subject. it's not like if you played a ballad uptempo or swing, no one would recognize it. Glenn Gould did the same with Bach and is iconic.

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