Hotter is sublime, the best in these selections here! But Fr. Scorr was even greater, in this MET Matinee he was at the end of his career, there are better recordings of him from Europe in the early 30s. But who is really missing is the immense Rudolf Bockelmann - just find his ACT III Covent Garden 1937 live reconding with Flagstad under Furtwangler and you will understand.
I am fond of James Morris' rendition. (the one in this clip is not a good example) He has a ton of power behind his voice and his emotion in Wotan's farewell gets me every time!
Yes. Terfel gave a remarkable performance of this in Lucerne with Abbado-even though he is not a high bass as demanded he has all qualities to shine in this-as he did. You may also like to listen to american bariton Tibbett here on youtube-very large, firm and ringing voice with Wotans farewell. And believe it or not the great Siepi sang this, too. Still- nobody holds a candle to George London in this one.
Your playlist given I have to vote for Hines-his voice has nobless and sonority and adequate strength and authority. Hotter is close second. Pape`s voice is basically well-suited for Wotan- an elegant bass not on the heavy side and with good dynamic range, but i feel he lacks a bit of force here. But of course, as mentioned by others and rightly so, the unsurpassed singer in that role is missing here-George London.
Of the also-rans, Dieskau never sang it live, London barely had a chance before his health problems set in. Of those who sang it long and well, I pick Hotter for his monumentality and overall mastery; Stewart for intensity, imaginative detail, and surprising ferocity; Adam for all-round professionalism and reliability; and Tomlinson for his cavernous sound and rascally humor. The one contemporary who DOES belong here is Uusitalo - for handsome, comprehensive, consistently cultivated vocalism.
Por cierto: René Pape es un interesantísimo Wotan. Ya veremos cuando lo debute en el teatro. Quizá estemos ante el gran "dios" de los próximos años... El tiempo lo dirá.
Pity George London and Fischer-Dieskau are missing. London had by far the greatest voice of all Wotans. Dieskau had incomparable technique, diction and expressiveness.
Well, Theo Adam was the first Wotan I ever heard, so I always have a soft spot for him, but this rendition is not too strong. Hans Hotter is the strongest of this pack. Hines was a pleasant surprise, I must say. Sigmund Nimsgern....a good voice, yes, but Wotan? I'm not a buyer
Hines, then Hotter, then Tomlinson---However you did not include the version of one of the greatest baritones ever, Dietrich Fischer-Dieskau. I've got recordings of all four of these men and I think Dieskau would edge-out Hotter and very possibly Hines. Very fun listening!
@robertthebrook I have the Angel Records LP entitled, "Fischer-Dieskau Sings Wagner (label #S-37487) In the recording, Dieskau sings Wotan's Farewell as well as Parsifal-Amfortas' Two Scenes and Die Frist ist um from Die Fliegende Hollander. NOW I have searched the internet for some recording or even a reference to this LP and can find nothing! Apparently I have something rare. I would not know how to get a recording to you. I must see what I can do.
@negzago - That recording is indeed riveting, warts and all - that includes Bockelmann's (and Maria Mueller's, too, if I am not mistaken) political connections. I cannot help but wonder about the politics of any singers during those years - unless like Lehmann they make them abundantly clear.
Hotter and Morris are favorites of mine, but I've heard both of them sing this better, ESPECIALLY Morris. (Was he ill?) Love the sound of Hines' and Tomlinson's voices, and Pape has a lot of promise. Adam and Stewart both fine as well.
Vitalij Kowaljow is the Wotan of today, and will go down as the Wotan of all time, with London. I guarantee it. Just wait to you hear him!! When he sang the words ''Leb wohl'' in LA last year I remember thinking it was the best sound I had ever hear a human being produce. And he maintained it throughout. It was breathtaking singing, old school meets new.
Wonderful! Hotter and Tomlinson are the winners for me. I love Stewart for his tenderness, Hines for his voice, too. There are better recordings of Schorr, but he still has lots of authority even without the top notes. Some other omissions not mentioned elsewhere are Rudolf Bockelmann and Hans Hermann Nissen. I love Bockelmann with Furtwangler from Covent Garden in 1937. Even with dodgy sound, lots of authority and a grand performance.
@JefRoberts I know this has little to do with the singing per se but though Bockelmann is indeed great, his siding with the Nazi spoils the awe I get listening to that recording imho. My first live Furtwangler's Wagner recording was that one, absolutely riveting, in spite of of horrendous flaws in the recordings.
Schorr gets the shaft in this contest. There are better recordings of him on Youtube. The audio quality is horrible here. He was second only to Frantz in my opinion.
My favorites are Hines, Tomlinson, Pape and Hotter. Adam, Stewart, McIntyre are also quite good. Morris is the best Wotan of the past quarter-century, but I've heard him sing the "Abscheid" much better and more recently. Schorr, a great Wotan, was past his prime; his high notes are thin and strained. Hines is the best Wotan here. His voice is freer and richer than those of the others. I'd add the renditions of George London, Simon Estes and Lawrence Tibbett --
Thanks for this great compilation and THANK YOU for ending up with Christian Thielemann and the Bayreuth Festival Orchestra. As for the conducting my favorites are: (1) Thielemann (2) Lorin Maazel (3) Leinsdorf - and even Peter Schneider doesn´t sound boring in this particular performance.
@ rexeterna: why don´t you start an Isolde sing-off with the last part of the Liebestod???
Hotter is incomparable but it was nice to hear how beautifully Hines sang the phrase. JT is the best of the recent offerings, but it would have been nice to hear Norman Bailey who was a fine Wotan and I would now heartily recommend Greer Grimsley, the recent Seattle Wotan, who sings with god-like quality and touches the heart.
Hotter, who I was lucky enough to study with, had it all--a voice of Olympian grandeur allied to a profundity of textual interpretation and heart- felt human empathy. NO1
Nice Compilation, thanks. In my opinion the most impressive version of that magnificent phrase from the end of Walküre is by George London, it's beyond belief really (with equally impressive accompaniment by Knappertsbusch and the Vienna Philharmonic). Perhaps someone can post at some point.
Lots of fine Wotans but I think Jerry HInes was potentially the finest. He gave up doing the role early on because he felt it was a little high and was a little too taxing for the long haul. Where is Ferdinand Frantz? Hans Sotin?
FAscinating! Donald McIntyre wins on all counts: Fabulous technique, majesty of utterance, great voice ease of projection, flawless legato and a final note that sounds as easy as child's play. Pape shows a great voice, Stewart highly musical as always, and Hotter always worth hearing; the real surprise was the magnificent conducting of Alan Gilbert, the new NY Phil Maestro!
Thank you for the interesting comparison! May I inquire as to why you left out the two greatest renditions of this line, those from Lawrence Tibbett and George London?
pretty simple, tibbett never sang wotan live as far as I know. it's more interesting to compare them after singing for the entire time than in a selection.
by which of course I mean Tibbett never sang Wotan live in its ENTIRETY. I'm aware of his doing it in concert (the whole abschied at least), but singing all of Act 2 and 3 is much more demanding than singing the last ten minutes. It's just the purist in me...
In addition I have to say that I never quite understood the James Morris phenomenon.
To me he just sounds hollow ( and without the lyrical qualities that Adam has despite his slightly "narrow" sound ). On top of that his accent is terrible. Not that an accent is bad per se - Stewart has a slight one aswell - but Morris just sounds amateurish.
Hehe, I know were you're coming from; Morris has never had a beautfiul sound, though admittedly, for some reason, I like his singing. Nevertheless, Tomlinson also takes the cake for me, even though I consider Hotter legendary. Sir John actually sounds like a god when singing this, even with such a high tessitura; and he's not even a bass-baritone but a true bass.
Among all those greats finaly I came to love two Wotans especialy.
Surprisingly - or not surprisingly - they are the two that for me carry the most dramatic interpretation into the roles. Looks like loud or beautifull singing comes second for me.
Stewart and Tomlinson both here and in the respective full rings ( Karajan and Barenboim/Kupfer ) are the greatest of the 20th century to me.
Pity my favourite is not included - Boris Christoff live in concert with RAI Torino orchestra and Alfredo Simonetto, 1954.
Anyway, great compilation of voices. And this line together with powerful orchestra afterwards is certainly one of the greatest opera moments ever composed.
Thomas Steward wins my heart from all listed here. Perhaps because I love his performance in the studio recording of Karajan and this live performance is by no means worse, if not better actually.
I think Schorr sounds awful mostly because of the sound quality, he's known to have been great; however, wher indeed are Frantz and Bailey? And George London, and Alan Titus? Heck, even more recent ones like Falk Struckmann, Juha Uusitalo, and Vitalij Kowaljow!
dude... you must be kidding. kowaljow and uusitalo? those guys suck! just because you CAN sing wotan doesn't mean you're a GREAT wotan. struckmann admittedly is pretty good but uusitalo... come on man.
where's London -_-
xCountArchosX 1 week ago
So, is there a definitive answer as to which voice is better for Wotan? Bass, Bass-Baritone, Baritone?
helius69 2 months ago
Hines has all the pride and glory in his voice a Wotan needs ( and hes a TRUE bass, not like the others)
CelesteGabriel 4 months ago
Hotter is sublime, the best in these selections here! But Fr. Scorr was even greater, in this MET Matinee he was at the end of his career, there are better recordings of him from Europe in the early 30s. But who is really missing is the immense Rudolf Bockelmann - just find his ACT III Covent Garden 1937 live reconding with Flagstad under Furtwangler and you will understand.
DemisLian 5 months ago
I am fond of James Morris' rendition. (the one in this clip is not a good example) He has a ton of power behind his voice and his emotion in Wotan's farewell gets me every time!
johnb340 7 months ago
Greer Grimsley is the sleeping giant amongst modern day Wotans.
BassHaritone 8 months ago
@BassHaritone Amen to that. Mr Grimsley was absolutely astounding in the 2009 Seattle cycle.
Chrysothemis 5 months ago
Hotter, Tomlinson, Adam and Pape! Juha Uusitalo is missing and he should be in this list. He is The vocalwonder.
juldir 9 months ago
Yes. Terfel gave a remarkable performance of this in Lucerne with Abbado-even though he is not a high bass as demanded he has all qualities to shine in this-as he did. You may also like to listen to american bariton Tibbett here on youtube-very large, firm and ringing voice with Wotans farewell. And believe it or not the great Siepi sang this, too. Still- nobody holds a candle to George London in this one.
reviewsvoiceontube 9 months ago 2
Where is Bryn's Wotan?
jawj80 10 months ago
Your playlist given I have to vote for Hines-his voice has nobless and sonority and adequate strength and authority. Hotter is close second. Pape`s voice is basically well-suited for Wotan- an elegant bass not on the heavy side and with good dynamic range, but i feel he lacks a bit of force here. But of course, as mentioned by others and rightly so, the unsurpassed singer in that role is missing here-George London.
reviewsvoiceontube 10 months ago
Of the also-rans, Dieskau never sang it live, London barely had a chance before his health problems set in. Of those who sang it long and well, I pick Hotter for his monumentality and overall mastery; Stewart for intensity, imaginative detail, and surprising ferocity; Adam for all-round professionalism and reliability; and Tomlinson for his cavernous sound and rascally humor. The one contemporary who DOES belong here is Uusitalo - for handsome, comprehensive, consistently cultivated vocalism.
rick1walter 1 year ago 2
Por cierto: René Pape es un interesantísimo Wotan. Ya veremos cuando lo debute en el teatro. Quizá estemos ante el gran "dios" de los próximos años... El tiempo lo dirá.
AlberichNibelungo 1 year ago
Faltan, precisamente, mis dos Wotan favoritos: Ferdinand Frantz y George London.
AlberichNibelungo 1 year ago
Greer Grimsley should be on this list! But Hotter and Tomlinson are favorites here.
rourke17 1 year ago 2
Comment removed
rourke17 1 year ago
Hotter is THE Wotan.
Nibelungenherr1876 1 year ago
Where is Ferdinand Frantz?
niallguinan 1 year ago
I think that if Wotan is a "Heldenbass", I'd go for John Tomlinson and Donald McIntyre.
srg2457 1 year ago
Thanks. Great work. Expression-wise: Hines, Hotter, Tomlinson Voice-wise: Tomlinson, Hines, Hotter (IMHO)
Pity George London and Fischer-Dieskau are missing. London had by far the greatest voice of all Wotans. Dieskau had incomparable technique, diction and expressiveness.
dubitz11 1 year ago
Amazing and beautiful!Thanks so much for posting this!
dearmalika 1 year ago
Well, Theo Adam was the first Wotan I ever heard, so I always have a soft spot for him, but this rendition is not too strong. Hans Hotter is the strongest of this pack. Hines was a pleasant surprise, I must say. Sigmund Nimsgern....a good voice, yes, but Wotan? I'm not a buyer
HeavyOpera1 1 year ago
For me this is a "win" for Hotter. With Tomlinson as a close second. And Morris and Dohmen absolutely last.....
Too sad to hear that the otherwise superb Pape isn't at all comfortable in this part....
PEAinSwe 1 year ago
Hans Hotter and Theo Adam for me.
GALLSTONER 1 year ago
Hines, then Hotter, then Tomlinson---However you did not include the version of one of the greatest baritones ever, Dietrich Fischer-Dieskau. I've got recordings of all four of these men and I think Dieskau would edge-out Hotter and very possibly Hines. Very fun listening!
mwoodward221 1 year ago
@mwoodward221 Is there a recording of Fischer-Dieskau singing the Walkure Wotan? If so, would love to hear it.
robertthebrook 1 year ago
@robertthebrook I have the Angel Records LP entitled, "Fischer-Dieskau Sings Wagner (label #S-37487) In the recording, Dieskau sings Wotan's Farewell as well as Parsifal-Amfortas' Two Scenes and Die Frist ist um from Die Fliegende Hollander. NOW I have searched the internet for some recording or even a reference to this LP and can find nothing! Apparently I have something rare. I would not know how to get a recording to you. I must see what I can do.
mwoodward221 1 year ago
@negzago - That recording is indeed riveting, warts and all - that includes Bockelmann's (and Maria Mueller's, too, if I am not mistaken) political connections. I cannot help but wonder about the politics of any singers during those years - unless like Lehmann they make them abundantly clear.
JefRoberts 1 year ago
There are better recordings of Theo Adams Wotan than this. Try the recording with Marek Janowski and the Staatskapelle Dresden.
And of Hans Hotter as well... Solti Ring....
singingisall 1 year ago
Is not the conductor of Bayreuth 1995 D. Barenboim?
filoll 1 year ago
@filoll no, Daniel Barenboim conducted the Ring Cycle at Bayreuth from 1988-1991; that was when the Harry Kupfer Production was there.
Shogunmiyuchan 1 year ago
Hotter and Morris are favorites of mine, but I've heard both of them sing this better, ESPECIALLY Morris. (Was he ill?) Love the sound of Hines' and Tomlinson's voices, and Pape has a lot of promise. Adam and Stewart both fine as well.
90lysander 1 year ago
Theo Adam is my best Wotan
2.Morris verry great
3.Hotter
nordeiche 1 year ago
Vitalij Kowaljow is the Wotan of today, and will go down as the Wotan of all time, with London. I guarantee it. Just wait to you hear him!! When he sang the words ''Leb wohl'' in LA last year I remember thinking it was the best sound I had ever hear a human being produce. And he maintained it throughout. It was breathtaking singing, old school meets new.
paddyswok 1 year ago 2
Looking forward to Rene Pape's performances under Barenboim! What a personality!
wekunz 1 year ago
proof positive Wotan's boots are nearly impossible to fill. Why such a strained post of the great Morris?! London?!
barren2 1 year ago
proof positive Wotan's boots are nearly impossible to fill: why this strained Morris post when he has done it so wonderfully? London omission?!
barren2 1 year ago
tomlinson all day!
LoudFast1234 2 years ago
No George London? No Ferdinand Frantz?
AgamemnonAtreides 2 years ago
My favorite is Geroge London with Hans Knappertsbusch conducted VPO.
antigonosphilos 2 years ago
1- HOTTER
2- TOMLINSON
3- HINES
ivanjuarezmex 2 years ago
Hey, this is foul play. Had you posted James Morris singing under Haitink's baton in 1988, he would have made the others seem poor mortals.
karshook 2 years ago
In my opinion:
Dohmen, McIntyre, Adam.
TheBestOfGobbi 2 years ago
Hotter @ Tomlinson are superb.I agree with heizukovsky, where is George London? One of the great voices, a serious omission.
nog55 2 years ago
Where's George London?
heizukowsky 2 years ago
check out Juha Uusitalos video
kiipija 2 years ago
Hotter and Hines. I never respected Pape too much but I really like his rendition here.
Sinfoniette 2 years ago
Wonderful! Hotter and Tomlinson are the winners for me. I love Stewart for his tenderness, Hines for his voice, too. There are better recordings of Schorr, but he still has lots of authority even without the top notes. Some other omissions not mentioned elsewhere are Rudolf Bockelmann and Hans Hermann Nissen. I love Bockelmann with Furtwangler from Covent Garden in 1937. Even with dodgy sound, lots of authority and a grand performance.
JefRoberts 2 years ago 9
@JefRoberts I was going to write almost the same as you did! Thanks for saving me the time. ;-)
javertim 2 years ago
@JefRoberts I know this has little to do with the singing per se but though Bockelmann is indeed great, his siding with the Nazi spoils the awe I get listening to that recording imho. My first live Furtwangler's Wagner recording was that one, absolutely riveting, in spite of of horrendous flaws in the recordings.
negzago 1 year ago
Comment removed
JefRoberts 2 years ago
LOVE THIS!!! Great video!
TheWisemonkey8 2 years ago
My God Hotter!
TheWisemonkey8 2 years ago
I have to say Rene Pape is by far the best out of the singers in this.
saphirereflection 2 years ago
Wow interesting, I put him in my bottom 3. Better than Hines? That voice was born to sing Wotan.
SchwarzBass 2 years ago
Schorr gets the shaft in this contest. There are better recordings of him on Youtube. The audio quality is horrible here. He was second only to Frantz in my opinion.
kronos77 2 years ago 5
Tomlinson has some of the greatest material of any singer ever. HIs technique for his high notes is sub optimal though, he could be absolutely godly.
saiserieht 2 years ago 3
My favorites are Hines, Tomlinson, Pape and Hotter. Adam, Stewart, McIntyre are also quite good. Morris is the best Wotan of the past quarter-century, but I've heard him sing the "Abscheid" much better and more recently. Schorr, a great Wotan, was past his prime; his high notes are thin and strained. Hines is the best Wotan here. His voice is freer and richer than those of the others. I'd add the renditions of George London, Simon Estes and Lawrence Tibbett --
stevevandien 2 years ago
Hans Hutter is just breathtaking...
TUMuenchen 2 years ago
Sorry Hotter, of course.
TUMuenchen 2 years ago
Thanks for this great compilation and THANK YOU for ending up with Christian Thielemann and the Bayreuth Festival Orchestra. As for the conducting my favorites are: (1) Thielemann (2) Lorin Maazel (3) Leinsdorf - and even Peter Schneider doesn´t sound boring in this particular performance.
@ rexeterna: why don´t you start an Isolde sing-off with the last part of the Liebestod???
19BAYREUTH90 2 years ago
Hotter is incomparable but it was nice to hear how beautifully Hines sang the phrase. JT is the best of the recent offerings, but it would have been nice to hear Norman Bailey who was a fine Wotan and I would now heartily recommend Greer Grimsley, the recent Seattle Wotan, who sings with god-like quality and touches the heart.
Hotter, who I was lucky enough to study with, had it all--a voice of Olympian grandeur allied to a profundity of textual interpretation and heart- felt human empathy. NO1
kaatflaap 2 years ago
Nice Compilation, thanks. In my opinion the most impressive version of that magnificent phrase from the end of Walküre is by George London, it's beyond belief really (with equally impressive accompaniment by Knappertsbusch and the Vienna Philharmonic). Perhaps someone can post at some point.
fbsv 2 years ago
Hotter at his peak must be near the top of most peoples list.London, although not on this list, also v. good.
nog55 2 years ago
Yes, Ferdinand Frantz needs to be added. He is my all time favorite.
kronos77 2 years ago
Thank you for this compilation. My dream Wotans include Nazzareno de Angelis and Lawrence Tibbett.
John
65attila 2 years ago
Lots of fine Wotans but I think Jerry HInes was potentially the finest. He gave up doing the role early on because he felt it was a little high and was a little too taxing for the long haul. Where is Ferdinand Frantz? Hans Sotin?
lichtalberich 2 years ago
Interesting compilation, but what about Simon Estes?
ulfur612 2 years ago
FAscinating! Donald McIntyre wins on all counts: Fabulous technique, majesty of utterance, great voice ease of projection, flawless legato and a final note that sounds as easy as child's play. Pape shows a great voice, Stewart highly musical as always, and Hotter always worth hearing; the real surprise was the magnificent conducting of Alan Gilbert, the new NY Phil Maestro!
billyguns2 2 years ago
McIntyre IS Wotan!
IchiTheRipper 2 years ago
Thank you for the interesting comparison! May I inquire as to why you left out the two greatest renditions of this line, those from Lawrence Tibbett and George London?
primobaritono 2 years ago
pretty simple, tibbett never sang wotan live as far as I know. it's more interesting to compare them after singing for the entire time than in a selection.
rexeterna 2 years ago
Thanks for the reply. I understand completely. I know London sang Wotan live, but the only recording of him is in studio.
primobaritono 2 years ago
by which of course I mean Tibbett never sang Wotan live in its ENTIRETY. I'm aware of his doing it in concert (the whole abschied at least), but singing all of Act 2 and 3 is much more demanding than singing the last ten minutes. It's just the purist in me...
rexeterna 2 years ago
In addition I have to say that I never quite understood the James Morris phenomenon.
To me he just sounds hollow ( and without the lyrical qualities that Adam has despite his slightly "narrow" sound ). On top of that his accent is terrible. Not that an accent is bad per se - Stewart has a slight one aswell - but Morris just sounds amateurish.
HuninMunin 2 years ago 2
Hehe, I know were you're coming from; Morris has never had a beautfiul sound, though admittedly, for some reason, I like his singing. Nevertheless, Tomlinson also takes the cake for me, even though I consider Hotter legendary. Sir John actually sounds like a god when singing this, even with such a high tessitura; and he's not even a bass-baritone but a true bass.
ilFactotum 2 years ago
Among all those greats finaly I came to love two Wotans especialy.
Surprisingly - or not surprisingly - they are the two that for me carry the most dramatic interpretation into the roles. Looks like loud or beautifull singing comes second for me.
Stewart and Tomlinson both here and in the respective full rings ( Karajan and Barenboim/Kupfer ) are the greatest of the 20th century to me.
HuninMunin 2 years ago 2
Pity my favourite is not included - Boris Christoff live in concert with RAI Torino orchestra and Alfredo Simonetto, 1954.
Anyway, great compilation of voices. And this line together with powerful orchestra afterwards is certainly one of the greatest opera moments ever composed.
Thomas Steward wins my heart from all listed here. Perhaps because I love his performance in the studio recording of Karajan and this live performance is by no means worse, if not better actually.
Thanks for posting.
Spiritakis 2 years ago
Hotter, hands down, tho' Hines did surprise.
cdgray2 2 years ago
Fantastic video! Thank you.
Schorr always sounded tired out by the end of these live performances. He had lost his high notes by the 1930s.
James Morris actually sounds more beautiful live than he does recorded.
Thomas Stewart was a fine Wotan and immortal Sachs. In my opinion, Hotter was the greatest of them all, and he's in magnificent form here in 1955.
Ferdinand Frantz was also a wonderful Wotan and Sachs.
vstasov 2 years ago 2
nice..but you could have left out Nimsgern and Schorr, who SUCKED and put in Ferdinand Frantz and Norman Bailey :)
wotansschwert 2 years ago
I think Schorr sounds awful mostly because of the sound quality, he's known to have been great; however, wher indeed are Frantz and Bailey? And George London, and Alan Titus? Heck, even more recent ones like Falk Struckmann, Juha Uusitalo, and Vitalij Kowaljow!
ilFactotum 2 years ago
dude... you must be kidding. kowaljow and uusitalo? those guys suck! just because you CAN sing wotan doesn't mean you're a GREAT wotan. struckmann admittedly is pretty good but uusitalo... come on man.
eccodandini 2 years ago
Richard Wagner ist grandios !
a5800102waku 2 years ago 2
nice vid
1. adam
2. hines
3. tomlinson (bit of a surprise)
eccodandini 2 years ago 2