Il pubblico moderno non ha l'orecchio per la vera lirica.
Siete contaminati TUTTI!
Non le dirò dove e come ma quello che dice @AfroPoli è la verità!
A Garnier la voce di Kaufmann non si sente!
E si,dal vivo e senza microfono la voce di Kaufmann non passa l'orchestra!
Voi il pubblico moderno siete incapaci di fare la differenza tra un suono secco teatrale e un suono Stereo!Il vostro orecchio è abituato di 'sentire' un ambiente Stereo-registrazione!
Quando si sveglia da questo suo sogno profondo (ma dove avete sentito/a Kaufmann dal vivo?)voglio dirle che la voce di Kaufmann si sente appena à.............Zürich!
Uno dei più piccoli teatri del mondo!
E non parlo di Garnier e ancora meno di Bastille dove la voce di Kaufmann non si sente!
@dgmelvin Actually, sorry, I was the one saying he wasn't miked and that I worship his beautiful singing, that was @Afropoli. Can I ask that you edit your comment, as I do not wish to be associated with that accusation. I also saw him in the same shows live and enjoyed every second. :)
@hightenor123 I know it from a house that is 1/3rd in size compared to the Met. He used microphones there. It was Fidelio. Now. How can he take on the Met singing Wagner if he could not be heard without microphones in a relatively small house in a lighter orchestrated opera? And you did not have a contract with Decca I guess, you you had no choice. Peace.
@AfroPoli, I don't think they mic-ed him. In Das Rheingold, they would have mic-ed the Rheinmaidens but didn't. Similarly in Siegfried, they would have mic-ed Erda and her low notes and Morris as Siegfried because he doesn't have a giant voice but in both cases AFAICT they didn't. And in this clip, Sieglinde is blasting right next to him which the mic would have amplified but there is no volume difference between her here and in other clips.
@AfroPoli I don't think they mic-ed him. In Das Rheingold, they would have mic-ed the Rheinmaidens but didn't. Similarly in Siegfried, they would have mic-ed Erda and her low notes and Morris as Siegfried because he doesn't have a giant voice but in both cases AFAICT they didn't. And in this clip, Sieglinde is blasting right next to him which the mic would have amplified but there is no volume difference between her here and in other clips.
@lamusicahera I share your opinion, however that is one of the main challenges for upcoming singers. They must be able to manage their resources in an intelligent manner. I hope Kaufmann succeeds in this matter too.
Great!!! extraordinary! I hope Kaufmann can resist the overkill of the market and take proper care of his voice. He is the best Tenor, great Musician and great Artist around and hopefully he will be for long time.
Truly a remarkable, magnificent performance from the both of them. I saw this on the Met's simulcasting and it was spellbinding. I'm glad to see this YouTube as a reminder. I don't like Wagner and I want JK to stay with Italian and French operas, but he is really cut out to be a unique Heldentenor - Good luck JK!
They are both FABULOUS! I disagree with most of the blocking, though--for one thing, I think the sword should come out right away when the sword motif is heard at that climax in the orchestra...but the singing is so great it feels petty to complain about details!
Mai vidi e sentii un Siegmund così!! Che meraviglia! Che canto fermo, elegante, virile, dolce, entusiasmante!! Alla scena della morte di Siegmund alla fine del II atto non mi vergogno di dire che ho pianto e non sono un sentimentaloide, nè uno sprovveduto musicalmente e vocalmente: che interpretazione!! La giovinezza, la passione, i sogni infranti, la paternità che ama e protegge, l'amore sponsale: tutto in quel canto e quei gesti...Grazie, Jonas e grazie a chi ha messo il video! Spero in un DVD
Простите жаргонной слово, но это просто отпад ))))). Звук потрясающий, играет выдающимся образом, всё, что написано в либретто, воплощено до последнего слова. Драйв такой, что дух захватывает. Разве не ради этого придуман сам жанр? Разве не подобное исполнение звучало в ушах Вагнера, когда он трудился над партитурой??? )))) Ничем не хуже тех великих Зигмундов, что уже ушли от нас... Грядущие поколения слушателей будут сравнивать будущих исполнителей этой партии в том числе и с этим эталоном...
Comment removed
dgmelvin 2 weeks ago
@hightenor123 si,è come!
La prego di informarsi!
Il pubblico moderno non ha l'orecchio per la vera lirica.
Siete contaminati TUTTI!
Non le dirò dove e come ma quello che dice @AfroPoli è la verità!
A Garnier la voce di Kaufmann non si sente!
E si,dal vivo e senza microfono la voce di Kaufmann non passa l'orchestra!
Voi il pubblico moderno siete incapaci di fare la differenza tra un suono secco teatrale e un suono Stereo!Il vostro orecchio è abituato di 'sentire' un ambiente Stereo-registrazione!
bodiloto 2 weeks ago
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bodiloto 2 weeks ago
Comment removed
dgmelvin 4 weeks ago
@dgmelvin lei è un sognatore!
Quando si sveglia da questo suo sogno profondo (ma dove avete sentito/a Kaufmann dal vivo?)voglio dirle che la voce di Kaufmann si sente appena à.............Zürich!
Uno dei più piccoli teatri del mondo!
E non parlo di Garnier e ancora meno di Bastille dove la voce di Kaufmann non si sente!
O strano sognatore...
bodiloto 2 weeks ago
@bodiloto forse lui mutera il pensier se il cor d'un uom conoschera qual Bolodito lo conosche. Or non piu......
hightenor123 2 weeks ago
@hightenor123 amico,non si capisce nulla dal tuo commento.
bodiloto 2 weeks ago
@dgmelvin Actually, sorry, I was the one saying he wasn't miked and that I worship his beautiful singing, that was @Afropoli. Can I ask that you edit your comment, as I do not wish to be associated with that accusation. I also saw him in the same shows live and enjoyed every second. :)
hightenor123 2 weeks ago
@dgmelvin And yes, of course I am jealous :) :)
hightenor123 2 weeks ago
@hightenor123 I know it from a house that is 1/3rd in size compared to the Met. He used microphones there. It was Fidelio. Now. How can he take on the Met singing Wagner if he could not be heard without microphones in a relatively small house in a lighter orchestrated opera? And you did not have a contract with Decca I guess, you you had no choice. Peace.
AfroPoli 2 months ago
@AfroPoli, I don't think they mic-ed him. In Das Rheingold, they would have mic-ed the Rheinmaidens but didn't. Similarly in Siegfried, they would have mic-ed Erda and her low notes and Morris as Siegfried because he doesn't have a giant voice but in both cases AFAICT they didn't. And in this clip, Sieglinde is blasting right next to him which the mic would have amplified but there is no volume difference between her here and in other clips.
angryjalapeno 1 month ago
This has been flagged as spam show
@AfroPoli I don't think they mic-ed him. In Das Rheingold, they would have mic-ed the Rheinmaidens but didn't. Similarly in Siegfried, they would have mic-ed Erda and her low notes and Morris as Siegfried because he doesn't have a giant voice but in both cases AFAICT they didn't. And in this clip, Sieglinde is blasting right next to him which the mic would have amplified but there is no volume difference between her here and in other clips.
angryjalapeno 1 month ago
@hightenor123 I have sung in houses where they amplify, and they never ask my permission nor would they care about my opinion
hightenor123 2 months ago
@lamusicahera I share your opinion, however that is one of the main challenges for upcoming singers. They must be able to manage their resources in an intelligent manner. I hope Kaufmann succeeds in this matter too.
Vielflieger01 2 months ago
Great!!! extraordinary! I hope Kaufmann can resist the overkill of the market and take proper care of his voice. He is the best Tenor, great Musician and great Artist around and hopefully he will be for long time.
Vielflieger01 2 months ago
Truly a remarkable, magnificent performance from the both of them. I saw this on the Met's simulcasting and it was spellbinding. I'm glad to see this YouTube as a reminder. I don't like Wagner and I want JK to stay with Italian and French operas, but he is really cut out to be a unique Heldentenor - Good luck JK!
Hanako5100 2 months ago 3
Perfect pairing. Hottest Siegmund since Peter Hoffmann and my favourite Sieglinde. <3 Hope Jonas will one day do Siegfried too.
Sieglinde84 2 months ago
@Sieglinde84 i dont doubt :)
eurydike 2 months ago
I was there! Unbelievable performance.
brandonacker 3 months ago
WOW, Kaufmann is fabulous. Jonas, stay with Wagner, please!
MrRumpwrestler 3 months ago
It seems that Kaufman has found his fach!!
Triosfrios 3 months ago
Oh My God! Friggin' Awesome! WHERE did you get the clip? From a DVD?
JWPhoto 3 months ago
He has a microphone cliped to his costume..
Ettoredipugnar 3 months ago
Wow. Fabulous Wagnerian singing here from both Kaufmann and Westbroek.
AndySchrei 3 months ago 2
This has been flagged as spam show
They are both FABULOUS! I disagree with most of the blocking, though--for one thing, I think the sword should come out right away when the sword motif is heard at that climax in the orchestra...but the singing is so great it feels petty to complain about details!
MissOliviaPurple 3 months ago
Comment removed
MissOliviaPurple 3 months ago
@ididete Actuallly, no, the best among the truly best. Pity the person who can't recognize this man's artistry.
dvdgrog 3 months ago 2
The finest tenor of the moment, for me!!!Exceptional inteligence and musicality jose luis sarre
yosoycalaf 3 months ago
The finest tenor of the moment, for me!!!Exceptional inteligence and musicality
yosoycalaf 3 months ago
He really can sing this.
georgerannie 4 months ago
This Siegmund will be among the best of the MET , ever ,divine !!!
ax99able 5 months ago
The man is an extraordinary artist, absolutely extraordinary. Of course the moment is absolutely sick.
dvdgrog 5 months ago 3
Maravilloso Jonas Kaufmann y Eva-Mria Westbroek, bravoooo!!!!!
sisifus100 6 months ago 4
Incredible singing! beautiful voice and perfect technique
olbel 7 months ago
Mai vidi e sentii un Siegmund così!! Che meraviglia! Che canto fermo, elegante, virile, dolce, entusiasmante!! Alla scena della morte di Siegmund alla fine del II atto non mi vergogno di dire che ho pianto e non sono un sentimentaloide, nè uno sprovveduto musicalmente e vocalmente: che interpretazione!! La giovinezza, la passione, i sogni infranti, la paternità che ama e protegge, l'amore sponsale: tutto in quel canto e quei gesti...Grazie, Jonas e grazie a chi ha messo il video! Spero in un DVD
molismensis 7 months ago
Вопросов нет! Это совершенно!!!!!!!!!!!!!!!!
Единственное, к чему можно придраться - декорации. Вагнер лучше слушается в декорациях, в классических. Так, как композитор и хотел!
ZyablovB 7 months ago
Простите жаргонной слово, но это просто отпад ))))). Звук потрясающий, играет выдающимся образом, всё, что написано в либретто, воплощено до последнего слова. Драйв такой, что дух захватывает. Разве не ради этого придуман сам жанр? Разве не подобное исполнение звучало в ушах Вагнера, когда он трудился над партитурой??? )))) Ничем не хуже тех великих Зигмундов, что уже ушли от нас... Грядущие поколения слушателей будут сравнивать будущих исполнителей этой партии в том числе и с этим эталоном...
antjetset 7 months ago
PER ME KAUFMANN E' LA PERFETTA INCARNAZIONE DI SIEGMUND.DAVVERO SPLENDIDO!
nanai16951 7 months ago
@nanai16951 Hai ragione!!!! Perfetto!!!
molismensis 7 months ago
spectaculaire Siegmund, expressif sans grandiloquence, bravo
lisnor100 7 months ago
Es cierto
RSLify 9 months ago