Wow ... this is dark. Poor Cherubino! I don't think I've ever felt as sorry for him! I suppose the central pretext of the opera (that of "feudal rights") is rather ominous, though ... I do find Figarro's general 'teasing' of Cherubino with this song disturbing, but this is VERY bleak.
I'd like to know who is the stage director, because in my humble opinion he's a ferocious music killer. People like him should have nothing to do with great musicians like D'arcangelo and Harnoncourt.
E qui è proprio il caso di dirlo...Figarooo!!! *-* (in tutti i sensi!!!) Ahahahah XD Scusatemi, sto delirando, ma dovete capirmi, è tutto il giorno che studio a capofitto, a quest'ora della sera non rispondo più delle mie azioni XD No però, a parte gli scherzi, lui è veramente TANTA ma TANTA roba!!! XD (vabbè, che abbia una voce meravigliosa e dannatamente sensuale è implicito, non c'era manco bisogno di dirlo)...
Interpretazione magistrale. La conferma ( se ce ne fosse bisogno ) viene dagli pseudocommenti americani. Questo è un baritono ( ed anche basso ) coi contro...fiocchi!
gli americani non potranno mai capire un cazzo, è un popolo zingaro fondato circa 500 anni fa, non ha storia, non ha cultura, non hanno nemmeno una discendenza purosangue, sono africani inglesi, messicani, cinesi, irlandesi. Che cazzo di razza sono????????
i dont know how i feel about this interpretation. i think figaro cutting her and roughing her up takes away from the fact that its a comedy. i was a touch disturbed. but he has a fantastic voice!
It's a pretty nice idea to use one of the most popular opera song in the world in a part of theater that happens in the modern era. The singer is pretty good as well!
But please: TRY TO PUT A SONG THAT THE LYRICS ARE FITTING IN THE CONTEXT!!!!!
COME ON!!!
We are all fans of mozart and there is no need to show it to everybody in that repulsive way!
I am sure that the stage director (Regisseur) has a good and "acceptable" explanation for his "fantastic" Regie Konzept of stuffing poor-boy Cherubino's mouth full of (what are those?) Dollar bills. I have to say: bru-ha-ha-ha. Hibbidy-hobbidy, that's all folks!
Eh. One might say the same things about what the libretto did to the message of the play that the direction here did to the message of the libretto. Seems very hypocritical to say that the direction shouldn't ever be different from the original when the opera isn't the original itself.
I don't think it's as much Ildebrand's acting as it is the crappy direction. I could see him playing a more serene Figaro. And I agree that Figaro isn't a knife-branding bloke.
I can't make head or tail out of this production. Brilliant singers ('cept for la Netrebko, who is too dark and heavy a Susanna), but what is this supposed to be? All this internalisation - the Figaro is a piece of social criticism hidden within a burlesque. This psychological ballooney is not at all to my liking.
I love this production. Taking it a step further from what director Peter Sellars did twenty years ago. The play is from 1784, so 222 years later I do occasionally would like to see an in-depth analysis of the characters and the way they behave. And suddenly it's not a comedy any more. But about manipulation, temptation and revenge. Yet with the same, beautiful music, regardless of who directs.
xav71176 the role was written for baritone. bass-baritone, but nevertheless baritone. but i definitely agree with u on everything else. the stage direction sucks
Horrible conduction and direction.Poor D'Arcangelo,why was he there in that production?Better for him to go away,as far as possible, from this garbage.
omg this is frightening almost. i understand the contemporary parts of it, but to cut the boy's arm (i know its not real blood), for example, i mean my goodness! in the realm of the production, however, i do like cupid's concern at the end. this is merely my opinion.
I can't help thinking that since this period of music humanity has declined, in 200 years this has not yet been beaten. Mozart is the very voice of God.
Beethoven probably beat Mozart; Mozart was born genius while Beethoven had genius brought out of him by blood and sweat and tears from childhood on. But I get your point about classical music, specially early classical, before romantic.
this song was on a little game called gta3. i basically played for this music to come on the radio. when it did i'd park up outside the don's mansion and enjoy
regarding the "retarded" bit. I agree it's totally weird. The conductor seems to have decided this section is recitative. I guess it's an interesting idea but the orchestra didn't seem to agree and it was really sloppy. Oh well. But I have a copy of this in my collection and didn't want to see it because the other operas from this box are so badly done. Especially DON G. And I'd love someone to explain the EGG on stage in Figaro. However this looks great. So I'm going to watch it. Now!
That was probably the director's idea of abstracting this already abstracted, obscured opera that's as traditional as they come!!! And just to let you know, I think this production is horrible!!! I apologize if I offend you by saying that!!!
I LIKE IT! So, go figure! Opera should get people speaking as this production does. It was very interesting to watch and I would love to take part in this kind of productions.But, this is just my huble oppinion and I am intitled to one as well as you are by saying that this is an "epic fail".
Nothing in the world is inherently wrong with modern-dress productions. Hell, even avant-garde ones. The 2005 Salzburg Traviata is actually growing on me, and it's both. However, they have to be done well, preserving the composer and librettist's original intentions, and this production does neither. Figaro is supposed to be a joyful romp with dramatic moments, and this is just a claustrophobic, emotionless nightmare.
ares7768, according to Da Ponte's Memoirs, the Austrian Emperor had considered Beaumarchais' COMEDY 'Le Mariage de Figaro' too licentious for the Court, so he forbade the company at the German-language theatre to perform it. In 'Le Nozze', Da Ponte expunged passages of revolutionary sentiment, lacking much detail of the original plot, its social and legal satire. However, he kept the action of the opera like that of the play, within one day 'folle journée' (insane day) of the play's subtitle.
Not to comment on the singing aspect, this production grosses me out. Why read DaPonte's libretto with such gore in mind! Not only Figaro slashes poor Cherubino's arm but also picks up the blood and smears it on to the boy's face. What an atrocity. Le Nozze is a marvelous work that's supposed to be fun, far from being treated with this gratuitously violent pseudo-modern shock-value approach.
soundfond, i certainly see your point. While Mozart isn't treated with a cynical wash, I think this is a great production. Let's assess this opera though. At the time, the Emperor (and court) thought that Figaro, subject matter that stirred hate between classes was unsuitable for performance...and to adapt the story as a comedy was unheard of. Attitudes and preferences change. i prefer the "classic" production...light, comical, and period costumes!
His beautiful singing is almost wasted in this production. I was so distracted by the staging (interesting, to be sure) that I could not focus on his excellent singing. Interesting he added a cadenza before the recapitulation, something I've never heard any other singer do. He and the conductor must have felt the need to do something purely musical at this point to remind folks that he's still singing. Amending the adage: "Never work with children, animals, or extremely fecund stage directors."
Oh, it's been done, surely. Not quite as long as this one, but the Glyndebourne production under Haitink has Finley do a short cadenza (though perhaps one might call that a lengthy ornament?).
I think the approach is rather well found and original. I saw the whole opera this afternoon. I think it is rather impressive.
The singing is extraordinary and Hanrnoncourt as conductor does a marvellous job. In a single clip it seems rather strange, but in the whole of the piece I think it works.
Beautiful interpretation in a strange almost Freudiana realization. Mozart and Da Ponte wrote an "Opera Buffa" (funny work), it has to be light, ironic and humorous, this has an almost Gothic atmosphere. Bravo to the baritone, nevertheless.
We couldn't care less about the stage trappings of this scene from Le Nozze di Figaro-- we were too busy marvelling at this Figaro's singing voice! Incredibly rich, masculine and vibrant. This singer gave the Count's valet a fresh, new image for us and we loved it.
Mozart needs no "sitcom-slapstick" comedy(?), but talentless, incompetent stage directors do(!) with their "Regie-concepts", forcing singers to take part in the most idiotic and unreasonable scenes. "Artistic freedom"(Künstlerische Freiheit) they call it! RESPECT FOR THE FEW EXCEPTIONS!
Probably the conductor tried to help Figaro, but that was not the way to do it. The tempo MUST remain very strict, to maintain the military style of this aria. After doing 3 different productions of "Marriage" in the States, 2 in Switzerland and 1 in Germany (besides seeing COUNTLESS other productions of it), I must say that for me this was "the pits"! ...and with such fantastic singers too! CONT'D
Instead of the tounge-in-cheek mocking of the poor boy(for the count's sake), even Figaro seems to enjoy tormenting him, cutting him, letting him bleed (the cherub will probably stop the bleeding) while the count plays along with sadistical smile. PFUI! If a singer makes a musical mistake, like Figaro did, singing "schioppo in spalla", the "spalla" as 2 8th notes instead of 2 quarter notes, one can understand, but why the whole orchestra slows down? CONT'D
Yes, I have seen the whole prod. on TV and I was appalled by many things. (Fortunately I've erased the prod. from my memory). However stayed with me the Count's manhandling of the Countess, throwing her to the floor etc.(as I remember)which in my opinion would be VERY UNBECOMING of a count; or just take a look at this "verrrry funnny" stuffing Cherubino's mouth full of money (thank you "guardian angel cherub" that you hastened to take the dough out of his mouth!). WILL CONTINUE!
Great musical boo-boo, but what the heck! The voices were great, this boy is an impressive lyric baritone. The staging and the "Regie-Konzept" of the whole production S.U.C.K.S.
CHILIARCHES, I assume you referring to my comment I've made about 9 months ago, calling this boy a lyric baritone. Well, a bass he is NOT! One could not call him a dramatic (or Verdi) baritone. The role of Figaro can be sung by light basses (although Siepi was certainly not a light bass, he was an exception), bass-baritones, lyric(Kavalier)baritones, or character-baritones. Anyway it is not a shame to be a lyric. Dr.Bartolo is usually cast with a heavier bass in this opera.
I think the term "bass-baritone," ambiguous as it sometimes is, fits him well. I wasn't saying he was a true bass, but he can do higher bass roles well enough--his Leporello, for example, is quite nice.
Listen to him sing "Dov'e la figlia" from Vivaldi's Bajazet. The video is on here. He sings several F#s and a solid high A (probably the best baritone A since Sherrill Milnes). But I love when he sings bass as well.
Milnes was practically a tenor, so I don't think I'd go that far. There are at least several baritones with much better tops, actually (Joseph Shore is the most obvious). But you're right--with all the weight and richness to his sound, it's great that he has a top like that. I can't wait to see his Don Giovanni here in August!
al ma pias: "delle belle turbando il riposo"
Xav87ier 1 week ago
GTA III
Felipevolp 1 month ago
I honestly can't tell the difference between "good" stage direction and "bad" stage direction. You guys are a bunch of snobs.
kourosh89 1 month ago
this song always reminds me of Lestat dancing with a corpse
brawrnie 2 months ago 2
Wow ... this is dark. Poor Cherubino! I don't think I've ever felt as sorry for him! I suppose the central pretext of the opera (that of "feudal rights") is rather ominous, though ... I do find Figarro's general 'teasing' of Cherubino with this song disturbing, but this is VERY bleak.
Twysted666 6 months ago
I'd like to know who is the stage director, because in my humble opinion he's a ferocious music killer. People like him should have nothing to do with great musicians like D'arcangelo and Harnoncourt.
Amletone 6 months ago 3
What a beautiful scene! Clearly Mozart was a genius and of great eloquence and grace! Raúl de Argentina
penalista100 8 months ago 2
He's hot for an Opera singer.
yitzchak13 8 months ago
grand theft auto
hellofromgod2001 9 months ago 3
24 Salieri fans
kourosh89 9 months ago 6
The director's entirely entitled to his interpretation, but I find this unpleasantly dark for Figaro.
Fluffeei 9 months ago
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Ah mais le début n'est-ce pas la marche écrite pour l"empereur Joseph II par Salieri ?? ou je me trompe ?
TheAkasolo 9 months ago
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TheAkasolo 9 months ago
E qui è proprio il caso di dirlo...Figarooo!!! *-* (in tutti i sensi!!!) Ahahahah XD Scusatemi, sto delirando, ma dovete capirmi, è tutto il giorno che studio a capofitto, a quest'ora della sera non rispondo più delle mie azioni XD No però, a parte gli scherzi, lui è veramente TANTA ma TANTA roba!!! XD (vabbè, che abbia una voce meravigliosa e dannatamente sensuale è implicito, non c'era manco bisogno di dirlo)...
Elisabettina88 9 months ago
Interpretazione magistrale. La conferma ( se ce ne fosse bisogno ) viene dagli pseudocommenti americani. Questo è un baritono ( ed anche basso ) coi contro...fiocchi!
vendicatoresolitari0 10 months ago
c'est du délire dans mon coeur !!!!!
MrAyissi 10 months ago
....words?
rsalinas1 10 months ago
Everyone watch this and see if you here a resemblence...../watch?v=-ciFTP_KRy4
TheMagicBolt 1 year ago
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Non più andrai, farfallone amoroso,
Notte e giorno d'intorno girando,
Delle belle turbando il riposo,
Narcisetto, Adoncino d'amor.
Non più avrai questi bei pennacchini,
Quel cappello leggiero e galante,
Quella chioma, quell'aria brillante,
Quel vermiglio donnesco color
Jailyish 1 year ago
modern style opera is pathetic!
NicolaRivarossa 1 year ago
gli americani non potranno mai capire un cazzo, è un popolo zingaro fondato circa 500 anni fa, non ha storia, non ha cultura, non hanno nemmeno una discendenza purosangue, sono africani inglesi, messicani, cinesi, irlandesi. Che cazzo di razza sono????????
falcoTNT 1 year ago 3
@falcoTNT si è vero!! sono loro patetici!!
generalewhite 11 months ago
I stick with the Terfel's version.
Berokymilk 1 year ago
Mi chiedo quando gli americani smetteranno di sparare cazzate ed inizieranno ad apprezzare l'arte.
Splendida voce.
Recundigus 1 year ago
i dont know how i feel about this interpretation. i think figaro cutting her and roughing her up takes away from the fact that its a comedy. i was a touch disturbed. but he has a fantastic voice!
retoricalanswers 1 year ago 2
bulling
mumularatona 1 year ago
gta
anonforuz 1 year ago
@anonforuz Gta's version is better. =)
muso2007 1 year ago 2
@muso2007 : )
anonforuz 1 year ago
have mercy, so handsome, such a voice!! im in love!!! fabulous!
creecat24 1 year ago 2
this music reminds me on the "Parademarsch der langen Kerls"
BaDitO2 1 year ago
Jesus... this is a comedy, what the hell! Figaro wasn't supposed rough him up he was supposed to cheer him up! Poor little guy/woman...
HParker001 1 year ago
@HParker001
ACTING! haha
RAF71chingachgook 1 year ago
It's a pretty nice idea to use one of the most popular opera song in the world in a part of theater that happens in the modern era. The singer is pretty good as well!
But please: TRY TO PUT A SONG THAT THE LYRICS ARE FITTING IN THE CONTEXT!!!!!
COME ON!!!
We are all fans of mozart and there is no need to show it to everybody in that repulsive way!
MasterBroki 1 year ago
I am sure that the stage director (Regisseur) has a good and "acceptable" explanation for his "fantastic" Regie Konzept of stuffing poor-boy Cherubino's mouth full of (what are those?) Dollar bills. I have to say: bru-ha-ha-ha. Hibbidy-hobbidy, that's all folks!
gallferi 1 year ago
Eh. One might say the same things about what the libretto did to the message of the play that the direction here did to the message of the libretto. Seems very hypocritical to say that the direction shouldn't ever be different from the original when the opera isn't the original itself.
drakkonami 1 year ago
Why do the costumes look so sloppy? Those suites are clearly not what people wore back then.
LudwigZhi 1 year ago
my favorite of all time
jarmos13 1 year ago 2
The orchestra is pitifully directed. The musicians have to follow the singers, not the opposite.
LordHettrick 1 year ago 2
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Interesting. Much darker than usual, although it does well at foreshadowing Cherubino's fate in the army.
themfromspace 1 year ago
Interesting. Much darker than usual, although it does well at foreshadowing cherubino's fate in the army.
themfromspace 1 year ago
Grande mozart.
HittokiriBattousai17 1 year ago
Such a wonderful piece!! :D
SuperVolvoLover 1 year ago 6
splendid!
danutpopescu1 1 year ago 6
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foreverbeatles69 1 year ago
wow he is really good but isnt he too serious for this role? i thought figaro is a sereneness guy?
but nethertheless he is really good...
LittleDream0r 1 year ago
I don't think it's as much Ildebrand's acting as it is the crappy direction. I could see him playing a more serene Figaro. And I agree that Figaro isn't a knife-branding bloke.
foreverbeatles69 1 year ago 3
This comment has received too many negative votes show
germans...
theMONORAIL 2 years ago
D'Arcangelo's magnificient performance is overshadowed by the abysmal stage direction. The conductor isn't perfect either.
OOIEatte 2 years ago 24
@OOIEatte And the intermission beer was warm. Just joking.
BeerGogglesReviews 7 months ago
@BeerGogglesReviews all the beer in the world couldn't have saved this performance.
OOIEatte 7 months ago
@OOIEatte HEHEHE.
BeerGogglesReviews 7 months ago
1/5 rating!
SAMusicStudios 2 years ago
ildebrando è della mia città.
3002vincenzo 2 years ago 14
grandissima opera di un grande autore :)
MrLibertycity09 2 years ago
1:32 and onwards: unprofessional...
Supposed to be a fun opera, looks gloomy too much pain and suffering.
fdutrey 2 years ago 4
The significant imperfection of the rhythm (I can't tell if it's the singer's or the conductor's fault) and togetherness is pretty distracting.
djjmmm 2 years ago
Mi è piaciuta questa interpretazione... assai tetra =)
negothblaverck 2 years ago
I can't make head or tail out of this production. Brilliant singers ('cept for la Netrebko, who is too dark and heavy a Susanna), but what is this supposed to be? All this internalisation - the Figaro is a piece of social criticism hidden within a burlesque. This psychological ballooney is not at all to my liking.
Baccalaureus79 2 years ago
whats the singers name? love him
SelinaBorg 2 years ago
Ildebrando D'Arcangelo
DukeFG 2 years ago
aaaw how cute, that Cherubino looks somehow lost and weak, so cute ^^
ElisabettaVS 2 years ago
Travesty!
istgone 2 years ago
qst versione delle nozze di figaro mi piace tantisssimo!!!!!!!
madameloli 2 years ago
il canto mi sembra di tutto rispetto, l'aspetto scenico non mi convince per niente... harnoncourt deve fare bach, e lasciar perdere mozart.
drugo1983 2 years ago 2
1:30 those recitative-like is really annoying. And that horror scene, with blood... why???
Those awful "ideas" is like smearing a masterwork! Harnoncourt horrible as always, he even dares to masquerade himsef as a philologist... Ridiculous!
liszt80 2 years ago
Wow. That Cherub's terrificaly handsome.
AccidentalTouch 2 years ago 3
he's fabulous! the rest is not!!!!
GosfordAbercrombie 2 years ago 2
I love this production. Taking it a step further from what director Peter Sellars did twenty years ago. The play is from 1784, so 222 years later I do occasionally would like to see an in-depth analysis of the characters and the way they behave. And suddenly it's not a comedy any more. But about manipulation, temptation and revenge. Yet with the same, beautiful music, regardless of who directs.
Korgiur 2 years ago 2
beh! di tutto rispetto
claudio17031958 2 years ago
xav71176 the role was written for baritone. bass-baritone, but nevertheless baritone. but i definitely agree with u on everything else. the stage direction sucks
singerboyshad 2 years ago
hahahaha awesome!
sanctiacobvs 2 years ago
What a pity when the stage direction ruins it all...
The conductor is not flawless either...
Great singing though... this role should be sung by basses rather than baritones.
xav71176 2 years ago 3
its for baritones and not many basses have strenth on higher notes, so lets stick with what the composer correctly wrote the music for...a baritone
Kornwolf91 2 years ago 2
Super!
friend3wppl 2 years ago
quello è uno dei migliori del mondo lo ricordo per la prima volta che lo ho visto nel barbiere di siviglia però mi piace di più thomas epson
crismag1 2 years ago
the video quality on this is remarkable! and i love this singing.
jamesgeist 2 years ago
bello ...............complimenti
rosarioskk 2 years ago
Did he really cut her hair and arm, then rub it on her face? what a freak! great piece btw
anthony01355 2 years ago 2
He really cuts her, luckily she's a fast healer cause they do a lot of shows.
sighhhhhhhhhhhhhhh 2 years ago 2
Bravo Ildebrando. Number 1
alsox79 2 years ago
Horrible conduction and direction.Poor D'Arcangelo,why was he there in that production?Better for him to go away,as far as possible, from this garbage.
blichilde 2 years ago 4
Bella opera e bravi anche gli attori.
forefra 2 years ago
Bravo :) e davvero bellissima Cherubino ^^ ...con quell'aria brillante... ^^
77563453 3 years ago 2
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77563453 3 years ago
Harnoncourt rocks.
wagneraster 3 years ago
Gott, was für eine besch..., Verzeihung, bescheuerte Inszenierung !
Masi43 3 years ago
omg this is frightening almost. i understand the contemporary parts of it, but to cut the boy's arm (i know its not real blood), for example, i mean my goodness! in the realm of the production, however, i do like cupid's concern at the end. this is merely my opinion.
stephlikes2sing 3 years ago 2
quella k tognazzi e compari cantano in amici miei...2 capolavori...
appianocapitale 3 years ago
out of curiosity....
does anyone know where to get sheet music for THIS specific part of the opera?
He plays it in one section of the movie "Amadeus" so I wondered if it was possible to find.
ragazzafacile18 3 years ago
ahahaah sta canzone ce kla fa sentire la mannaniciii!! troppo forteeee ahahahhahaah me fa tajà
dolcissimascimmietta 3 years ago
I don't really like this interpertation of Mozart's Le Nozze de Figaro. To be even more honest, I think that it is terrible.
bandgeeks2005 3 years ago 3
wow i can't belive i like music like this clasical has a uniqe sound though
mikesholler27 3 years ago
I can't help thinking that since this period of music humanity has declined, in 200 years this has not yet been beaten. Mozart is the very voice of God.
lookingforboludeces 3 years ago
Agreed.
HistoryGeek4U 3 years ago
Beethoven probably beat Mozart; Mozart was born genius while Beethoven had genius brought out of him by blood and sweat and tears from childhood on. But I get your point about classical music, specially early classical, before romantic.
himanv 3 years ago 2
Beethoven couldn't write opera though. Only got one completed and it was a lot of hard work.
LuciusTheFair 2 years ago
this song was on a little game called gta3. i basically played for this music to come on the radio. when it did i'd park up outside the don's mansion and enjoy
2smoke5 3 years ago 3
regarding the "retarded" bit. I agree it's totally weird. The conductor seems to have decided this section is recitative. I guess it's an interesting idea but the orchestra didn't seem to agree and it was really sloppy. Oh well. But I have a copy of this in my collection and didn't want to see it because the other operas from this box are so badly done. Especially DON G. And I'd love someone to explain the EGG on stage in Figaro. However this looks great. So I'm going to watch it. Now!
glenroven 3 years ago
Damn this is amazing. LOVE IT! btw, actress who plays Cherubino is too cute for words. Who is she?
RAF71chingachgook 3 years ago
That's Christine Schäfer. She's perfect for this role.
2selina2 3 years ago
Haha, I just realized that right around 1:33, the conductor becomes retarded up until the "dum da dum"s end. Anyone else hear it?
KatherineXIX 3 years ago 4
Yeah I do!! It's really weird!! I guess he's retarded for real... =D
elisaballerina456 3 years ago
That was probably the director's idea of abstracting this already abstracted, obscured opera that's as traditional as they come!!! And just to let you know, I think this production is horrible!!! I apologize if I offend you by saying that!!!
GosfordAbercrombie 3 years ago
Anyone who LIKES it offends me by saying it! This production=epic fail.
KatherineXIX 3 years ago 2
I LIKE IT! So, go figure! Opera should get people speaking as this production does. It was very interesting to watch and I would love to take part in this kind of productions.But, this is just my huble oppinion and I am intitled to one as well as you are by saying that this is an "epic fail".
kessukesekene 3 years ago 3
Nothing in the world is inherently wrong with modern-dress productions. Hell, even avant-garde ones. The 2005 Salzburg Traviata is actually growing on me, and it's both. However, they have to be done well, preserving the composer and librettist's original intentions, and this production does neither. Figaro is supposed to be a joyful romp with dramatic moments, and this is just a claustrophobic, emotionless nightmare.
KatherineXIX 3 years ago
Great sound!
Dogaradodia 3 years ago
ares7768, according to Da Ponte's Memoirs, the Austrian Emperor had considered Beaumarchais' COMEDY 'Le Mariage de Figaro' too licentious for the Court, so he forbade the company at the German-language theatre to perform it. In 'Le Nozze', Da Ponte expunged passages of revolutionary sentiment, lacking much detail of the original plot, its social and legal satire. However, he kept the action of the opera like that of the play, within one day 'folle journée' (insane day) of the play's subtitle.
soundfond 3 years ago
soundfond, you're right. sorry, didn't get my facts straight! i liked the pseudo-modern treatment...
ares7768 3 years ago
ares7768, no worries bud ;)) I'll also take the "classic production, light, comical and period costumes" any day! lol
soundfond 3 years ago
I agree with soundfond. Completely.
The actress who plays Cherubino by the way, is simply one of the most beautiful creatures I've ever seen playing on a stage.
taintedside 3 years ago
bella voce
unnannonelluretra 3 years ago
Not to comment on the singing aspect, this production grosses me out. Why read DaPonte's libretto with such gore in mind! Not only Figaro slashes poor Cherubino's arm but also picks up the blood and smears it on to the boy's face. What an atrocity. Le Nozze is a marvelous work that's supposed to be fun, far from being treated with this gratuitously violent pseudo-modern shock-value approach.
soundfond 3 years ago 3
soundfond, i certainly see your point. While Mozart isn't treated with a cynical wash, I think this is a great production. Let's assess this opera though. At the time, the Emperor (and court) thought that Figaro, subject matter that stirred hate between classes was unsuitable for performance...and to adapt the story as a comedy was unheard of. Attitudes and preferences change. i prefer the "classic" production...light, comical, and period costumes!
ares7768 3 years ago
So wonderful !!!. Thank you,Cheers, ~Sergio.
ottokees 3 years ago
His beautiful singing is almost wasted in this production. I was so distracted by the staging (interesting, to be sure) that I could not focus on his excellent singing. Interesting he added a cadenza before the recapitulation, something I've never heard any other singer do. He and the conductor must have felt the need to do something purely musical at this point to remind folks that he's still singing. Amending the adage: "Never work with children, animals, or extremely fecund stage directors."
E19103 3 years ago 4
Oh, it's been done, surely. Not quite as long as this one, but the Glyndebourne production under Haitink has Finley do a short cadenza (though perhaps one might call that a lengthy ornament?).
Chiliarches 3 years ago
WHOA the brunette guys is SEXY!
Sshelly34213 4 years ago
I think the approach is rather well found and original. I saw the whole opera this afternoon. I think it is rather impressive.
The singing is extraordinary and Hanrnoncourt as conductor does a marvellous job. In a single clip it seems rather strange, but in the whole of the piece I think it works.
wimpie1972 4 years ago
Beautiful interpretation in a strange almost Freudiana realization. Mozart and Da Ponte wrote an "Opera Buffa" (funny work), it has to be light, ironic and humorous, this has an almost Gothic atmosphere. Bravo to the baritone, nevertheless.
xilpix 4 years ago 3
We couldn't care less about the stage trappings of this scene from Le Nozze di Figaro-- we were too busy marvelling at this Figaro's singing voice! Incredibly rich, masculine and vibrant. This singer gave the Count's valet a fresh, new image for us and we loved it.
Frottussle 4 years ago
kind of strange this performance...
dziadgba 4 years ago
Mozart: the best of the best
Ermenegildo88 4 years ago
No seriously, some people have to see a concelor, this is crap, clearly crap, great Figaro in a middle of a crap production.
marcobonnet 4 years ago
Where's his "guardian angel"?? ;-)
kmillard 4 years ago
You should change one of the tags. It is Ildebrando D'Arcangelo, not Ilderando. ;)
Umesehaunenolapasi 4 years ago
this was a little bit TOO dramatic no?
colombiapimp91 4 years ago
they just put the paint on the other side of the blade and rub it off onto the skin
daveythewavey19 4 years ago
how did they do the cut - blood actually came out?
themanichero 4 years ago
the stage blood was in the "knife" and was pushed out by d'arcangelo.
Emonii 3 years ago
poverina cherubino.....
crazymezzosoprano 4 years ago
Wow! This is really sick! And I bet these are the people who complain about Gitmo.
mltube 4 years ago
Mozart needs no "sitcom-slapstick" comedy(?), but talentless, incompetent stage directors do(!) with their "Regie-concepts", forcing singers to take part in the most idiotic and unreasonable scenes. "Artistic freedom"(Künstlerische Freiheit) they call it! RESPECT FOR THE FEW EXCEPTIONS!
gallferi 4 years ago
Probably the conductor tried to help Figaro, but that was not the way to do it. The tempo MUST remain very strict, to maintain the military style of this aria. After doing 3 different productions of "Marriage" in the States, 2 in Switzerland and 1 in Germany (besides seeing COUNTLESS other productions of it), I must say that for me this was "the pits"! ...and with such fantastic singers too! CONT'D
gallferi 4 years ago
Instead of the tounge-in-cheek mocking of the poor boy(for the count's sake), even Figaro seems to enjoy tormenting him, cutting him, letting him bleed (the cherub will probably stop the bleeding) while the count plays along with sadistical smile. PFUI! If a singer makes a musical mistake, like Figaro did, singing "schioppo in spalla", the "spalla" as 2 8th notes instead of 2 quarter notes, one can understand, but why the whole orchestra slows down? CONT'D
gallferi 4 years ago
Yes, I have seen the whole prod. on TV and I was appalled by many things. (Fortunately I've erased the prod. from my memory). However stayed with me the Count's manhandling of the Countess, throwing her to the floor etc.(as I remember)which in my opinion would be VERY UNBECOMING of a count; or just take a look at this "verrrry funnny" stuffing Cherubino's mouth full of money (thank you "guardian angel cherub" that you hastened to take the dough out of his mouth!). WILL CONTINUE!
gallferi 4 years ago
Great musical boo-boo, but what the heck! The voices were great, this boy is an impressive lyric baritone. The staging and the "Regie-Konzept" of the whole production S.U.C.K.S.
ferencgall 4 years ago
Really? Have you seen it live? Or on television or DVD? Or just the bits and pieces on YouTube?
Zeitschichten 4 years ago
Caro Amico,read my comments on the Salzburg
"Non piú andrai" and perhaps you'll see why I
reacted so strongly. Greetings!
strongly. Greetings!
gallferi 4 years ago
Lyric baritone? I'd say his voice has a little too much heft for that...he does quite a serviceable job as a bass.
Chiliarches 3 years ago
CHILIARCHES, I assume you referring to my comment I've made about 9 months ago, calling this boy a lyric baritone. Well, a bass he is NOT! One could not call him a dramatic (or Verdi) baritone. The role of Figaro can be sung by light basses (although Siepi was certainly not a light bass, he was an exception), bass-baritones, lyric(Kavalier)baritones, or character-baritones. Anyway it is not a shame to be a lyric. Dr.Bartolo is usually cast with a heavier bass in this opera.
gallferi 3 years ago
I think the term "bass-baritone," ambiguous as it sometimes is, fits him well. I wasn't saying he was a true bass, but he can do higher bass roles well enough--his Leporello, for example, is quite nice.
Chiliarches 3 years ago
Listen to him sing "Dov'e la figlia" from Vivaldi's Bajazet. The video is on here. He sings several F#s and a solid high A (probably the best baritone A since Sherrill Milnes). But I love when he sings bass as well.
KatherineXIX 3 years ago
Milnes was practically a tenor, so I don't think I'd go that far. There are at least several baritones with much better tops, actually (Joseph Shore is the most obvious). But you're right--with all the weight and richness to his sound, it's great that he has a top like that. I can't wait to see his Don Giovanni here in August!
Chiliarches 3 years ago
but yet i kind of like it
the singing is awesome
veggiehead257 4 years ago
this is bizarre
i was laughing so hard when they put the money in cherubino's mouth
veggiehead257 4 years ago
I love the involved blocking and acting. It adds a lot to the music.
barkingbartok 4 years ago 2