Splendid! I have this piece on my CD in Daniel Taylor's interpretation. Two great artists who found absolutely different colours for this aria! A feast for the ears, though perhaps a bit more I prefer Taylor's version with his less vibrato, but this is great too! Thanks for posting.
Tumbs up to the informed and insightful comments posted here. Despite the irritating flaws of the accompaniment, this Bach / Esswood continues to captivate my heart with its beauty. Nicely produced video, too.
I will add that the fugue of the strings is made on an ondulating musical phrase.
I think it represnts the snake of the evil.
This phrase will repeted like a perpetual movement.....the evil is ever.The singer has to sing with accent on wiederSTEHE (resist).Leonhart and Eswood were the first to do that.
This is, in my opinion, one of the most beautiful arias from Bach's cantatas. I never have heard it sung better than by Paul Esswood. There are two major problems with the recording, however: Harnoncourt was the far better of the two conductors in these productions, far more sensitive and musical. Leonhardt's tempo is far too pedestrian. Also, Leonhardt's strings often sound strident. That is why is hesitated to produce this myself. I still give it 5 stars because of Bach and Esswood.
Splendid! I have this piece on my CD in Daniel Taylor's interpretation. Two great artists who found absolutely different colours for this aria! A feast for the ears, though perhaps a bit more I prefer Taylor's version with his less vibrato, but this is great too! Thanks for posting.
serenaluce 2 months ago
this is really wonderful!
Harnoncourt - lovely and those deeply beautiful paintres (picutures) ... thanks!
OpheliaImWahn 1 year ago
Wonderfull
Arcadiangrove 1 year ago
I see you love Guercinon not only Bach =)
Bachwerkeverzeich548 1 year ago
Tumbs up to the informed and insightful comments posted here. Despite the irritating flaws of the accompaniment, this Bach / Esswood continues to captivate my heart with its beauty. Nicely produced video, too.
sfkcbf 2 years ago
I will add that the fugue of the strings is made on an ondulating musical phrase.
I think it represnts the snake of the evil.
This phrase will repeted like a perpetual movement.....the evil is ever.The singer has to sing with accent on wiederSTEHE (resist).Leonhart and Eswood were the first to do that.
metphmet 2 years ago
@metphmet How can you tell if the strings are playing a fugue?
fluteHinata 1 year ago
I'm touched at heart by that picture where Gabriel and Michael are with the lying Jesus.
dareal92 2 years ago
"To send light into the darkness of men's hearts-such is the duty of the artist"~Schumann
My deepest congratulations for this beautiful video and remarkable music.
A very precious video,a true beauty!
Thank you so much for sharing!
Best wishes to you and yours!
cristinadreamer 2 years ago 3
thanks dear!
essenciademusica 2 years ago
Gorgeous!!
natemayfield 2 years ago
Splendid perofrmance and remarkable voice indeed
whomakemefeel 2 years ago
Great aria... 5 stars!
thank you my dear friend!
BachLoveNat 2 years ago
Esswood's beautiful tone, timber and easy comprehensibility of his singing
elevate this performance to one of
reverent poetry! Although the pace is
plodding and the cascading strings
less than desired, Bach's inspirational
genius transcends these blemishes
by his masterful and touching music!
Thank you for sharing!
Kievest 2 years ago
Wonderful... Shining eternal Bach... Fav!
Vihor189 2 years ago
Thanks for you coment dear friend!!!!!!
essenciademusica 2 years ago
This is, in my opinion, one of the most beautiful arias from Bach's cantatas. I never have heard it sung better than by Paul Esswood. There are two major problems with the recording, however: Harnoncourt was the far better of the two conductors in these productions, far more sensitive and musical. Leonhardt's tempo is far too pedestrian. Also, Leonhardt's strings often sound strident. That is why is hesitated to produce this myself. I still give it 5 stars because of Bach and Esswood.
sfkcbf 2 years ago
I agree that at that time the sound of the baroque strings specially of Leonhart was not at the top.
But articulation and expression were beautifull and quite new at that time.
The tempo is slower than others .But this interpretation reflects the text.The orchestra is the obsessional sin which the singer has to resist.
metphmet 2 years ago