@MrBerlino90 No, sorry, you're wrong - the original is with two equal in rights variants of the last note - high and octave low. The composer has left the choice which note to sing entirely to the singer. To sing the low note is just kind of tradition.
In this case Luvig is so right- much more important is the overall expression, than just one single note, which, sung in a marginal register could sound strained and ugly.
This is wonderful, wonderful. But no low D. I felt deprived. Perhaps because I sort of grew up with Marian Anderson's version, with the final low D. Which is ... perfection.
God, such a beautiful low register. It's sad overall low notes are so underrated, for me personally it takes a lot more trouble to make those sound good than with high notes.
Part 1, when the maiden speaks, is sung too loudly and sounds monochromatic. Part 2, when Death speaks, is sung with an ugly vocal emission. There should be a contrast in color between the two, and she achieves some contrast, but Death should sound covered, soft, and reassuring saying "I am not evil", "I do not come to punish". Ugly low A "schlafen" which should be sung sweetly "sleep."
Gerald Moore starts too loudly, the beginning should be more subdued.
Thank you very much for posting videos showing the work of the great accompanist Gerald Moore. What an awesome treasure for future generations to share!
beautiful!!
yusukeundisolde 2 weeks ago
I must admit, I wanted the lower register for that note. However, that aside, her intention still carried through totally.
thesmallestatom 4 months ago
oh, love this song. it makes me cry and wanna die.
wolkenhuegel 5 months ago
I love the dramatic introduction. XD
blahdorkweirdo 6 months ago
it's a pitty, she didn't sing the death's last tone downwards like it is in the original; but apart from that: really awesome!
MrBerlino90 9 months ago
@MrBerlino90 No, sorry, you're wrong - the original is with two equal in rights variants of the last note - high and octave low. The composer has left the choice which note to sing entirely to the singer. To sing the low note is just kind of tradition.
In this case Luvig is so right- much more important is the overall expression, than just one single note, which, sung in a marginal register could sound strained and ugly.
Hobott 5 months ago
Gutes Muts? :)
Schantalbert 11 months ago 2
@Schantalbert correct poetic german...
means: you shall be in good courage
poookah 10 months ago
He's my brother's cousin!
wyomingmali 11 months ago
This is wonderful, wonderful. But no low D. I felt deprived. Perhaps because I sort of grew up with Marian Anderson's version, with the final low D. Which is ... perfection.
jarabaa 1 year ago
The term "bed of sickness" is meant to be used as a figure of speech here, he wasn't implying that the lyrics depict the girl in an actual bed.
straightupnc 1 year ago
Wunderbar!
Thorneycroft1937 1 year ago
What "bed of sickness"? He puts things there.
minnie888444 1 year ago
This is more about a quality than about range or about hitting a note.
suffisance 1 year ago
beautiful
2Mazed 1 year ago
God, such a beautiful low register. It's sad overall low notes are so underrated, for me personally it takes a lot more trouble to make those sound good than with high notes.
Laroling 2 years ago 28
I OWN ONE OF HIS PIANOS :D
ThatsHawt25 2 years ago 9
Part 1, when the maiden speaks, is sung too loudly and sounds monochromatic. Part 2, when Death speaks, is sung with an ugly vocal emission. There should be a contrast in color between the two, and she achieves some contrast, but Death should sound covered, soft, and reassuring saying "I am not evil", "I do not come to punish". Ugly low A "schlafen" which should be sung sweetly "sleep."
Gerald Moore starts too loudly, the beginning should be more subdued.
The low D is optional, for men only.
minnie888444 2 years ago
@minnie888444 i don't believe the low D was only intended fo male singers.
silvr94 1 year ago
I think the only three singers to have
recorded the low D are Schumann-Heink
(better in 1903 than in 1919),
Anderson and amazingly Crespin
(watch the video). Elsewhere Crespin
recorded a high Db, almost three
octaves higher, giving her the widest
range of any recorded singer that I could find. Matzenauer ranges from low F to
high D on recordings and Schumann Heink from low D to high B, a whole tone
less than Crespin.
charliekelev 2 years ago
jessye norman also sang the low D.
btw, edda moser had a 3 octave range on record (low G from vitellia aria and high G from popoli di tessaglia)
silvr94 1 year ago
Christa is always one of my favorites, but she was not capable to reach the final deep note.
Anyway, a good interpretation of this phenomenal pece.
noteworthy65 2 years ago
How could she? does anyone have a range like that?
puiskens 2 years ago
i can reach a low D. I am usually embarassed of my low voice, I don't like it at all. my friends say I sound like a man.
treblemaker24 2 years ago
This comment has received too many negative votes show
C'est Nul x)
maxoulimo77410 2 years ago
Arte! Y cómo aguantó la última frase toda en un solo fiato!!!!!
lamarce3010 2 years ago
Magnifica, impeccabile, commovente per la bellezza dell'interpretazione.
99Isher 2 years ago
Ludwig is superb. And how wonderful it is to have Gerald Moore's work on video. God bless them both:) --
stevevandien 2 years ago
Une vraie merveille !
saturne46 2 years ago
excellent! I learned this song in voice class... I didn't appreciate it til now... i don't think any of us interpreted it so well.
grkmuse77 2 years ago
Quite spell-binding!
FerozaLaBonne 2 years ago
Thank you Thank you Thank you!To see the great Gerald Moore with the unmatched Christa Ludwig!MORE please!
mehertoorkey 2 years ago
Einfach unglaublich.
Ich habe mir fast alle Versionen angehöhrt, aber das ist einfach unglaublich.
SalixWi 2 years ago
la coppia christa ludwig-gerald moore ci ha regalato momenti tra i più alti della dell'interpretazione liederistica....
vincik80 2 years ago
what a vocal and interpretive Miracle... what a musicianship, equal only to Callas'
Lohengrin 3 years ago
Thank you very much for posting videos showing the work of the great accompanist Gerald Moore. What an awesome treasure for future generations to share!
2006jn 3 years ago