As time passed, Dana realized that such ethnic humor by a person not of that ethnic group was becoming offensive. Hispanic groups began protesting Dana's portrayal of the dim-witted Hispanic character. In 1970, Dana announced to ten thousand Mexican Americans attending a cultural pride festival that "after tonight, José Jiménez is dead". In 1997 Dana received an image award from the National Hispanic Media Coalition.
Bill Dana created the Jose Jiminez character as a popular radio skit, but even Shamus Culhane admitted that whatever humor the skits had were lost once they were made into cartoons. They just weren't funny. Jose IS kind of a bad stereotype.
Guy Lombardo and hsi brothers fouyght to keep louis Armstrong ina resturant in the pre-integration thirties, even Louis prima [Italian, easily mistakble for black [and was popular with BLACKS
So it shows some of the most "white-bread", performers were just as sensitive to civil rights as anyone and this short actually was one (as I said) as a '66 one, one of the last "racist" ones [the illfated Speedy Gonzales, as if the Daffy teaming was not back enough, came at a late time]
Another thing--the white colonialist character got what he deserved at the end for not respecting native traditions. And the native chief speaking a British accent is a sharp jab at racist preconceptions of brown-skinned races. A sign of the times during which this cartoon was released.
Well, an tiblakc I don't know but Jose Jiminez, Senior...it's form 1960s but that was pretty late in the era of "{racism" ["Hairspray" set in 1962 dealt with anti-racism in favor of pro-blakc civil rights..]
Hey, do you know some of the mos tunliekly supporters of rights for minorites, and true stories,
Bing Crosby [had every Black performer popular in the 30s and 40s]
Lawrence Welk [Art Duncan]
Mitch Miller [Leslie Uggams, younger and female too]
Change is even more prominent after Ralph Bakshi took over the studio. Just check out the youtube entry on Bakshi's "Marvin Digs." It's like Bakshi brought over his Terrytoons staff and pushed aside the staffs of all the former Paramount/Famous cartoon directors.
I've seen the cartoons you mention. Kneitel died in l964 and it's interesting how his films during that year showed some innovation. Changes in the background music were already being made. For example. note the post-bebop jazzy soundtrack of the Swifty & Shorty cartoon.
This is certainly more imaginative and clever than what Paramount was producing six years before this cartoon was released. Both Howard Post and Shamus Culhane got Winston Sharples to move away from the repetitive, overly serious musical scores which had permeated Famous Studio cartoons since the early '50s.'Just compare this Modern Madcap's score to the scores of Modern Madcaps released six years earlier.
Very rare, indeed! This was from the twilight of the Paramount {formerly Famous} Cartoon Studios unit in New York, when Shamus tried to create more imaginative cartoons than Seymour Kneitel ever did. Bob McFadden provided all the other voices. Not many people know that "Jose Jiminez" aspired to become a cartoon star!
This stinks. Watch clips of Bill Dana on Steve Allen.
yr2square 4 weeks ago
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As time passed, Dana realized that such ethnic humor by a person not of that ethnic group was becoming offensive. Hispanic groups began protesting Dana's portrayal of the dim-witted Hispanic character. In 1970, Dana announced to ten thousand Mexican Americans attending a cultural pride festival that "after tonight, José Jiménez is dead". In 1997 Dana received an image award from the National Hispanic Media Coalition.
johnnyhustle 2 months ago
i love that show
ofeliazick 2 months ago
Jajajajajjajajajajaja thats my freaking name Jose Jimenez
JJJimenez160 8 months ago
Wow! As long as I've known of Bill Dana's Jose Jimenez (Which has been a LONG time!) I never knew these existed.
These cartoons never captured Jose the way he was on TV. They really weren't funny.
They needed Jonathan Harris as the foil!
Actionguy1 1 year ago
Comment removed
Actionguy1 1 year ago
Bill Dana created the Jose Jiminez character as a popular radio skit, but even Shamus Culhane admitted that whatever humor the skits had were lost once they were made into cartoons. They just weren't funny. Jose IS kind of a bad stereotype.
katinaanimator 1 year ago
why you following me on twitter?fuck your cartoon try this
RonaldS10 2 years ago
Guy Lombardo and hsi brothers fouyght to keep louis Armstrong ina resturant in the pre-integration thirties, even Louis prima [Italian, easily mistakble for black [and was popular with BLACKS
So it shows some of the most "white-bread", performers were just as sensitive to civil rights as anyone and this short actually was one (as I said) as a '66 one, one of the last "racist" ones [the illfated Speedy Gonzales, as if the Daffy teaming was not back enough, came at a late time]
SteveCarras 3 years ago
Another thing--the white colonialist character got what he deserved at the end for not respecting native traditions. And the native chief speaking a British accent is a sharp jab at racist preconceptions of brown-skinned races. A sign of the times during which this cartoon was released.
shadejford 2 years ago
@SteveCarras - for whatever it's worth, I thought Louis Prima was black for almost 30 years.
2005dave 2 years ago
Well, an tiblakc I don't know but Jose Jiminez, Senior...it's form 1960s but that was pretty late in the era of "{racism" ["Hairspray" set in 1962 dealt with anti-racism in favor of pro-blakc civil rights..]
Hey, do you know some of the mos tunliekly supporters of rights for minorites, and true stories,
Bing Crosby [had every Black performer popular in the 30s and 40s]
Lawrence Welk [Art Duncan]
Mitch Miller [Leslie Uggams, younger and female too]
Guy Lombardo and his brothers [more]
SteveCarras 3 years ago
Change is even more prominent after Ralph Bakshi took over the studio. Just check out the youtube entry on Bakshi's "Marvin Digs." It's like Bakshi brought over his Terrytoons staff and pushed aside the staffs of all the former Paramount/Famous cartoon directors.
shadejford 4 years ago
This cartoon is racist! It presents a stereotypical depiction of cannibals!
knockout13 4 years ago
maybe you didn't notice that this might be old, it's from 1966
slowdive922 4 years ago
@knockout13
Look, these are old cartoons.
1aundulxaldin 1 year ago
I've seen the cartoons you mention. Kneitel died in l964 and it's interesting how his films during that year showed some innovation. Changes in the background music were already being made. For example. note the post-bebop jazzy soundtrack of the Swifty & Shorty cartoon.
shadejford 4 years ago
This comment has received too many negative votes show
Racist bullshit from the 1960s. Even the accent is terrible, he sounds indian with a twist of a brooklyn accent.
agcruz 4 years ago
I noticed that also instantly... very Bill Lava like...and lightly orchestrated..
musicom67 4 years ago
This is certainly more imaginative and clever than what Paramount was producing six years before this cartoon was released. Both Howard Post and Shamus Culhane got Winston Sharples to move away from the repetitive, overly serious musical scores which had permeated Famous Studio cartoons since the early '50s.'Just compare this Modern Madcap's score to the scores of Modern Madcaps released six years earlier.
shadejford 4 years ago
Begley P. Bogus is designed with obvious Jay Ward influence...
musicom67 4 years ago
God bless Winston Sharples.
Lectronimo 4 years ago
Very rare, indeed! This was from the twilight of the Paramount {formerly Famous} Cartoon Studios unit in New York, when Shamus tried to create more imaginative cartoons than Seymour Kneitel ever did. Bob McFadden provided all the other voices. Not many people know that "Jose Jiminez" aspired to become a cartoon star!
fromthesidelines 4 years ago
This material slipped in between the old studio guard, as they were mostly all gone by then. Nobody at the gate, figuratively.
powergirl901 4 years ago
Very Rare and funny.
dadogster 5 years ago