A very fine choice of tempo; it is only marginally slower than the recording done with Peter Hurford performing in the Ratzeburg Cathedral, Germany. Thanks for the post. It reminded me of what a grand piece this is when played so well as this..
Great vid! I'm currently working on this marvellous sonata, and I hope organists all over the world will make an effort in celebrating the 200 years anniversary of the great composer Felix Mendelssohn-Bartholdy.
I happen to prefer the French Romantic sound as well, particularly Cavaille-Coll. Also, as far as the Trumpets, I was impressed with the Trommeten. I would've taken it for a German Trompete! I agree that some certain transcriptions would sound nicely on the organ. I wonder what Franck's E-Major Chorale would sound like. If you ever do figure out that tremulant I'd love to hear the Voix Humaine again. Thanks for posting!
I think Fisk designs their Trommeten to be a German-styled reed, and I'm not sure why they don't just call it "Trompete" as you said. I think one of the greatest things about Fisk is that they usually supply both French- and German-styled reeds on the Great and Positiv divisions of their larger instruments.
I do love the Franck E-major chorale; I will soon post a video of my playing the Fugue from Franck's Prelude, Fugue, and Variation on this organ, which basically uses the same registration as the beginning of the Franck Chorale in E (I wanted to show off the sound of all the 8' foundations coupled together!).
Ah, nothing quite like fonds de 8! I can't wait to see it. Also, in your demonstration video, the camera took a look at the ratchets, and there was one that said "ON". Might this be the elusive Tremulant ratchet? I'd really like to hear the Vox with the tremulant.
A truly beautiful instrument. For someone who really prefers Romantic sound this instrument is a fine example of Baroque sound! Well played and keep on posting!
I, too, prefer Romantic sound, specifically French Romantic, but, from what I understand, the German Romantic plenum was not that different from the German Baroque plenum, so I imagine that Mendelssohn had this kind of sound in mind for the beginning of his sonata. And, this organ has plenty of French Romantic-styled stops as well, including the 8' Flute Harmonique on the Great, the beautiful strings, Hautbois, and Voix Humaine in the Swell, and the French-style Trompettes!
Granted, it doesn't have much by way of 20th-century American/English orchestral colors for transcriptions, but I bet certain transcriptions would even sound nice on this instrument.
The romantic organs weren't available to Mendelssohn. He played on classical and baroque organs. That also explain's his directions regarding dynamics (no expression, except for an early childhood piece).
A very fine choice of tempo; it is only marginally slower than the recording done with Peter Hurford performing in the Ratzeburg Cathedral, Germany. Thanks for the post. It reminded me of what a grand piece this is when played so well as this..
jmcgatkinson 2 months ago
@jmcgatkinson
Thank you so much for your kind words!
organist1982 2 months ago
Nice organ and a great room as well!
AeolianSkinner1983 5 months ago
Awesome and magnificent!
88yp88yp 7 months ago
@88yp88yp
Thank you very much!
organist1982 7 months ago
Tempo seems exactly right to me--grand and stately. Thanks for the upload.
unkastacky 10 months ago
A wonderful organ, even though i see it is made for Baroque pieces, the sonata sounded wonderful.
Well Done
organist12345 2 years ago
Great vid! I'm currently working on this marvellous sonata, and I hope organists all over the world will make an effort in celebrating the 200 years anniversary of the great composer Felix Mendelssohn-Bartholdy.
PETfilm 3 years ago
Beautiful, I love the tracker style. Analog, oh yeah!
jpwsml 3 years ago
what a great job you have. that almost made my hair stand on end. and to be able to fix those magnificent instruments too is quite an art.
BiliousTrumpstaine 3 years ago
I happen to prefer the French Romantic sound as well, particularly Cavaille-Coll. Also, as far as the Trumpets, I was impressed with the Trommeten. I would've taken it for a German Trompete! I agree that some certain transcriptions would sound nicely on the organ. I wonder what Franck's E-Major Chorale would sound like. If you ever do figure out that tremulant I'd love to hear the Voix Humaine again. Thanks for posting!
cromorne 3 years ago
I think Fisk designs their Trommeten to be a German-styled reed, and I'm not sure why they don't just call it "Trompete" as you said. I think one of the greatest things about Fisk is that they usually supply both French- and German-styled reeds on the Great and Positiv divisions of their larger instruments.
organist1982 3 years ago
I do love the Franck E-major chorale; I will soon post a video of my playing the Fugue from Franck's Prelude, Fugue, and Variation on this organ, which basically uses the same registration as the beginning of the Franck Chorale in E (I wanted to show off the sound of all the 8' foundations coupled together!).
organist1982 3 years ago
Ah, nothing quite like fonds de 8! I can't wait to see it. Also, in your demonstration video, the camera took a look at the ratchets, and there was one that said "ON". Might this be the elusive Tremulant ratchet? I'd really like to hear the Vox with the tremulant.
cromorne 3 years ago
A truly beautiful instrument. For someone who really prefers Romantic sound this instrument is a fine example of Baroque sound! Well played and keep on posting!
cromorne 3 years ago
I, too, prefer Romantic sound, specifically French Romantic, but, from what I understand, the German Romantic plenum was not that different from the German Baroque plenum, so I imagine that Mendelssohn had this kind of sound in mind for the beginning of his sonata. And, this organ has plenty of French Romantic-styled stops as well, including the 8' Flute Harmonique on the Great, the beautiful strings, Hautbois, and Voix Humaine in the Swell, and the French-style Trompettes!
organist1982 3 years ago
Granted, it doesn't have much by way of 20th-century American/English orchestral colors for transcriptions, but I bet certain transcriptions would even sound nice on this instrument.
organist1982 3 years ago
The romantic organs weren't available to Mendelssohn. He played on classical and baroque organs. That also explain's his directions regarding dynamics (no expression, except for an early childhood piece).
edelvang 2 years ago