Added: 3 years ago
From: organist1982
Views: 6,664
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  • A very fine choice of tempo; it is only marginally slower than the recording done with Peter Hurford performing in the Ratzeburg Cathedral, Germany. Thanks for the post. It reminded me of what a grand piece this is when played so well as this..

  • @jmcgatkinson

    Thank you so much for your kind words!

  • Nice organ and a great room as well!

  • Awesome and magnificent!

  • @88yp88yp

    Thank you very much!

  • Tempo seems exactly right to me--grand and stately. Thanks for the upload.

  • A wonderful organ, even though i see it is made for Baroque pieces, the sonata sounded wonderful.

    Well Done

  • Great vid! I'm currently working on this marvellous sonata, and I hope organists all over the world will make an effort in celebrating the 200 years anniversary of the great composer Felix Mendelssohn-Bartholdy.

  • Beautiful, I love the tracker style. Analog, oh yeah!

  • what a great job you have. that almost made my hair stand on end. and to be able to fix those magnificent instruments too is quite an art.

  • I happen to prefer the French Romantic sound as well, particularly Cavaille-Coll. Also, as far as the Trumpets, I was impressed with the Trommeten. I would've taken it for a German Trompete! I agree that some certain transcriptions would sound nicely on the organ. I wonder what Franck's E-Major Chorale would sound like. If you ever do figure out that tremulant I'd love to hear the Voix Humaine again. Thanks for posting!

  • I think Fisk designs their Trommeten to be a German-styled reed, and I'm not sure why they don't just call it "Trompete" as you said. I think one of the greatest things about Fisk is that they usually supply both French- and German-styled reeds on the Great and Positiv divisions of their larger instruments.

  • I do love the Franck E-major chorale; I will soon post a video of my playing the Fugue from Franck's Prelude, Fugue, and Variation on this organ, which basically uses the same registration as the beginning of the Franck Chorale in E (I wanted to show off the sound of all the 8' foundations coupled together!).

  • Ah, nothing quite like fonds de 8! I can't wait to see it. Also, in your demonstration video, the camera took a look at the ratchets, and there was one that said "ON". Might this be the elusive Tremulant ratchet? I'd really like to hear the Vox with the tremulant.

  • A truly beautiful instrument. For someone who really prefers Romantic sound this instrument is a fine example of Baroque sound! Well played and keep on posting!

  • I, too, prefer Romantic sound, specifically French Romantic, but, from what I understand, the German Romantic plenum was not that different from the German Baroque plenum, so I imagine that Mendelssohn had this kind of sound in mind for the beginning of his sonata. And, this organ has plenty of French Romantic-styled stops as well, including the 8' Flute Harmonique on the Great, the beautiful strings, Hautbois, and Voix Humaine in the Swell, and the French-style Trompettes!

  • Granted, it doesn't have much by way of 20th-century American/English orchestral colors for transcriptions, but I bet certain transcriptions would even sound nice on this instrument.

  • The romantic organs weren't available to Mendelssohn. He played on classical and baroque organs. That also explain's his directions regarding dynamics (no expression, except for an early childhood piece).

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