Added: 3 years ago
From: jazzgirl1920s
Views: 7,728
Sort by time | Sort by thread (beta)

Link to this comment:

Share to:
see all

All Comments (9)

Sign In or Sign Up now to post a comment!
  • Imitating other musicians is even more difficult than imitating oneself after one has played a real good solo. (Only Johnny Guarnieri and few others could.) 40 years ago I thought I could imitate Kid Ory as my trombone technique was better than his. The result. as heard on tape, was disheartening. Imitating somebody else`s solo is like imitating yesterday`s sex. It`s no point. You just HAVE TO add something new. This "Virginia" is like a rest of canned soup warmed up for the 4th or 5th time.

  • I understand and respect your point of view.

    But there are more aspects to also take into account!

    To give a few:

    You can see this music as "classical" music and a tribute to the old masters.

    It's very satisfying to play this musical milestones yourself, surrounded by musical friends with the same passion.

    The acquaintance and concentration on a specific style is very instructive for the musical and technical development of an instrumentalist.

    

  • Bix Biederbecke Volume 1: Singin the Blues is available at Amazon for as little as 6.99 new. The album contains this song and so many others

  • Does anyone know where this recording can be found on CD?

  • Generally am inclined to avoid other performers' versions of certain tunes I've always associated with Bix Beiderbecke: for instance - I'm Coming Virginia, Singin' The Blues, Royal Garden lues....Comparisons are almost inevitable and I don't like to make them.

    That said, I did enjoy hearing this.

  • That is interesting because along a similar line I read once that Louis Armstrong wouldn't play or record Singin' The Blues. I think I also read that Eddie Condon said the recording of I'm Coming Virginia was closer to Bix that he heard than Singin' The Blues. Can anyone verify? When a musician today tries to play like or imitate Bix some find those musicians far short and won't listen to them. But since I can't hear Bix live I would like to hear someone who is close that I can hear in person.

  • So in the 1980's when I knew Paul Mertz and talked to him he told me that Tom Pletcher sounded closer to Bix's tone and the way Bix played than anyone else he had heard. I respected Paul Mertz's opinion because he was in the Goldkette band with Bix and heard him so many times. Mertz was also the pianist on the Bix Rhythm Jugglers session. I was able to hear Tom Pletcher with the Son's Of Bix at the Los Angeles Classic Jazz Festival in 1983. Judging by listening to Bix on records for 50 years...

  • I thought Tom Pletcher sounded remarkably close. But Paul Mertz had the advantage of hearing Bix in person and playing in a band Bix was in.

  • @jazzgirl1920s I read the same thing about Louis who probably did not believe that "imitation is the sincerest form of flattery". And I agree with Louis. I would like to know how it flatters a jazz musician to imitate him. And Bix said you can't play the same thing the same way twice--Bix's Law should be observed.

  • Comment removed

  • Of course you do and thanks for the explanation. I really like the videos on your page.

  • Yes, but when I tried to view the video at santopec's page of this recording I couldn't see it because got I the message "This video is private." I subscribed to his videos and I still couldn't see it because of that "this video is private message."

  • One of the musicians did not agree with this particulair video in the public domain, so.....!

    I've have to respect that.

  • Santopec has this orchestra on video.

Loading...
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more