@MrCafiero She didn't sing Armida in Milano 1956, only Semiramide. There are only the complete live of 1952 and this aria in concert 1954. May be she recorded it in studio in the 60ies but then it was never published.
Yes I agree also and maybe in the house you still heard her clearly while they clapped before she came off the note but I have talked to famous singers about it and most of them agree -- better to wait till they come off the note. I remember a performance with a great tenor over 30 years ago on the last note of ah si ben mio, it was piano and the idiots screamed and clapped next to me, his fans sure but we missed most of the note . Anyhow at least we heard her last note threw the applause.
Only a soprano sfogato with the unique gifts of Callas can create such an effect with this exceptionally challenging music. Thanks, MrCafiero, for sharing.
Callas não existiu, foi um sonho que a gente teve...
oplutao 1 month ago
@oplutao RIght....LOL!
MrCafiero 1 month ago
i have tested it using WavePad Sound editor, it's a little faster and slightly higher, to my ears
turnipoverlord 1 year ago
@turnipoverlord That is why the high note sits between E and Eb. These recordings have been manipulated to sound overly "light" and "bright".
MrCafiero 1 year ago
it's the San Remo, but the pitch is different
turnipoverlord 1 year ago
@turnipoverlord What?
MrCafiero 1 year ago
everything sounds higher and slightly faster than the version i have on the recital CD
turnipoverlord 1 year ago
@turnipoverlord "Sounds" that way or did you actually test it? Because this is from the recital CD, unless they changed it.
MrCafiero 1 year ago
Fantastic ....but i believe this is San Remo 1954 not 1956 Milano.
sicuro75 2 years ago
I wasn't sure, but you are probably right. The voice sounds more like 1954 than 1956. Thanks for letting me know.
MrCafiero 2 years ago
@MrCafiero She didn't sing Armida in Milano 1956, only Semiramide. There are only the complete live of 1952 and this aria in concert 1954. May be she recorded it in studio in the 60ies but then it was never published.
512gontran 1 year ago
Yes I agree also and maybe in the house you still heard her clearly while they clapped before she came off the note but I have talked to famous singers about it and most of them agree -- better to wait till they come off the note. I remember a performance with a great tenor over 30 years ago on the last note of ah si ben mio, it was piano and the idiots screamed and clapped next to me, his fans sure but we missed most of the note . Anyhow at least we heard her last note threw the applause.
halavey 2 years ago
In the midst of this virtuosic fireworks
display, Callas manages sublime
expression, magnificent phrasing
and dynamics! One of a kind!!!
Thank you, MrC!!!
Kievest 2 years ago
I play this every time someone says they don't get Callas. Sfogato supreme! Thanks for sharing, MrCafiero.
ElPiconeroalCognac 2 years ago
I'm not an ardent Callas fan but this is exciting and certainly her prime. I enjoyed it very much thanks. :)
ShawDAMAN 2 years ago
I wish people would wait till the singer stops singing to clap.
halavey 2 years ago
I agree, but at the same time I understand the need to burst out in applause...She just pulls ya in and...YAY!~ ^_^
magicmonkichi 2 years ago
Unique and fine singing and in good sound.
halavey 2 years ago
Only a soprano sfogato with the unique gifts of Callas can create such an effect with this exceptionally challenging music. Thanks, MrCafiero, for sharing.
meltzerboy 2 years ago