It is thrilling to observe Martha's identifying with her orchestra here in Beppu. She admires the members and it is obvious. Extraordinary collaboration.
I decided to look this piece up because it's mentioned in a music analysis text I am studying. This is just so full of energy from beginning to the end! The dramatic interchange between the orchestra and the solo is just so captivating, and yet almost overwhelming! It's hard to imagine Bartok forming this piece in his mind. Truly inspiring to say the least.
Hard not to be moved to tears by her natural ferocity, she is so famous for. Makes total impotence of someone like Lang Lang in this context so pathetic. Yet the overall sound from these juvenile Japanese is nasty. You want to get close to this music, try Monique Haas with Ferenc Fricsay cond. Having at least one native Hungarian on hand helps.
@fredericfranc"Yet the overall sound from these juvenile Japanese is nasty" Just want to point out that the audio quality here is very hissy, compressed, and muddled especially in the climaxes. Martha's amazing strong tone and projection come through relatively unscathed, but you still hear a muddiness and blurring of the piano sound. If you listen 'through' all the muck you will hear that this is a SUPERB orchestra which rivals many professional ensembles.
@fredericfranc : (continuing my comment) If you were at the concert I'm sure you would have no reservations. The standard of playing and maturity from these young musicians is first-rate.
I really wish she had remained sitting down for a while after the very last note. It was one hell of a performance, regardless, as expected from this amazing artist.
I've never seen anyone play this with such ease and comfort. Most stress themselves to the max trying to catch up. She always has time to look at the director and catch the pulse of the orchestra. At times (like 4:50 to 5:10) her hands and body move like a jazz pianist. Admirably fluent and effortlessly. Oh the lady is a tramp!
composed in 1945 and premiered in 1946 under Ormandy's baton in Philadelphia, this Bartok's 3rd piano concert was finished by his student Tybor Sarly ans it was dedicated to his wife Dizsta Pasztori
Thats i actually like in Bartok...the piano is somewhat treated in some parts like a percussion instrument...for instance that part at 2:20...AMAZING! Congrats bartok for writing such a amazing concerto...and congrats for martha as well, an amazing pianist that captures the spirit to the concerto. The sauvage feminine (dont forget that the concerto was dedicated to his wife lol)
why martha always speaks compulsively with the conductor and some violinists at end of the concertos? martha greeting the the poor japanese violinist two times and she returned the greeting the two times too xD, a very confused and a bit scared... after martha smiles to who knows where.... she madness is legendary too... anyway, what good artist is not a bit crazy?
Alot of artists talk with the conductor after the performance. Concerning "very confused and a bit scared", Japanese women always look like that when foreign people are around
Concerto Number 3 is my favorite, and Concerto Number 2 my next favorite. However, I could never really tolerate Number 1. Funny how I like them in the reverse order of their original composition. Argerich is unbelievable!
it remains interesting since bartok composed and dedicated the concerto to his wife. Might sound a little silly, but the third concerto is considered to be quite more feminine than the others
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mmoynan 1 year ago
W.T.F this is awesome beautiful ..............
usbnahual 1 year ago
Martha Argerich is the WOMAN!!!! Stunning!
sonozoltan 1 year ago
che meraviglia, sia il concerto sia Martha sia questa orchestra!!!
flic71 1 year ago
Wow! One of the best videos I've ever seen! Fantastic performance by both Martha and the youth orchestra. Solid.
Grisostomo06 1 year ago 3
It is thrilling to observe Martha's identifying with her orchestra here in Beppu. She admires the members and it is obvious. Extraordinary collaboration.
As always, thank you Kimo.
nanajockel 1 year ago 4
sure,
bubbles9816 1 year ago
Amazing
suniforlife 1 year ago
I love how she always gets up to shake hands without even bothering to wait for applause. It's like, "OK I'm done, get me out of here" lol
lflagr 1 year ago 3
wow.. .. just.. wow.. lol
I decided to look this piece up because it's mentioned in a music analysis text I am studying. This is just so full of energy from beginning to the end! The dramatic interchange between the orchestra and the solo is just so captivating, and yet almost overwhelming! It's hard to imagine Bartok forming this piece in his mind. Truly inspiring to say the least.
musicphreeque 1 year ago 3
I love Martha, she is best of the all pianists!!!!!!!!
liana4y 1 year ago 2
Hard not to be moved to tears by her natural ferocity, she is so famous for. Makes total impotence of someone like Lang Lang in this context so pathetic. Yet the overall sound from these juvenile Japanese is nasty. You want to get close to this music, try Monique Haas with Ferenc Fricsay cond. Having at least one native Hungarian on hand helps.
fredericfranc 1 year ago
@fredericfranc"Yet the overall sound from these juvenile Japanese is nasty" Just want to point out that the audio quality here is very hissy, compressed, and muddled especially in the climaxes. Martha's amazing strong tone and projection come through relatively unscathed, but you still hear a muddiness and blurring of the piano sound. If you listen 'through' all the muck you will hear that this is a SUPERB orchestra which rivals many professional ensembles.
kundalini76 1 year ago 2
@fredericfranc : (continuing my comment) If you were at the concert I'm sure you would have no reservations. The standard of playing and maturity from these young musicians is first-rate.
kundalini76 1 year ago
Her Awesome way of playing piano, and the Bartok composition are making me cry.
luisiege2 2 years ago
Splendida.......
GBV1961 2 years ago
oh my!!
bravo!!!!
chl91039 2 years ago
Bartok is awesome. :)
orchdork607 2 years ago
marvelous how all these chinese people move in exactly the same way
Liptonater 2 years ago
japanese
liszt100 2 years ago 2
a marvellous addition to the recording repetoire...can someone tell me please....does she play bartok no..2..i cannot find it
MATTDUNCAN1 2 years ago
I really wish she had remained sitting down for a while after the very last note. It was one hell of a performance, regardless, as expected from this amazing artist.
vitellia 2 years ago
I've never seen anyone play this with such ease and comfort. Most stress themselves to the max trying to catch up. She always has time to look at the director and catch the pulse of the orchestra. At times (like 4:50 to 5:10) her hands and body move like a jazz pianist. Admirably fluent and effortlessly. Oh the lady is a tramp!
:-)
pirrostsakas 2 years ago 2
very sexy wen she was young.
a free spirit.
so was Bela.
jr.
djrbfm 2 years ago
Comment removed
brixtonico 2 years ago
Handel, Britten.
lilpep4ever 2 years ago
What about Delius! It is def. English, it could be nothing else.
lyghdha 2 years ago
I don't know why my last comment got three dislikes... It's not a bad thing...
eoghdes18 2 years ago
Bartok has that Waltonian playfulness, coupled with an Elgarian sense of melodic line in this concerto. I've never heard him sound so English!
eoghdes18 2 years ago
this is because this was composed at the end of his life, so it's a bit uncharacteristic.
Medsas 2 years ago
Man that was fabulous! Fine youth orchestra too!
sll10 2 years ago 6
Wow... i felt connected with this piece...
darnmat 2 years ago 2
composed in 1945 and premiered in 1946 under Ormandy's baton in Philadelphia, this Bartok's 3rd piano concert was finished by his student Tybor Sarly ans it was dedicated to his wife Dizsta Pasztori
beethomozart 2 years ago 2
M.Argerich great as usual, many Kudos for a performance hard to match!
But great young Japanese Musicians too!
A very great performance of this young Japanese Musicians, this is first rate Orchestral playing!
Michael
MichaSchlechtriem 3 years ago
Very nice. To be great is expected of Argerich, but the orchestra isn't bad at all, and Bartok's music is like fresh air.
Thanks for posting.
abelitro12 3 years ago 2
I thought the orchestra did not keep up with her on the first movement. Specially the winds.
lilpep4ever 3 years ago
Thats i actually like in Bartok...the piano is somewhat treated in some parts like a percussion instrument...for instance that part at 2:20...AMAZING! Congrats bartok for writing such a amazing concerto...and congrats for martha as well, an amazing pianist that captures the spirit to the concerto. The sauvage feminine (dont forget that the concerto was dedicated to his wife lol)
Tiagoerg 3 years ago
around 2:20 is demonically horrifying...!
Snufkin999 3 years ago
This fugue at 0:58 is the very best I ever heard!!!!
Nuramon345 3 years ago 3
why martha always speaks compulsively with the conductor and some violinists at end of the concertos? martha greeting the the poor japanese violinist two times and she returned the greeting the two times too xD, a very confused and a bit scared... after martha smiles to who knows where.... she madness is legendary too... anyway, what good artist is not a bit crazy?
PianoVlog 3 years ago
Alot of artists talk with the conductor after the performance. Concerning "very confused and a bit scared", Japanese women always look like that when foreign people are around
GreggaryPeccary 3 years ago
no coments... the best!
wlprwell 3 years ago 3
ONLY WOMEN...HAHAHA
detectivesnoopdog 3 years ago 2
I think that Japanese Conductor is Gay...
That's the reason why most of male musicians don't want to deal with him.
domkim1986 3 years ago
male musicians? is he female?
anyway... exists a straight man musician? i mean, a talented?
PianoVlog 3 years ago
I mean, I don't care who is gay or not, but
the overall style of conductor looks gay that
I'm thinking.
domkim1986 3 years ago
w...t....f?????'
every comment of you is a parody of a high IQ mind
no more comments :O
PianoVlog 3 years ago
russian maby gay ,that I;m not eager to know
Timmytimtimtm 3 years ago
he's Russian
Timmytimtimtm 3 years ago
he's Russian
Timmytimtimtm 3 years ago
If you were referring to Bartok he isn't Russian. He is Hungarian.
Hervinbalfour 2 years ago 8
Not only, look better
ycostant 3 years ago
i prefer to listen to 2 then 1 then 3, but my favorites in order are 3 then 2 then 1
threelegduck 3 years ago
Concerto Number 3 is my favorite, and Concerto Number 2 my next favorite. However, I could never really tolerate Number 1. Funny how I like them in the reverse order of their original composition. Argerich is unbelievable!
trschaefer 3 years ago
Comment removed
jero13595 3 years ago
it remains interesting since bartok composed and dedicated the concerto to his wife. Might sound a little silly, but the third concerto is considered to be quite more feminine than the others
EMESISXXI 3 years ago
No, but that would be great.
PaperCaravelle 3 years ago
Only women in this orchestra ?
Emlomor 3 years ago
It's great to see your videos back, Kimolerik! I need my daily Martha fix.
jzer21 4 years ago 3