you can do the same thing with acrylic but it is not as essential. oil is far more time consuming thus diferent techniques are required for a polished work. most of my works i do the same thing in a pastel blue or purple and i allow it to bleed through some, gives it a surreal effect (in acrylic)
YES, the "grey" or "grisalle" layer is necessary because the flesh tone is a transparent glaze. It enables the artist to establish values in black and white before adding colour. Master oil painters used this technique hundreds of years ago.
Was the 'grey' phase really neccesary? It seems as if you painted it twice by obliterating the sienna underpainting with the white/grey layer and then reapplying it over the top?
i think the gray and blue phase was to outline the features first, oil painting requires numerous layers, and putting gray as a layer makes the skin tone more fleshy then just putting flesh tone on first.
The underpainting ('grey phase') establishes values and he wasn't painting so thickly that he obliterated what was underneath. He was painting with translucent glazes so you can still see the underpainting beneath it and it affects the look of the final, layered painting. Of course painting over an underpainting reduces contrast a bit, but then it's easy enough to pop in some highlights and deep shadows to bring the contrast back again.
And while this last part might be a bit redundant, the underpainting is also serving as a study. The artist can just focus on capturing values correctly there and with everything laid out in place, it's easy enough to draw those bright highlights and deep shadows a second time over.
its called an underpainting, you establish the tone and composition out with a specific set of colors usually something like 'burnt sienna'. Once its dried you paint over it- it gives the painting another layer and acts almost like a blue print
Im just learning oil painting,, can you give me an idea of what to buy to accomplish this,, I have always worked with charcoals, and pastels,, now I want to learn to paint, I know the basics,,trying to learn the rest...I would be greatly thankfull.
2- then cover the whole surface with burn sienna, you'd better use acrylic burnt sienna as it dries fast.
3- Third layer is the umber layer. You decide the shadows and highlights with burn umber only.
4- make extra modifications on the umber layer so to achieve a smooth transference between shadow and light. Notice that the more you add linseed oil or turbentine to the colour the more transparent it becomes.
5- the dead layer, you paint over the umber layer with greay. the simple mix of grey is black, white and a little bit of perussian blue. same principle as the umber layer, you add a transparent grey colour over the dark umber and make it more opague on the lighter areas.
6- make extra modifications on the dead layer for a smooth dark/light effect.
By the way, it's called the dead layer as the subject, especially human beings, must look as pale and blue as dead people. Or, skin colour must look as if seen in moon light.
7- the last layer is the colour layer, which is the easiest one. you simply add the skin tone colour. Mostly thin layers. You're already have all the shadows and high lights, so just add a little bit of colour, and keep modifying it until you get a realistic effect.
it's better to use chalk than charcoal or sketch in raw sienna because the filaments of charcoal cut through paint over long periods of time. (microscopic images of charcoal show their jagged edges) and mix linseed oil with turps or spirits instead of using straight linseed
I love the effect of ths skin's shine
niclausen6 5 months ago
well done
1964narges 1 year ago
I use to have a huge crush on her, nice.
PHANTOMSLAYER777 1 year ago
I never really got the hang of underpainting :D
Great work <3
Leygoes 1 year ago
wow
chocoyoyo44 1 year ago
In how much time does each layer take to dry?
gracelord78 1 year ago
awsome painting, cool song as well!!
nicesatu 1 year ago
this is fantastic i'm an artist myself but not paint just drawings where can i purchase youor painting? call 650 579-5918 i got my checkbook ready!
Frankiesworld1 1 year ago
does anyone know if you could use this technique with acrylic? or rather, if it would have the same effect?
JadeInBlack777 1 year ago
you can do the same thing with acrylic but it is not as essential. oil is far more time consuming thus diferent techniques are required for a polished work. most of my works i do the same thing in a pastel blue or purple and i allow it to bleed through some, gives it a surreal effect (in acrylic)
bibopaam420666 1 year ago
@bibopaam420666 thank you :)
JadeInBlack777 1 year ago
ha, take the stickers of your brush, lol
RedDragonJack 2 years ago
nice work..coulda been a better choice of color for background
bagoona 2 years ago
YES, the "grey" or "grisalle" layer is necessary because the flesh tone is a transparent glaze. It enables the artist to establish values in black and white before adding colour. Master oil painters used this technique hundreds of years ago.
lunarjellies 2 years ago 2
Comment removed
Tromkick 2 years ago
I love it how long does it take to do a protrait like that..
914peru 2 years ago
very beautiful
ulyssesbarbosa 2 years ago 6
good work
boystelios18 2 years ago 5
you're not good, you're incredible!!!!
tokyo3457 2 years ago 3
Was the 'grey' phase really neccesary? It seems as if you painted it twice by obliterating the sienna underpainting with the white/grey layer and then reapplying it over the top?
tony9L9L 2 years ago
i think the gray and blue phase was to outline the features first, oil painting requires numerous layers, and putting gray as a layer makes the skin tone more fleshy then just putting flesh tone on first.
frogger832 2 years ago 2
No it doesn't especially if you obliterate what's underneath. Seems to go round in circles but it's very good if you like copies of a photograph.
tony9L9L 2 years ago
The underpainting ('grey phase') establishes values and he wasn't painting so thickly that he obliterated what was underneath. He was painting with translucent glazes so you can still see the underpainting beneath it and it affects the look of the final, layered painting. Of course painting over an underpainting reduces contrast a bit, but then it's easy enough to pop in some highlights and deep shadows to bring the contrast back again.
stinky472 1 year ago
And while this last part might be a bit redundant, the underpainting is also serving as a study. The artist can just focus on capturing values correctly there and with everything laid out in place, it's easy enough to draw those bright highlights and deep shadows a second time over.
stinky472 1 year ago
great painter!
trucker47 3 years ago
you are a great painter.
trucker47 3 years ago
Beautiful job. It's always inspiring to watch others paint.
theArtofJinx 3 years ago
Cheesy. Mmm.. Makes me think of pizza.
Club2987 3 years ago
Great vid and great info. :)
DsArtnDesign 3 years ago
Beautiful...you have wonderful gifted talent. I come from a family who paints. I know good art and this is beautiful you work is so inspirational.
diane189444 3 years ago
Hay im curious as to what mediums you used here?, the first blue glaze, was that liquin? and then how did you remove it?
fantastic piece!
TimmyCallister 3 years ago
Perez Hilton...should be ....!
Do not waste your talent on that piece of ....!
jimbobtwo2 3 years ago
wow good job!!
EmilioTheFreak 3 years ago
pretty
jrr0702d2 3 years ago
O.O
Amazing stuff.
I find oil paint is hard to work with though :(
and it smells,
im sticking to arcrylic at the moment :)
smallville4eva 3 years ago
i ve seen computer drawing but this looks
so romantic...analog....you know..hmm happy
ljbxx 3 years ago
you r freakin awesome
tht lookd lik a picture lol
keep up the good work man
rholland45 4 years ago
why did you paint her skin orange then gray and orange again?
raniatan 4 years ago
i guess my webcam is showing that, there is no orange, first layer is black and white and after skin tone
wryb 4 years ago
oh it was skin colour in part 1 then black and white in part 2 and skin colour again in part 3, why did you do that?
raniatan 4 years ago
thats the old master tech. the layers for skin tones
wryb 4 years ago
its called an underpainting, you establish the tone and composition out with a specific set of colors usually something like 'burnt sienna'. Once its dried you paint over it- it gives the painting another layer and acts almost like a blue print
dudeiwantacar 4 years ago
thanks! good explanation
wryb 4 years ago
what is the name of the song and artist? sounds like Johnny Cash but hipper
pepeltoro444 2 years ago
@pepeltoro444
Requiem por un Con by Serge Gainsberg
KaileKia 1 year ago
it's called underpainting, glazing...it simpler than it looks. It's actually more accurate than brush strokes.
moussaemad 3 years ago
Im just learning oil painting,, can you give me an idea of what to buy to accomplish this,, I have always worked with charcoals, and pastels,, now I want to learn to paint, I know the basics,,trying to learn the rest...I would be greatly thankfull.
made2love26 3 years ago
That's called the flemish technique.
1- draw your subject with charcoal or ink
2- then cover the whole surface with burn sienna, you'd better use acrylic burnt sienna as it dries fast.
3- Third layer is the umber layer. You decide the shadows and highlights with burn umber only.
4- make extra modifications on the umber layer so to achieve a smooth transference between shadow and light. Notice that the more you add linseed oil or turbentine to the colour the more transparent it becomes.
moussaemad 3 years ago
5- the dead layer, you paint over the umber layer with greay. the simple mix of grey is black, white and a little bit of perussian blue. same principle as the umber layer, you add a transparent grey colour over the dark umber and make it more opague on the lighter areas.
6- make extra modifications on the dead layer for a smooth dark/light effect.
moussaemad 3 years ago
By the way, it's called the dead layer as the subject, especially human beings, must look as pale and blue as dead people. Or, skin colour must look as if seen in moon light.
moussaemad 3 years ago
Thank you so much, you have been greatly helpfull,,,, I really do appreciate it....
made2love26 3 years ago
7- the last layer is the colour layer, which is the easiest one. you simply add the skin tone colour. Mostly thin layers. You're already have all the shadows and high lights, so just add a little bit of colour, and keep modifying it until you get a realistic effect.
moussaemad 3 years ago
it's better to use chalk than charcoal or sketch in raw sienna because the filaments of charcoal cut through paint over long periods of time. (microscopic images of charcoal show their jagged edges) and mix linseed oil with turps or spirits instead of using straight linseed
star234gurl 3 years ago
Excellent explaination. Does this method have a specific effect or advantage, or is it purely preference?
EulogyfortheAngels 3 years ago
It's a actually one of the realistic techniques in oil painting. It givdes depth to colors. it helps you decide the tonality more easily.
manliketazealc 3 years ago
how much would you charge for a scarface painting?
AquariZMusic 4 years ago
same size as this one can be around 2000
wryb 4 years ago
That came out really nice
justjazz46931 4 years ago
pretti
KamokuEmo 4 years ago
jeah!
pradon1337 4 years ago
awesome!
ActAF0ol 4 years ago