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From: seb8791
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  • Horrible....

  • @the vaughans

    "A fine tenor indeed, but sorry, no where near as good as Bjorling, but he's still young and will improve, so who knows?"

    Nobody loves Jussi more than I do and I've always held him incomparable, but with Calleja I find myself actually comparing...and with a smile. JC is the heir to JB and, in my ears the greatest Tenor alive although, yes he still has a ways to go before he reaches the Olymp of Jussi.

  • Wow! Artistry, a lovely voice and great technique! Please, please I pray don't force this great talent into the sprinto and dramitco range too early. Let's keep this thrilling freshness for as long as possible.

  • bravo:davvero fa pensare a Gigli :-)))

  • I find that this happends when you are coming to a lower part of the notes and in order not to fall down wih the voice you close the mouth to keep it on plays.Could then be a bit nasal. I am a soprano but can have the same problem with certain notes and vocals. It´s so important to use the konsonant in those moments.The passion and feelings will come!

  • I find that this happends when you are coming to a lower part of the notes and in order not to fall down wih the voice you close the mouth to keep it on plays.Could then be a bit nasal. I am a soprano but can have the same problem with certain notes and vocals. It´s so important to use the konsonant in those moments.

  • questa voce nel naso è tremenda mamma mia!...

  • A fine tenor indeed, but sorry, no where near as good as Bjorling, but he's still young and will improve, so who knows?

  • @TheVaughan5 We don't mean as good as Bjorling. We mean that his technique and style are similar to Bjorling.

  • @petion2010 Yes, I completly agree there is a similarity to the voice and style and I didn't mean by my comments that I don't think he has a promising career ahead, he is without doubt one of the finest young tenors around today, I really hope for his sake that he doesn't take on too many heavy roles and ruin the wonderful voice he is so lucky to have.

  • @TheVaughan5 Villazon did take on heavy roles early on, and his voice was almost ruined. Another tenor that I think takes on to many roles and repertoires that don't suit him is Kaufmann. His voice is heavy, and he just sounds weird and out of place in some of the role he takes.

  • Vocally, he's OK here (bleat under control). However, he could pour some more passion into this piece!

  • как похож на Бьёрлинга ! 0-0

  • Sorry-Italian pronunciation needs work. Get a coach or listen to Pavarotti.

  • @PastaAndPavarotti No one can speak another language like your childhood language. Pavarotti is my favorite of all time, but as someone who grew up speaking French, I must say that his French diction was awful. I listen to him singing "La Fille du Regiment" and "Pourquoi me Reveiller." His pronunciation left something to be desired, nevertheless, his singing was flawless. Try not to be too picky.

  • Love his voice... saw him the other night in Boheme at the Met... his voice reminds me of Bjoerling's live. I was blown away by him. It's good to see this kind of singing again!

  • Joseph, I paused the video to correct you: It's "cercando io vo" NOT, "cercandio vo"

    Otherwise you are a fine tenor young man. Nice Bnat at the end. You nailed it. BTW, my copy of this aria has "penar" not soffrir. Bravo

  • I saw his name being advertised on CP24 and he is going to perform in Toronto. I just searched his name on youtube. Fantastic tenor! Reminds me of the Bjorling masterful technique.

  • Mr Calleja is very unique and most talented. Wish him luck and I am very proud to share the same name. Joseph you are the man.

  • He sounds nothing like Bjoerling. He sounds like Calleja- and I rather like his sound for what he is.

  • @Cantormatis I think what people find in him is the same way of singing of Jussi, which is quite a great compliment, you have to admit. Similar technique and sensitivity. Very centered, focus and in the mask, not in the mouth like so many modern singers.

    For me Jussi is the quintessence of singing and I'm very happy to see that finally, a contempory singer understood something about natural, focus singing and putting music before ego...

  • Very interesting and beautiful voice!

    Karlott

  • a very beatifull voice. He is young and can improve

    a lot . but must be carefull not to take too many

    engagements permitting a rest to his thoat.

    Alguso

  • He is wonderful.. and his sound .. reminds me of Bjorling.. BEautiful and .. every word of the text is ennuciated.. and..meant.

  • Every word articulated, every word with meaning, and no mannerism, I really liked it.

  • Some inaccuracies apart very good.

    Something  in the voice reminds Gigli and Bjoerling.

  • Of Schipa, Gigli said "ALL TENORS" should take their hats off to him. This fellow does not have the same artistic approach and there is an odd frequency in his tone quality.

  • Sure. I mean, sobbing has its place, but on the whole one can do without.

  • He commits to every word passionately without sacrificing the musical line.

  • Despite rumors to the contrary, there are many wonderful tenors alive and singing beautifully and Calleja is certainly one of the finest. Squillo, masculinity, power, youth, musicality, refinement. What a beautiful future if he paces himself properly.

  • He got the words wrong!!!

  • Beautiful voice!

  • excellent techniqued singer!

  • Bravo. The new Tito Schipa.

  • westerwood, Tito Schipa was a very fine artist, but I think you are being a little disingenuous, Schipa never had a voice remotely as beautiful as this. Nor as strong.

  • Schipa had a far better line and much better phrasing though.

  • Excelsa interpretacion.

  • Calleja's voice is the most beautiful voice in opera today. I fail to hear anyone who is even close.

  • Kemm hu tajjeb!

  • Fine example of Swedish-Italian voice technique. The best ever. Bjoerling, Gedda, Flagstadt. Nilsson, all trained under these vocal concepts.

  • Bravo bravissimo. So happy to hear a lyric tenor building his voice gradually. The passaggio gets a tiny bit nasal, but since there are so few singers who can even support their voices that softly, this is the perfectionist in me writing. I was doing research for my blog to find an example of a modern singer who sings with "morbidezza" and I came across your clip. Extremely impressive, Sir!

  • OK. I'm silly. What you do is so extraordinary that I should not have made that comment about the slight nasality. The voice teacher in me can't resist. I listened to some more of your clips and find your stuff absolutely fabulous.

    I look forward to many years of your excellent talent. Reminds of Bjoerling and Gigli all in one.

  • @Toreadorssong

    Doesn't he though?! I'm always saying that Calleja is the heir to Jussi's long vacant throne.

  • And btw i forgot .. Say hi to your lovely wife tatiana and kids .. hope to see u soon kugin!

  • The 2nd pavarotti.. Joseph , me and our cousins as you know we're completely amazed with you performances and we're proud for you !, i never had a chance to spend sometime with you as my cousins did because i was younger but know that i've grown up i want to get to know you more :).

    From your cousin..

    Philip Bianco

  • I bet his favorite tenor is Jussi Björling - there are a lot of similarities in their style of singing, vibrato, and voice colour.

  • Bellissimo. Io no l'ho mai ascoltato. Mi ha ricordato Gigli. Voce meravigliosa e lui canta con molta emozione.

    Unbuonamico

  • A lovely lyric tenor. In the mold of Schipa and Tagliavini. Let's hope he sticks to the repertory that suits him.

  • Samurai probably went to the end, where - yes, Calleja "belts it out" and very nicely so. Along with the high B first incorporated by Gigli :)

  • Nicely controlled instrument and very well produced, if somewhat colorless, sound. Reminds me a bit of Tagliavini. Verismo is not for him.

  • I have actually checked this "sofrir" and "penar" business. It appears that "tanto sofrir" is the original line in the score.

  • No es "tanto penar"?? por que dijo "tanto sofrir"?

  • Can't get enough of that laser beam of a high B!

  • salvando las distancias más me recuerda a bjorling

  • Here He reminds me Beniamino Gilli

  • I just said the same on another of his posting. Let's hear his "Non ti scordar di me".

  • they dont sing it cause it is not written. they both have a bnatural! cheers

  • Love my cousin . keep it on cous if ure just though here :D gl

  • Thanks Elohsha. I know I'm in the minority here, but there's always been something about GDS' voice that just lost me. Just not my cup of tea perhaps. Maybe I need my ears checked but whenever I play a GDS clip, I have to turn it off after a few moments frustrated that I'm not hearing this awesome beauty that everyone else seems to be catching.

  • LOLOL.. I was about to respond back and say that JC was only 26 years old before I realized I was dealing with 3-year-old information!! Hello! Still, I would have to say that we haven't heard a voice come down the pike with this much honeyed sweetness for several DECADES.

  • OK. Gigli, Tagliavini, Kraus? No. Not yet. First of all, the Italian language is not idiomatic. He should nail all his double consonants, all the thrilled R's and rolled R's and their difference. Peerce and Tucker got away singing Italian at this level, but today's is a different world. That said, this is a gorgeous voice, at times it tends to go nasal, but, in time, he will get that under control. My caveats have to do with those of you who get carried away with the comparisons.

  • I actually like him a whole lot better than Tagliavini who basically never took his dynamics above mezzo-forte or Kraus. I don't know why he should be negatively to them at all. And I most DEFINITELY enjoy listening to him to the VASTLY overrated DiStefano.

  • oh please!his italian language is just perfect.

  • i find something of kraus in him ... but his voice is more round

  • At 29years he hasn't reach his acme but with a voice like his he'll soon be crowned king.Marvelous voice and marvelous interpretation. sav9816

  • Great talent from Malta. The conductor is also a great Maltese talent: Brian Schembri

  • yes viva malta

  • Finally he starts to push himself...that's great.

  • i love his version of this piece! I was with the choir for this concert..it was such a great night!! btw how the hell did you get yur hands on this dvd? there is a law suit going on about this i believe!! thanks anyway...

  • This guy gets better and better! I just love it!

    Thanks for posting.

  • Bravo Joe! The voice has really settled in and sounds grounded and strong. Very beautiful singing, and so intelligent as well. Joe really knows the idiom and pays homage to the great singers of the past with his interpretations...love it!!!

  • Bjorling?!!!

  • Bravíssimo!

  • Bravíssimo! Pawelp, thank you so much... he is 100% maravilhoso!!!

  • The high B blew me away!

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