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From: kiwibd
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  • Argerich play Argerich, not Liszt. She never replied to a long letter I sent to her, for what she has in her mind is only HERSELF. Her concert agent wrote me that my letter was very substantial and that he regretted very much her ignorance. He said she was usually treating people like that, just cashing in compliments without replying to anything. Richter was the same. I believe that a true artist is a virtuous person not an audience prostitute!

  • @ipublica Rockstars are worst bbelieve me.

  • @ipublica You do realize that she probably has a lot on her mind, and is very busy, as well as probably receives emails like this often.. Also it is said she her share of life stresses, that might would cause her to not be anxious and excited to reply to a letter personally. give her some slack, and be more understanding.

  • @ipublica

    Playing a piece the way the composer wanted, rather than the way you want, has nothing, absolutely nothing and three times nothing to do with "virtue".

    If your letter was as pretentious and poorly written and your comment, I might have an inkling of an idea why she didn't reply.

  • @ipublica Argerich respects and executes the text carefully and precisely. So this needs a lot of work. thats why she has no time to read all the letters from persons who thinks they are so important.... ... big smile....

  • What does a pianist do if, while playing a long painissimo section, someone in the audience farts loudly?

    What if the pianist himself/herself cannot hold it and farts loudly?

  • @MrSammyConcepcion If you feel one coming on, just play fp.

  • @MrSammyConcepcion He/she should stop the concert temporarily, address the audience and say "oops, I farted", and then continue where he/she left off.  That is what Glenn Gould used to do.

  • @bnrshdydvdrtrk  Oh, I didn't know that Glenn Gould was always flatulent.

  • 2:35 - 3:02 is over-human

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  • greatest composition for piano ever...

    

  • @yOungmOzart22 I'm inclined to sort of agree with you in part, but perhaps not in total. I think you'd be on safer grounds to say ONE OF the greatest.

  • well, i just listened to Arrau's version, and although i love Arrau's Beethoven, i have to say this: it doesn't take big balls, it doesn't take ANY ball at all to play this sonata. in my opinion, this is how it should sound like. this is not just Argerich, this is Liszt!

  • @lepiffou Some music does require a sense of sex to compose or -in the case of singers- perform but in terms of performing somebody elses piece on an instrument I guess sex (or balls) isn't important. When talking about "balls" I think he means in the sense that Nina Simone had "balls" when singing.

  • Beautiful rendition, but the perfection still has just one name: Claudio Arrau.

  • @Ray0X0 Spelled Horowitz wrong :D

  • @Ray0X0 Nop, Claudio Arrau :)

  • i love this woman !!!!!!!!!!!!!!!!!!!!

  • I don't like this recording: is Martha interpreting or just hitting the piano keys with violence?

  • @infozas

    What a stupid question ! Martha Argerich has one of the most beautiful sound . Her power is huge but never brutal.

    Her interpretation of this sonata is winsome from the beginning to the end. Listen more carefully !

  • it is somehow more smiling than my favourite Richter Recording

    dont know if Liszt composed it that way

    nice too

  • Blue angel, I have been trying to translate your comment, Is it in Italian? Aside from the out of tune piano, It is still a great recording...no one can figure out how she plays her octaves so fast..Have you heard her Rach 3...amazing 3rd movement..

  • Blue angel, I have been trying to translate your comment, Is it in Italian?

  • this is such a great recording except that the damn piano is so out of tune..hard to believe that Deustche Grammophone or martha would have missed that.

  • @hugginduff Si, è vero, pianoforte fuori tono. Tu credi sia accaduto dopo innumerevoli prove di registrazione, oppure l'accordatore ha fatto un cattivo lavoro ? Anche Notturni di Chopin eseguiti da Maria Joao Pires, pianoforte fuori tono, oppure mi sbaglio io ?

  • Martha Argerich strepitosa ma frenetica ! Geniale ma estrosa ed eccentrica ! Tecnica sfavillante ma anche spietata e martellante nei fortissimi !!!!! Mancano le mezze misure nella dinamica del suono. Sonata in si minore di Liszt elaborata da Prokofieff e riveduta da Bartok e Shostakovitch. Questa è Martha Argerich. Ispirata ma discontinua ...........

  • There is none greater. 

  • @elgar34 This is how it's done!

  • @elgar34 Although, I have to say Ogdon comes pretty darn close!!

  • @OrangeSodaKing I haven't heard Ogdon's recording.

  • Perfect.......................­.

  • Good, but not the best. I feel like if Marta couldn't connect profoundly with Liszt... sounds good no doubt, but in Liszt she doesn't convince me, I'm hearing more Marta than Liszt...

  • The best recording I ever heard of this concerto was Andre Watts debut concert with the New York Philharmonic, Leonard Bernstein conducting. I believe Andre watts was 15 at the time, and he was a last minute replacement for Vladamir Ashkenazy.

    It was one of the most incredible performances I've ever heard. I wish I could find the recording somewhere.

  • @graymagic1 eh... which concerto? O.o

  • @graymagic1 Watts was 16 at the time of his debut and it was with the Liszt Piano Concerto No. (Eflatmajor). The recording here is the Liszt SONATA in bminor...it's not a concerto. Watts, didn't replace anyone the first time (which was at a Young People's Concert), but Bernstein asked Watts to sit in for Glenn Gould not long after the debut performance and he again played the Eflat Liszt concerto, which was a huge success.

  • yesterday had our music course teacher from hungary his own concert. he played this, and he really played it better than martha - maybe i'm not professional but i'm sure about this. he played with whole his heart . we could all see that when he played Liszt, he felt, like he came home again - it was stunning.

    i love martha argerich though

  • I love Liszt!!!! Pop and rock are SHIT !!!!!

  • @frkhar Liszt's music was the pop (popular music) of that time . In his time his music was described by critics as "Beethoven being played reverse "

  • @florafox i doubt it they were all dancing hungarian peasant songs etc he just came along and transcribed some,this was only heard by rich elite

  • @florafox i doubt it they were all dancing hungarian peasant songs etc he just came along and transcribed some,this was only heard by rich elite

  • I love Martha!!!

  • Incredible !

    She is really giving a majestic rendering of the piece, very brilliant, but also very romantic ! I made this listen to Techno-guys, they actually loved it, because they thought classical piano is only sweet, soft and boring... ;-)

  • Boring(machin of notes=no imotion=no music)

  • @loboris1995 - No imotion? How about emotion? Go enjoy your rap.....sorry, injoy. You should at least appreciate classical music before commenting on it.  It shows your age. This piece is stunning.

  • @SingerAR eu,go and listen richter's version,for me there's much more imotion.For for the information,I like classical music and I don't like rap and argerich in this pièce.Of corse,all liszt works are wonderfulls and indeed I'm 14^^

  • i still prefer Arrau's Liszt, is more profound and personal and his sound is some better in my opinion...

  • FANTASTIC!!!!!!

  • how old was she?

  • Martha, la mejor version

  • @TheBasilio Try Kissin Tokyo 1998

  • @poymanjoe es muy bueno, gracias. pero ambos tienen conceptos diferentes de la sonata, martha en su fraseo, tiene esa cosa del romanticismo europeo que encuentro en kissin, aunque tenga mas tecnica.

  • Count off Listz himself this one is the best performance of Sonata Bminor ever.

  • I guess i'm not musically inclined. I don't have a biting analytic mind. but when i was reading the cambridge music handbook there was much "angst" in dwelling over three (are they analyticians?)... so Newman, Longyear and Winklhofer are flipping different sides of the coin about Liszt's "unexplained" delaying of tonic confirmation until bar 32. I was thinking, why don't you split the coin in half and... sorry... anyway there are many perspectives to any musical enigma

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  • Slight heart attack?  I just went to the happy hunting grounds.

  • 0:35 slight heart attack lmao

  • 3:01 is my favorite part!

    D major was Liszt's key of Jesus. Very interesting. In Les Jeux d'Eau a la Villa d'Este, he had a bible verse marked when it changed to D Major.

  • @OrangeSodaKing Especially the consolation in D major. True beauty! (No. 3)

  • what opus is this piece ?

  • Liszt's music didn't have Opus numbers like many other composers, although there was another way his music was classified. This one is S. 178

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  • wonderful

  • Why does it start around 30 seconds in?

  • turn your volume up :) the first 30 seconds are quiet so you probably have your volume too low to hear it.

  • @beaverteeth92 it doesn't, turn your volume up!

  • she is simply amazing....!!!

  • I like better Pogorelich's interpretation :D

  • Isst boo-tifool en shayp and die-namism. Marr-tah playeeng moof mee. Che yoounite the dis-oryentatshun intwo seneeble taughts und eeemiges. Bravfo Marr-tahhh!

  • This would probably be the last recording I listened to before I died if I had a choice.

  • Excellent upload.  She knows Liszt - handles the transitions between his moods masterfully. Thank you.

  • This is not a "song". Besides, this Sonata is arguably one of the greatest 19th century composition written for piano.

  • My favorite version of my favorite sonata.

  • big technique argerich n.1

  • her octave facility is to die for when i watch her on chopin etc her octave playing is out of this world

  • i just heard a performance of this piece by Sofronitsky, and am once more convinced that no one can play this sonata like Argerich does. this is THE recording!

  • I don't care what anyone says, this performance is a benchmark of recording of this piece. I am not disputing the qualities that other pianists bring to the work, but love or hate it, her interpretation is constantly mentioned, argued, adored and challenged. That is what makes this performance so historic.

  • There are thousands of scholars that disagree with you. The Sonata is probably the BEST thing Liszt ever composed.

  • I personally find piano concerto no.1 better than the sonata. But I do not deny that this is a rather mature piece. I think the difference in taste is similar to how some people find Mahler symphony no.1 to be the only musically acceptable symphony by Mahler whereas others might argue that's actually the least significant.

  • And statistically speaking, it's much much safer to say something isn't THE most impressive, than to say something is THE best. Wouldn't you agree? I am sure there will be a least one out of the thousands of scholars who would agree.

  • She is one of the top pianists in the world though. She has a Rach 3 recording on Youtube as well it's really good you should listen to it.

  • @Haydenbrooks83 -It just happens to be the best version ever recorded.

  • THE BEST INTERPRETATION

  • Richter was...good.i've twice heard a live recording of him playing this sonata and it really wasn't as impressive. to be honest, it didn't even come close to this. This IS the definitive recording of Liszt's sonata.

  • Richter Carnegie Hall 1965 is his best I think. But when it comes to the Liszt Sonata really, the word "definitive" flies out the window

  • Check out Andre Watts' performance of the Liszt Sonatas. Then decide.

  • You are wrong. She is always right. In some genres she is better than others. But she is always right.

  • Please find the words. I really have no idea how to judge what you're saying.

  • Is this sexism? She is pretty awesome.

  • Yeah she's really talented. People shouldn't make an issue out of whether a pianist is a guy or a girl. At my church I was like the only guy pianist so it was the other way round.

  • This performance is the standard.. Andre Watts also performs this piece brilliantly. Liszt sonata is indeed very powerful. For powerful music, try listening to Jazzetti War Concerto, movement 2, part 1.

  • Sorry, if everyone feel this play not goods, everyone must see ear doctor, I think. This five minutes more than enough to prove this is performance of historical value. II lloovvee MMaarrtthhaa too! I also love Emil. Why noone bother to upload super great performance by Gilels? If my rememberance correct, RCA recording from 60s. I am sure everyone will love it too, so please someone upload! Sorry, wrong English, but my urgent request.

  • was Liszt a human?

  • I don't think so...:)

  • Too me, not only,in her youth, was she a super pianist,she was super SEXY!!!

  • I'm afraid Argerich wasn't either.

  • @mdeonx16 """I'm afraid Argerich wasn't either"""

    --- wasn't?

  • @mdeonx16 Hang on... how the hell did this comment get 15 thumbs up? Five words that don't seem to relate to anything. Or is it an orphaned reply which offers no context? Either way... what the hell?

  • Best recording of the Liszt I've heard.

  • it seems that all of the notes that are being played have their own existence because of martha's devilish touches!!!!! iiiiiiiiiiiiiiiiiiiiii llllllllllllllllll ooooooooooooooooooo vvvvvvvvvvvvvvvvv eeeeeeeeeeeeee you martha argerich

  • She is Great!!

  • This particular piece by Argerich made me fall in love with piano music a long time ago.

    This music still touches me beyond words..

  • Indeed, this is a piece that you listen to in those periods where you lose interest and the spark in classical music. :)

  • This sonata is fu**ing awesome! Who needs rock or pop when there exist recordings like this!

  • GENIOUS!!!!!!!!!!!!!!!!!!

  • But who will want to listen to the machine? It will always play the same... Music is not about perfection, it's not about winning. Music is about touching your soul and moving you, surpirising you and making your horizons broader. There may be many bad pianists, but if there will be at least one like Martha in every 100 years, we will never need the machine!

  • yea...music is not machine, and not all about perfection. Music is art. And on top of that, perfection doesn't even exist.

  • @javorbracic I think what he may be trying to say is that if you want to hear a "perfect" and technically accurate performance listen to a machine, and that rating top pianists is pointless... maybe.

  • sushiyakiniku, you're an idiot. Go fall down a hole.

  • EXCUSE ME??!?!? so you mean to say that the efforts of all the great pianists are worthless? a POX on you!

  • I've heard MIDI's that are not rhythm perfect. So there, perfection doesn't exist.

  • I love Zimmerman interpretation but argerich realy awesome too ...what do yu thinking ?

    Just want heard her and maybe read interested comments ....

  • I like zimmermans perhaps slightly more... It has more voicing.

  • I haven't heard zimmerman's. Maybe i am gonna check it out one day, thanks :)

  • OHMIGOSH! My favorite song played better than I've ever before heard it!

  • It's not a "song"; it's a "piece" -- a "piano piece" to be exact. A song is something that is sung by a human voice.

  • Wow. Okay, first of all, you're a jerk. It doesn't make you sound smart to explain something everyone in the world already knows. Furthermore, if you were trying to teach me something, you did so poorly as saying "This is my favorite piano piece" is in no way a substitute for my meaning. I would have to have said "This is my favorite musical composition". Rather I used "song" to refer to a musical composition suggestive of a song, which is one of the definitions of "song" in the OED.

  • Every music is a musical compisition, stupid.

    You're a moron and I don't have time to argue with idiots like you.

  • :)  That's my point. I was clearly saying it was my favorite musical composition.

    And obviously you do have time to argue with me since, 1.) you started arguing with NO provocation, and 2.) You responded back to say that you didn't have time.

    When I was in second grade I learned that bugs referred specifically to insects of the order Hemiptera and would go around correcting people that called gnats and soforth bugs. When I got to third grade, I grew out of it. According to your bio you're 39.

  • Referring to a classical composition as a 'song' is demeaning to the particular piece and to classical music in general.

  • So calling the "Kunstlieder" by Schubert "songs" is demeaning to those "Lieder" and classical music in general?

    Fucking idiot. It's not demeaning in any way, if anything it's somewhat "inaccurate" if you take the word "song" in its most literal sense.

    Pedantic assholes.

  • lol. youre funny.good point though.

  • I am so glad that someone is attempting to educate people on the correct terminology. I thought it was common sense that a 'song' is something that is sung by the human voice. A piano can't "sing."

  • Oh yes? Mendelssohn's Songs without Words. Liszt's Schubert Transcriptions. A piano can sing, just not with its mouth.

  • Let stop being ridiculous. If the music written was meant to be called a song then composers would have labeled all there music as such. For ex: the very piece you names 'Song without words.' Mendelssohn didn't refer to every piece of music he wrote for piano as a 'song.' To refer to all piano music as a 'song' show ignorance.

  • What shows ignorance is your idotic reading of my comment. The main point I had was the that THE PIANO CAN SING. Think of the piano recital. You can't recite at a piano. Well its been done.

  • Oh stfu!

  • Wow. That really trumps my argument.

  • wwow1 that shows your ignornace! i wasn't trying to 'trump" your argument. Because at the end of the day at any real music conservatory calling a piece a song will make you look ignorant. have a good day!

  • Good speller. You also recognise sarcasm quite well. You'll find that pedantic "musicians" like you focus less on the music and more on stupid things like this. So what if someone calls it a song? Are they going to unleash the apocalypse? No! So build a bridge and get over it.

  • Ah, MARTHA! I LOVE her!!! My favorite recording of this piece.

  • Wonderful....

  • Her repeated notes are a legend. Pletnev and Rabinovitch write lots of repeated notes in piano duo arrangements they want to play with her because she plays them so beautifully. It's evident in Scarbo too.

    LOVE YOU MARTHA!

  • Evident in her Scarlatti k141 as well.

  • I like her performance.

    I like alexei grynyuk version,too.

  • EXCELENTE INTERPRETACION!!!! tengo la partitura pero como se me hace imposible tocarla solo me queda por seguirla con la vista mientras Martha toca!!!!! je... Es la mejor pianista del mundo!!!! Martha por siempre la mejor...

  • this is a great version but also listen to Nicolas Economou his version is also on youtube

  • LOVE YOU MARTHA!!!!!!!!!!!

  • she has two of the greatest hands in piano history...

  • her tits were nice as well

  • Incomparable.

  • yay MARTHA ARGERICH FOREVER!!!

  • i've been wanting someone to post this record for months!!!! This is the best recording i've heard of the piece. Martha is a legend!

  • Good performance, I prefer a little more conservative tempo, but Martha truly hits the mark with this performance!

  • @GregS1225

    Unfortunately you're not going to find a conservative tempo out of Martha. I've known her for years and years and she does what Martha wants to do! I've heard her practice the sonata many times and she and playing slowly DO NOT gel.

  • @hideaway3 I agree with her general choice of tempo, but not that slow playing and Martha do not gel. In fact, the closing pages of this sonata are among the most supremely beautiful Liszt I've ever heard, and it is VERY slow. Just those last three chords! Genius. The way she shades them, softer, softer....

  • This is the performance that all others will be judged against!Can there be better?

  • I cannot say it is better, but I was very impressed by Zimerman's interpretation of this Liszt Sonata. He played slowly though.

  • I shall listen to it for sure. For many years my favourite version was by Clifford Curzon-A British pianist with the tile of sir -to his name!

  • That's because he doesn't have the technique to do the piece justice. It is Liszt, afterall.

  • Horowitz recording made in 30's is unbelievable if you can bear the sound quality!

  • she brings out the music in a very unique way. could be that she could see something in this piece other people have missed. this is one of the hardest and most complicated pieces written for piano and there's a lot of debate on how it should be played. it's also considered one of the greatest musical pieces of all time.

  • There's nothing quite like listening to Martha play Liszt. Thank you for this post.

  • you're welcome! that's really my pleasure to post her videos!!!! I love her so much~

  • is this really martha argerich? she is like a contestant of a beauty contest, she is just beautiful!!!!

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