Added: 3 years ago
From: edsaindon
Views: 12,216
Sort by time | Sort by thread (beta)

Link to this comment:

Share to:

All Comments (17)

Sign In or Sign Up now to post a comment!
  • Something was up with my computer, and I thought the message wasn't sending, so I realized I sent three of the same thing, pretty much.

    Sorry!

  • @RubgyDrums No problem. In answer to your question about playing Blue Bossa. I still might play that melody utilizing all four mallets. The key is not to pull the inside mallet all the way back. If you do, you'll probably not use it. Try to keep the spread of the mallets about 45 degrees.

    Ed

  • I would like to see the interval overture and the small intervals...

  • @Silvioperc

    Its on my to do list to shoot some more video of the grip. That's a pretty old video that your watching. But, you can go to my website for an article on the grip. Also, I talk about the grip in some of my past clinics (Paris, PASIC in Texas) which are also up on YouTube. Ed

  • Is there any way to practically apply four-mallet playing to single line playing, like practicing scales/exercises from "Mallet Control" or simple melodies (playing as a lead instrument in a combo)?

    When playing these type of things, should I just use 2 mallets, and incorporate the other 2 when playing chords? If I should just use 2, which 2 should I use?

    Thanks

  • @RubgyDrums Hi, You should try to utilize the four mallets even when just playing lines as in melody or improv. There's a section in my Paris clinic where I talk about that. Try not to rely on only using the typical two mallets that most players four mallet players use. Especially, don't forget to use the inside mallet of the RH.

  • Hi,

    If I'm not playing chords, but rather just playing as a lead instrument playing melodies, or practicing scales and exercises from G.L. Stone's "Mallet Control", is there a practical way to play four-mallets, or should I just use two, and use all four when comping/playing chords? If I should only play with 2 for single-line passages, which two should I use?

    Thanks

  • @RubgyDrums I woud avoid Stone's Mallet Control. Just play some tunes and simple classical pieces and experiment with using various mallet sticking combinations. There's not really one way or a right way to do it.

  • I'm getting into vibes and really want to do four mallets from the get-go, so I don't have to relearn all the coordination.

    If I'm not playing chords, is there any practical way to use four-mallet playing, like just melody playing, or practicing scales / exercises from "Mallet Control" by George Lawrence Stone?

    Thanks

  • @RubgyDrums That's great about getting into the vibes. I agree that you should start with the four mallets right in the beginning. Check out some of my articles on my website as well as clinic excerpts up on YouTube. Good luck. Ed

  • You're welcome. Give my best to Arnold Faber. Ed

  • Hi, Yes, I would do more of a rocking motion between the hands rather than snapping each mallet rapidly. But, feel free to experiment on your own. I'm still working and developing the grip and coming up with more nuances.

    Ed

  • Hi,

    It's great that you're taking up the vibes. It will help your drumming. I wish more drummers did that.

    If you are trying to work on doing a one handed roll with octaves, I would use the Open Spread fulcrum. You can go to my website and download an article that I wrote for PAS's Percussive Notes which explains the which addresses details of the grip along with photos. The article in located in the Music Education part of the website. Good luck.

    Ed

  • Hi Ed, I've been trying to use your fulcrum grip lately, but whenever I do fast runs I get pains on my middle finder from the outer mallet moving around so much. Any suggestions?

  • Hi,

    Have you tried wrapping the mallets with tennis racket tape like I do? That might help. Let me know if it still is a problem.

    Ed

  • Hi, The clicking sounds are probably from the camera. The material (tennis racket tape) on the shafts stops the clicking sound when the mallets are hitting each other.

    Ed

  • quick question: are those clicking sounds coming from the camera or the sticks?

  • Thanks for the video. I'm a violin teacher, and I like to send students to videos that show them flexibility and mechanics of other instruments as well as their own.

  • very gooooood!!!!!

Loading...
Alert icon
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more