Added: 4 years ago
From: ninemuses
Views: 21,681
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  • Ninemuses may hav the right aspect on this. sounds like speeding up and slowing down - the orchestra seems out of sync. I like this. at least they tried. BTW. I attended a music conservatory (mainly to avoid the military draft). My exotic teacher was Mme. Lidge, a great, great grand student of Liszt (?) She played like the dickens and would schedule a concert and not show up if she did not feel like playing that night.

  • An awful performance. The artist speeds up in the easy parts and slows down in the more difficult parts. And the conductor can't control the tempo either!. Very distracting and unlistenable. Technically, the performance sounds like it was recorded on a cell phone.

  • @rgwendland ...case in point? Your comments are too general to be of any value. It would be helpful to hear from someone who knows the score and can add some insight.

  • Give the orchestra and especially the pianist credit for even attempting this Scherzo. The fact that this is a community orchestra turning in a credible performance of this delightful music shows they are trying to keep classical music alive--and accessible to more people!

  • Nice performance! But stupid audience! They didn't even stop once they realised you were still carrying on! What IS that!? It is almost as if they just wanted to look good themselves by their reaction to your performance. Listeners are always trying to make themselves look good to others in the audience. They have NO respect for other people (those who are their to really enjoy the WHOLE performance or to play the whole performance without interruption). My heart goes out to you.

  • Nice performance! But stupid audience! They didn't even stop once they realised you were still carrying on! What IS that!? It is almost as if they just wanted to look good themselves by their reaction to your performance. Listeners are always trying to make themselves look good to others in the audience. They have NO respect for other people (those who are their to really enjoy the WHOLE performance or to play the whole performance without interruption). My heart goes out to you.

  • Almost a minute faster than some of the others.

  • Not a good version, too rushed, sloppy, vague and lacking character.

  • I am the Emily litolff this is my great x four grand papi

  • @amberw55 That's quite interesting; you should feel honored. What a great composer he was.

  • anyone have sheet music for the piano they can send me?

  • @deanskis - I have sheet music version of it for Piano Duet, not as long as the video here, but if u want it, it's yours.

  • To "yomama6134": I have the Leonard Pennario version with the Boston Pops Symphony/ Arthur Fiedler in a Vinyl LP RCA Victor record (33 rpm); is an excellent stereo sound. I also have "Spellbound concerto" of Miklos Rozsa, "Warsaw concerto" of R. Addinsell and "Cornish Rhapsody" of H. Bath with the same pianist and the Hollywood Bowl Symphony. Do you want a free copy?.

  • @lycanthropus100 do you have the sheet music by chance?

  • @deanskis: NO SIR, I HAVE NOT THE SHEET MUSIC. I´M NOT A MUSICIAN; ONLY AN AUDIOPHILE.

  • Moura Lypmany`s recording of this Scherzo is simpy breathtaking. I have a copy of her playing this on a 1960s vinyl LP

  • Very very good! Much better than his Chopin.

    But do visit the website of RUPERT EGERTON-SMITH, a young English pianist who also romps through this brilliantly. You'll enjoy his GASPARD de la NUIT too here on YouTube. It's GORGEOUS.

    Moura Lympany's splendid 1948 recording really DEFINES this Litolff, however.

    What IS it about the ENGLISH?

  • This is absolutely superb!

  • I really enjoyed this - particularly the way the pacy piano playing and its forward momentum keeps the orchestra on its toes.

  • A beautiful and inspiring piece of music.

    What a great pity it struggles to keep in the Classic FM Hall of Fame - it should be at least a couple of hundred places higher.

  • Those of you who love this work please locate the version by Leonard Pennario. He has the incredible ability to allow you to distinctly hear each of the many notes in this concerto and embellish each with the passion it deserves.

  • this is a marvellous rendition because the pianist is enjoying himself and there is a sense of caution being thrown somewhat to the wind. the earliest recording of this was by Irene Scharrer and that is really worth heraing. Katin is good, granted and has certainly been a credit to the English concert platform, but he simply doesnt bring off this work...a far better performer of this was Lympany, and English pianist i rather prefered to Katin, having heard them both live at differnt times.

  • So nice to hear you mention the wonderful Irene Scharrer - I remember her recording of this so well (in the 78rpm days) and, for me, no one has ever equalled her performance. Her performance was so exciting, one felt swept along.

  • I agree that he has rather let it get out of hand adn the conductor is frantically trying to keep up. He'd have come a cropper long before the end of the hunt I'm afraid. But its never less than inspiring anyway.

  • Give me a few days and I will look into the question of posting, I'm new to the process.

    Ciao

  • Having studied the section on copyright it is clear to me that I would be infringing such rights if I were to post the Peter Katin recording. I can only tell you that it is currently being offered by someone on ebay.

    I do not know of any way to obtain a copy free. Sorry for all the inconvenience.

    Ciao

  • The Peter Katin version with the LPO is more polished. Very neglected, very fine British pianist.

  • This is with a community orchestra.

  • My comment related to the pianist but was not intended as a criticsm. The fact is that Peter Katin has been giving outstanding performances for the past 60 years and has not been rewarded accordingly.

  • Finally Litolff appeared! Litolff is my all-time favourite. In most encyclopedias he isn't even mentioned. Pianoconcerto's 2-5 recorded by Peter Donohoe (Hyperion CDA66889, CDA67210). Scherzo (concerto4) is best known. Read his biography - amazing what a turbulent life he led> a movie should be made. Bosworth is playing well. I hope the brilliance of Litolff will be acknowledged again!

  • Excellent. Had not heard this for some 20 odd years until tonight on the radio, Litolff Concertos Symphoniques No,s 2 & 4, Pianist Peter Donohoe; Bournemouth Symphony Orchestra.

    I had to see if it was listed here on Youtube.

    I must say, Richard does an excellent interpretation of this piece, 10/10.

  • ¡¡¡Menuda obra!!! Es maravillosa, compleja técnicamente y muy bonita. Tocada a la perfección, cómo no, por el gran Richard Bosworth. Viendo el vídeo con detenimiento, he podido observar (cosa también apreciable en tus otros videos) que mantienes una entereza y una compostura mientras tocas realmente asombrosa...¡es admirable!, y no por ello tu interpretación es menos musical o menos expresiva. Que tomen nota algunos de los "grandes" pianistas de hoy en día...¡Enhorabuena!

  • I love this piece and I'm a violinist.. Great job and thanks. I agree that this piece should be promoted in current repetoire's and performed. Thanks!

  • I wish I could play as well as this.

  • extraordinarily precise & quick

  • I am curious. What interests/vocation led ninemuses to submit this piece?  I thought that I was one of a few who really appreciate this piece.

  • This piece was submitted so that other YouTubers could benefit from exploring new repertory. Although Litolff is not one of the main "source" composers like Brahms or Liszt, his music still deserves our attention. By the way, ninemuses is a professional musician.

  • What appears to be monotonous at first is in reality complicated and exhilarating. Played well with good orchestral backup.

  • Unbelievable! BV

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