Added: 3 years ago
From: GreggaryPeccary
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  • Hello, I'm no expert on this subject so I have curiosity to know if this piece is written in a serial system of composition or is written in a tonal system. thanks

  • Maybe it's music, but not for my ears...

  • Sequenza IV was written to Jocy de Oliveira . Please correct the right name

  • sigh

  • Please: Who's the pianist?

  • @fja6 David Arden

  • O. Messiaen points out: Every piece of music is written in a mode (even though it might not have a specified key). The mode is defined by the notes chosen and the rhythm adopted. There is virtually no piece of music than can be completely pan-tonal (atonal) because, from a practical standpoint, it's impossible to have an absolutely even distribution of the twelve tones. Even if all tones are evenly distributed through a piece, certain tones would predominate in parts.

  • @earlymusicof That's one of the most informative comments posted on youtube. Thank you kindly.

  • @earlymusicof Never heard of Twelve-tone technique?

  • @earlymusicof Once you choose your tones from a set that don't got no near sonorities, that problem goes away. 18 tet or 11 tet, for instance.

  • @earlymusicof clearly someone hasn't heard of Anton Webern or Arnold Schoenberg.

  • @earlymusicof thats a simple fact, no need to cite messiaen

  • @earlymusicof where is that information from?

  • @earlymusicof When all factors other than harmony are omitted, sure.

    When things like rhythm, register, dynamics, ect are manipulated in ways unconventional to pre-20th century music, harmony loses its power to convey tonality (although 'tonic' and 'dominantic' ideas can still be expressed).

  • this is good!

    who's playing?

  • Is your point music is only real music when someone prescribed it by jotting notes on notation paper?

  • There are some very interesting things happening in the first few bars; I suspect that there is a very obvious bitonal progression in two keys spaced a minor third apart. The very FIRST two chords, when you look at them this way, are nothing other than a dominant to tonic cadence.

    While it quickly gets very much more complex, to me (at least) it has a very strong tonal feel.

    Of course, if I could actually play this beyond the first page, I could write serious cheques!

  • @MarkGrindell What the fuck!!!! he is postserialist.

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