I've got the groove, got into rhythm, started to make those B.B. King face expressions... than suddenly .. SILENCE in the middle of track.. Unexpected.. :(
@koen37 Dorian doesn't have a flat six. Both Dorian and Mixolydian have a flat seven. The difference is Dorian has a minor third while Mixolydian has a Major Third.
A major doesn't work at all in this context. Playing the parallel pentatonic minor scale (with borrowed M3, M6, M9, whatever) over the appropriate major or minor progressions will give you the blues sound. If you were to play the relative major pentatonic you'd get something country-ish until you hit the V chord, where it'd all fall apart..
you've lost me. I've played the relative major ( by relative major I mena playing in F sharp as well as A) to this track before, and sounds fine. the V is an E majorish chord, so I'm not sure how exactly this could possibly fall apart.
You can't play anything meaningful in F# major over an A major blues progression. Just compare notes in the scales.
A, B, C#, D, E, F#, G (dominant 7th)
F#, G#, A#, B, C#, D#, E#
Notice the multiple instances of dissonance. If you mean playing the F# minor pentatonic scale over this, yeah, that's fine - I'm not entirely sure what you mean, but if you do that it should work - though your best bet would be to play the Am pentatonic with a b5 or A dorian.
and that is exactly why I never bothered to learn theory. I don't know all of that crap. lol
I've learned nearly everything I know, mostly by ear. I started off with the basic pentatonic scale. I supposse that it would be considered minor, and then you would play the F# pentatonic.
I honestly have no idea what b5 or dorian is. Notes I would incorporate besides regular A pentatonic and F# pentatonic notes would be the flat 5, G# and A#.
Well, to me, I would make use of the F# major for some tension with that wicked feeling, but it's all up to personal taste. I would use it rarely though lol.
This is not A Minor. It's A mixolydian. It's just your major scale with a flat 7th.
Iarchy 1 month ago
Man, the maker of this video seems like a big dickhead in his posts.
sammydems 5 months ago in playlist Am minor/C mejor pentatonic Jam Track
I played along countless times on my bass.....great idea in extending it for better practice
GibsonLord1 7 months ago
still jamming to this after a year now, what a great way to explore the pentatonic scale
antisocialworker 8 months ago
@antisocialworker i know it's so fun!
nice1centurion 3 months ago
thats major you nigger
gooman989898 8 months ago
I've got the groove, got into rhythm, started to make those B.B. King face expressions... than suddenly .. SILENCE in the middle of track.. Unexpected.. :(
mateo2711ify 9 months ago in playlist Backing Track
loved to jam to this one! even dough the break was a little confusing the first time I played it. But thats just progresive!
All over a great backingtrack!
tigangertusen 9 months ago
dam just shut up and use a fucking blues scale
aljhae6 1 year ago
major, not minor, however...you can use the a minor pentatonic scale and it will sound fine.
deepislandboy 1 year ago
a little hard jamming to this one
aj7689 1 year ago
For fucks sake its in A major not A minor, is really not that hard to work it out.
dillweed44 1 year ago
This is srambled - needs replacing.
armsby 1 year ago
is it me or does the beginning of this sound like a jazzy JINGLE BELLS
johncartelli 1 year ago 2
@johncartelli i agree
saskekun101 1 year ago
@johncartelli jingle bell rock?
saskekun101 1 year ago
This is A MAJOR.
caldasReport 1 year ago
He is still in A ....Mixolydian
Duesenfried 1 year ago
@Duesenfried come on this is blues.. use the blues scale not a harmonic one...
8werty8 1 year ago
thank youu:D
ballooification 1 year ago
this helps me work on my solo
lordguitar101 1 year ago
do you take video responses on this track ?
daytonohiofellowship 1 year ago
All you guys are silly.
The bass is playing a boogie woogie bassline with a flat 7.
It's in A Dominant.
It's as easy as that.
endosomev 2 years ago 14
it's in the key of a major. the chord is a dominant 7th chord. this is not a minor. c# baby :)
brownbigb 2 years ago
@endosomev wouldnt a Flat 7 be a Dorian ? =o
imhere8888 1 year ago
@imhere8888 no it wouldnt... dorian is flat 6. flat 7 is mixolydian
koen37 1 year ago
@koen37 Dorian doesn't have a flat six. Both Dorian and Mixolydian have a flat seven. The difference is Dorian has a minor third while Mixolydian has a Major Third.
Sunderlanding 1 year ago
I like improving to this
Currlesman 2 years ago
why the hell does it just stop in random places??!?!
ElectricMan5 2 years ago 9
I just repeated the track like 3 times just so people like you wouldn't complain about it being too short.
CreamerMusic 2 years ago 17
ah i see lol. i love your tracks btw my favorite is the 80's metal
ElectricMan5 2 years ago 2
Same here. Love that one.
silentsouless 2 years ago
@CreamerMusic cod have repeated it smoother ass wipe
guitarbackingtracks4 1 year ago
It's a major progression, not so much minor.
joebrassmonkey 2 years ago 2
A major doesn't work at all in this context. Playing the parallel pentatonic minor scale (with borrowed M3, M6, M9, whatever) over the appropriate major or minor progressions will give you the blues sound. If you were to play the relative major pentatonic you'd get something country-ish until you hit the V chord, where it'd all fall apart..
RSRop0 2 years ago
you've lost me. I've played the relative major ( by relative major I mena playing in F sharp as well as A) to this track before, and sounds fine. the V is an E majorish chord, so I'm not sure how exactly this could possibly fall apart.
joebrassmonkey 2 years ago
You can't play anything meaningful in F# major over an A major blues progression. Just compare notes in the scales.
A, B, C#, D, E, F#, G (dominant 7th)
F#, G#, A#, B, C#, D#, E#
Notice the multiple instances of dissonance. If you mean playing the F# minor pentatonic scale over this, yeah, that's fine - I'm not entirely sure what you mean, but if you do that it should work - though your best bet would be to play the Am pentatonic with a b5 or A dorian.
RSRop0 2 years ago
and that is exactly why I never bothered to learn theory. I don't know all of that crap. lol
I've learned nearly everything I know, mostly by ear. I started off with the basic pentatonic scale. I supposse that it would be considered minor, and then you would play the F# pentatonic.
I honestly have no idea what b5 or dorian is. Notes I would incorporate besides regular A pentatonic and F# pentatonic notes would be the flat 5, G# and A#.
joebrassmonkey 2 years ago
this song is not in a minor. but playing a minor pentatonic in f# is playing a major pentatonic, which works. resolve to the "a" though
brownbigb 2 years ago
maybe your ear should mnot be trusted so much :)
brownbigb 2 years ago
I wish I had the patience to learn theory, and I respect the fact that you know it. haha
joebrassmonkey 2 years ago
cool story bro
Pulver1zer 2 years ago
Well, to me, I would make use of the F# major for some tension with that wicked feeling, but it's all up to personal taste. I would use it rarely though lol.
Trapmaker677 2 years ago
he's playing f# minor petonic, which is a major pentatonoc.
brownbigb 2 years ago
Dud the A blues scale works fine
Frank912R 2 years ago
awsome dude! great backing trackjack:)
jaxeplayer 2 years ago
minor pentatonic and minor scale.
Porkkana89 2 years ago
a minor scale works for me
suthernroc 2 years ago
in ??
Aliaboud5617 2 years ago
figure it out yourself, I didn't have time and still don't
CreamerMusic 2 years ago 4
@CreamerMusic *LOL*
bladesaint21 1 year ago