I believe that once again the basic idea of this video is that there is no such thing as the correct way of playing in blues but to follow your feelings and being off-beat doesn't necessarily means a bad thing. In the end, it all depends on preferences and as preferences go, I think I'm an old-school guy seeing how my ears always favors the feel in the shuffle beats over the straight ones except some runs and I'll prefer to create the tension through odd and dissonant chords and mods instead..
Uh, no. The point of the lesson is that you can play a straight-eight rhythm guitar part against a shuffle beat, or vice versa, and it will create an interesting tension. Or, that as a guitar player, you can mix things up rhythmically by going in and out of synch with whatever rhythm the rest of the band is playing (straight-eight or shuffle).
Keith is my favorite teacher of all time and I've had some great ones. Nobody compares to Keith. These lessons are AWESOME and INVALUABLE, it's too bad the camera work/editing is so unorthodox, off angle shots, and to many hand shots. It's actually a distraction. The sound quality and material are excellent however. Best on the net. His cd's and books are mandatory IMHO if your serious about blues guitar.
For many of todays young musicians this is forgotten knowledge. Perhaps Keith should have mentioned Elvis Presley's Jailhouse Rock as a an even more prominent example of playing straight against a shuffle beat. Also in jazz, most notably in bebop from the 30s and onwards, playing straight 16th notes against a swing beat is the very foundation of phrasing. Another amiguity not mentioned here is the feel of the 6/8 or 12/8 beat that is so common to blues.
i play metal mostly, but these are my favorite lessons. a lot of people forget that blues was the foundation for metal. and you can do so many things with knowing how to play blues, even when you aren't playing blues. if you know how to vary your rhythms, which is easiest to show in blues, you can be an unstoppable rhythm guitarist and a notable soloist. and the effect of this only amplifies when you get into metal. great lessons. i learn something every time.
Man... this is a very high quality explanation about internal tension. As a drummer, I constantly shift from straight notes to triplets to create tension. Now, as a guitar player, I am taking advantage of that experience to spice up my solos. Good thing is that I had never watched a lesson that showed this so clearly - and with an excellent historic foundation!
i think alot of rock/metal guitarist use this kind of feeling in their solos, the go in the like a triplet or just slower then they shred but it could just be 16th notes
The reason that they focus in on his hand movements is to break up the monotony in what is called the "Basic Sequence"... Long Shot, Medium Shot, Close Up, which is what they teach the film students at Musician's Institute.
this guy is great. I gona order a lesson dvd
drpakman 1 month ago
WoW..!! This is an amazing lesson I missed out due to channel change. That's why I didn't tune in !!! Thx God !
mellowsweetlady 2 months ago
Nice lesson! Thank u Keith and GW
SixStringHarmonies 4 months ago
great great lesson.
JuanDeSoCal 5 months ago
Chuck Berry wrote Johnny B Goode {example given @ 3:07} in 1955, recorded and released in 1958 ~ NOT 1956 as Keith mistakenly says @ 3:29 ...
rawzone1 5 months ago 3
talking way too much
frankbblues 5 months ago
?? why Focus of camera ?? We leorn more on 14,48 minuts .Than i have leorn on many years ??
TheSvenien 5 months ago
I wonder if Keith would agree that Chuck is also singing with swing over the straight guitar. He is such an excellent educator.
murfbass 6 months ago
Is there anywhere i can get the figures that he is using to follow along with ?
shipper38 6 months ago
Like your teaching
lvmeile 6 months ago
what's up with the 5 minutes of just talking?
frankbblues 7 months ago
3:59 SPIT!!! :D
SoUrCeLeSs 8 months ago
I believe that once again the basic idea of this video is that there is no such thing as the correct way of playing in blues but to follow your feelings and being off-beat doesn't necessarily means a bad thing. In the end, it all depends on preferences and as preferences go, I think I'm an old-school guy seeing how my ears always favors the feel in the shuffle beats over the straight ones except some runs and I'll prefer to create the tension through odd and dissonant chords and mods instead..
Ningirsutyr 10 months ago
@Ningirsutyr
Uh, no. The point of the lesson is that you can play a straight-eight rhythm guitar part against a shuffle beat, or vice versa, and it will create an interesting tension. Or, that as a guitar player, you can mix things up rhythmically by going in and out of synch with whatever rhythm the rest of the band is playing (straight-eight or shuffle).
JuanDeSoCal 5 months ago
just saw keith with the Blasters Wow ! ! does he Rock n Roll !
cheeseburger1670 10 months ago
good information for me, Wyatt Rocks.
TheDanceofjoy 10 months ago
Didnt learn much.. awesome playing though.
azombiestool 10 months ago
keith wyatt rocks!
random note: i think he looks a little bit like jeremy clarkson
AnimeCharlotte1 11 months ago
What iphone apps he used???
Mr7Grains 11 months ago
Keith is my favorite teacher of all time and I've had some great ones. Nobody compares to Keith. These lessons are AWESOME and INVALUABLE, it's too bad the camera work/editing is so unorthodox, off angle shots, and to many hand shots. It's actually a distraction. The sound quality and material are excellent however. Best on the net. His cd's and books are mandatory IMHO if your serious about blues guitar.
winestrat 11 months ago
Comment removed
winestrat 11 months ago
This is a brilliant lesson, and definitely the key to understanding the feel, phrasing and fundamentals.
MrCaribbean 11 months ago 2
Very intresting!! Never thought about it actually!
gigicalifornia 11 months ago
For many of todays young musicians this is forgotten knowledge. Perhaps Keith should have mentioned Elvis Presley's Jailhouse Rock as a an even more prominent example of playing straight against a shuffle beat. Also in jazz, most notably in bebop from the 30s and onwards, playing straight 16th notes against a swing beat is the very foundation of phrasing. Another amiguity not mentioned here is the feel of the 6/8 or 12/8 beat that is so common to blues.
MatsDagerlind 11 months ago
Where do the Drum Loops Came From is it and Iphone,Ipod ????
Stratocasterfreak 11 months ago
he' s better than me hehe;P
stringrock11 11 months ago
talks to much
live4music1690 11 months ago
where is the cover of the pickups selector?:) like in a musical store- where they tale it off to prevent from stealing:)
individrus 11 months ago
He looks stoned from 10:39 onwards while playing...
ChanBP 11 months ago
fake, so fake, he's not really playing, its just the backing track he's just acting like it
Killer9299 11 months ago
@Killer9299 Your bad at trolling
kratex1 11 months ago
@kratex1 obviously fake troll lolol
Killer9299 11 months ago
one of thebest stuff guitarworld has uploaded that ive seen
VegaMaiden95 11 months ago 7
1950??!!
jaffyguitarshred 11 months ago
P90s!!!
bondman00794 11 months ago
This is one of the best videos guitar world has ever uploaded
Rafterman123 11 months ago 3
after his talk,,.... he really plays guitar!!
Aplus89 11 months ago
it's called cross-rhythm...
Deussoftwebru 11 months ago
Great series. Looking forward to the next part.
MonkeyZo0 11 months ago
Just noticed...if you skip to any part of him talking, he always has his left hand up. I just skipped to any part and he always had his hand up :)
intwernet 11 months ago
Just noticed...if you skip to any part of him talking, he always has his left hand up.
intwernet 11 months ago
That was so cool... great lesson too.
billyb440 11 months ago
the shuffle riffs were so much more groovier than the straights
m1234n1234 11 months ago
the shuffle riffs were so much more groovier!
m1234n1234 11 months ago
so cool, awesome, blues fan for life
bpl711 11 months ago
Keith Wyatt is fucking cool
stratocasterfranck 11 months ago 2
i play metal mostly, but these are my favorite lessons. a lot of people forget that blues was the foundation for metal. and you can do so many things with knowing how to play blues, even when you aren't playing blues. if you know how to vary your rhythms, which is easiest to show in blues, you can be an unstoppable rhythm guitarist and a notable soloist. and the effect of this only amplifies when you get into metal. great lessons. i learn something every time.
TheMetalHeaD256 11 months ago
@TheMetalHeaD256 it was basically the foundation for everything
guitarfiend797 11 months ago
@guitarfiend797 yeah pretty much. everything 70s and beyond.
TheMetalHeaD256 11 months ago
But....where is the mercy mercy ???.........hahahaha very cool video thnx a lot !!!
ElGbayRGX 11 months ago
Man... this is a very high quality explanation about internal tension. As a drummer, I constantly shift from straight notes to triplets to create tension. Now, as a guitar player, I am taking advantage of that experience to spice up my solos. Good thing is that I had never watched a lesson that showed this so clearly - and with an excellent historic foundation!
rmoraespinto 11 months ago
good video \\m//
metalvocalistwanted 11 months ago
Keith,
The licks that you used at around 11:00 minutes had a very Roy Gaines feel to it.
Jazzy Blues mixed minor and major pentatonic.
I feel like if anyone could explain it, you would be the master!
Please share a few! Very grateful, thanks!!
ryanc177 11 months ago
im a metal player and i love these lessons. they really help me a lot and give me cool ideas to incorporate into my playing
Death66reaper6 11 months ago
He literally doesn't play guitar until 5:00
TheGreatStonedOne 11 months ago
Excellent lesson - I've played for years and this tension twixt the straight and the swing is something that never occurred to me.
jimwalsh2001 11 months ago
i think alot of rock/metal guitarist use this kind of feeling in their solos, the go in the like a triplet or just slower then they shred but it could just be 16th notes
Mo7Vsta 11 months ago
this guy's my idol!
sify11 11 months ago
He doesn't start playing until 5:00
Save yourself the trouble.
earlerylander 11 months ago
@earlerylander you reaaally should watch the whole video!
BenCanto 11 months ago
@earlerylander thanks lol
metalvocalistwanted 11 months ago
Keith, you're still trapped in that empty room...I'm gonna free you man, I swear
WalrusDoom 11 months ago
Killer lesson!
gurupod 11 months ago
Super cool! I could definitely utilize this technique in the future. Thank you guitar world.
greatdeath001 11 months ago
This is a great guitar / rhythm lesson. Thank you.
netanio 11 months ago 2
The reason that they focus in on his hand movements is to break up the monotony in what is called the "Basic Sequence"... Long Shot, Medium Shot, Close Up, which is what they teach the film students at Musician's Institute.
TheLespauladdict 11 months ago
That's great, builds up tension and feeling, very cool!
GuitarSaladBar 11 months ago
he's The Man!
★★★★★
ciclosonico 11 months ago
Another great lesson Keith , always a joy watching you teach..
thunderstruck38 11 months ago 3
this was shit tbf
bertiboy123 11 months ago
why do they sometimes focus the camera in his hand movements? it's hilarious:))
MrExplorer260 11 months ago 33
@MrExplorer260 when?
estderoma 11 months ago
@estderoma one example is 2:28
MrExplorer260 11 months ago
im just commenting here so no one else can say first.
theponchoman 11 months ago 60
@theponchoman first..
m1234n1234 11 months ago
dont u ever say Mercy Mercy Mercy in the start anymore? :'(
Humanius93 11 months ago 4