@14c3pwnz (continued). He was told of the Schoenberg work by Stravinsky when Ravel visited him in Clarens. But one assumes that Ravel studied "Pierrot" as his Mallarmé songs were clearly influenced by it, as well as by the Stravinsky "Lyrics" (the first song of the Ravel piece is dedicated to Stravinsky).
@14c3pwnz: Just checked it out: "Texturally, the Lyrics reveal another significant influence: Schoenberg's Pierrot Lunaire (1912). Stravinsky attended a performance of the revolutionary melodrama in Berlin in December 1912, and Schoenberg's band of flute, clarinet, violin, cello, and piano was a likely inspiration for the instrumentation of the Lyrics––– As well, employ harsh sonorities and free chromaticism to a greater extent than in Stravinsky's previous works. You're right about Ravel.
Ravel and Stravinsky attended the premiere of Schoenberg's Pierrot Lunaire. Upon their return from the performance, Ravel composed his Trois Poémes de Mallarmé and Stravinsky wrote this.
As far as I'm aware, Ravel didn't attend; Stravinsky merely gave him an account of the performance he attended (which I seem to remember wasn't quite the premiere, but the fourth performance of the work).
Also, even though the ties between this work and Pierrot are obvious, Stravinsky had begun his work and actually completed the first piece before he heard Schönberg's masterpiece.
Tsaraiuki? Eh, eh... Actually is Tsurayuki.
Oh well, if it's Stravinskij, I can forgive him anything.
MarcheseCadmio88 4 months ago
It took him a few decades to return to the 2nd Viennese school didn't it?
CurtisMateer 1 year ago
@14c3pwnz (continued). He was told of the Schoenberg work by Stravinsky when Ravel visited him in Clarens. But one assumes that Ravel studied "Pierrot" as his Mallarmé songs were clearly influenced by it, as well as by the Stravinsky "Lyrics" (the first song of the Ravel piece is dedicated to Stravinsky).
Varese13 1 year ago
@14c3pwnz: Just checked it out: "Texturally, the Lyrics reveal another significant influence: Schoenberg's Pierrot Lunaire (1912). Stravinsky attended a performance of the revolutionary melodrama in Berlin in December 1912, and Schoenberg's band of flute, clarinet, violin, cello, and piano was a likely inspiration for the instrumentation of the Lyrics––– As well, employ harsh sonorities and free chromaticism to a greater extent than in Stravinsky's previous works. You're right about Ravel.
Varese13 1 year ago
Magnificent performance. The second piece is incredibly difficult. This is a really lovely piece.
MichaelBakrnchev1989 1 year ago
Ravel and Stravinsky attended the premiere of Schoenberg's Pierrot Lunaire. Upon their return from the performance, Ravel composed his Trois Poémes de Mallarmé and Stravinsky wrote this.
Varese52 1 year ago
@Varese52 thank you nice piece of information
minasgekos 1 year ago
@Varese52
As far as I'm aware, Ravel didn't attend; Stravinsky merely gave him an account of the performance he attended (which I seem to remember wasn't quite the premiere, but the fourth performance of the work).
Also, even though the ties between this work and Pierrot are obvious, Stravinsky had begun his work and actually completed the first piece before he heard Schönberg's masterpiece.
f4c3pwnz 1 year ago
short, to the ponit, beautiful
ViewerNotes 2 years ago
Encanto ese música, gracias.
vth42 3 years ago