Well, i have a code written in java, whose output is like keyboard and sounds when you press any key, normal pre defined sounds,, which is done in eclipse only... now what i wanna do is send these sound to max msp and add effects or manipulate those sounds through the max msp patch!! How can i do this?
@andbluesky: The slide~ object functions like an envelope follower. It -kind of- averages out all recently received audio samples. If slide~ would receive an ordinary audio signal (which fluctuates around zero, both positive and negative) it would mostly average out around zero and it wouldn't create much of an envelope.
abs~ first 'flips' all negative audio samples to positive so that slide~ can create a positive average, and a well defined envelope.
edopaulus, congratulations! Your video is a success! I really would love if you put some more videos like this one. It's really a great lesson for me, a beginner in Max/Msp.
@WARDISWARD Hmm, I actually nowadays always simply type them in (first press 'n' then type the name of the object). There used to be a contextual menu (right click) to show a list of all available objects and create them. That was Max4 and before, but now... i honestly don't know. In the help-files I'm sure you can get a complete overview of all objects. If anyone else knows a better answer...?!
@WARDISWARD Ah, a better anwser: use max's internal file browser (type: apple-b). There you can find all available objects/helpfiles/audiofiles/tutorials/etc
I got familiar with maxmsp in the 90ties. There wasnt much specific maxmsp reading material then. Learned most from the tutorials that come with the software and the email-mailinglist on maxmsp. Nowadays? Prolly still the tutorials, the forum on the cycling74 site and video examples online. I don't know about good books specifically for maxmsp.
@terrafirmanova: Follow the link provided in the info to the right of the video. There you can see a HQ version of the vid where everything is clearly readable.
iv never used music software in my life so what skills do you need to opperate max/msp. do you need to know how to program and use programming languages or anything like that?
@themysteriouscow: well, I consider max/msp a programming enivronment, although it's offcourse a bit different from text-based programming environments. Many max/msp users start using it without any prior programming experience. And often that can be considered an advantage too.
I'm not realy sure what you want to do. If you want to make music with computers maybe you'd best first start with a sequencer app, like Ableton Live. Also learn how to use an audio editor, like for example Amadeus Pro. Maybe then start working with Max for Live. And only then start using MaxMSP.
But your question is hard, if not impossible, to answer in YouTube comments. I hope this gives some* idea. Good luck!
hey, nice to hear this vid inspired you to do it yourself! The exact workings of the delay is quite dependent on Max's DSP settings. especially I/O vector size, Signal vector size and sampling rate. Sadly, I don't remember how I set it for this recording. Also acoustic mic-speaker feedback of the computer might have some influence too.
I'm on a MacBook Pro with mic and speaker quite close together and I know it's definitely possible to create acoustic feedback by holding your hand over the mic-speaker area (with appropriate software settings off course).
So, you might want to experiment with above mentioned settings. And if you get different results, all for the good! Try to work from there and create variations. Oh and btw, it's absolutely impossible to recreate this recording exactly the same way. It's all about releasing some control to the machinery and be inspired by what happens - a quite literal dialog between you and the material you're working with.
i'll just work from there & might upload a response vid :) letting sounds head for a life of their own - triggering further chain reactions (audio-visual spiral!).. *sigh*
u can make sum dirty basslines with this program...!!!!! :), im using this for uni, its hard to get a hang off, but sum of the stuff u can do is very cool!!!!
Sweet that was awesome! I've never tried something like that in Max before. Every patch I've ever done has taken days/week/months to complete. Never tried anything other than quite basic functions in just 6 minutes though. Did you have many other... Max pieces prepared? The compressor seems a nice object to muck about with, any others hold much promise in a live setting?
Most of my patches are way bigger too. I only did this once - quite refreshing!
About other objects/ideas: maybe use some analysis / re-synthesis (fft?) with feedback (off course!). You (as anyone else) are very much invited to post a response-video with another performance following the rules I mentioned in the description of this video.
Thanks for the reply. I have just uploaded a video of my first more or less serious maxMSP project, so take a look if you have a few minutes, I am always happy to receive opinions of my works.
jesus this is a really hard program to get to work well. i applaud your skill and highly doubt ill ever be able to get this program to actually work for me. haha
Max MSP comes with good tutorials and example patches, these can learn you the basics of Max and then Max MSP in a very clear way. If you get the basics right and then gradually learn more different max objects it should be no problem.
absolutely brilliant. I love that the first thing you did was simply pass the microphone data through, to incorporate the little sounds from creating the patch into the performance itself.
I'm really interested in your video 'Max/ msp live coding' .I'm researching the area of computer based performance, and was just wondering what technology/effects you used in it, and how you implemented the effects/technology in it. Also was wondering if you know of any famous artists who perform using only computers (computer based performance).
and was just wondering what technology/effects you used in it, Well, I try to be as clear as possible. With the video as well as the accompanying texts. It uses audio feedback loops with in that loop multi band compression and an 'auto-delay' (like auto-wah but then with delay instead of a filter) Be sure to watch the video on my own website with better quality than youtube. Then you can read the names of objects used.
and how you implemented the effects/technology in it. That's way outside the scope of this conversation. Read the Max/MSP manual, or get into it, I'd say :-)
Also was wondering if you know of any famous artists who perform using only computers (computer based performance). Most famous artist don't use solely computers. It's more often a hybrid situation. And you might also wonder what can constitute as a computer. Is an modular analogue synth a computer?
In the end, technology isn't a descrete set of elements. It might only be presented that way for the convenience of the layman. You have an idea of what an oscillator is, and of what a filter is, but you might also build something that's inbetween a oscillator and a filter, or something that can be both. In the end it comes down to many variations on almost the same thing. Like most stuff in life. Is that an anwser to your question?
If this is a performance, then it's about one minute and ten until any sound is heard. I'm trying to understand live coding, is this normal?
Plus would it make sense to start with something simpler, a midi in -> oscillator -> volume envolope kind of setup, then build a more complex sound while occasionally hitting a key to change the note?
Well actually, yes, it's quite common for live coding performances to first have some silence before sounds can be heard. That's because first some 'code' has to be created before any sounds can be heard.
And sure, yes, there's many ways to do live coding ofcourse. And you might be right that It takes quite a bit of time before the performance takes of, especially for a youtube video. I just wanted to work with feedback circuits of some kind, and that just needs a bit more 'code'.
I realize what you're saying. Was just suggesting the use of something basic you could knock together in a few seconds to get 'some' sound involved asap.
This is a "dynamic" video. =p
youngchampagne 1 week ago
love the wee timer in the corner ;)
coed360 1 week ago
This vid is popular on Baku
elvinhickma12k 3 weeks ago
This has been flagged as spam show
Hey can you please help me out here//
Great video :) Help me out here..
Well, i have a code written in java, whose output is like keyboard and sounds when you press any key, normal pre defined sounds,, which is done in eclipse only... now what i wanna do is send these sound to max msp and add effects or manipulate those sounds through the max msp patch!! How can i do this?
HELP!
mudithead 2 months ago
That's inspirational.
Mondriantestpattern 2 months ago
Great job =)
Just one silly question. How do you one outlet in two or more inlets? Without having to go back to the outlet, and forth to the second inlet?
In 03:50 you did it.
Vitisaurio 3 months ago
@Vitisaurio use SHIFT while making the connection.
edopaulus 3 months ago
@edopaulus thanx!
Vitisaurio 3 months ago
aw yeh
TheDaveLolz 4 months ago
This is pretty much what I hear when aliens try to communicate with me while I'm on mushrooms.
thomthum2000 4 months ago
absolutely brilliant!!!!!
GranularSerious 6 months ago
Awesome
grymmjack 8 months ago
well done
stoersignal25 9 months ago
How do you learn max msp? Awesome video. Might have a go at the demo.
twintron 10 months ago
Why do you need the abs???
andbluesky 11 months ago
@andbluesky: The slide~ object functions like an envelope follower. It -kind of- averages out all recently received audio samples. If slide~ would receive an ordinary audio signal (which fluctuates around zero, both positive and negative) it would mostly average out around zero and it wouldn't create much of an envelope.
abs~ first 'flips' all negative audio samples to positive so that slide~ can create a positive average, and a well defined envelope.
edopaulus 10 months ago
Is it possible to build application that work on a MAC in the PC version?
Jdonovanford 11 months ago
Comment removed
tama262 1 year ago
this sort of sounds remind of radiohead
15381472 1 year ago
@15381472 Jonny Greenwood use Max/MSP!
Emilduvier 1 year ago
now it works :D
yehoooow
kkatsa 1 year ago
@kkatsa Congrats! :D
edopaulus 1 year ago
it's not working for me, meter say its ok, i mean i see if i use my mic, but after i connet the tapout with the omx.5.band ...nothing happens ...
kkatsa 1 year ago
Love it. Well done! I need to experiment more with slide~ and omx~ stuff...
seejayjames 1 year ago
doesnt look too intuitive to me
davebermuda 1 year ago
Very nice! I want to try this!
I'm making a bunch of tutorials for Max/MSP, but I want to try to do a timed programming challenge.
JoelisRich 1 year ago
amazing!
oooonek 1 year ago
fuckin awesome. this is art of programming.
esioner 1 year ago 2
@esioner thanks
edopaulus 1 year ago
@esioner
Sorry to break it to you, but dragging and dropping some coloured bars is not programming.
spike848 10 months ago
@spike848 It is, actually. Visual programming in fact.
guyboy625 10 months ago
wow this program is ubercool
physphilmusic 1 year ago
MAx Msp is for masturbating man....where's the sound?
bbjmm 1 year ago
Fantastic.
JohnnyJohnnyJohnny 1 year ago
I like the results but the video quality is so poor I can't follow how it was done.
jdventer 1 year ago
@jdventer Use the link provided in the info about the vid to see the HQ version.
edopaulus 1 year ago
lol no response to the challenge
lucadepu 1 year ago
I think my soundcard is broken. All i hear is noise :/
TheSilentwarrior99 1 year ago
Wow, this is amazing. Me and my fiancee are just getting into Max/msp right now, and this is really inspiring. Will show this to her ASAP :P
ExperimentsInSound 1 year ago
Hah, I love the keyboard typing feedback echo.
metabog 1 year ago
edopaulus, congratulations! Your video is a success! I really would love if you put some more videos like this one. It's really a great lesson for me, a beginner in Max/Msp.
rafalimpim 1 year ago
@rafalimpim thanks for the kind words. And yes, I'm thinking about adding some more...
edopaulus 1 year ago
I have pictures of this kind is so useful for beginners.
wataruichihashi 1 year ago
I downlopaded the demo of max 5.0 ....Seems liket I can't find the objects ( dont mean the graphical ones but the ones like
dac~, phasor~, tabwav4~as in pure date ..and all the math stuff ..
HOw do I enter them ?
WARDISWARD 1 year ago
@WARDISWARD Hmm, I actually nowadays always simply type them in (first press 'n' then type the name of the object). There used to be a contextual menu (right click) to show a list of all available objects and create them. That was Max4 and before, but now... i honestly don't know. In the help-files I'm sure you can get a complete overview of all objects. If anyone else knows a better answer...?!
edopaulus 1 year ago
@WARDISWARD Ah, a better anwser: use max's internal file browser (type: apple-b). There you can find all available objects/helpfiles/audiofiles/tutorials/etc
edopaulus 1 year ago
Wow, really cool sound :) Thanks
viro4ka 1 year ago
edopaulus, amazing stuff.
Other then the manual, what reading material do u recommend for max/msp? Or rather, what helped you the most?
paralelSun 1 year ago
I got familiar with maxmsp in the 90ties. There wasnt much specific maxmsp reading material then. Learned most from the tutorials that come with the software and the email-mailinglist on maxmsp. Nowadays? Prolly still the tutorials, the forum on the cycling74 site and video examples online. I don't know about good books specifically for maxmsp.
edopaulus 1 year ago
ok thanks for that..
paralelSun 1 year ago
wow! just started with Max for Live yesterday and this is just what i wanted to see. thanks for the HQ link so we can actually see the details
tablaninja 2 years ago
COULD YOU ZOOM IN TO THE PATCHES?
terrafirmanova 2 years ago
@terrafirmanova: Follow the link provided in the info to the right of the video. There you can see a HQ version of the vid where everything is clearly readable.
edopaulus 2 years ago
nice work highly respectable :)
diesslinproductions 2 years ago
@diesslinproductions: thanks!
edopaulus 2 years ago
iv never used music software in my life so what skills do you need to opperate max/msp. do you need to know how to program and use programming languages or anything like that?
themysteriouscow 2 years ago
@themysteriouscow: well, I consider max/msp a programming enivronment, although it's offcourse a bit different from text-based programming environments. Many max/msp users start using it without any prior programming experience. And often that can be considered an advantage too.
edopaulus 2 years ago
as iv said iv never used music software before so what would you recomend i start with? max for live or somthing like that?
themysteriouscow 2 years ago
I'm not realy sure what you want to do. If you want to make music with computers maybe you'd best first start with a sequencer app, like Ableton Live. Also learn how to use an audio editor, like for example Amadeus Pro. Maybe then start working with Max for Live. And only then start using MaxMSP.
But your question is hard, if not impossible, to answer in YouTube comments. I hope this gives some* idea. Good luck!
edopaulus 2 years ago
hej edo!
(excellent, hehe.)
i've been maxing for quite a while, but when reproducing your patch i already fail at 1:17 :)
i'm missing out on that lovely delayed hum you get instantly when connecting the tapout & omx objects.
and: the only delay i ever get is the typical squeaking (internal mic on my mac)
did i miss out on anything? (:
cheers!
zuschauer123 2 years ago
hey, nice to hear this vid inspired you to do it yourself! The exact workings of the delay is quite dependent on Max's DSP settings. especially I/O vector size, Signal vector size and sampling rate. Sadly, I don't remember how I set it for this recording. Also acoustic mic-speaker feedback of the computer might have some influence too.
edopaulus 2 years ago
I'm on a MacBook Pro with mic and speaker quite close together and I know it's definitely possible to create acoustic feedback by holding your hand over the mic-speaker area (with appropriate software settings off course).
edopaulus 2 years ago
So, you might want to experiment with above mentioned settings. And if you get different results, all for the good! Try to work from there and create variations. Oh and btw, it's absolutely impossible to recreate this recording exactly the same way. It's all about releasing some control to the machinery and be inspired by what happens - a quite literal dialog between you and the material you're working with.
Good luck!
edopaulus 2 years ago
hej, thanks for the quick & in-depth-response!
i'll just work from there & might upload a response vid :) letting sounds head for a life of their own - triggering further chain reactions (audio-visual spiral!).. *sigh*
all the best!
zuschauer123 2 years ago
u can make sum dirty basslines with this program...!!!!! :), im using this for uni, its hard to get a hang off, but sum of the stuff u can do is very cool!!!!
basstester 2 years ago
Sweet that was awesome! I've never tried something like that in Max before. Every patch I've ever done has taken days/week/months to complete. Never tried anything other than quite basic functions in just 6 minutes though. Did you have many other... Max pieces prepared? The compressor seems a nice object to muck about with, any others hold much promise in a live setting?
bryanthecomposer 2 years ago
Most of my patches are way bigger too. I only did this once - quite refreshing!
About other objects/ideas: maybe use some analysis / re-synthesis (fft?) with feedback (off course!). You (as anyone else) are very much invited to post a response-video with another performance following the rules I mentioned in the description of this video.
edopaulus 2 years ago
I'm going to for sure! I love this
midinerd 2 years ago
Pretty intresting concept! Personally, I never managed to get such complex sounds with simple tapin~ and tapout~ objects.
sirsomnia 2 years ago
Thanks.
Note that the dynamics of the multiband compressors also have a very large influence on the resulting sounds.
edopaulus 2 years ago
Thanks for the reply. I have just uploaded a video of my first more or less serious maxMSP project, so take a look if you have a few minutes, I am always happy to receive opinions of my works.
sirsomnia 2 years ago
jesus this is a really hard program to get to work well. i applaud your skill and highly doubt ill ever be able to get this program to actually work for me. haha
sonikboom007 2 years ago
Just keep at it, do all the tutorials and you'll do just fine :)
machinate 2 years ago
Max MSP comes with good tutorials and example patches, these can learn you the basics of Max and then Max MSP in a very clear way. If you get the basics right and then gradually learn more different max objects it should be no problem.
linguafranca86 1 year ago
disgusting in a good way !!!!
joeyparanoia 2 years ago
interesting... I'll have to post some time-attacks myself
midinerd 2 years ago
wow! i need to learn this.
Props!!!
bsandfer 2 years ago
wow that is very impressive!! well done
can i ask how you were patch cords to multiple objects from the one object with having to re-click and drag from the original objects outlet?
bufferstroker 2 years ago
Keep shift pressed down while connecting a 'patch cord'.
And thanks :)
edopaulus 2 years ago
absolutely brilliant. I love that the first thing you did was simply pass the microphone data through, to incorporate the little sounds from creating the patch into the performance itself.
Sulleric 2 years ago
Wild frequencies & impressive programming
shockofthereal 2 years ago
impressive
Quadrange 2 years ago
that is unbelievable stuff. Well done. As a Max-patcher, I understand the skill required to pull something like that off. Nice.
yoyoBoom1983 2 years ago
thanks. nice to hear.
edopaulus 2 years ago
Hi edopaulus,
I'm really interested in your video 'Max/ msp live coding' .I'm researching the area of computer based performance, and was just wondering what technology/effects you used in it, and how you implemented the effects/technology in it. Also was wondering if you know of any famous artists who perform using only computers (computer based performance).
Many thanks,
tom
tom01914 2 years ago
and was just wondering what technology/effects you used in it, Well, I try to be as clear as possible. With the video as well as the accompanying texts. It uses audio feedback loops with in that loop multi band compression and an 'auto-delay' (like auto-wah but then with delay instead of a filter) Be sure to watch the video on my own website with better quality than youtube. Then you can read the names of objects used.
edopaulus 2 years ago
and how you implemented the effects/technology in it. That's way outside the scope of this conversation. Read the Max/MSP manual, or get into it, I'd say :-)
edopaulus 2 years ago
Also was wondering if you know of any famous artists who perform using only computers (computer based performance). Most famous artist don't use solely computers. It's more often a hybrid situation. And you might also wonder what can constitute as a computer. Is an modular analogue synth a computer?
edopaulus 2 years ago
In the end, technology isn't a descrete set of elements. It might only be presented that way for the convenience of the layman. You have an idea of what an oscillator is, and of what a filter is, but you might also build something that's inbetween a oscillator and a filter, or something that can be both. In the end it comes down to many variations on almost the same thing. Like most stuff in life. Is that an anwser to your question?
edopaulus 2 years ago
If this is a performance, then it's about one minute and ten until any sound is heard. I'm trying to understand live coding, is this normal?
Plus would it make sense to start with something simpler, a midi in -> oscillator -> volume envolope kind of setup, then build a more complex sound while occasionally hitting a key to change the note?
Beatboxbob 2 years ago
Well actually, yes, it's quite common for live coding performances to first have some silence before sounds can be heard. That's because first some 'code' has to be created before any sounds can be heard.
And sure, yes, there's many ways to do live coding ofcourse. And you might be right that It takes quite a bit of time before the performance takes of, especially for a youtube video. I just wanted to work with feedback circuits of some kind, and that just needs a bit more 'code'.
edopaulus 2 years ago
I realize what you're saying. Was just suggesting the use of something basic you could knock together in a few seconds to get 'some' sound involved asap.
Meh, okay
Beatboxbob 2 years ago