Added: 4 years ago
From: romsan
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  • Stunning presentation of sword and the spirit...

  • nobody practes iaido anymore, haidong gumdo is where its at

  • @japantruthify001 Your fucking everywhere with this fucking comment.

  • @japantruthify001 BTW I practice Iaido.

  • 0:51. I sincerely have no idea. I've been practicing martial arts for over two decades. recently started Siljun Dobup. I practiced kenjutsu. I've been practicing Shikantaza for decades. I have never seen, heard, experienced anything close to that one split of a second. how calm he is how he springs, moves, draws, holds. this is beyond words, beyond comprehension for me. a lifetime away. you are dead, stabbed, skewered before your eyes had a chance to transmit the flash. 

  • @SokSa I know right? Thats why he is known as a master of the vanishing blade, hidden attack etc

  • @NamiwakiruX it gives me the chills

  • @SokSa チャンバラ 我流剣術 ナンセンス

  • Comment removed

  • Comment removed

  • His draw is amazing! I would love to practice that art.

  • ビームソード伸びんのより速くね??

  • He's very fast, but I'm wondering if it's partly skill and partly because he's not wearing his saya correctly in his obi and it's hanging so loose?

  • @ronin2167 idk man, maybe he likes the saya like that

  • @ronin2167 it is perfectly handled , you can see it is free in belt, imagine how much body coordination is needed to keep it there,plus his hand catch it back extremly precise every time, watch better mate

  • @ronin2167 Kuroda Sensei is a living legend in Japanese martial arts and is one of the most respected practitioners found today. Also each school has slight variations on how the saya and obi are worn. And finally this is Kuroda Sensei's own personal self created variation, not one of the existing Shinbukan Kuroda Dojo systems

  • @NamiwakiruX I've just never seen it worn that way.

  • @NamiwakiruX i believe you are correct, also drawing the sword from the sheath in this way permits him to have the blade facing that particular direction for blocks strikes and that concealed draw -drools- my gosh, impressive.... O_o ...ANYWAYS! i tried out the difference probably about a year back mainly cause it felt simpler to carry.. then i tried drawing it, and i really like it. my saya got worn out after years Xp and obi is loose for ease of speed i think. (obviously also preference) :D

  • @livefreeparkour True true, often many aspects on correct and incorrect application of Iaido become too strict. Often schools put an emphasis on how tight the obi should be worn, its knot, correct positioning etc which is fine, but the overwhelming point that should be remembered is, it has to be comfortable and allow for the best movement from the wearer. I tend to have a tight below and loose last, that way I can choose to slip the saya in or below the loose section depending.

  • sharp and calm at the same time.

  • wow thats a cool noto

  • @sonicflam - yeah, really.

  • 0:49 Fuck me.

  • one word ART it's awesome and thank kuroda sensei

  • 0:49 i didnt see him draw maybe its cause i got sliced in half already

  • Wow. You can definitely tell just from observing him that he truely knows what he is doing. He has the forms down, but hes executing them with absolute purpose. Watching Kuroda Sensei isnt like watching some mind-blank guy going purely on muscle memory with no intent or spirit in his execution. This one is quite the contrary.

  • Can anybody tell me what ryu that is.... i tink it more looks like iai jutsu than iaido. I never saw this Kata before. Thx a lot

  • @tranq81

    Tamiya ryu iai jutsu 民弥流居合術

    ttp://www010.upp.so-net.ne.jp/­shinbukan/

  • @tranq81

    please search google it "民弥流居合術"

    not "田宮流居合術" (tamiya ryu iai jutsu)

    both are same english spelling.

  • @Th0masAnderson True Samurai blood

  • amazing simply Amazing.

  • まさに神速… @0:50

  • Woah. His draw is freaking fast man.

  • これ黒田鉄山さん?抜刀の速度が凄いね。

    残心もさすが達人って感じですし、海外の方々にも派手な事ばかり­ではなく、そういう所を分かって頂けたら嬉しいな。

  • 0:49 どういう術理なの?

  • ukyo tachibana

  • What school of Iai/batto is he demonstrating?

  • 早すぎて何度も再生しちまった・・・

  • 0:50

  • I really liked the second kata beginning from Fudoza!

  • いつ見てもすごい。坐した状態でコレなのだから、実際に立ち会え­ばどれだけ間合いとっても斬られそう

  • A pleasure to watch thanks.

  • There is a documentary out that explains that there is a great misconception about the level of intricacy that the European martial arts have been taught at. Fencers had schools just like the ones in Asia and they taught concepts of strategy that were just as detailed.

  • @ORTprod

    I've trained in both, trust me, they are very different. Fencing prizes discipline much more than the previous forms of European martial trainings, but it is still a far cry from the Asian disciplines. The main difference is the focus on the total character of the warrior. The Book of Five Rings is a great place to start study for the Eastern Arts.

    @theshadowbehindme

    would be really interesting to see a full battle between two armies from the different regions, I'm sketchy on duels

  • thats how quick it wud take to dismember/kill someone....very impressive

  • click the times at :27, :57, 1:37 and 2:27 to see the precision.

  • his cut is so beautiful, exactly the same in slow movement as in the fast.

    Wonderful.

  • 二回目どうやって抜いたw

    傍目でこれじゃ相対したらいつ斬られたかもわからんだろうな

  • interesting

  • Would pay to see him fight a European knight :P a Templier or Hospitaller

  • @theshadowbehindme The European knight would have a difficult time fighting with a Samurai, the best comparison would be a boxer v. martial artist. About the same difference, though it varies greatly from time period to time period. The boxer could win, but the martial artists holds the definite advantage. (boxer = Euroknight)

  • @sanjurt Dude a samurai with full armor and a knight with full armor. the armor weight is about the same. The knight start training at the age that they can walk same for the samurai. Would be nice to see, also the knight has mastered unarmed martial arts.

  • jap version of cowboy duel ? why not just have weapon ready before the fight ?

  • @sewagedweller Same question here :P

  • @sewagedweller Very often two opponents would be forced, by convention, to sit close to each other at a negotiation. The opponents would be kneeling (as seen at the beginning of the sensei's movement) facing each other. One would have the intent to kill the other and so both would be ready to draw at a moment's notice.

  • @sanjurt so basically same idea as bunch of cowboys playing cards , one guy cheats and there is a huge shoot out from under the table .

  • @sewagedweller That's a much better analogy than the quick draw (which was a movie convention based on old samurai flicks.) If you want to see some great examples of iaido in action watch some old Kurosawa movies, Yojimbo has one of the best imho.

  • 動いた?と思ったら頭叩き切られてるレベル

  • 0:50 必殺!

  • the second time he drew his blade was incredibly fast.

  • Would have been nice if we could have had a cameraman from the front shoot this; but as an Iaido student, I have to say I wish I was anywhere near as good as this guy...

  • The simple purity of watching paint dry

  • 2:13

    Lights and metal, melted in. Just a beautiful swing. Perfect, coordinated and... wonderful.

  • wow, at 0:50 the sword seems just to appear from nowhere

  • @HeinrichHuber Well said the speed of that first strike at 00:50 is out of this world for his age

  • @kersexton Out of this world for any age.

  • Merci de partager cette video!

    Vraiment interessante!

  • Ninja dart to the neck. ( o.o)-----------------

  • 0:51 So quick....

  • Something tells me, this guy is a true master. I can see and feel his sincerity in the actions. Even his sheer focus. Straight down to it. No fancy stuff. Awesome.

  • 自分なら・・・切られた事も気付かずに死んでしまうだろうに。。­。

    本望か。

    恐ろしくて尚且つ美しいですね。

  • I like the fact that there are no young men jumping around trying to look bad ass, this Art is pure Spirit...

  • I feel as though I'm a clumsy idiot when I watch this guy. Eishin Ryu for about a year and a half and I have to admit; my balance and speed would be a disgrace to Kuroda Sensei. Who ever his students were/are (Did he die recently?) they were lucky to have trained with someone of that level.

  • that was beautiful

  • 真剣は鉄の棒だから重いのに、まるでプラスチックの棒のように

    サッっと出せるなんてすごいね。

  • I have not seen any sort of iai like this, until now. Why does he take so long to noto? Does he want to be sure he is out of danger?

  • 瞬ええええwww

    0.50からの抜刀なんやねんww

    いつ抜いたんだよw

  • 素人から見ても全く隙が無いw

    息が詰まるような威圧感がたまりません。

  • Hardly see how he draws the sword at 0:51!

  • The most deeply Spiritual and Elite Martial Art is the one where you learn to conquer your toughest opponent......yourself. Then you come to master this Art without even having to draw your Sword...

  • 凡人の私には何がすごいのかすらわからなかった・・

  • wow.

  • マジで抜いてる瞬間見えない・・!!!

  • 神速www

  • 鞘が割れて刀身が出てるのかと思ってしまう

    まばたきした瞬間にやられるわw

    

  • 人間業じゃねぇ・・・

  • holy shit! see how fast he is around 00:50 :o

  • 抜くところが見えないとは聞くけど

    すげーな

  • まじで2回目刀抜くところが見えない(@@;)

  • 二回目が何度見ても見えない・・・・

  • 抜くところが見えないんですけど

    これほどの達人は初めて見たわ

  • fast!

  • 刀を抜くところが見えないってのは

    これのことか

  • it's like seeing an old man who practiced a fancy dance for the majority of his life. Go get some real fighting skills...

  • iai is real fighting skill layman like you can't understand.

  • Wonderfull demonstration. Especally the last part, in "slow motion" !!

  • Mastery. it is simple yet clean. The simpler a technique , the harder to purify it.

  • @Th0masAnderson

    What impresses me more than the draw is his transition with his left hand, in one swift controlled movement he flips his saya, pushes it back, and grips the sword just in time for the kesa. Perfect coordination and timing.

  • @Th0masAnderson

    What impresses me more than the draw is his transition with his left hand, in one swift controlled movement he flips his saya, pushes it back, and grips the sword just in time for the kesa. Perfect coordination and timing.

  • i take it this is not the kind of guy you play the "guess who" game with.

    jokes aside, lovely form.

  • dam that is some nice moves... wat style is this anyway?

  • @jung567 tamiya ryu, not related to the common tamiya ryu found on the internet

  • it seems kind of strange that he is wearing the saya like that instead of throught the hakama

  • PURE ENERGY amazing!

  • Damien r u there???

  • 0:51 i wish i could do that

  • @SoulReaperOnimaru

    That a pretty acurate description for a newbie. Each of these step are not as easy as they appear. A true master will make it look like it easy only because he trained for years.

    You description follow zen principle. Tho, i dont belive you wrote this as a enlightened zen practicioner but as a smartass. So i will have to also thumb you down. Have a nice day.

  • its unreal how fast he can draw the katana

  • zanshin in every move

  • Art Divin!

  • His sword is just a blur...

  • I completely appreciate this since it was posted, I like to revisit and study the movements of this Kata. However I will say this time that I wish there was a serene backdrop ( like a mountian or and openfield, or an ocean ). I don't know how any of you would feel about that?

  • i dont see my self there

  • Was that the sword that left the sheath @ :50 or his soul? beautifully done.

  • BOTH!

  • he pulls the sword in an absurd speed

  • 0:51 wow.

  • beautiful.

  • thats called speed chlifa.

    Cold calculated and mindless speed.

  • 0:50 I'm not able to find words for that! omg

  • o___o HOLY SHIT

  • I love watching this, beautiful. Simple. And logical. Nothing extra and it gets the job done.

  • I'm no expert but i think that is some really nice Iai. The zanshin is perfection.

  • Beautiful. His sword moves so fast.

  • i heard this teachers style is very much perfected in deceiving your opponent into thinking he has an opening when in fact he is screwed if he takes the bait.

  • He is great. Why no chiburi?

  • @jhamelaa I think he's doing a sort of yoko-chiburi at the end of each (22 seconds, 53 secs, etc.) -- it doesn't look like a cut. His chiburi isn't fast, but if there's momentum followed by a quick stop it'll make most of the blood fly off (the rest being caught during noto if he holds a cloth near the scabbard mouth, I suppose).

  • wow! no fancy moves, straight to the point, extreme concentration and fast! unlike other retarded demo I saw in youtube where they do backflips and toss their katana.

  • yea....that's haidong gumdo - korean art of sword....they like to show of with jumps and flips

  • it's also looks kinda dangerous to jump with swords?? maybe i'm a newbie but...

  • Actually the jumps and flips is just a stiupid play, if you like what you see here, search for like Tenshin Shoden Katori Shinto Ryu, Yagyu Shinkage Ryu or Syuushin Ryu for example, they are all original japanese arts, withour flips, toss and other stiupid things ;-)

    Best wisehs!

  • Come to think in Wu Shu, and tell me if all those "flis and toss" are stupid things but...we're merging China with Japan there. Some flips aren't just for the show of it, there is a motion in every flip, and the flip itself adds momentum, wich can be used as power, not needing direct muscular power. "Curves sometimes are stronger than straight, hard lines"

  • You are right, but as I said, it was about japanese arts, and I meant the sword arts. In some Jujutsu, there are flips to get off from locks. In chinese martial arts maybe they are useful, I don't know, I never practiced them.

  • @AngelofKaos the reason why flips and tosses are rejected as the true art is because they are over used in the film industry, flips and tosses should be used if necessary and not whip them out whenever you feel like it, thats what i think anyway

  • @Divinenite

    The simpler explanation is that it's impractical for self-defense but really flashy. Flashy is good for movies.

    This would be amusing if applied to modern warfare. Movies like "The Matrix" overuse acrobatics but marines and infantrymen only "bust a move" when needed.

    Hilarious.

  • @dhx84 yeah its good if u want to beat em down in style lol

  • @wanderer1125 that shit you watched was entertaintment industry of amercia fucking up ancient arts.

    these techniques were used by samurai for hundreds of years because of their effectiveness and efficiency.

  • he's fast as hell but then you can see him sheathing the sword so slowly and steadily

  • Over the years we have come to place emphasis of fast noto as a show of skill. Traditionally alot of styles prefer a slower sheathing of the blade. Some would argue that it looks cooler than a slow and steady noto, but i have always found that the slow and steady approach has an almost hypnotic quality. And also in the past this would be the act of the winning swordsman and to me it displays a deeper respect to your fallen enemy than quickly sheathing and walking away. Thats just me but :D

  • I have watched this video multiple times before I commented. The very first thing that comes to mind is a painting of this man in the seated/kneeling position in 1:05 frame. What I picture is a few trees and a mountian in the distance ( not the spectators in the foreground). Thank you for posting. Sensei is very fast and smooth. Perfect! If there was an opposition in front of him they wouldn't know they were cut!

  • 0:50からの居合いはすごい

    あんな速かったら切られたの分からないだろうな

  • Unbelievable. With shinken none the less! That in't no aluminum alloy sword...

  • Inspiring. I still have a hard time seeing him draw...

  • yah it is but if you train with any type of martial weapon your sense of the speed will help watch it move.

  • I know. ^_^ I've been doing iai for over six years, but he is frighteningly fast. I can see it happen...but it's really hard.

  • 0.51 seconds = i would be honored to die this way by him.

  • His techniqe is fanominal, too bad the video was of only his back. Truely impressive non the less, it inspires me clearly to continue my Iaido

  • That was awesome! His speed is insane.

  • At least 30 Years of diligent practice makes you somewhat a spring-loaded human guillotine..

  • Kuroda Sensei is a beast. I can't even see his Katana being drawn.

  • Master Kuroda is just bad ass

  • So powerful yet smooth, fluid and graceful.

    he's awesome.

  • One of the true masters of our era. Its kind of sad to know he doesnt plan to pass on his personal variant of his familys style, but his reasons are solid.

  • So what are his reasons?

  • try wikipedia! LOL

  • That's true, but the good news is that he is currently a very strong influence on the Nami Ryu Aiki Heiho style.

  • I can't find it on Wiki. Don't tell me i'm not looking right: i just copied the name of this video into google and wikipedia.. and not alot of usefull things came up :(

  • complimenti bella spada:)

  • Holy...hes so fast you hardly see him draw the blade its like watching bruce lee punch.

  • Anyone knows the ruy of kuroda sensei teaching?

  • Shishin Takuma-ryu Jujutsu

    Komagawa Kaïshin-ryu Kenjutsu

    Tamiya-ryu Iaïjutsu

    Tsubaki Kotengu-ryu Bojutsu

  • what style?

    and plz cn somebody tell me the complete name of kuroda sensei?tnx:-)

  • KURODA Tetsuzan Senseï of the Shinbukan Kuroda Dojo

  • 正に神速!

  • In my opinion this guy rival Otake. No flame please lol just in my opinion.

  • what style?

  • BLOODY AMAZING! Wow! His posture, speed, accuracy, technique, perfect. Brilliant.

  • freakin amazing!

    i´ve been practicing aikido, and i want to start learning kendo, so i can study iaido, and when i see such great sensei, i just confirm that.

  • Perfection of speed and posture.

  • Just simply amazing, much respect for Kuroda Sensei, WOW!!!

  • Amazing video and a fantastic example to anyone who would study martial arts. I think he is perhaps the most exemplary example of martial art mastery I have ever seen.

  • amazing....

  • Fantastic!

  • the comments below were responses to BLAYRAL who 's comments apparently got deleted for anyone wondering why smoothandbuff and myself have like four posts up that sound pretty direct following mr normalton's post.

  • Kuroda Sensei's obi is tied on the outside to facilitate the style of the draw in his ryu. It's not all that uncommon. It has a legitimate purpose. I'm positive he can draw his sword just as fast with his obi on the inside. Perhaps you should teach Kuroda Sensei Iai...I'm sure you are much much faster!!! You should find out the reasons for what Kuroda sensei does instead of assuming that there is no legitimate reason....cheers again keyaboard samurai!!

  • what have you witnessed not in videos and from whom? What are you basing Kuroda Sensei's movements on? Have you trained with him or met him? How are you qualified to make a claim on Koryu? What Koryu do you study? Some of the highest ranking headmasters such as headmaster Shihan Otake from TSKSR have extremely high regard for Kuroda Sensei's movements. Yet you disagree...wow!!! you must be an incredible swordsman!!!!!