Added: 2 years ago
From: LolaAstanova
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  • Lola, thanks, I always am grateful when talented people share their daily routines, habits, philosophies, so that I may learn to emulate! btw, as a suggestion from an objective observer who sees a naturally strong, talented player -- try strength development, both in the context of piano (ie, Hanon) and in general - I bet you have a lot more in you, excited to see where it could lead! :) For others reading, posture is of paramount importance -- check out Abbie Whiteside's Playing Chopin book

  • obviously NOT from the Russian school.

  • I was wondering if you lift your fingers purposely for exercise during warmup, or is that normal technique. I find best results at chromatics doing them at trill speed, but I have to keep my fingers close to the keys. I also use what I call conjunction points eg. for chromatic thirds. C,C#,D conjoin E,F,F# and G,G#,A conjoin B,C,C#. Josh Wright (another concert pianist) mentioned a similar idea when doing scales. It's kind of like key meeting points to make sure that both hands are synched.

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  • cool

    

  • my fast tempo is like hers at 4:45

  • Her fast tempo could be her normal tempo, jeez.

    But interesting to see how you warm up, as I usually just do a couple of Hanon exercises. Thanks for the video.

  • "normal tempo"???. So would "fast tempo" rip through time and space or something?? and only god would know what Prestissimo would do! :S

  • Steinway D... Lucky :)

  • What is the difference between Hanon and the scales? I don't often practice the scales. Are scales more helpful.?....

  • you need to practice!

  • Is it better to practice in thirds cause I've noticed you always do thirds.

  • Can you please tell us how to play complicated polyrhythms, cross-rhythms, such as 5 or 6?

    I can do 2 to 3 and 3 to 4 by counting beats and playing RH, LH at the right moment,

    beats: 1 2 3 4 5 6

    RH: 1 0 0 1 0 0

    LH: 1 0 1 0 1 0

    but when dealing with polyrhythms of higher numbers such as 5 to 6, this method becomes too complicated.

  • First of all, thanks for your videos! I have really enjoyed them this evening.

    Second of all, I would like to ask you if you can recommend any books to improve technique, I am kind of lost.

    Kind regards!

  • Can you please also show us how you play dominant seventh chords in a similar style that you played your arpeggios in this video?

  • You play scales from C with you 3th finger, I never saw that! But it has logic.

  • con Lola ricomincerei a studiare da capo:)

  • Your playing is AMAZING, You are AMAZING. It's a pleasure to hear u playing piano, even scales and arpeggios! Thanks for share :)

  • when did you start playing piano?

  • WOW! i FIND IT AMAZING HOW ACCURATE YOU ARE PLAYING SCALES AND ARPEEGGIOS AT THAT SPEED..

  • Thanks Lola for answering questions on Youtube. Its nice to know how to do some basic warming exercises Thank You!!!

  • The hottest woman alive! Sheeeeesh!

  • I think I fell in love with you ...

  • Normal Tempo??? Good heaven!!!!! I wonder whats her fast tempo is..

  • I'm pretty new to the piano; could anyone tell me what an arpeggio is?

  • @izzyjamm4 assuming you know a little bit of music, arpeggios contain the 1,3,5th notes in a scale.

    For example, an arpeggio in c major contains c e and g basically, a chord played as a succession of notes is the better definition (as seen on the web). so instead of playing that c major chord as a chord you'd play each of those notes in the chord individually.

  • @EraserMonster Thank you.

  • Man, I don't warm up at all :D

  • i love how your hands look as if they're galloping across the keys. lol.

  • hi, im doing the russian scales, ive just never been able to do arpeggios very well, especially fast arpeggios. can you help describe how to get acquainted with arpeggio fingering and what kind you would recommend for warm up?

  • after watch ur video....it really inspire me. many thanks LOLA

  • Amazing!! :D

  • Meanwhile, back on Earth...

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  • um all be responsible for around 10,000 views!

  • I have heard the 10.000 hours of practice theory, but is just playing still fun for you,?, I have known some phd faculty people that after they retire from teaching, they never want to play again,, ps,,,you make us lazy people want to practice or get off the pot,,lol

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  • emmm. Well You play this in all tonalities? not... Why Why only in C scale ¬¬. Much people believe That practice all Hanon Excercises you can be Virtuous pianist. Really not. I practice the hanon excercises in all 12 tonalties this is: 60 x 12: 720 excercises Diary. I always said: "If you practice more of your limits you'll be a grand person" Whatever, the word: PERFECTION, PERFECT. Dont exist. nothing its perfect

  • @lolaastanova why do you play the scales and arpeggios as 3rds instead of octaves? Is there a technical reason, or does it just make it more interesting?

  • @gn4rgoyle at one point i heard that this is how Russian music schools teach their students to play scales

    from looking at it superficially, it seems that these scales help a student exercise both parallel and contrary motion...starting with 3rds in parallel motion probably leads to more consonance (they sound better) when you start to go into contrary motion

  • @gn4rgoyle I also forgot to say that the arpeggios are not in 3rds...they are played as root, 3rd and 5th and all the inversions as usual

  • You need to marry me you super talented super gorgeous girl! ;)

  • You're so beautiful =) I wish I found someone like on my path

  • so this is the NORMAL tempo? lol,,,wtf am i doing here anyway? haha,,i am begginer ,sorry that was a neurotic laugh

  • what arpeggios are those?

  • This is not that impressive at all. I could do this in my sleep WITH my hands tied behind my back. I'm totally playing, that was just...wow. You're fingers were moving faster than my eyes could follow lol. This motivates me like crazy, you are crazy gifted!

  • Y U No have carpo-tunnel

  • you are a true inspiration!-well done!

  • you are speeding up a little when descending

  • Hi Lola! Can you share the Chopin op.10 n° 1 Etude slowly? I'd Like to learn with your precise movements!! ; ) You are AMAZING!

  • Hello. Hey I'm Mexican pianist, I have 16 years. I'm intermediate level, I play things on the level of the Campanella by Liszt. some studies of Chopin. OP10 No 5 op 10 no 12 chopin minute waltz, etc. And I would love to know if you can make videos of a technique that is widely used for playing fast octaves Liszt, for example in the Campanella at the end there are a number of octaves to be played quickly My hand position must have to do it very quickly. I hope your answer THANKS.

  • me sale mejor a mi la escala cromatica a 7 octavas

  • Wow. I love this, and is an eye opener. I love the fact that even for these you play very musically. The agility, speed, clarity are amazing but also the power and yet lightness is a lesson to all that this is possible. How do you make it 15 minutes? do you change touch? Volume?inflection? at your blistering pace that warm-up would take all of 3 minutes? Would love to know what else you do with the warmups. Octaves, double notes don't feature?

  • Great video. I love the fact also that you do play all your scales musically. How does it take 15 minutes? do you vary your touch? wow, the speed, clarity, agility and lightness with volume, I'm trying to achieve myself, but boy, you take it to another level, your level is tricky.

  • I wanna date you

  • I quit...

  • I think that only me use this scales for training yeah you and me lola play to the same velocity give me 5 :)

  • Looking at your fingers on the chromatic scale part, are you doing the 1313123 fingering, or that other one where you utilize your fourth finger? I was told that the latter increases speed.

  • I jam to this chromatic scale exercise...

  • Well, I don't have a question, just found out about your channel and twitter account, but it's great that you yake the time to answer questions of people. That's really taking dvantage of social media and bringing music closer to people. Take my fat of for that. Greetings from Holland,

    Koen

  • @johnyhoj Ha-ha-ha...yes, butchering a steer would be a real stretch for me...for many reasons. But I'm sure you could learn to play scales a lot sooner than a million years.

  • Question 1) I notice, when you are playing scales and/or arppegios at your tempo (fast -lol), how should I curl my fingers? Or should I? Especially, the 5th finger... Ive notice pianist like Keith Jarrett. When he plays, his 5th finger is curled up. No matter how much I practice trying to hold my fingers in those positions, they end up pointing straight out. What could I do to improve this (if it needs to be improved)...? Thank you so much!! PS - I LOVE your sense of fashion! You're the best!

  • @jaythanbishop Thanks for the complements. As for your question, I'm not sure that curling any finger one way or another should be a concern or a goal. Everybody must find their own natural way around the keyboard. If you are struggling with one finger than the issue is, probably, broader, and you may need to go back to some basic hand positioning exercises.

  • @jaythanbishop Never curl your fingers like a rainbow... It's a bad habit and it does nothing for your speed or delicate playing at fast tempos. When you curl your fingers you lose speed and consistent accurate motion. TEST 1: Curl your fingers like a rainbow and wiggle them up and down quickly. NOW: leave them un-curled, slightly arched being closer to being straightened and wiggle your fingers. THE DIFFERENCE in speed will be noticed instantly. Keep your hands straight when you play ;)

  • Greetings Lola, First of all..., thank you so much for your generosity and your time in sharing with us your methods of warm-up and other information. This have been so helpful to as I've tried to get this somewhat basic information from other musicians here locally and it's been like pulling teeth. You are so very talented, gifted, skilled and anointed. I certainly appreciate your skills. I do have several questions but I will ask them over a few posts. I'll ask the first in the next post. Thx

  • great stuff - i love !

  • Wow, killer technique!! 

  • THANK U SO MUCH AND WO i just learned music thy so now i know relative minors, the cycle of fifths this motivated me to repractice piano and play more pieces once again and wow i should rlly do ure exercises i feel like theyll make an impact on my slow paced fingers <3!!!!

  • Great scale exercice, I'll use it for my students. Thanks Lola, you play wonderfull!.

  • Hello, I have a question, why you start scales on mediant??

  • LOLA, HOW ARE YOUR HANDS AND FINGERS DOING?

  • lola hello I studied for a while hannon virtuoso pianist but as I just can not "jump start" my fingers still feel weak even worse "clumsy" and I decided to study the applicant in each key hannon all my strength is that valid? or wrong?

  • Do you use the normal fingering for the chromatic scales here?

  • @codekiln Yes, I use normal fingering for scales.

  • im surprised she doesnt have massive bulging popeye forearms.

  • @CrustyDoom bulging forearms are actually a sign of ineffective piano technique, where the pianist presses into the piano rather than using body weight to sink into the key - so her lack of huge forearms is actually testament to her healthy playing style.

  • @codekiln Eccentric contractions while going through the piano keying will build strength, endurance and dexterity far beyond any other exercise. I am the inventor of ergonomic exercise and bracing devices for the fingers, hands wrist and forearm. Exercise during playing the piano does not build strength endurance. I have been creating my songs so I can enjoy the piano. My dexterity at age 68 is as good as most 35 year olds.

  • @codekiln ha.  my forearms kill after 10 minutes of fast arpeggios. so i have shit technique probly.

  • all I can think of is how I cant even move my fingers as fast as she does, much less with coordination and accuracy.

    With all due respect (and compliments)

    I bet she could whoop someones ass with her fingers.

  • imagine her giving light shows.

  • Oh, my God! To do it with the nails - that is amazing!!!

  • @LiliyaUgay what nails?

  • @LORDNARCISSUS, they are long!!! the only way to play with such manicure is to play with flat fingers, but it's hard to imagine how it's possible in the tempos Lola plays :O

  • @LiliyaUgay Actually, I do not wear manicure. My nails have to be a certain length and I can't have anything on them.

  • Skip to 3:15 for godlike warm up routine.

  • please give me your piano.

  • i wished i was a pianist.. lol its soo cool!

  • Fascinating....a concert pianist who's really in touch with her fans....and very helpful too.

    I think I'm now a fan....after I watch a few more of her videos. :)

  • @ayokay123

    But I don't know how it technically works. I just felt a big difference although my up right piano is a very nice piano, i'm very happy with it !

    (Bravo again Lola)

  • haha, i dont have patients for warm-ups either

  • Is there a book you could recommend that contains these scale and arpeggio exercises with the appropriate fingerings? I usually just play scales in unison across 2 or 3 octaves. You however, change direction between hands and land on intervals. Thanks Lola. You're amazing.

  • @Xylophunk There must have been some book of exercises that I used when I got started, but for the life of me I can't remember what it was called.

  • She has a very strong technique, Bravo !!

    Thanks for tips aswell !

    But this velocity is impossible to reach on my up-right piano. If only i had money...

  • @MagicSkryabin Out of curiosity, why would an upright be any more difficult? Do you find the key action to be that much different than a grand? Pardon my ignorance.

  • @ayokay123

    Hello, actually, I'm wrong, there are some grand piano with much harder key action than my piano. But when i was at piano shop I tried some incredible piano (Bosendorger 290 Imperial, Steingraeber & Sohn E-272, you know those pianos which cost 140 000 euros..) and it was such more comfortable than my piano. The control of the weight, the speed, the touch. (You may say its normal for expensive piano like those)

    So with those pianos, i could reach a better velocity than mine.

  • @MagicSkryabin actually some pianists use weights to expedite muscle development. they are muscles that are build with resistance also.

    ur doing urself a favor by using heavy keys... I do that too :)

  • @LORDNARCISSUS I would just like to add that weigh exercise is what killed Schumann's hands. Also, though heavy keys can be very helpful, never strain, never cause pain, never let your tendons feel tight or hot, don't let your hand crack, pop, etc. Always use the absolute easiest fingering that is the most efficient (this is tricky cause the right fingering feels wrong to undeveloped hands. Think mechanics of the hand, not ease of pattern to the intellect), And never push your physical limits.

  • "And finally, some arpeggios." I close my mouth and think, ah.. a cool-down... Five seconds later my jaw bruises my collarbone.

  • It's just like going to the music school and see porn at the same time... I keed xD

  • i made a youtube account simply to let you know....... there isnt a fish in the sea that has more beautiful scales than you... your music is easy on my ears.... and you are easy on my eyes. BRAVO!!!!

  • @tickletheivory1221 Oh, a whole YouTube account for me? I'm very touched! Thank you!

  • Lola, I don't want to make you self-conscious but I love watching your hands on this video!

  • o_o this makes me NOT wanna go play the piano, because in the back of my mind will be this awesomeness compared to my only three years of training T^T

  • i have never been so discouraged in my life

  • @shadowsmaster194

    lol my stomach just dropped.

    She did'nt even play anything and Im wordless.But the comment by buffyguy is right

  • Lola... do you ever bother with Hanon or would you recommend perfecting the scales and arpeggios alone...

  • so beautiful so exotic and so humble, ohhhhh i'm in love again

  • A minute or so before the end of this video, the dominance of your left hand (which you mention) begins to show with its increased volume. I got into your channel with a selection whose facetious title was "This is sick" and you riff on a Rihanne number. I've just got to say you've got something going for you. If I had a practice instrument, I would be trying to keep up with the grade-school girls who play on youtube.

  • Hello Lola! (:

    I admire your talent a lot! I'm 16 and I want to have my technique "relaxed", or, how can I explain, I want to play 100% relaxed as so as 100% equality. Could you give me some advices? I love this kind of warming!! I'm gonna put into my sheet paper for me to do it, if you don't mind, but is awesome!

    Cheers,

    Pedro

  • Amazing! I'm doing this now with difficult passages in my pieces and this works! What an improvement. Of course, I'm not up to her speed. lol

    THANK YOU for this video! What a terrific idea, Lola.

  • it would be awesome if you learned Hungarian Rhapsody No. 2 thats the song that inspired me to play!

  • I just discovered your videos, and I'm already sure this one is going to help me a lot. Thanks for sharing your talent. :)

    Also, you're gorgeous.

  • I need to practice that counter motion scale exercise again

  • when did you start and who taught you? did you like your teacher or did you hated him? or her

  • your a minor scale was actually a melodic minor. just sayin' haha! But I love to listen to you perform it's amazing!

  • what you played was not an arpeggio, but a broken chord.

  • @canimob LOL thanks for the laugh! Not an arpeggio, but a broken chord: HA!

  • wow...

  • I can' t even watch her fingers go that fast yet along imagine playing that fast. WOW!

  • Hi Lola,

    What is your procedure for memorizing a piece of music. Is that a seperate thing or is it a result of HOW you practice?

    Thanks.

  • Hola Lola,

    I've just listened to several of your performances on Youtube.

    You have very good fingers and possess a refined, rarely heard musicality.

    What gets my extra attention, is that your musical ideas in Chopin are nearly IDENTICAL to mine!

    Strange, isn't it... ?

    Where do you actually live and work ?

    Kindest regards,

    Geert Dehoux, pianist.

    Belgium.

  • @geertdehoux Thanks Geert. I guess great minds think alike? ;)

  • @LolaAstanova

    Well, I don't know...

    I remember my friend Arcadi Volodos' big frustration about finding ONE good performance by another pianist!!

    Luckely I don't have that problem. :-)

    Wishing you all the best,

    Cordially,

    Geert.

  • Lola, Even your scales sound musical...

    Such natural, flowing rhythm, clear articulation and consistent controlled power from those beautiful hands. Thanks for posting this video and these answers.

    This is one of the highest and best uses of YouTube.

  • These scales are fantastic for advanced pianists, thanks. But BEGINNERS beware - DON'T try them this fast. You will damage your tendons.

    ALWAYS BEGIN SLOWLY and build your speed up very slowly over weeks or months, according to your expertise.

    Thanks for posting this, I have been longing for a concert pianist such as yourself to post something like this.

  • @baiba6 Correction - a beginner pianist may damage a part in their BRAIN, as it is the brain that tells the tendons what to do. Neurological injuries are common in pianists who practice too much without a warmup. The injury is not always permanent. No disrespect to Lola, she is brilliant.

  • Also...MARRY MEE!!! haha!

  • Okay..NOW I wanna see You screw up!lol!!

  • This is NOT a warm-up routine, its a scale practicing routine. Warming up is completely different. Warming up is about your whole body, and increasing circulation to your arm muscles with arm swings/star jumps and that sort of thing.

  • @debrucey warm-ups are subjective things - i find that practicing scales like this is even better than warming up to say an etude

  • @AvidHobbyist Warm-ups are emphatically not a subjective thing, anymore than antibiotics curing bacterial infections being a subjective thing. The body doesn't work in a subjective way. Just playing a few scales/etudes/bach etc may get your fingers comfortable with the feel of the keyboard, but they will NOT prepare your muscles or tendons for the workout that you're about to put them through. I wonder if there are any qualified musculoskeletal doctors here who can agree with me?

  • @debrucey that analogy is terrible. lola astonova is a much greater pianist than you and any warm up that works for her will work for me.

  • @AvidHobbyist Woah, personal much. I didn't criticise her pianism, I criticised her definition of warm-up. Lighten up.

  • dutch accent?

  • @trevorzac I thought Eastern European maybe Russian but living in USA?

  • 3:15 This is such a great idea for me to do with Chopin's Polonaise in Ab Maj. for the scale part. WOW! Thank you so much for the idea. In fact, this can be done as a means to practice many difficult scales and arpeggios in your pieces. Hmmm...I'm going to use this also for Chopin's Revolutionary Etude. Is that wise? Not sure, but I'm certainly going to try it. I wonder if this would work on any difficult passages you may be strugging with, or would it simply waste time?

  • My honest advice to anyone is to NEVER compare yourself to anyone. The moment you compare yourself, you just lost half your motivation. Always enjoy playing piano on your own pace and you should get better and better not by watching others, but by practicing in a pace that fits your style. She has a different style of play. There is always someone who is better out there then what you see here. Everyone has an idol even she does. There is no such thing as 1 person best piano player in the world.

  • @buffyguy10 Right on! Much better to compare yourself to the music. Don't settle for less than what you want to hear! This is the standard that Bach adhered to- he pushed himself to be greater than he was. One of his truly great qualities that set the standard for the wonderful music we have today. Trust your ear, trust your heart. You will be amazed at your own playing, one day. Talented, egotistical musicians that 'peg' players almost always hit a wall, and once they do, they stop growing.

  • @buffyguy10 you just made my day!

  • @Supersupernatify

    Thank you....the guy below..PlasticPlaystation..u are obviously not getting the point buddy...u should get back to your playstation games cuz u are a kid who does not even know the difference between constructive criticism and an actual advice..

  • Comment removed

  • @buffyguy10 Loooooser... Great advice Mr. Nobody.

  • dont quit people..lol she has been playing since she was 6...everyone has a talent that only you poses. She can play piano but cant sing...u cant play piano you could probably sing...You can be a professional soccer player, Lola couldnt kick a ball maybe she would fall on her butt...u get the point?

  • fuck, I should just quit now!! i'll never get to the speed and accuracy you display!

  • Thanks!!!

  • How long have you been playing for and what do you use to practice? I've been playing for almost 10 years and haven't acquired anywhere near the skills you have. You're quite the inspiration!

  • Hi Lola,

    I always have a problem playing this Rondo. It is supposedly quite an easy piece to play.

    William Kempff - Sonata No.8 in C minor, op.13 Pathetique - III. Rondo. Allegro

    Any ideas?

  • @swanningaround

    What I do is practice it with my eyes closed. don't look at all, even if it takes all day to get through it. As slow as you have to to get all the notes right. Then gradually speed it up. Maybe one metronome marking a day on a digital metronome. So start at what ever tempo you need to get through with no mistakes and then move up one notch. It' s tedious but it works. And no, it isn't an easy piece to play up to tempo. Listen to Horowitz play it.

  • Lola, you are just brilliant!! I love to listen to you! bless you

  • Do you always practice on a steinway piano? Last week I played one at a store and I felt like all of sudden I was wearing a tuxedo! The keyboard action was very different from my Yamaha and it had much wider range and very sensitive. I wish I could afford one like yours :( However, thanks for your tips. They are very helpful.

  • WHOA! no way could i play something like that.

  • You are a beautiful woman with a beautiful talent and a beautiful piano ;)

  • who taught u how to play piano u play beatifuly!

  • Hi I have seen many people record on piano here on YouTube but you really are the real deal. I am so pleased that you are sharing your work here. I wonder which city or country you are in and where you trained..if you do not mind sharing that. I myself have my master degree from the us and Toronto also. You are inspiring thank you.

  • Hey miss, lu ur playing, i guess i have skill, but i might not have still enough, anyway we shall meet later on in time. I'm following from close your video.

    A question : when did u finish ur piano curriculum ?

  • wow I'm learning these right now , thanks ! reminds me a bit of the Hanon exercises , each hand like its own instrument , completely independent :) , do you ever improvise music ? or any original pieces ?

  • I love You Dear Lola !!!!!

  • Thanks for sharing your thoughts about warm up. I am working on it.

  • Do you know what your speed is on the metronome when you play in your normal tempo?

  • i loved it! your truely UH-MA-ZING!

  • This is gonna be one dumb question. Does the size of your hands matter in how good you can get? My hands are exactly one octave from thumb to pinky. I've always wished I could span 14 notes..

  • @Moddance19 Dividing the piece in sections. Work on one section at at time. Start with the most difficult/least favorite ones.

  • Your amazing!!! :) 

  • lola why are u so fine and beatiful? lol u play excelente

  • That's the same way I play my scales! With the contrary motion technique. Neat!

  • Hi Lola: I called my wife over to hear your magic. If you are selling the manuscript of those scales and arpeggios I am buying.

    Aloha,

    Alton

  • this is just insane i cant get my 2 hands to work together this....would be imposible

  • WOW Thank You soo much for showing your warm ups. This is is something I will treasure forever

  • lola hello I have a question:

    because you look very young how long to spend on piano virtuosity to get to like you've done thanks

  • WHO ARE YOUR FAVORITE PIANISTS?!? please answer!

  • Jesus her warm up is BRUTAL

  • Lola, I have a question as well. Have you ever suffered from stage fright to the point in which it completely changes your playing and technical approach to music? If so, do you have any good advice on how to conquer this problem and keep a nice relaxed approach while performing? Thank you soo much for your time! It truly means SO much to all of us!

  • @chutdigadut I don't think I've ever suffered from "stage fright", but some days I'm less comfortable on stage than others. On those days I simply tell myself that I will play better if I'm relaxed. I know it's easier said than done, but that's what I try to do.

  • Question - is it ok to start playing so fast right away? My definition of a warmup is a bit more relaxed, starting slow at first. Am I doing it wrong? :)

  • @teodortenchev You are not doing it wrong. Playing scales in slow tempo is completely fine. In fact, playing anything in slow tempo is a good idea.

  • Hi Lola, Don you think is a good idea to practice Hanon, or others technical methods, every day? Or You work technic directly in yours pieces? Thank you, have a nice day!