Added: 4 years ago
From: maggini1
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  • bien vrai le violon est un instrument fabuleux et si il est bien métrisé c'est le soleil le printemps la vie le rire de l'etre aimé du chocolat du miel et plus encore

  • Every time I attempt to write a comment about this video I can never find a word to express how much I enjoy this performance..

  • the more i listen to this song, the more i like it.

  • That is a HUGE bass section.

  • Anyone playing this piece for their diploma exam thumb this comment up...i wanna know

  • 6:36 BEST.FACE.EVER! he really gets into his music

  • גיורא הבן של מיכל ודב, שני מוסיקאים משכמם ומעלה

    אין פלא שהתפוח נפל קרוב כל כך לעץ

    הידד !

    שלכם

    ג'מיל - נצרת

  • I love it so much, but nobody is following Itzak Perlman's beat. COME ON, IT'S ITZAK PERLMAN!!!!!!!!!

  • Is it normal for a teenager to enjoy this ? O.o A.k.a me

  • @paralola124

    the best of normal..... and extraordinary as well.

  • Your violin makes me cry. <3

  • Lovely playing, but I wish the camera person would stop zooming in to his face so much. I want to see his left hand darnit!

  • how i envy that pure sound of his...

  • I wish he was more passionate! Visually, he's not very exciting... this piece deserves every bit of expression...

  • @lesliep133 I, personally, prefer to perform with limited movement and theatrics... the idea being that if I centre and focus all of my mental energy internally, I could produce a far more sincere and intense performance. I find that I don't play as well when I waste my energy externalizing it... somewhat like a lightbulb wasting most of it's energy by having it become heat, far brighter and more beautiful if it works efficiently. :)

  • @lysss27 that may work for you, but I must argue further...moving to the music serves two main purposes: 1) personal expression of what one feels through the music and 2) delivering those feelings to the audience. Neither Joshua Bell nor Hilary Hahn perform the Saint Saens Violin Concerto No 3 in Bminor nor any other piece of repertoire standing stock still. One can express the music through standard dynamics, technique, etc. but body movements are another crucial extension of musicality.

  • Perlman + Schmidt!! how come that i missed this... I love them both!! my favorite violinists!! :O WOW

  • A triumph!

  • you know, honestly, if he had a better violin he'd sound better. that sounds mean, i know, but what i mean is that i think he deserves a better violin, and this would sound better... orrrr it's a crappy recording. i like barber.

  • I first heard this concerto when the Boston Philharmonic under the baton of the fantastic Benjamin Zander performed it at Sanders Theater at Harvard University.

    I thought the top of my head was going to come off with joy! What piece. I love Barber, and this is one of my favorites.

    This is a great performance of it.

  • "Hey, so you're going to play a violin concerto with Itzak Perlman as your director- no pressure."

  • @youvegotsyd luckily he's Perlman's protege :)

  • @youvegotsyd Actually, I don't think he would have much pressure. Giora Schmidt has been working with Perlman since he was 14. :)

  • @youvegotsyd Get your facts straight. Giora has worked and performed with Itzhak since he was a teenager. I doubt there would be any pressure at all. It's as natural as it ever was.

  • Lovely - but isn't giving Perlman conducting duties a slight waste of his talent?

  • the second movement with the oboe intro.....

  • I knew this was going to be a wonderful performance after hearing only the first 2 measures! Beautiful...

  • 2:56 Whoa.

  • I simply love this piece.. I don't think I've heard any other 'harmful' variations of Barber- harmful meaning I really get that desired feeling, that you're listening to various notes running together smoothly, and on top of that, you have a wonderful musician who portrays this so well.

  • I adore this piece. First time I heard it was when the youth orchestra I'm in performed it with Midori Goto. Greatest musical experiance i've ever had.

  • @aleksavortis mee too she sat infront of me i was sceard that if i played the wrong note she would turn around and slap me

  • I adore this piece. First time I heard it was when the youth orchestra I'm in performed it with Midori Goto. Greatest musical experiance i've ever had.

  • i want to cry. but im man. i can't cry, can i? maybe just this once. nobody is watching. :)

  • @hyeonj315 If you are a man, and you cry from listening to this kind of music, then you are ALL man, and the kind that awesome girls would fall for.

  • ...

  • No,no,NO!!!!There should be a huge,crystal,clear GLISSANDO in the upper note just before 0:31!!!!!I don't listen any rendition far from that point if the violinist don't do that.For me is like killing the sense of the piece.Without the glissando,accompanied with a kind of echo the music means nothing.Sorry.I have the Gil Shaham recording and it's so perfect and moving that I can't listen any other violinist playing the barber...

  • @wooskru I think he keeps it simple! Effortless, anyway sliding can be overrated 

  • @wooskru youre fucking stupid lol

  • @awesomeman19 Oh..I see...you are one of the youtube bad-mannered people who vomit an insult to the people whose opinions disagree with yours....Learn from the other response I had..at least it's a different opinion without being...well...like you...you call yourself "awesomeman"?..well,I think you'll have to work on that if you want to make it true...

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  • It seems that everyone who listens to classical music is like "oh, it so beatiful", what's with beautiful? why not AWESOME? (:>)

  • This piece of music is what America should be proud of

  • Okay I know I already commented, but no one else seems to have mentioned that he's also frikin' handsome! (On top of producing one of the most beautiful pieces of music ever.)

  • @ktm64 Completely agree. He's totally hot.

  • @universalexprts funny...do you know he actually have a Facebook that he answer questions to fans. He answered two of my questions already. He makes videos of himself answering questions.

  • *sniffle* *sniffle* WHY IS THIS PIECE SO DAMN BEAUTIFUL!!!! XD

  • I got shivers down my spine at least 5 times, and cried at the climax around 3:00. This entire piece is love in the form of music.

  • A great fiddler!

  • with out a voice in this song, it tells a whole story

  • This sounds like...transcendental. I had the pleasure of listening it live once, and this experience is one of the things everyone should do in a lifetime.

  • this is sooooooo beautiful- its given me goosebumps!

  • When I listen to both him and Perlamn, my soul seems to feel like it opens, and I feel my emotions, and my spine to render uncontrollable from the musical beauty, and the Tambre of such a piece like this, is absolutely exquisite.

  • if you want a great Violin Concerto listen to that by Alban Berg. There can be no doubt that Barber is a master of his art, that there is a strange mixture of Romantic pathos and Neo-Classicism, but in the long run it becomes monotonous. There is neither real development of material nor an absence of it. it must be rewarding for a violinist. It does not tempt me to listen to anything else by Barber. Sorry about the negative response, but it takes all types.....

  • One time,i got to work with Giora,and im only 13. not very many kids in the symphony i was in relized how much of and honor it is to work with him.Thankyou Giora :)

  • I love the deliberateness of his playing, but it's utterly too slow, that may have been Perlman's choice.... Also, as with all intelligent musicians, it seems as there is too much space in between his notes. This is common when musicians imagine the notes before they play them instead of letting their instrument express the music. It's not quite over-playing, he's far too talented for that... I bet you he could deliver the Korngold flawlessly. Hmmm.. He's probably pretty good with Brahms...

  • i met itzhak tonight.

  • hm...only person i can think of who can play this more beautifully is gil shaman

  • His sister is a trumpet major at my school and he came and played the Bruch concerto with our orchestra. i got to see him for free! AND get his autograph. also, he came out for an encore and placed Kreisler's Recitative and Scherzo and i could have died! the best live music i have ever heard

  • I feel this has to be part of God's wonderful work that a piece of music with such pathos can be composed...simply divine.

    Phil Evans 2010.

    

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  • mazallll tovvv

  • Mazal Tov!

    So beautyful

  • Beautiful. Wish my playing was as good as this.

  • WOW. That's all I can say. :)

  • PEOPLE. STOP BASHING.

    How many people do you know in THIS DAY AND AGE that play THAT great? No, not great, BEAUTIFULLY. Probably not many.

    Food for thought.

  • beautiful, beautiful, beautiful

  • How breathtaking. How beautiful. How moving. This violinist is certainly on the rise and will become a very noteworthy player. If i were to be there in person, i would have been crying. certainly better than vengerov, not at the calibur of itzhak, hahn, and chang, but nonetheless incredibly talented, more than 99.9% of violinists. I'd have to give giora the award for the best looking celebrity violinist though :)

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  • I bet none of you guys criticising this great player can play as well as him.

    Mr Schmidt is amazing.

  • I love how critical everyone is. This concert was 6 years ago when this artist was just breaking onto the scene. I can't even imagine how nervous he must have been standing on stage at the Mann Auditorium, with the Israel Phil and Perlman conducting. To be honest, this is pretty damn good performance for someone so young and under so much pressure. I have heard him play this more recently and it's astounding the violinist he has become. He'll be one of the greats, no doubt.

  • srry i meant over the fingerboard in line 4

  • nice performance

    but some comments to make:

    at 2:50 maybe less arm motion

    and at 5:46, his bow actually goes right over the bridge.

    I kno he uses a "rounded bow" technique, but you just cant hit the fingerboard right in the middle of the bow

    overall,great performance+interpretation

    and the note at 4:36, it was actually in tune

  • I have to admit I admire his ability to make a string sound like another one, allowing for the best possible fingering.

  • AAAAAAAAAAGGGGHHH!!! SOOOO out of tune at 4:36! You should be able to hear the resonance with the D string, and he didn't even fix it!!! He just kept playing the pitch which hurt my ear so.

  • @Steroid0Strad That was a C#, it was only a few cents flat.

  • @Steroid0Strad It's in tune at 4:36. Just listen to it again, I think you might have misheard it.

  • @catherineistoocool He's fine at 4:36. It's that he's really flat at 4:32. The amazing thing is that he doesn't even bother to gradually vibrate into it.. He holds the note there out of tune for like a whole bar. It's generally an uninspiring performance... Play all the notes though... except that one.

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  • At 2:43 I prefer the sound of open E string.

  • What´s Itzhak Perlman conducting...also!!!

    I loved!

  • First time seeing this guy,it was very good..good job man

  • looks like he's trying to steal the title for "silliest face while playing" from vengerov

    but that is impossible.... maybe joshua bell is the closest

  • I like it.

  • Where is the emotion? The passion! Its so SLOW and theres absolutely nothing there except the notes! I mean, he is impressively talented but he could have the courtesy to entertain us at least a little bit! All he is doing is making this "Oh my god its Iztzhak Pearlam behind me!" face and ruining this piece for me.

  • I agree very much; I noticed he didn't do his cresc's or decresc's very well =\

  • Everyone of us have our highlights and lowlights..maybe this was his lowlight ( for YOU) ....I personally loved it !!!!

  • @EPCJ2010 You don't have to be entertained. the passion is there just not where you can see it listen to the music and just feel it yourself and you will see his passion.

  • Thank you @benyman2. I don't understand this business of having to physically entertain an audience. The old schoolers just stood and played. The music spoke for itself. Now we see musicians with all sorts of flailing around onstage giving the impression something is happening, when more often than not it isn't. I much prefer a subdued physical approach. If the talent is there....a musician doesn't need anything else.

  • I absolutely adore his playing.....maybe if you could play like that than you could comment. He's done a wonderful job

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  • He has a very relaxed look about him, his fingers, basically his whole upper body. Which reminds me of Shlomo Mintz, although their sound is completely different, I still enjoy Gioras' playing.

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  • @JUAKPROD Fue alumno de Perlman, es por eso. Y buen alumno.

  • oo lo siento pero no se de que hablas mi hermano comento con mi cuenta ¬¬ xD

  • very beautiful.  oh my gosh. I'm scared to learn this piece now because it wont sound like that. :( haha

  • and just think, playing with Itzhak Perlman conducting. ITZHAK PERLMAN. Must be worrying.

  • he's probably used to it... Perlman was his teacher.

  • i guess it will sound stupid but ill say it tho .. i kinda of dont like the sound of his G string.. but anyway his performance it outstanding, the concerto suits him great !!!

  • Perhaps he moved the bass bar towards the E-string, since this piece mostly features the violin's upper register.

  • i feel the same way about the g string lol.

  • He plays so naturally, it's amazing

  • i could see y he is playing the solo. he definately has the passion that Perlman does =]

  • A truly magnificent and original performance tonight of the Tchaikovsky Vln Concerto!!! It was, as davidjb100 just said, "a truly wonderful experience"!! BRAVO!

  • Just got back from the concert! He was fabulous. The Tchaikovsky was nearly perfect all the way through, and he played Bach's Prelude from the Partita No. 3 as an encore. It was truly a wonderful experience.

  • I'm so excited to see him in concert tonight! I can't wait to see how he tackles Tchaikovsky's Violin Concerto.

  • Jewish people are blessed with so many gifts. God has really chosen them to be his people. Go Israel and Giora Schmidt. !!!

  • Certainly, that is true. But the Israelites too! Not all Israelites are Jews!

  • his violin seems to cry

  • @sijas his violin was made from one of those people that made amazing violins,his instrument is like 300 somethin yrs. old. :O

  • @bigsis314 Some of the people you are referring to include Maggini, the Amatis, Guadagnini, Goffriller, Bergonzi, the Gaglianos, Stradivari, Stainer, and Guarneri. Vuillaume came a little later; about 150 years ago. As for what constitutes an 'amazing' sounding violin, many modern violins are surpassing older ones, and only the best instruments produced by the aforementioned masters' (and their contemporaries) works can compare favorably with today's best. Giora now uses a violin made in 2000.

  • @cjh37878 but when i did work with him,he told us that is how old his violin is?

  • @bigsis314 Have you seen his Facebook page? He recently got a new violin, a contemporary one made in 2000 by a as the lease on his Guadagnini (which, to be honest, I think personally did sound sweeter by a little but was not louder and would be better for this piece) expired. Leases are sick things.

  • @cjh37878 o i have him on fb but i didnt see that! o wow thats cool!? i hope he always keeps his old one tho. :)

  • @sijas And I cried listening to it. He's amazing, this is the best version I've heard. There's a beautiful ballet that was made to this music too. <3

  • although the author best known work is his too beautiful adagio for strings, this work gives the opportunity to get close to his music, this concert was composed in 1940 and premiered on february 7th, 1941

  • actually it was composed in 1939 on commission, and then already unofficially premiered by Herbert Baumel

  • he plays beautifullllllly!

  • You probably liked it because you didn't have to listen to it.

  • oops im sorry i ment that i like the comment!

  • I live in the city where he was raised. His father is a very good violinist and violin-maker and I've taken my instrument to him before, but I never realized he was Giora's father. . . .somehow, I just never made the connection between the two until now. But wow. What beautiful playing.

  • i want a viola from him..... too bad

  • Bravo!

  • hes HOT...volcanic Hot in appearence n vituosity!!!!!

  • I miss the glisando-portato-vibratto in the note in second 0:31...!!! gil shaham does it and in his recording and is night and day,really... just ONE note...

  • I'll play this piece in this summer, and I hope I can play well

  • Bravo!!!!!!!!!

  • a stunningly beautiful piece; well played! I enjoyed very much!  Thank you!

  • Very sweet tone. I didn't like this interpretation at first--thought it was devoid of emotion. Silly me. It was lovely after all.

  • haha i agree with you, he is a good player but is not the best performer i have seen.

  • i bet he gets loadsa poon tang

  • ugh...i wish that didn't sound abusive

  • beautiful performance :)

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  • Probably. He wrote a piece titled "Dover Beach."

  • Yeap, Dover beach. it's a great piece. i had a chance to play it with a wonderful singer while i was in a music festival. definately underplayed, and worth checking out.

  • His violin has such a broad and powerful beauty to it.

    I love it! From the high notes to the low notes....he also uses his vibrato well. It doesnt hurt that he's cute too. lol

  • Very good interpretation !!!!!!

    I play the same piece and it's a very beautiful song !

    Bravo !

  • i am playing this song right now for a concerto competition. it is such a beautiful peice! barber is one of my favorite composers

  • wonderful !!!

  • I love the melody at 1:32 and 3:25 and 5:38 and 7:24 and 9:30. It seems so eerily sad yet beautiful.

  • Although the performance is gorgeous, I couldn't bear to watch his face. Sometimes it looks as if he's being forced to eat something he particularly doesn't like. But a good performance nonetheless.

  • facial expressions and body movements add to the passion of the piece :D

  • I prefer not to look at the facial expression...

    The sound is all I care about. Just the pure sound...

  • This was played at a concert I went to last night and I was absolutely mesmerized by its haunting beauty. It is gorgeous in a very ethreal way.

  • other than a few ugly notes this is a great, emotional performance. shame on whoever put it down

  • Well put.

  • This has plenty of emotion. Jesus, sometimes I hate this site.

  • You have to be impressed with these people. Just imangine how much time they've all had to put into this! I'd be sick of the same song if I had to play it all the time, but they are all able to bring out their emotions as they each play...

  • lmao i love this piece

    but i can't play it (yet!)

  • This quite beautiful. I'll agree with some people that the performance lacks a little heart, however, at the same time, it's quite difficult to understand exactly the person is trying to convey. To each his own I suppose.

  • people on youtube are fuckin dicks....this was a great performance

  • Ironic that people should make fun of his faces. Have you ever seen Perlman's faces when he plays?

  • Go listen to James Ehnes' recording of this. I find it far more interesting. I don't need to back up beliefs. They are simply part of my opinion. I'm not about to go having a debate over video comments. I just wanted to comment to say, I don't find this to be very emotionally gripping. Sure, it may be when he was younger, but I still think he is a funny character, not so much an amazing artist...yet, I could be wrong in time!

  • so many people bashing his performance :(

  • Clearly Belay Pat hasn't listened very closely. This was 4 years ago and clearly a preview of a talent still maturing. I heard him recently and was blown away by his sound.

  • you probably have no room to talk. can you play with such perfect intonation, sound, and technique? i don't think so. when a musician is into the music they can't help what they're doing

  • did itzahk perlman permenantly stop playing and now conducts?

  • then learn to appreciate subtlety. His performance is incredibly heartfelt, but.... to each his own i guess.

  • WHAT!

    how come i've never heard this piece?!

    so beautiful :)

    deffinetly one of my favorite concertos

  • winrx, shut the f*** up. You obviously know nothing about music.

  • Look at 05:46, what does the timpanist have for a technique? So weird!

    We're playing this now with our orchestra (the youth orchestra of the netherlands) and our soloist is 15.. it's amazing.

  • I just realised...i need to thin my bridge...lol

  • Giora is my chamber teacher! He's a really great guy and really funny too.

    I love this song. [:

  • Are you serious!? Giora is my hero!

  • Lol yup I'm serious!

    And yeah he's a really great violinist and generally a great guy. [:

  • Kaibasaid, you love this "song"? No offense, it is a beautiful piece, but I can't hear anyone singing! It's not a song...=S But it is beautiful;)

  • Lol yeah you're right.

    It's a beautiful piece. [:

  • Song doesn't just apply to the voice... look up "cantabile" sometime.

  • это очень круто. Вообще-то так играется в России

  • Hello. Who has Giora's e-mail adress? Please tell me... Thank's... ))

  • To be honest..Ive never listened to Barber's music. Having listen to Akiko Meyers and this guy playing his violin concerto...Ive become hooked with the fine nuances of his orchestrations...and as someone so well put it here, he can compose a wonderful melody! In many ways he's so American..u can hea