Not Milnes in his prime, there are intonation imperfections, especially that E, which was flat, but he does act touchingly and it was altogether respectable. Although he has his fans, I don't think Milnes gets enough credit. True, after his vocal crisis, his pitch lacked certainty and his unique ringing top note quality wasn't quite as unique, but he was amazing in his prime, especially as Scarpia, Iago, Don Carlo(Ernani), Renato and Tonio and his Largo Al Factotum is quintessential Milnes.
Hey!! When I came here, I was with a very high standard for Mr Milnes... I was waiting to hear the best performance ever to Maria... But I am highly disappointed!!! We all know he had an extreme ability to make a lighter voice... But where is it? This statements will certainly give me a lot of down thumbs, but this is an elephanted voice attending to Mr Milnes virtuosi skills!! Where are the beautiful sounds? I only hear the elephant as mentioned above... Awful ending. 4* for loving elephant.
wow, i prefer other versions. . this didnt strike me as really connecting with the real feel of the piece, it felt like he was just singing it, and didn't put any emotion behind his performance. It was too low in general for me as well, this song should be higher, lighter, not a dark and low. Its about love.
dont get me wrong, great voice, but the rendition could have been better, i just dont think this song is for him. John Barrowman or Larry Jurt will be a more spot on listen in my opinion.
I remember somebody singing it with such emotion that it brought down the house. This guy comes close.
This is a very dramatic song as I was around when "The Capeman" burst into the headlines in August 1959, 4 blocks from the Majestic Theater, stabbing some innocents in a Hells Kitchen playground.
Google George Spiegler's "The Capeman Murders". Although the Broadway show and movie is the stuff of legend, the real story was even more compelling.
When caught, 16 year old Sal Agron, "the Capeman" was quoted as to why he did it "Because I felt like it. I don't care if I burn, my mother can watch me"
Mr Spiegler calls it the most publicized crime of the era.
Point being, it should be sung with far more emotion than all the ones I hear today
The introduction is among the snobbiest things I've ever seen and I often attend the opera. Their dress makes white tie look a singlet and shorts at the pub.
By the way. Maria was meant to be sung by a tenor. It is a soaring aria by the romantic lead (which traditionally a tenor). A baritone could never make it work. He should stick to Verdi.
Re. the introduction, you have to understand the context of this particular scene; it was a 1991 gala night performance of 'Die Fledermaus,' in which the Act 2 scene (where a party is interrupted so that various guests can sing their party piece) is extended to allow about 10 of the top operatic stars of the day to come on and do an aria each. So the introduction, and the setting are all meant to be 19th century Viennese ball. (But I agree woith you about baritones singing Maria!) 8)
He was, unfortunately, flat all over the place in this piece. Though, as someone pointed out, it was later in his career. Shockingly flat and inability to hit his notes. Sorry, but listen to him in his prime to hear the difference.
Amazing how no one else has noted that. At 2:00 he's a full quarter-tone flat, maybe more. I'm also not fond of his artistic approach to the opening "Maria"s, and his final Maria begins with a yodel and sounds hollow and technical rather that delicate and wistful.
@thetubkins Sir, every male performer, on this nite, were escorted out on stage by a bevy of beautiful ladies, probably members of the company at the Met, including Pavarotti and Domingo and others! Your use of offensive language to describe these ladies is crass and unintelligent!
Como siempre en youtube: un grupo de mediocres criticando un genio, descubriendo que es humano, que tiene errores, que no es perfecto. Las grabaciones en CD son eso: grabaciones. En la vida real la perfección no existe y Milnes en la vida real fue uno de los mejores barítonos del s.XX
No he sucks.He has not the quality of a good tenor and if you can't sing high you suck.That's what a shitty tenor would say over this fantastic performance
Budy if you have read carefully you would see that i dished tenors and praise the performance.I know what he could and as a baritone myself i adore him.
El ritmo falla, la afinación no es que falle, es que está una tercer por abajo de la original (el final es un La Bemol original sustituido por un Fa). Es normal, este hombre es barítono.
Pero es que no le va para nada a esta voz esta canción. Además tiene algún problema con la "i", resuena diferente de las demás vocales...
Aún así, ya me gustaría a mí cantar la mitad de bien que este señor ;-)
His stage presance is what earned him great aclaim as well as his inteligance. Yes, he did sing a Bflat in Mephisto, and did some other crazy things. his master classes are amazing. Bravo mr. Milnes
Mr. Milnes is a baritone of the highest caliber - probably the best in the 20th century. Another very good one is Kurt Ollmann, but I've never heard of him in a long time....
The best in the 20th century???? Sheesh! You do realize that includes Ruffo, Stracciari, Tibbet, Warren, Merrill, MacNeil, Bastianini, Cappuccilli, Quilico and others, don't you?
ohhh rite ... no... i didnt liek that at all he completly wronged that song. beautiful singer but this song can be sung by a barrotone higher than how he sings it... the is no need to sing it that low which completly wrecks it. he is also surprisingly wonky on his transitions from lower to 'higher' notes which is bad if he is the leading barrotone in america.
He's actually singing it in the key in which LB originally scored, and in which it is published... C lydian. And yes, Milnes is past his prime here and I agree that his hooking in the passagio is a little wonky, but he is still one of the great American artists. Listen to any of his pre-surgery recordings (70's and 80's)... he is, in my opinion, the greatest baritone since Bastianini, and there's yet to be another like him. And he's such a great guy. Don't judge him based on this performance.
this was the first time i have ever heard him sing soo this is what i judged him on. obviously he he good or he wudnt be where he is... i just didnt like his version on the song.
I find it pretty neat that Bernstein arranged 'Maria' himself just so Milnes could sing it.
@orestis23 Which year did this gala take place?
Kozzi42 3 weeks ago
he's singing in a lower key... even I can sing it with that power. I'm sure he can't sing it in the right key, that's the challenge
hjposso 2 months ago
@RegHarbour Singing high actually takes more talent and is not a feminine thing.
christianistheboss 7 months ago
Not Milnes in his prime, there are intonation imperfections, especially that E, which was flat, but he does act touchingly and it was altogether respectable. Although he has his fans, I don't think Milnes gets enough credit. True, after his vocal crisis, his pitch lacked certainty and his unique ringing top note quality wasn't quite as unique, but he was amazing in his prime, especially as Scarpia, Iago, Don Carlo(Ernani), Renato and Tonio and his Largo Al Factotum is quintessential Milnes.
Beth29252 9 months ago
@RegHarbour which is not necessarily a good thing for this song - certainly not for the role of Tony anyway.
damens 1 year ago
One of the greatest verdi baritone singing a musical theater classic. Awesome!!!!
excjrock7 1 year ago
I guess that high range explains why he has a girl's name
zegermans750 1 year ago
This song makes me bittersweet. Why did my Maria spurn me??????
30787flash 1 year ago
When did he meet his wife Maria?
REBECCAtheSOPRANO 1 year ago
A great job. Can't believe some of the negative comments. You know, not everyone
can hit a "home run" each time at bat. Lets give him 5 stars
medicicard 1 year ago
Comment removed
medicicard 1 year ago
Dreadful, no connection in his voice! OVerly big..not very good expected more.
charlesprinceofswing 1 year ago
Hey!! When I came here, I was with a very high standard for Mr Milnes... I was waiting to hear the best performance ever to Maria... But I am highly disappointed!!! We all know he had an extreme ability to make a lighter voice... But where is it? This statements will certainly give me a lot of down thumbs, but this is an elephanted voice attending to Mr Milnes virtuosi skills!! Where are the beautiful sounds? I only hear the elephant as mentioned above... Awful ending. 4* for loving elephant.
LordMgls 1 year ago
BRAVO, Mr. Milnes
4cups 2 years ago
wow, i prefer other versions. . this didnt strike me as really connecting with the real feel of the piece, it felt like he was just singing it, and didn't put any emotion behind his performance. It was too low in general for me as well, this song should be higher, lighter, not a dark and low. Its about love.
dont get me wrong, great voice, but the rendition could have been better, i just dont think this song is for him. John Barrowman or Larry Jurt will be a more spot on listen in my opinion.
iharland 2 years ago
I remember somebody singing it with such emotion that it brought down the house. This guy comes close.
This is a very dramatic song as I was around when "The Capeman" burst into the headlines in August 1959, 4 blocks from the Majestic Theater, stabbing some innocents in a Hells Kitchen playground.
Google George Spiegler's "The Capeman Murders". Although the Broadway show and movie is the stuff of legend, the real story was even more compelling.
RadioReporter01 2 years ago
Continued:
When caught, 16 year old Sal Agron, "the Capeman" was quoted as to why he did it "Because I felt like it. I don't care if I burn, my mother can watch me"
Mr Spiegler calls it the most publicized crime of the era.
Point being, it should be sung with far more emotion than all the ones I hear today
RadioReporter01 2 years ago
He has wonderful bariton voice. This performance is very convincing. Good job
pkoska1967 2 years ago
This comment has received too many negative votes show
SHIT, watch the 3 tenors
RyanWMusic 2 years ago
I am disappointed. But he's still a great singer.
Tobytib 2 years ago
This is a lovely rendition. I prefer Larry Kert, who will always sing any West Side Story best, but Milnes does a fabulous job with Maria.
Phd12741 2 years ago
You gotta be kidding
Operaddict 2 years ago
too many critics, and i haven't even listened to the performance. lulz.
nishman686 3 years ago
The introduction is among the snobbiest things I've ever seen and I often attend the opera. Their dress makes white tie look a singlet and shorts at the pub.
By the way. Maria was meant to be sung by a tenor. It is a soaring aria by the romantic lead (which traditionally a tenor). A baritone could never make it work. He should stick to Verdi.
nikanj 3 years ago
right because the hacks on broadway today could sing it better? He makes some off sounds here, but overall way better than most.
songsofscarlet 2 years ago
Re. the introduction, you have to understand the context of this particular scene; it was a 1991 gala night performance of 'Die Fledermaus,' in which the Act 2 scene (where a party is interrupted so that various guests can sing their party piece) is extended to allow about 10 of the top operatic stars of the day to come on and do an aria each. So the introduction, and the setting are all meant to be 19th century Viennese ball. (But I agree woith you about baritones singing Maria!) 8)
rossmcl177 2 years ago
He was, unfortunately, flat all over the place in this piece. Though, as someone pointed out, it was later in his career. Shockingly flat and inability to hit his notes. Sorry, but listen to him in his prime to hear the difference.
corellipavarotti 3 years ago
Amazing how no one else has noted that. At 2:00 he's a full quarter-tone flat, maybe more. I'm also not fond of his artistic approach to the opening "Maria"s, and his final Maria begins with a yodel and sounds hollow and technical rather that delicate and wistful.
jontew 3 years ago
Daaaamn. He even had hoes carry him out.
thetubkins 3 years ago 13
@thetubkins Sir, every male performer, on this nite, were escorted out on stage by a bevy of beautiful ladies, probably members of the company at the Met, including Pavarotti and Domingo and others! Your use of offensive language to describe these ladies is crass and unintelligent!
appeace1 3 weeks ago in playlist More videos from orestis23
He is my favourite baritone at times, but not here. Still is good.
raphaelhudson 3 years ago
absa-fuckin-lutely brilliant!!!
A1375 3 years ago
Como siempre en youtube: un grupo de mediocres criticando un genio, descubriendo que es humano, que tiene errores, que no es perfecto. Las grabaciones en CD son eso: grabaciones. En la vida real la perfección no existe y Milnes en la vida real fue uno de los mejores barítonos del s.XX
ferdecla 3 years ago
what year is this?
harvard1yale2prince 3 years ago
Very Wonderful I enjoyed this thank you
Dancing88Mike 3 years ago
He seriously fails at 1:59.
A legend though, a legend.
leadoffeohippus 3 years ago
LOL!
Morikumo 3 years ago
how so
marylinks 3 years ago
No he is not.Don't expect tenorish shity performance by a legendary baritone
punkpop101 3 years ago
Sherill Milnes has got such a versatile voice.
leadoffeohippus 3 years ago
I'm 51 yrs old and listened to a helluva lot of music, everything from opera to rap to 'classic rock' to punk to flamenco, and on and on...
I want to say, this performance is one of my all time favourites; I can think of no musical expereince mine that can match it.
What a great performance, and what a great thing is YouTube...and what a great singer is this man Milnes.
scaramoucheX 3 years ago
No he sucks.He has not the quality of a good tenor and if you can't sing high you suck.That's what a shitty tenor would say over this fantastic performance
punkpop101 3 years ago
Um, first of all, this is not Milnes in his prime.
Second, he was a baritone throughout his career, so give him a break.
And third, when Milnes was in his prime, he could hit high Bs.
leadoffeohippus 3 years ago
Budy if you have read carefully you would see that i dished tenors and praise the performance.I know what he could and as a baritone myself i adore him.
punkpop101 3 years ago 2
Haha my bad...
leadoffeohippus 3 years ago
WOW NICE THANKS FOR ADDING
skyler0248 3 years ago
El ritmo falla!! Y la afinacion!!!! No se si es algún problema puntual...
feros50 4 years ago
El ritmo falla, la afinación no es que falle, es que está una tercer por abajo de la original (el final es un La Bemol original sustituido por un Fa). Es normal, este hombre es barítono.
Pero es que no le va para nada a esta voz esta canción. Además tiene algún problema con la "i", resuena diferente de las demás vocales...
Aún así, ya me gustaría a mí cantar la mitad de bien que este señor ;-)
fmontesq 4 years ago
His stage presance is what earned him great aclaim as well as his inteligance. Yes, he did sing a Bflat in Mephisto, and did some other crazy things. his master classes are amazing. Bravo mr. Milnes
tonnyytonnyy 4 years ago
Mr. Milnes is a baritone of the highest caliber - probably the best in the 20th century. Another very good one is Kurt Ollmann, but I've never heard of him in a long time....
KevinFromSD 4 years ago
The best in the 20th century???? Sheesh! You do realize that includes Ruffo, Stracciari, Tibbet, Warren, Merrill, MacNeil, Bastianini, Cappuccilli, Quilico and others, don't you?
izar1234 4 years ago
And Thomas Allen?
fmontesq 4 years ago
He is mineeeee, Allen is minee
Snowss 3 years ago
Kurt Ollman was Riff on the Bernstein recording of WSS.. but you probably know that already
feuxfollets1395 4 years ago
This pro blows the others away!!!Bravo.
paulostroff99 4 years ago
mouais bof
ilanparis 4 years ago
He would sing this song any chance he got. He loves this piece alot.
cptnunderwhere 4 years ago
he is in love with a beautiful Maria... If I am right, she is his wife... ;))
CONTESTAR 3 years ago
ohhh rite ... no... i didnt liek that at all he completly wronged that song. beautiful singer but this song can be sung by a barrotone higher than how he sings it... the is no need to sing it that low which completly wrecks it. he is also surprisingly wonky on his transitions from lower to 'higher' notes which is bad if he is the leading barrotone in america.
kingdomliam 4 years ago
He's actually singing it in the key in which LB originally scored, and in which it is published... C lydian. And yes, Milnes is past his prime here and I agree that his hooking in the passagio is a little wonky, but he is still one of the great American artists. Listen to any of his pre-surgery recordings (70's and 80's)... he is, in my opinion, the greatest baritone since Bastianini, and there's yet to be another like him. And he's such a great guy. Don't judge him based on this performance.
josiahgulden 4 years ago
this was the first time i have ever heard him sing soo this is what i judged him on. obviously he he good or he wudnt be where he is... i just didnt like his version on the song.
kingdomliam 4 years ago
pre-surgery?
Did he have nodules?
popertop 3 years ago
This guy is outstanding, and this is a great classic. What strikes me as kinda funny is that he reminds me a little of Sean Connery! LOL
plcsarge 4 years ago
hehe
it has my name in it :)
makes me happy :)
thanks for this song
mar1um 4 years ago
Wrong rhythm
BeniaminoGigli 4 years ago
Sounds great. It reminds me of a Maria that I once loved but the feelings weren't mutual. Truly bittersweet- pleasure alloyed with pain.
30787flash 4 years ago
Good voice but this song meant to be sung by a tenor. It's been transposed down more than a little bit.
nikanj 4 years ago
it makes me a little happy. especially the arms at the end. what a romantic.
alaw003 5 years ago
It makes me a little sad
emboyer 5 years ago
Love his voice
ImHookedOnAnime 5 years ago