This piece of music would go down well as HM the Queen and the Royal Family arrive/ leave the Diamond Jubilee Service at St Paul's Cathedral, London in June.
Great performance with an excellent recording. What happens at 1:14 and 2:54? It sounds like a 3/4 measure there. The pedal must be reduced at those points and the frantic lunge at the gt/pd stud is the typical solution.
Perfect! You can hear every nuance of this wonderful Fanfare. Mr Brooks' articulation and tempo are superb and very well suited to the space into which this number is played.
Bravo! I concur fully with all of the "best recording/performance" postings.
Great performance on a great organ! I agree that Mr. Brooks' tempi and registrations suit the space perfectly. Tremendous rhythmic drive and articulation.
@lllmozartlll I find it difficult to comprehend that relatively wealthy France can't find the funds to have an iconic organ like this restored. There must be political considerations we are unaware of. My point is this; compared to France, New Zealand is not especially wealthy, yet money was found, from various sources, to have a full rebuild by Klais, of the Auckland Town Hall organ, at around $NZ3.5M. The result is brilliantly successful. (It's on YouTube) So why not France?!
@peteacher52 ...The Cavaillé-Coll at St. Ouen is regularly maintained by the renowned organ builder Denis Lacorre and his team. The organ's sound quality is absolutely wonderful, as recent concerts and recordings prove beyond any doubt. There is no need for a comprehensive restoration, which would inevitably lead to undesirable changes of this irreplaceable historic and authentic instrument. The city of Rouen, owner of the organ, provides the funding for the maintenance works.
Nice articulation...and French reeds are superb, whether in solo voices or in choruses. (note all the reeds in the swell box!) @chen: bish plays in a dead acoustic (compared to this!) which requires fast tempi. The slow-speaking resonance of a wet room, on the other hand, requires the performer to slow down as the room is part of the dialog. Which brings us back to the reeds of a French instrument, which allows crisp articulation in an acoustic that can turn this kind of material to mush.
I always thought this was , kind of a silly piece. I played it once and the audience loved it!. Told them it was something I picked up at a garage sale.
I agree. This is the best recording of the Lemmens Fanfare on You Tube. Great style, interpretation, registration,articulation, and musicality. Bravo!
Is there something wrong with The Masterpiece? It doesn't sound quite the way it used too, and in fact I can hear "wheezing" at the end. Don't get me wrong, it sounds great, but I can't help but wonder if it doesn't need a teardown and general restoration.
@casavantlover - yep, overdue for restoration. It's never really been restored! I saw a video where it looked like many of the ivory cappings to the natural keys on the manuals had come unglued and fallen off too. Thing is, St Ouen was deconsecrated (can anyone tell us if this was in the Revolution, or the secularist revolution of c.1905?) and really only exists as a shrine to its organ. Sad, I think it ought to be given back to the Benedictines... it's state property and there's no money
I'm lost for words! How superbly played to the acoustics of the building. Gerard's playing of the majestic Cavaille-Coll brought to mind the slightly staccato style of Prof Ian Tracey at Liverpool Cathedral which suits the cavernous reverb to perfection. Well done Gerard and well done recording engineers. Thank you lllmozartlll for this fine posting.
So far, this is the best recording of the Lemmens 'Fanfare' I've viewed on YouTube. Much superior to Diane Bish who although is a brilliant technician is too much about speed. The tempo here is excellent, musically well done, good registration and interpretation, accurate and lots of clarity.
@chen0466 Completely agree. All of the recordings posted on youtube of Gerard Brooks on this instrument are absolutely the tops - just brilliant playing, registration, sympathy of the acoustic of the building, and a truly excellent quality of recording by the sound technicians. You are simply not going to get any better on this, the finest organ in the world.
@ds1868 I have to confess, that even though I liked this, I would also like to hear Ben Van Oosten do this. I'm guessing he may have already recorded it. When it comes to recording the literature of the principals from the French Romantic period, Ben Van Oosten is my favorite. I wish I could find an artist who makes the same level of quality recordings for Baroque music. I'm sure there must be some out there, just haven't been able to track them down yet.
@chen0466 - Diane Bish, brilliant technician? She's rubbish! So many things I've heard her play where she's cut out the most difficult bits, glossed over them. She has no artistry, little musicality, no sensitivity... plus, both in terms of her personality and her appearance, she's totally brash and unsubtle. Her dress sense is crap too. Mind you, at least, unlike Cameron Carpenter, she doesn't prefer toasters and doesn't turn up to give a recital in church dressed like Freddie Mercury...
@EccentricRichard 90% of what you described has nothing to do with technical ability, but is related rather to personality and artistic ability and on that 90 % I completely agree. Regardless, she shows a lot of technical skill. That said, technical ability - although there is merit to it - does not make a piece, by itself, sound great.
I am sorry to say, but this is supposed to sound great and when I hear this work I expect to see the Queen walking down the aisle. This recording has no WOW effect compared to Dianne Bish's recording. The tempo is not at all correct, it should be faster. However the playing is very neat.
@organmad Hello, sorry, but playing something to demonstrate speed and technical ability creates no 'Wow' factor for me. For me it does the opposite and takes something away from a performance. But that is what makes you and me uniquely separate..
@chen0466 I know I could just click the "thumbs-up" on your comment, but I MUST write a response to say I couldn't agree with you more! ... about Diane (whom I know!) ... about tempo ... about registration ... interpretation. EVERYTHING is spot-on!
Beautiful piece of music expertly played.
So majestic.
This piece of music would go down well as HM the Queen and the Royal Family arrive/ leave the Diamond Jubilee Service at St Paul's Cathedral, London in June.
Jimbowinch 2 days ago
Wonderful acoustics, wonderful organ, wonderful organist, and wonderful,wonderful Fanfare!
b3boneman 3 days ago
DAMN it, this is gorgeous!!!
omahas9000 5 days ago
Great performance with an excellent recording. What happens at 1:14 and 2:54? It sounds like a 3/4 measure there. The pedal must be reduced at those points and the frantic lunge at the gt/pd stud is the typical solution.
Contrafactum 3 weeks ago
Thank you.
1JeanDeaux 4 weeks ago
Perfect! You can hear every nuance of this wonderful Fanfare. Mr Brooks' articulation and tempo are superb and very well suited to the space into which this number is played.
Bravo! I concur fully with all of the "best recording/performance" postings.
gmc0422 1 month ago
the best recording of the Lemmens Fanfare on YouTube
orgelfanfare 1 month ago in playlist Organo3 6
Great performance on a great organ! I agree that Mr. Brooks' tempi and registrations suit the space perfectly. Tremendous rhythmic drive and articulation.
Thanks.
MrBooker39 1 month ago
@lllmozartlll I find it difficult to comprehend that relatively wealthy France can't find the funds to have an iconic organ like this restored. There must be political considerations we are unaware of. My point is this; compared to France, New Zealand is not especially wealthy, yet money was found, from various sources, to have a full rebuild by Klais, of the Auckland Town Hall organ, at around $NZ3.5M. The result is brilliantly successful. (It's on YouTube) So why not France?!
peteacher52 2 months ago
@peteacher52 ...The Cavaillé-Coll at St. Ouen is regularly maintained by the renowned organ builder Denis Lacorre and his team. The organ's sound quality is absolutely wonderful, as recent concerts and recordings prove beyond any doubt. There is no need for a comprehensive restoration, which would inevitably lead to undesirable changes of this irreplaceable historic and authentic instrument. The city of Rouen, owner of the organ, provides the funding for the maintenance works.
lllmozartlll 1 month ago
wundervoll
rauschmixtur95 2 months ago
From one Gerard to another: a beautiful performance and sound!
gerardbedecarter 2 months ago
Thanks for sharing this. SUPERB! Will be looking for more Brooks.
kempedkemp 3 months ago
What a grand sounding recording! Done so well in such a huge room! Especially
when listening thru quality earphones, you are right where the microphones
were during the session. Keep up the fine work and Thank You
pauldquam1 3 months ago
I Love this Piece its a piece that makes me glad to be a francophille it also brings tears of joy to my eyes
Vive La France!
et
Vive L'orgue
kontrahylian 4 months ago
Nice articulation...and French reeds are superb, whether in solo voices or in choruses. (note all the reeds in the swell box!) @chen: bish plays in a dead acoustic (compared to this!) which requires fast tempi. The slow-speaking resonance of a wet room, on the other hand, requires the performer to slow down as the room is part of the dialog. Which brings us back to the reeds of a French instrument, which allows crisp articulation in an acoustic that can turn this kind of material to mush.
dmph3 4 months ago
How can anyone dislike this? Jealous?
32ContreBombarde 5 months ago
I like this because despite the long reverb and the speed at which it is being played, you can still hear all the notes so it just sounds great.
goodchappy 7 months ago
I do agree ... probably the best fanfare on youtube.
zsebi66 8 months ago 14
Re Richard's comment re Bish—I thought we were talking about music! What's she got to do with it lol ;-)
marsvltor2 8 months ago
And he taught Franck???!!!
marsvltor2 8 months ago
I always thought this was , kind of a silly piece. I played it once and the audience loved it!. Told them it was something I picked up at a garage sale.
Sounds good here.
Silverdaddy101 8 months ago
bel élan et solennel ! grande clarté des sons de cet orgue !! impressionnant !!!
merci Raphael et compliments !
Marie
543693The 8 months ago
excellent performance!
john1801rambo 9 months ago
this probaly the best recording of this piece on youtube.
23ericgarner 9 months ago 19
I guess I better practice more! Wow! Nice.
wurlic300 10 months ago
The rhythmic drive of this performance is superb! Equally impressive is the clarity...especially in this setting. Great playing, great recording!
MrBooker39 10 months ago
I agree. This is the best recording of the Lemmens Fanfare on You Tube. Great style, interpretation, registration,articulation, and musicality. Bravo!
32pedalnotes 10 months ago 16
Is there something wrong with The Masterpiece? It doesn't sound quite the way it used too, and in fact I can hear "wheezing" at the end. Don't get me wrong, it sounds great, but I can't help but wonder if it doesn't need a teardown and general restoration.
casavantlover 11 months ago
@casavantlover - yep, overdue for restoration. It's never really been restored! I saw a video where it looked like many of the ivory cappings to the natural keys on the manuals had come unglued and fallen off too. Thing is, St Ouen was deconsecrated (can anyone tell us if this was in the Revolution, or the secularist revolution of c.1905?) and really only exists as a shrine to its organ. Sad, I think it ought to be given back to the Benedictines... it's state property and there's no money
EccentricRichard 10 months ago
interieur magnifique !!
geschiedschrijver 11 months ago
I'm lost for words! How superbly played to the acoustics of the building. Gerard's playing of the majestic Cavaille-Coll brought to mind the slightly staccato style of Prof Ian Tracey at Liverpool Cathedral which suits the cavernous reverb to perfection. Well done Gerard and well done recording engineers. Thank you lllmozartlll for this fine posting.
peteacher52 1 year ago 36
wunderschöner klang, eine der welt besten orgeln. was würd ich nur dafür geben dort mal spielen zu dürfen!!!!!!!!!!!!!!!
29luthien 1 year ago 18
just amazing
deei2 1 year ago
The title says the organist is Gerard Brooks
Tigsounds 1 year ago
who is the organist?
john1801rambo 1 year ago
Very nice.
gerardbedecarter 1 year ago
Ook Lemmens was diep gelovig.
Vandaar deze Fanfare ter ere van GOD.
vleermuisje2 1 year ago 13
So far, this is the best recording of the Lemmens 'Fanfare' I've viewed on YouTube. Much superior to Diane Bish who although is a brilliant technician is too much about speed. The tempo here is excellent, musically well done, good registration and interpretation, accurate and lots of clarity.
chen0466 1 year ago 50
@chen0466 Completely agree. All of the recordings posted on youtube of Gerard Brooks on this instrument are absolutely the tops - just brilliant playing, registration, sympathy of the acoustic of the building, and a truly excellent quality of recording by the sound technicians. You are simply not going to get any better on this, the finest organ in the world.
ds1868 11 months ago 21
@ds1868 I have to confess, that even though I liked this, I would also like to hear Ben Van Oosten do this. I'm guessing he may have already recorded it. When it comes to recording the literature of the principals from the French Romantic period, Ben Van Oosten is my favorite. I wish I could find an artist who makes the same level of quality recordings for Baroque music. I'm sure there must be some out there, just haven't been able to track them down yet.
chen0466 11 months ago
@chen0466 - Diane Bish, brilliant technician? She's rubbish! So many things I've heard her play where she's cut out the most difficult bits, glossed over them. She has no artistry, little musicality, no sensitivity... plus, both in terms of her personality and her appearance, she's totally brash and unsubtle. Her dress sense is crap too. Mind you, at least, unlike Cameron Carpenter, she doesn't prefer toasters and doesn't turn up to give a recital in church dressed like Freddie Mercury...
EccentricRichard 10 months ago 4
@EccentricRichard 90% of what you described has nothing to do with technical ability, but is related rather to personality and artistic ability and on that 90 % I completely agree. Regardless, she shows a lot of technical skill. That said, technical ability - although there is merit to it - does not make a piece, by itself, sound great.
chen0466 10 months ago
@chen0466
I am sorry to say, but this is supposed to sound great and when I hear this work I expect to see the Queen walking down the aisle. This recording has no WOW effect compared to Dianne Bish's recording. The tempo is not at all correct, it should be faster. However the playing is very neat.
organmad 7 months ago
@organmad Hello, sorry, but playing something to demonstrate speed and technical ability creates no 'Wow' factor for me. For me it does the opposite and takes something away from a performance. But that is what makes you and me uniquely separate..
chen0466 5 months ago
@chen0466 I know I could just click the "thumbs-up" on your comment, but I MUST write a response to say I couldn't agree with you more! ... about Diane (whom I know!) ... about tempo ... about registration ... interpretation. EVERYTHING is spot-on!
dunlapds2 5 months ago
@chen0466 I think Diane Bish has a tendency to play everything she plays way too fast.
2468HOTROD 4 months ago
Sublime art, voices as if from Heaven
tonal clusters which speak in noble voice
the evocation of time, art and majesty
**********
Glenn
FromHolbergsTime 1 year ago 23
Raphael ! tu me l'avais cachée cette video ! magnifique !......
cezig 1 year ago 11
Toujours heureuse de retrouver les orges de St OUEN !!!
Merci beaucoup
Marie K.
543693The 1 year ago