Added: 4 years ago
From: IPteevee
Views: 2,669
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  • Your definitely a MT guy lol

  • Can't believe this shit! No jokes on art music please.

  • sarebbe un ottimo tenore, ma il fiato non ha per niente sostegno...sembra appeso sul semplice respiro, e non potrà mai funzionare così... per non parlare di pronuncia, di solfeggio E di fraseggio.. inesistenti!

    Un suggerimento, cambia insegnante ;)

  • Dude -- your breath is not engaged AT ALL! That is why your intonation and timbre are both flat. I think once you begin supporting from below, your vibrato will start working and you will find your singing to be much easier! Find a new teacher who can help you with this, since your current teacher seems not to have addressed this issue. BREATH is the key! Also, work on keeping your soft palate raised (yawn feel), as your overtones are not ringing. Very good--can be so much better though!

  • flat.... sorry but oh so true

  • I've always wondered what it'd sound like if Christopher Cross sang opera. U both have that very high almost girlish sound(sorry) U need 2discover some manly sounds(just a bit)Listen 2Wunderlich's "live" interpretation. It has just D right "manly" sound needed. Listening to Kaufmann would B a little too much 4U @ this time...or actually, anytime! Try listenin' 2some of Willam Matteuzzi's recordings. U've got that type of voice. Good luck:)

  • you have a nice voice, smile more throughout the song, it really dose bring the voice more forward. also you need to conect more to your support and breth, this will help get some vibrato on the high notes and help pitch. good start

  • I don't know it's not horrible, but it' s not good! Just work on intonation and some vocal things to make it more sweet!

  • Beautiful voice, a perfect tenor. I'd recommend that you do read the written music, since you are changing the notes.

  • You are flat on this piece. There's major laryngeal tension and some pretty significant breath management issues, which is killing your vocal line. I'm just not feeling it. Until you can choreograph a little better hand gesturing, I'd leave them at your side. This aria is a little bit out of your league right now. Don't let Mozart fool you--his tessituras are KILLER for young tenors like yourself.

  • I'd work on trying to find a more free-flowing breathing technique, because I think you'll find it improves the consistency of your vibrato and allows your sound to open and bloom. Releasing tension and working on breathing will improve this markedly. That said, JOB ONE is to leave your arms at your side!

  • WHO IS YOUR TEACHER!?!! fire them.

  • Pitch issues... and you NEED to put your arm down. Gesturing is fine.. but yours is stagnant. Great aria.. but you are in serious need of acting help

  • Good. the right voice type for this aria.

    You may want to try Com'E Gentil too.

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