Added: 2 years ago
From: ipvac1
Views: 5,647
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  • Very nicely done! 

  • no good. i would say miroslav barely made it to the finish line. in the same hall few years ago efim bronfman with the same concerto destroyed audience. what a powerfouse of a performance it was with valeri georgiev as a conductor. sorry miroslav, you don't come even close to bronfman.

  • GRANDE ....EL PIANISTA ,,EL ORQUESTRA,,,TODO.....BRAVISSIM­O....BRAVO...QUE BIEN QUE HAY NUEVOS MUSICOS DE ESTA CLASE....YO PENSABA QUE YA NO EXISTEN,,,,,YOU ARE THE BEST ....BRAVO...I´NOW YOUR FEN

  • Нетрудно услышать и увидеть, что в последних тактах дирижер подвел солиста, опоздал на долю секунды, кроме того, конец должен был быть немного ускорен, тогда все было бы нормально. Но, браво, Мирослав!

  • This guy is genious!I'm amazed!!!! 

  • only Rachmaninoff can give a justifiable comment on this concert.

    not all of you.

  • Incredible performance. Not sure of the ending, but as a whole (5 video's) it was spectacular. Bravo.

  • it's quite unfair to post this as a video response to Martha Argerich's performance

  • @ieronim2003 yes, maybe seems, if you dont know or cant listen good new musicians

  • @ieronim2003 I agree with you ... Martha's interpretation is unique.

    She puts the soul in music beyond technique and virtuosity

  • es una lástima, porque tanto el pianista como la orquesta son de una GRAN calidad, y sin embargo hay numerosos fallos de compenetración y pequeños desequilibrios...aun asi, menuda obra!!

  • The best hidden genius of our time.

    The best performance since Vladimir Ashkenazy.

    The Russian symphony orchestra and Yury Tkachenko, conductor great also :)

  • Super !!! Bravo :)

  • what a weird looking chap! and what a cockup at the ending, that was almost half a second infront of the main beat he had to hold before those final few chords.

  • @ghawk2005 yes terrible he'll never make a professional pianist

  • I don't like the orchestra, totally untalented conductor, no pation, no phrases.

  • can you play it?

  • one should be able to remark something critically without being beaten down by such a cheap killer-argument.

    how, do you work on art, poetry, philosophy or anything like that, when you approach it in a way that you are unable to argue about it as long as you are not an equal to the artist/thinker?

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