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  • ..Horowitz admitted later he was terrified of his father in law, Toscanini...and that he thought the performances of this and his Brahms with Toscanini were too muscular, too fast--but this is how he had to play them under Toscanini.....he was forced to perform in a way he did not think appropriate. Course, if he didn't, Toscanini would have ordered another pianist.....I'll take anything under Toscanini, anytime, after his interpretations, you do not need any others, and others seem weak

  • toscanini delated one bar??horowitz played one more octvues at last???

  • A friend of mine just gave me this album....

  • What I would give to be able to see this concert live...

  • Comment removed

  • Can there be better. Bravo. TY for posting.

  • has horowitz created anything original or does he just bang out classics? i really don't know. i searched youtube for original bits but it always comes up with his covers.

  • @theBubbadukes

    So what, hes a genius anyway

  • @Anton77bln seriously... he's freaking awesome who cares? He was so nice too. He was the cutest old man.

  • @theBubbadukes Horowitz did compose and arrange quite a lot of music....but I do not believe he tried to push his own pieces on to others. Correct me, anyone!

  • ultimate art...

  • 5:11 die süßeste Versuchung seitdem es Schokolade gibt.

  • Cliburn's better at this one.

  • was this played in Orphan?

  • OCTAVE BUTTON 4:55

  • @enriquem90 I think the button read, " make octaves go fast and loud now!"

  • wow this is so genius and complex it's kind of intimidating to try to comprehend and understand, i guess u should jus listen and don't think to much, good music

  • The recording quality is bad, but consider that its from the 40's .. his playing is Fabulous consider that it's live first of all. His tempo is quick and light the difficult passages are well executed. Yes there occasional note glitches, but again it's actually LIVE and not prerecorded and Horowitz takes risks in his playing to pull of the interpretation he wants, it's what makes him the artist that he is

  • The recording quality is bad, but consider that its from the 40's .. his playing is Fabulous

  • The finest performance of this work I have ever heard. How unfortunate that no film was taken of this magnificent collaboration of the two titans of their fields. The sparkling precision of Horowitz coupled with the driven fury of Toscanini; virtuosity the likes of which we shall never know again.

  • is it my imagination or does horowitz take the final scale on to an octave higher than is actually written? perhaps the adrenalin rush took over.

  • Very nice! :)

  • like we dont have another bach or bethoven unfurtunetly we have no another HOROWITZ or TOSCANINI. its just BREATH TAKING thanks

  • morgan< I agree. I grew up with a fsather who was a concert pianist in Baltimore and he told me from an early age that there would never be another Horowitz. Rubenstein was remarkable but no match for the master. Although I do prefer others for certain works like Watts 3rd movement of the beethoven Moonlight available on youtube, Horowitz still outshines them all for technique, mastery of emotion and musicality in every respect. His name should be synonymous with the Rach, concertos.

  • Horowitz is really a complex pianist, unlike the others.

    that's what makes him stand out.

    Very complex and playful on the piano and i love it

  • A great performance. This performance would have won the Tchaikovsky competition in any year, in my opinion.

  • @bonnmystic No, it wouldn't have. Competitions do not reward originality and personality. Competitions are all about the notes. Fast and loud notes. Many fast and loud notes.

  • I respect Horowitz as a pianist, less so as an artist, finding his intrepations to be affected and artificial. But not this one, perhaps the best rendition of this concerto of them all.

  • 5:03-5:04 - RIGHT THERE. That's the "take-a-split-second-to-rechar­ge" spot that every pianist is subject to. Every pianist save for Horowitz. Unstoppable.

  • Those octaves at 4:59 and at the end are truly amazing. YouTube is the place for a lively exchange of views but I do regret the less than courteous ones. This is a greatr concerto, open to all sorts of interpretations and this one is dazzling. I don't much care for Toscanini in Tchaikovsky (and to be fair, neither did Toscanini) but Vlad is as impish, delicately and outrageously bombastic as ever. Brilliant stuff.

  • any ideas on copyright laws if i wanted to use this music?

  • The greatest Pianist and his father in law the great Italian Toscanini, the greatest cond. both together here! Wanda Toscanini as a young woman heard Horowitz play at a concert and  she fell in love with him and of course she married him.

  • Rachmaninoff

    Rubinstein

    Horowitz

  • @pepys1633 and Kissin?

  • Wonderful music wonderful performers, Horowitz and Toscanini.

  • let's not overlook the fabulous playing of the NBC Orchestra under the baton of Toscanini, who did not admire much of Tchaikovsky's music. You would never know it from this performance--the delicacy and grace of the second theme, the thrilling crescendo from about 4:00, the explosion at 5:12, the many details of the trumpets that are usually lost in an orchestral soup. A fantastic collaboration.

  • I completely love this Piano Concerto. It has a mix of so many qualities, just unbelievable. If you would like to listen to another great composer YouTube the Great Great Grandfather in Composition of Peter I. Tchaikovsky:

    Iosif Andriasov

    You will not be disappointed

  • who is your fav pianist for tchai 1st?

  • @charmingemily : N°1 Byron Janis - N°5000 Bang Bang.

  • Thanks Horowitz. I was crying at 5:12 by his emotion. The 'box' music quality from 1943 cannot hide the feelings on me.

    His great performance !

  • This is the most exciting Con Fuoco I have ever heard played!

  • Truly played Con Fuoco, with passion, and at a thrilling tempo. As one critic wrote of this performance, "Here Horowitz unleashes his demonic powers!!"

  • The word is clear or should i say clarity.Horowitz had much clarity in his playing. It shows. All opinions taken into consideration. I would say Horowitz was a master.He possessed much determination and desire and passion to give much pleasure to those who would listen to his playing.I am thrilled with youtube in giving folk the rare opportunity to listen to such fine music.Listen to Horowitz playing "Shubert's impromptu in G major" For the heart and soul and lovers of all that is good enjoy.

  • his octaves are also very fast (just like Argerich's)

  • ummm no sentimentalization? how can you say that when you listen to this? how is it that there's no sentimentalization when it's right there behind each score, each rhythm?

    don't give people wrong impression and let them go babble that this interpretation lacks philosophic contemplation. this is even better than kissin and karajan's more recent performance. this is legendary.

  • First of all how much philosophical contemplation do you need for Thcaikovskys Concerto? This isn't the Diabelli Variations, it's a great romantic 19'th Century piece, played in the great 19'th century style, by a Great Pianist Born 3 years after the end of the 19'th century, Influenced by 19'th century artists.

  • sounds like slavonic dance, not like 3rd part of b flat minor piano concerto of čajkovskyj, huh?

  • this interpetation is a window to how classical music was approached at those times... accurate, no nonsense, no sentimentalization, to the point and lacking philosophic or poetic contemplation... beautiful as it is

  • ELECTRIFYING Finale...Horowitz...to me that name means the ULTIMATE in virtuosity. I was so lucky to meet him backstage in the 70s after a recital. He was exhausted but still permitted a handful of fans to come into his dressing room. His face was white, lightly powdered and had obviously just taken a shower. His gentle hands signed my program. Few times in my life, have I felt so awed in someone's presence. I don't think I slept much that night.

  • Imagine how you would have felt had you met Lipatti.

  • hehe...I don't know! I cannot even imagine! :) ehehe

  • @cubanbach Wow lucky man.

  • Thanks ULTRA! Man...it was a moment where it seemed as if the stars aligned in the heavens for me...I still feel humbled by it. The way I got to see him was a total fluke. After the performance I just sat in awe transfixed by the moment until EVERY SINGLE person had left the auditorium. No one seemed notice me sitting there still. The stage background had been removed. I heard some noises of people near the stage door at the side of the auditorium.

  • I walked over there and saw the many people and the impregnable door which did not permit anyone to enter. It seemed as if no one got to go insidel. There was no guard at the door but it was locked. You could see inside. But there was no one there. I decided to return to the reverie of the quiet auditorium. I saw that not even stage hands were there anymore. I dared what i had never dared. I found my way onto the stage

  • nd crept ever so quietly through to where the dressing rooms were. The impressario, Judy Drucker, was there with only a handful of people she had picked to go backstage. I had stolen a spot and entered a world closed to me otherwise. And I stood behind everyone. Judy seemed to accept my prescence there. And that is how I got to go inside of that hallowed room...and meet Horowitz, who signed the program which now hangs in a special frame on my study wall.

  • @cubanbach That is awesome. You even wrote the comment as if it were to be published in the book. But that is awesome.

  • Thanks, ULTRA-H! I have thought about that night quite a lot and have managed to keep most of those memories intact by remembering. And not elaborating the story at all. ANYONE could add, as a big fib, that they talked to him. But I know I know that I said something to him...but he was so tired that I did not even expect him to look up at me, but at least he did that when he took my program into his freshly washed hands... :)

  • Wow. What a great story!

  • Thank you,ELZBIETA! I am glad you enjoyed that...every moment is engraved in my memory. His majestic, exhausted, lightly powdered face, the dutiful way that he, without a negative feeling on his face, would grab the programs given to him and sign them...I dared not speak a word, whatever I would think of saying sounded inane and unnecessary. So I just kept quiet and giggled inside. :)

  • @cubanbach

    wow, why do you feel the need to re-comment like every month? i can understand your appreciation for the music, but @__@

  • @otherjoe1234 ...If you MUST KNOW - People write to me and then I comment. Were it not for YOUR letter I would have gone on with the rest of my life but NOW I must return AGAIN to this G-dforsaken place to comment to your INANE comment. And so WHO are YOU? A YouTube watchdog in disguise as a mediocre musician from Ithaca? Like WHATEVER, JOE!!!!!!! sheesh

  • @cubanbach

    whoa now, i only meant my comment in good humor. i wasn't really trying to be harsh, just pointing out something i thought was a tad interesting as i looked at the comments.

  • @otherjoe1234

    you did say it with kind of a mean tone.

  • @nmitchell076 do you have to LIKE people you don't even know and might live somewhere across the ocean on youtube? oh you said it in a mean tone, so i don't like you? strikes me as quite stupid. this is meant to critisize (or praise) the music, not to express our anger towards someone who simply posted... right?

    for example: in my opinion horowitz is master, tchaikovsky is great, this music is absolutely beautiful.

  • @genevieverosejasmine

    My only concern was that the person I was commenting about seemed to be attacking someone for expressing his utter enjoyment of the music. I did not say anything about my personal feelings towards that person, all I said was that if he meant his original comment in good humor, it did not come off as such in his tone.

    I posted in order to help the general conversation taking place in the comments section

  • @nmitchell076 You're are much appreciated.... thank you...and sorry for being so late in showing you that.

  • @genevieverosejasmine

    And besides, YouTube is more then just a place to comment upon the videos themselves, it is a forum to discuss topics, be they related or unrelated to the topic of the video. Our comments do not necessarily take away from or add to the experience of viewing the video (though insightful comments can be eye-opening), since you can easily avoid looking at the comments should you chose to do so

  • @genevieverosejasmine

    I just happened to glance through the comments and saw what I took to be a negative tone from one comment, so, since said commenter didn't seem to recognize that his tone was negative, I attempted to point it out with the simple intent of improving the tone of the general discussion here.

    Comments do not necessarily have to be directly related to the video, and I don't quite understand why so many think they should.

  • @nmitchell076 Thanks... :)

  • @nmitchell076  Thanks... :)

  • @cubanbach I envy your moments in the presence of the Master. My Mother grew up in Riverdale next to the Toscaninis. She recalls sledding as a child with Walfredo. Arturo would have his limo driver pick them up at the bottom of the hill and take them back to the top. A simpler time in the age of the titans.

  • @dishington WOW! Now that's an experience to talk about!

  • @cubanbach I would have started crying...

  • @lolitaeviston  There were so many emotions, not the least of which was that I was THERE backstage as an illegal guest! hehehehe. I was lucky the impressaria, Judy Drucker did not notice! :)

  • @cubanbach No, seriously you have no idea. He was dead before I was even born. He just seemed (I know this sounds creepy) angelic in a way. Not a mean terrible bone in his body. I heard people did crazy things just to meet Horowitz. God that is amazing. Who is like him that I could meet now?!?! Nobody. I suppose I will have to force myself into "his league".

  • @lolitaeviston Woah, not creepy at all...I feel the same thing about Beethoven, Bach, Mozart, Mahler...I mean...they were way dead before I was born...so I can relate. And really there is no one at all, in THAT league anyway, at this time. Sure there are great performers now...the only one that I think could be close to that is LEONTYNE PRICE...to me she is someone that IF I ever met her, my words would get stuck in my throat and I might faint. I met Jessye Norman and I couldn't speak!

  • @lolitaeviston Justin Bieber )_)

  • @cubanbach I am 60 years old. my parents found it cheaper to buy me a ticket for a concert than pay a baby sitter. This is in 1952 in Kansas City. they took me to a Horowitz concert. My mother was a beauty and a dresser. I had golden ringlets. they let us backstage afterwards. I still recall it so clearly. I was 3. It was like meeting Jesus. I had been so moved by the music. It was perfect. I felt this at 3. the dressing room was tiny but his personality made it huge. i was shy and this pleased

  • This is the same as DJ max in DJ max fever's Piano Concerto no.1

  • haha up there with Lang Lang , wouldnt be to much to say he is the greatest pianist of the last 100 years.

  • no he is not

    no 1 is wagner  2 beethoven 3 mozar , korsakov and tchaikovsky

  • Wtf? Wagner wasn't a pianist

  • you compared Horowitz with lang lang, so shut up

  • Horowitz was absolutely fantastic. In this recording he was unbelievable.

  • lol, fantastic youtube commenter right here

  • dude, you must include Liszt, Rachmaninov, Hoffman, and of course Vladimir Horowitz as well as many more... fuck dude, you don't know about pianists :(

  • Lang Lang ? hehehehehehe,

  • You never heard of Van Cliburn I suppose !!

  • of course i ve heard of him, why do you ask?

  • shut the fuck up die you are wrong and it is good :D

  • its in b-flat not b.

  • In german, our b-flat is b. Our b is called h in german.

  • PERFECTION.

  • In addition to everything else, he was a storyteller.

  • Even with old sound wonderful! Greatest Conductor with his trademark fast tempo and the greatest Pianist, his son in law Horowitz.

  • That was really brillant. The end part is always exciting.

  • horowitz,più toscanini,l'assoluto

  • man, no one has ever duplicated the "explosion" that occurs when Horowitz hits those first octaves. Really exciting shit

  • Horowitz played those notes at 0:55 the way Yma Sumac used to sing.

  • This tempo is not too fast, its just right! plus if Toscanini approved of it that should be enough for us. :)

  • The craziest but also the greatest musician!!!!!!!

  • undescribable passionate and lively version

  • I am starting feel that way also, every thing he played in his younger years was very very fast .

  • Horowitz is the best.

  • Simply put Horowitz is the master of all master....JMO

  • yes, it is so beautiful!..i have no words for such a beautiful tune! yay!!:-))ty!

  • i think everyone will agree that Horowitz was one of the best pianists who ever lived.

  • @everythingistken1291 somewhere between 1st and 2nd place

  • @everythingistken1291 In all humility I think he was terribly flawed.

  • @mc0558 In what way? I think he has his strengths and weaknesses. I'm more of a Richter fan myself.

  • @Nutterbutterz95 Listen to the Kissin performance and see what can be done with this piece.

  • hello?! 1943!? Why couldn't I have been there? That is so bad ASS!

  • Toscanini?

    oh papa lol

  • The cadenza is the best played part of this movement.Wonderful cadenza,really amazing,the rest is good but not at the amazing skill of cadenza.

  • strepitoso!horowitz é sicuramente il pianista più musicale che sia mai eseistito !il suo suono é elettrizzante, ti commuove, ti fa sorridere: ti trascina in un modo che nessuno ha mai saputo fare meglio di lui!..

  • One of the best pianists I have heard.

  • the best

  • This is a best i ever heard.He was genial.

  • the best performence ever!for me!

  • no no no no no, you are wrong wrong wrong about horowitz playing!!! It is the best performence for everyone!!!!!

  • Lang Lang isnt't bad but I dislike his acccents at the start.  Richter is my favorite 3rd, though on the octaves he takes it literally like a charging locomotive.

    In this recording I like Horowitz's little tricks and the finale. He's very good at those jumpy phrases. And the orchestra is of course top of the line, Toscanini afterall.

    I like a lot of recordings of this, it's a very easy concerto to like.

  • After listening to this one for several times today, I'm now officially undecided as to which one is better, Rubinstein's or Horowitz's playing of this third part of the concerto. Both are simply amazing, amazing, amazing, lifting up our soul to heaven, simply put.

  • greatest recording of this piece because it has the most energy, everything else is not of any importancy!

  • Phenomenal. This piece is meant to be a fantastic show of virtuosity...and I love it when a performer can actually go all out with it, instead of holding back sensitively in the name of musicianship; Horowitz tends to go completely over the top, yet he really does have the technique to get away with it. Some pieces I think he ruins in this way, but not this piece. Others may have a more poetic or sensitive style, but when it comes to a piece like this, poetic sensitivity can be boring.

  • Many many non Americans would disagree with you.

  • What about his unbeatable Scriabin 9th and 10th sonatas?

  • Hello analxixen,

    I TOTALLY AGREE WITH YOU.

    Comparing Horowitz with Sofronitsky is just a jok !!

  • you are joking, right?

  • Karl Richter was German.

    Also, when did Tchaikovsky become 'intellectual.' The marking for this movement is Allegro con Fuoco: Fast and with FIRE. It's not fast and with taste and class.

    By the way, Lang isn't a very good pianist.

  • Horowitz has perfect technique! His phrasing is excellent, but sometimes I think he rushed TO much. Still, whats not to love about his playing?

  • Horowitz's near-perfect phrasing makes the movement so accessible to the listener, both intellectually and emotionally. A colorful, sparkling, and high-voltage performance. Bravissimo!

  • wow all of you quarrel about preferences and technique

    why dont just enjoy the music??

  • Horowitz was absolutely unique. This was terrible recording quality from a live performance in 1940. The true genius of horowitz at his best shines through. Famous pianists used to go to his concerts to see how he did it.There have always been other fantastic pianists.Horowitz was totally unique worldwide.

  • Martha's all right but I like Mrs Mills so much. She has a flawless technique that matches her handbag, and draws such lyricism and strength from the piano, all unaided, and she can be heard right at the back of the room if she remembers to put the loud pedal on - and I've never seen or heard anything like her Rach 3.

  • Eh? You were told the other day? Why don't you listen by yourself...

    Horowitz studied sistematically 500 scarlatti sonatas and played most of them in public MASTERLY. Archerich is a great pianist but nothing to do with horowitz's charming, technic, touch, tone, clearness, liricysm, power, tremendous personality, among other qualities. She isn't even ranked in the top 20pianists of last century, perhaps in this one she will because of lack of masters like Howoritz, Richter, Kappell, Zcifrra..

  • i think, rubinstein is close of this, argerich is normal

  • i think that Rubinstein, in this piece, is quite far.

  • Its playing like this that made HOROWITZ THE LEGEND!!

  • horowitz you are "THE BEST".

  • at this level no one can be 'better' - is condenses to a matter of taste

  • Another "Argerich is better" comment from jvmalfi. this guy is sick.

  • you are crazy. Argerich is but a child compared to VH.

  • Horowitz was terrified by his father in law, Toscanini. In fact, years later, he said he did not like the way Toscanini forced him to play this, and the Brahms as well...too fast.

  • @j72050 An odd comment given that Horowitz has recorded this same piece at a far faster pace - with disappointing results.

  • There's only one person who gets close of this: Martha Argerich

  • ...in your opinion...

  • Argercih's great but she just lack the power of Horowitz.

  • How can you tell? She plays everything so fast.

  • Argercih's great but she just lack the power of Horowitz

    Sorry, can't agree except for the "great" part..

  • I suppose you think Argerich plays with Horowitz's clarity also...

  • This has always been one of my favorite performances of his, such feeling and emotion.

    If anyone wants to hear some recordings of his done in a studio and/or piano roll, check out my channel. :)

  • as i expected, the best performance of this piece ever. the colours, the imagination,all combined whit the greatest virtuosity of the XXth century make this version the greatest of all

  • listen to the richness, thickness and the layers of emotions release through his finger tips.

    it's amazing.

  • He is definetly human but russian though. :) russian people are good at music as I know

  • wow, that was a joy to listen to. an amazing performance...FANTASTIC

  • The only performance of this piece that has made me want to play it. Simply flooring.

  • 5:12 and on is one of the most amazing moments in musical history. Very good piece of work.

  • yes. Horowitz was the master..the best performance of the best piece ever written for the piano.

  • Wow, listen to the portamento in the strings; that would be frowned upon today, but it sounds so right in this ultra-Romantic music.

  • Please check out Van Cliburn live from Moscow with Kondrashin, also wonderful.

  • But it is pity that it has only one mvt

  • Is he human?

  • His playing is incredible!

  • Did Argerich's interpretation come even closer to Horowitz's? :-)

  • I really, really like Argerich's interpretation of this piece. I don't think it is any better or worse. They are both masterpieces.