Amazing.... the second part reminds me of many passages of the Cantigs de Santa Maria, with those serious and firm retourné-like "come and go" movements.
Congratulations, we lack musicians of your kind here...
Ballard already is (early) baroque music. There is some more early baroque repertoire for this (Renaissance lute-) tuning, and a few high baroque lutenists use it (e.g. Zamboni 1718), but most 'real' baroque lute music is for 11- or 13-course baroque lute in d-minor tuning. Having said that, of course part of the repertoire can be arranged. See my Bach BWV999 for example, also on a lute in Renaissance tuning and perfectly playable on a 10-course lute.
Amazing.... the second part reminds me of many passages of the Cantigs de Santa Maria, with those serious and firm retourné-like "come and go" movements.
Congratulations, we lack musicians of your kind here...
Greetings from the south of Brazil.
raonipaes 10 months ago
@raonipaes
Thank you for your kind words. Btw, some of your Brazilian musicians are playing in The Netherlands and are very fine players!
David
luitluit 10 months ago
Brilliant!!!!!
Cj12sings 2 years ago
Great playing and sound.
Is the 10 course lute suitable for baroque music?
arieldickman 2 years ago
Thanks.
Ballard already is (early) baroque music. There is some more early baroque repertoire for this (Renaissance lute-) tuning, and a few high baroque lutenists use it (e.g. Zamboni 1718), but most 'real' baroque lute music is for 11- or 13-course baroque lute in d-minor tuning. Having said that, of course part of the repertoire can be arranged. See my Bach BWV999 for example, also on a lute in Renaissance tuning and perfectly playable on a 10-course lute.
David
luitluit 2 years ago
Nice play!
stoppedstring 3 years ago