Ok, yes, you diction critics are right. And he starts slightly earlier in the beginning. And there are two notes out of tune. BUT I damned don´t care it at all, as this is such an elaborated interpretation, he is not only beautifully singing, but acting through his voice as well, he builds a perfect arch of logical music evolution, his gestures are appropriate and funny, and his performance oozes such energy. He knows what he is doing and he enjoys it. That´s what most people call "charming"...
This is the problem I have living in America.......no one appreciates music or people like this anymore its like a dieing art its depressing. Makes me think of moving to Europe somewhere.
To all the people complaining about the diction: You've never messed up during a performance, on a song that you know perfectly well, for no apparent reason? It happens to professional musicians all the time.
13 peorle disliked this wonderful performance by SIMON KEENLYSIDE. It would be interesting to know what versions THEY liked----- and even more interesting to hear any one of them demonstrate how it should be performed. carragher5370.
Very nice, indeed a fine singer, but the diction is unacceptable ("Sono il FECTOTUM della citta"?!) Besides, he copied all the cadenzas from Hermann Prey.
I am Italian and I look that is wonderful how he can perfectly pronounce Italian words so fastly. I saw him in Papageno and I have already had no doubts, he is fantastic!
I am a baritone singing Opera in Germany and Simon is someone I look up to. He has a very beautiful voice, solid technique and the man can ACT. Anyone who criticize this has obviously no clue or have never sung this aria in public never mind to a big orchestra at Covent Garden which would be absolutely nerve wrecking to say the least. Have some respect
@mandreika1 Well yes I would say a big bravo to Simon for his stage presence and acting abilities.
However, singing isn't about the sound of your voice or employing techniques. Singing is about how you use your voice. It is not about tone but about words and expression - storytelling. Simon gives it his all and that's to be commended. However, he does not sing within the realms of the natural use of his voice. He possesses vocal freedom inside, but his mind instructs the voice against nature.
I adore Simon! Love his "figaros"...the very beginning was a little off on this timing with the orchestra but in short time he was on track and the rest was brilliant!
Wonderful!!! To be unedited (since most of the critical people here have no real appreciation for the art of real music let me point that out) and in such a large opera house he can project his voice beautifully! I would love to hear this man in person!!
@comedyguy911 Well, the Opera is not really about a Barber. He is a character in the opera certainly, and this famous aria is about his trade. It's a wonderful comic opera and I highly recommend it to you. It's a perfect first opera in my opinion.
@AmhranaiAlainn I am not fooled by Simon's agility - I am impressed that he has sufficient control to demonstrate that flexibility - far more so than any of the baritones you mentioned, as he does so within the context of the piece rather than improvising random notes. I am curious to know where you think he is coming away from the word or note - can you name 3 instances? Furthermore, I have heard Simon speak, ad there is no way he is a tenor - a common comment made of any high baritone, especi
@philgault For some reason youtube did not notify me of your comment, so I've just noticed it. I will come back to with specifics on parts where he comes off the word (not note). But really I think you could figure that out if you listen to him more. Recording qualities aside, if you honestly think that Keenlyside's voice is freer than Ruffo's or Stracciari's, then you don't understand what vocal freedom is, which is at the core of true Bel Canto singing.
This is simply THE best rendition of this aria I`ve ever heard! I love his light timbre and awesome coloratura passages. And last, but not least, he`s an amazing actor!
@AmhranaiAlainn Having just listened to 2 of the singers you mentioned (S &R), I couldn't disagree with your comparison more - Simon's voice is much more free and his vowels have less modification. This is his natural tone, except for when he deliberately colours it for effect (colla donnetta, col cavaliere, for example). Also - he sings all the right notes and words...
@philgault I presume you mean you listened to Stracciari and Ruffo two of the finest baritones ever recorded. Don't be fooled by the agility of Simon's voice. It is a very good instrument, but he does not have complete freedom with it. He comes back (and falls) off the centre of the word on many an occasion. He also uses a baritone sounding tone which does not occur naturally in his speech. Have you listened to him speak? He may in fact be a tenor.
Good stage presence and good effort but unfortunately false singing i.e. from sound. Thus the voice is not natural and his own unique true colours are lost. To listen to true colours and true effortless singing we must unfortunately still look to the past recordings, which are treasures indeed. Listen to the way Stracciari sings this piece - the voice 'floats' - a tell tell sign that it is being used correctly i.e naturally.
@AmhranaiAlainn What absolute nonsense you are uttering! Do you actually know anything about singing and the voice? There are many ways to perform any particular song and this is just another interpretation by a highly skilled singer whose success speaks for itself!
What an absurd comment! What exactly is a false singing voice? This very excellent performance is Keenlyside's interpretation of this music. His success through the years speaks for itself and as for floating I don't really think that this is really a 'floating' aria, rather it is highly dramatic and very intense.
@32Styx If you do not know what 'true' singing is then on what grounds do you have to call my comments absurd. I didn't criticize his interpretation, character and stage presence but the way in which he uses his voice. It is not his natural voice. This is the difference between this baritone and say Stracciari, Ruffo, Sammarco, Battistini to mention a few. The four singers I mentioned all sang within the realms of nature and sang with true colours. When you sing true, the vocal line is seamless.
@AmhranaiAlainn I still am not clear on what you mean by 'false' singing. Having successfully taught voice for thirty years I don't believe that I have have ever become acquainted with such an anomaly. But thanks anyway for your response!
@32Styx Your most welcome. To explain further: My 'anomaly' was actually the norm before the introduction of the 'maestros' who dissected singing like scientists and in doing so ruined the true art of singing that is still innately inside us all. We are all born vocally free but as adults we separate singing and speaking. This is the heart of the problem with modern singing. Singing and speaking are in fact the same and it is the foundation upon which Bel Canto artistry is built.
@AmhranaiAlainn Your last statement is absolutely correct! But I cannot agree that 'modern' singers are necessarily unaware of this approach. In fact, most ot my fellow voice teachers( as I do )approach the singing and speaking voice as one entity, and I further must object to your original comment about Keenlyside. It doesn't ring true! But at least you are interested in hearing the various voices; it's just that we disagree on assessments. Thank-you!
@32Styx When I say false singing, what I mean is that he is singing with a degree of false tone i.e. that which does not naturally occur when spoken. When the natural form that a word takes in the spoken manner is 'disguised' with unnatural tone when sung, the effect it has is that it throws the voice off its natural balance and this has a knock on effect on the synchronisation of the physical parts that are employed naturally in correct speaking. The results can be slight or horrendous.
Really nice. I would say rather that MacKerras started the piece too slow, and Keenlyside merely brought it to the correct tempo. I would disagree about Hampson. He's never had the quality of sound that this guy has. Hampson is perhaps the bigger voice, but only by a little.
Admirable technique, excellent musician, he even sings the high "A", but I still prefer an authentic Italian pronunciation, and I don't understand why he wasn't with the orchestra at the start..
@Bigman240 I'm guessing he wanted the orchestra to go faster so that he could show off what he's capable of. The end of the aria, of course, requires great virtuosity on the part of the singer. A faster tempo means more of an opportunity to demonstrate one's skill, so I think he was just signaling to the conductor "I can do better than that!"
I love this guy, he is awesome!! And for those who don't like it or think it has issues with diction etc..., just remember he is world famous and has performed in many of the world's most famous opera houses. So obviously he's doing something right and people who are actually in the opera buisness find great value in him!
i like him. as far as diction is concerned i heard a lot worse, and it's not easy to spit out all those double consonants at a fast tempo, in a foreign language.
I would agree that he seemed uncomfortable at the beginning.. Was it maybe un-rehearsed and at short notice? .. But the later sections were fine. And I agree with Nikolaidelphinki.. It's good to hear a Figaro who isn't a cross between Machiavelli and Goofy, but a normal human being!
All in all a good performance. However, I can´t help thinking he was very nervous indeed. This would explain his extremely poor timing, whereby I don´t even mean the difficult bits! Listen to his second phrase; it´s FAR too early! Shouldn´t happen to an ex -St John´s choral scholar.
he actually sounds italian... and actually has lots of character that doesnt seem goofy. He just looks like a barber who really likes his job!! Bravo!!!!!
Does anybody know if a recording of The Barber of Seville with Simon Keenlyside has ever been... well recorded?
kyouran67 2 days ago in playlist Favorite videos
Ok, yes, you diction critics are right. And he starts slightly earlier in the beginning. And there are two notes out of tune. BUT I damned don´t care it at all, as this is such an elaborated interpretation, he is not only beautifully singing, but acting through his voice as well, he builds a perfect arch of logical music evolution, his gestures are appropriate and funny, and his performance oozes such energy. He knows what he is doing and he enjoys it. That´s what most people call "charming"...
IreneA54 1 week ago
Love this guy!!!!!!
ElbiJr 3 months ago 2
This is the problem I have living in America.......no one appreciates music or people like this anymore its like a dieing art its depressing. Makes me think of moving to Europe somewhere.
aaronbrandyn987 4 months ago
To all the people complaining about the diction: You've never messed up during a performance, on a song that you know perfectly well, for no apparent reason? It happens to professional musicians all the time.
QRPa1 4 months ago
13 peorle disliked this wonderful performance by SIMON KEENLYSIDE. It would be interesting to know what versions THEY liked----- and even more interesting to hear any one of them demonstrate how it should be performed. carragher5370.
carragher5370 4 months ago
He's very good.
Simba92 5 months ago
I hear what everyone's saying about the diction.
This is not a perfect performance - but what is?
Despite the problems with enunciation, this is easily my favourite performance of this song I have seen on youtube.
I think he does a superb job of acting in character, both with his body and with his voice. He is a consummate performer.
I can see why some people would not like this performance, but I do, and these things are always a matter of taste.
Floorhocking 6 months ago 2
Very nice, indeed a fine singer, but the diction is unacceptable ("Sono il FECTOTUM della citta"?!) Besides, he copied all the cadenzas from Hermann Prey.
Stolarzo 6 months ago
Very nice, indeed a fine singer, but the diction is unacceptable. Besides, he copied all the cadenzas from Hermann Prey.
Stolarzo 6 months ago
а gret actor.
bezpiero 7 months ago
Ruffo,Danise,Stracciari,Granforte e ancora più di 20 baritoni tutti migliori da Keenlyside...
ranigema 8 months ago
I am Italian and I look that is wonderful how he can perfectly pronounce Italian words so fastly. I saw him in Papageno and I have already had no doubts, he is fantastic!
FloriaTosca90 9 months ago 3
I am a baritone singing Opera in Germany and Simon is someone I look up to. He has a very beautiful voice, solid technique and the man can ACT. Anyone who criticize this has obviously no clue or have never sung this aria in public never mind to a big orchestra at Covent Garden which would be absolutely nerve wrecking to say the least. Have some respect
mandreika1 9 months ago 3
@mandreika1 Well yes I would say a big bravo to Simon for his stage presence and acting abilities.
However, singing isn't about the sound of your voice or employing techniques. Singing is about how you use your voice. It is not about tone but about words and expression - storytelling. Simon gives it his all and that's to be commended. However, he does not sing within the realms of the natural use of his voice. He possesses vocal freedom inside, but his mind instructs the voice against nature.
AmhranaiAlainn 9 months ago
He is the factotum della cita....
deybal 9 months ago
@deybal della città! not like you have written.
Vincenzo2010an 6 months ago
@Vincenzo2010an ok, sorry.. :'(
deybal 5 months ago
Simon is probably my favorite baritone. Thanks for the upload!
mbrsart 11 months ago
It actually didn't quite work out x)
LordMgls 11 months ago
9 people are Idiots!
qwertyoop 11 months ago
I adore Simon! Love his "figaros"...the very beginning was a little off on this timing with the orchestra but in short time he was on track and the rest was brilliant!
cincorn 1 year ago
Wonderful!!! To be unedited (since most of the critical people here have no real appreciation for the art of real music let me point that out) and in such a large opera house he can project his voice beautifully! I would love to hear this man in person!!
fartfanatic 1 year ago
Oh, bad timing problems in the beginning...
Stingerfyle 1 year ago
Wow, I would've never guessed the Opera was about a Barber. . .
comedyguy911 1 year ago
@comedyguy911 Well, the Opera is not really about a Barber. He is a character in the opera certainly, and this famous aria is about his trade. It's a wonderful comic opera and I highly recommend it to you. It's a perfect first opera in my opinion.
cincorn 1 year ago
Well, one of us doesn't...
philgault 1 year ago
@AmhranaiAlainn I am not fooled by Simon's agility - I am impressed that he has sufficient control to demonstrate that flexibility - far more so than any of the baritones you mentioned, as he does so within the context of the piece rather than improvising random notes. I am curious to know where you think he is coming away from the word or note - can you name 3 instances? Furthermore, I have heard Simon speak, ad there is no way he is a tenor - a common comment made of any high baritone, especi
philgault 1 year ago
@philgault For some reason youtube did not notify me of your comment, so I've just noticed it. I will come back to with specifics on parts where he comes off the word (not note). But really I think you could figure that out if you listen to him more. Recording qualities aside, if you honestly think that Keenlyside's voice is freer than Ruffo's or Stracciari's, then you don't understand what vocal freedom is, which is at the core of true Bel Canto singing.
AmhranaiAlainn 1 year ago
Unfortunate mis-timing at the beginning. Well performed after he recovers from this though.
greatwarcate 1 year ago
Love this! Such a classic....just look at the conductor...my man! lol
PhillyScorpio83 1 year ago
This is simply THE best rendition of this aria I`ve ever heard! I love his light timbre and awesome coloratura passages. And last, but not least, he`s an amazing actor!
Transoxiana94 1 year ago
@AmhranaiAlainn Having just listened to 2 of the singers you mentioned (S &R), I couldn't disagree with your comparison more - Simon's voice is much more free and his vowels have less modification. This is his natural tone, except for when he deliberately colours it for effect (colla donnetta, col cavaliere, for example). Also - he sings all the right notes and words...
philgault 1 year ago
@philgault I presume you mean you listened to Stracciari and Ruffo two of the finest baritones ever recorded. Don't be fooled by the agility of Simon's voice. It is a very good instrument, but he does not have complete freedom with it. He comes back (and falls) off the centre of the word on many an occasion. He also uses a baritone sounding tone which does not occur naturally in his speech. Have you listened to him speak? He may in fact be a tenor.
AmhranaiAlainn 1 year ago
excellent rendition bravo
robitaillefan20 1 year ago
Bravo!
sas147741 1 year ago
Bravo! Excellent expression at 3:15!
ThatsMrMoronToYou 1 year ago
great!
Vincenzo2010an 1 year ago
one of the worlds top baritones
lenozzedifigarofan15 1 year ago 3
@lenozzedifigarofan15 that statement i would sign anytime:-)
eurydike 1 year ago
cold and a bit too fast in some moments imho
Biogiant22 1 year ago
Comment removed
semyl92 1 year ago
largo al factotum della mediocrita.
bodiloto 1 year ago
Good stage presence and good effort but unfortunately false singing i.e. from sound. Thus the voice is not natural and his own unique true colours are lost. To listen to true colours and true effortless singing we must unfortunately still look to the past recordings, which are treasures indeed. Listen to the way Stracciari sings this piece - the voice 'floats' - a tell tell sign that it is being used correctly i.e naturally.
AmhranaiAlainn 1 year ago
@AmhranaiAlainn stfu nerd
sk8erboy618 1 year ago
@AmhranaiAlainn What absolute nonsense you are uttering! Do you actually know anything about singing and the voice? There are many ways to perform any particular song and this is just another interpretation by a highly skilled singer whose success speaks for itself!
32Styx 1 year ago
What an absurd comment! What exactly is a false singing voice? This very excellent performance is Keenlyside's interpretation of this music. His success through the years speaks for itself and as for floating I don't really think that this is really a 'floating' aria, rather it is highly dramatic and very intense.
32Styx 1 year ago
@32Styx If you do not know what 'true' singing is then on what grounds do you have to call my comments absurd. I didn't criticize his interpretation, character and stage presence but the way in which he uses his voice. It is not his natural voice. This is the difference between this baritone and say Stracciari, Ruffo, Sammarco, Battistini to mention a few. The four singers I mentioned all sang within the realms of nature and sang with true colours. When you sing true, the vocal line is seamless.
AmhranaiAlainn 1 year ago
@AmhranaiAlainn I still am not clear on what you mean by 'false' singing. Having successfully taught voice for thirty years I don't believe that I have have ever become acquainted with such an anomaly. But thanks anyway for your response!
32Styx 1 year ago
@32Styx Your most welcome. To explain further: My 'anomaly' was actually the norm before the introduction of the 'maestros' who dissected singing like scientists and in doing so ruined the true art of singing that is still innately inside us all. We are all born vocally free but as adults we separate singing and speaking. This is the heart of the problem with modern singing. Singing and speaking are in fact the same and it is the foundation upon which Bel Canto artistry is built.
AmhranaiAlainn 1 year ago
@AmhranaiAlainn Your last statement is absolutely correct! But I cannot agree that 'modern' singers are necessarily unaware of this approach. In fact, most ot my fellow voice teachers( as I do )approach the singing and speaking voice as one entity, and I further must object to your original comment about Keenlyside. It doesn't ring true! But at least you are interested in hearing the various voices; it's just that we disagree on assessments. Thank-you!
32Styx 1 year ago
@32Styx When I say false singing, what I mean is that he is singing with a degree of false tone i.e. that which does not naturally occur when spoken. When the natural form that a word takes in the spoken manner is 'disguised' with unnatural tone when sung, the effect it has is that it throws the voice off its natural balance and this has a knock on effect on the synchronisation of the physical parts that are employed naturally in correct speaking. The results can be slight or horrendous.
AmhranaiAlainn 1 year ago
da paura!!!!!!
yayoyaro 1 year ago
Oh! Keenlyside and Relyea ar the hottest male opera singers these days ;)
VelvetCat1 1 year ago 2
Really nice. I would say rather that MacKerras started the piece too slow, and Keenlyside merely brought it to the correct tempo. I would disagree about Hampson. He's never had the quality of sound that this guy has. Hampson is perhaps the bigger voice, but only by a little.
dave4128 1 year ago 2
Very nice job. He's a great baritone. Tough song and very much an acting piece as well. I still believe Thomas Hampson's is the best out there.
jmscomres 1 year ago
The thing that i dont like is that he sings other tempo that the orchestra plays...otherway he's damn good:)
Ismon1 2 years ago 2
Admirable technique, excellent musician, he even sings the high "A", but I still prefer an authentic Italian pronunciation, and I don't understand why he wasn't with the orchestra at the start..
Bigman240 2 years ago
@Bigman240 I'm guessing he wanted the orchestra to go faster so that he could show off what he's capable of. The end of the aria, of course, requires great virtuosity on the part of the singer. A faster tempo means more of an opportunity to demonstrate one's skill, so I think he was just signaling to the conductor "I can do better than that!"
dideoxynucleotide 1 year ago
He's so damn SEXY!!!!!!
rossmcl177 2 years ago 3
he is!!!
eurydike 1 year ago
I love this guy, he is awesome!! And for those who don't like it or think it has issues with diction etc..., just remember he is world famous and has performed in many of the world's most famous opera houses. So obviously he's doing something right and people who are actually in the opera buisness find great value in him!
theoperaman02 2 years ago 24
he was singing hamlet in a nice french:-)) yesterday, then he was talking English in the interview, i didnt understand much :-)))
eurydike 1 year ago 2
For being live and untouched, it is awesome. You guys are pretty critical. Fantastic Figaro.
johnb340 2 years ago 17
This comment has received too many negative votes show
So much force and bad interpretation..so bad italian articulation..The high notes really bad.Two stars from me to rate this guy..
Timurunfili 2 years ago
i like him. as far as diction is concerned i heard a lot worse, and it's not easy to spit out all those double consonants at a fast tempo, in a foreign language.
sevoflurane 2 years ago
Terribile dizione italiana!
Horrible Italian diction!
ducadibudapest 2 years ago
ducadi... si sono sordi, o piena di merda
branko1b 2 years ago
I would agree that he seemed uncomfortable at the beginning.. Was it maybe un-rehearsed and at short notice? .. But the later sections were fine. And I agree with Nikolaidelphinki.. It's good to hear a Figaro who isn't a cross between Machiavelli and Goofy, but a normal human being!
Pathtith 2 years ago
Contagious vivacity and lovely voice!
vilabreze 2 years ago 2
All in all a good performance. However, I can´t help thinking he was very nervous indeed. This would explain his extremely poor timing, whereby I don´t even mean the difficult bits! Listen to his second phrase; it´s FAR too early! Shouldn´t happen to an ex -St John´s choral scholar.
Eurofrank1 2 years ago
3:13.....YES
jokerab112 2 years ago
God bless him for spitting out all that at that tempo!
crwv 2 years ago 2
Simon is the best barbar ever, great voice.
gracek703 2 years ago 3
awful... sometimes he is faster than the music ...:S
especially in the beginning..
MrMck2009 2 years ago
much better than Mattei in the Met production
Calatrava00 2 years ago
Best barber ever! At least that we have video of.
theoperaman02 2 years ago
he actually sounds italian... and actually has lots of character that doesnt seem goofy. He just looks like a barber who really likes his job!! Bravo!!!!!
nikolaidelphinki 2 years ago 2
très beau baryton un très beau timbre de voix j'aime beaucoup. bravo
girardje70 2 years ago
OMG.. Simon Keenlyside's voice is sooo beautiful. I wish I could see his performance on stage during my lifetime..
etherealjiwon 2 years ago
Awesome!!!
dodi132 2 years ago
Glad to hear him sing the Barber!
schmup53 2 years ago
Wow those high notes are to die for!
schmup53 2 years ago
Now this is some technique. So wonderful.
schmup53 2 years ago
Superb!
Sieglinde84 2 years ago
Thanks so much for posting this, I've been looking for Keenlyside doing this piece! And: Yay - another high C baritone. :-D
yappity 2 years ago
Keenlyside and Mackerras! Yes, please!
nclysander 2 years ago 2
I was about to comment on your Don Carlo video, but it turns out that your account has been deleted. Is everything okay? Please come back!
antmusique 2 years ago