you are all such great opera singers, only trouble is, i dont see you muppets on here showing us how its done. and how rich and famous are you? when you can copy her attainment, perhaps you hapless armchair windbags could demonstrate. why not just listen and enjoy, like most of us?
Too late in her career for such a slow tempo ( although it remains a performance ). And the orchestra is soporific. Hear the Mozart she sang 20 years before; you certainly will be very surprise by the supreme quality of her style and mastery.
too slow and it kept getting so slow that it almost ground to a halt.There was no line and sense of forward movement.She seemed to be singing note by note instead of in lovely, shapely and logical phrases.So it ultimately became rather boring and made me feel impatient.Ultra slow does not necesarily mean depth of emotion.
that s because she became LAZY with time LOL ... for real! she would have never aloud herself to do something like that at the beginning of her career... Caballé was my first big "coup de coeur" along with english mezzo Janet Baker. Caballé does weird things sometimes... bizarre choices in the way she does things... but I still am a huge fan... she was at her best in the 60s and 70s
1987 was very late in Caballe's career and Mozart's Countess in Figaro is, despite being merely a lyric role, quite difficult to sing. It's pure voice and exposure and like with all of Mozart's music, if one note is not right, the entire aria falls apart. Here, Caballe maintains excellent voice and technique. She has a heavy, dark, mature voice that is not appropriate for the young Countess, but it's still very beautiful and well-sung.
Before I get crucified, I just want to say I love Montserrat Caballe's singing, BUt this, in my opinion, lacks dramatic intensity! It is boring! BUT, Since I am studying many interpretations, by far she has the most consistancy in tone and in the vocal line! I still maintain that Renee Fleming and Kiri Te Kanawa are still the best versions. BUt I love Caballe! Please don't send me hate mail! :)
@jinquanzh this is true, she did have the greatest technique of all singers. People talk of Callas expression or of Sutherlands coloratura but Caballe had them all beat when it came to technique.
@duaname It's not that she missed "words" is that she dropped consonants in several instances. I love her, to me, she is one of the greatest voices of the 20th century but like someone else mentioned earlier. You can't compare Caballe of the late 80s to Caballe of the early 70s, at her prime.
It is admittedly not Caballe in 1970. But portamenti is absolutely correct, all of it all the time. You are too opinionated and cannot read that what she is thinking and communicating about Mozart and the line of the aria itself. She is not in the opera here, and her thoughts, all of repose, are very beautiful. It is great singing even with its limitations. You must still be a student. You are so indignant, but you don't know very much yet.
I'm opinionated because you disagree? And what are you? Learn a little about style and vocal technique and I'll have an intelligent discussion with you.
I know a good deal about vocal technique. I am a musician, a voice teacher myself. I first heard Caballe in the opera house in 1973. I am happy to engage in an intelligent discussion about any aspect of music. When I hear singing of this depth and content, with vast experience and wisdom in the approach and in the sound, I can forgive aspects of natural aging. Caballe's technique was perfect. When a mere opinionate says, "that's bad," then an intelligent dicsussion cannot be had.
Rossini started the Belcanto, but Mozart was his greatest inspiration, you can sing almost everything Mozart wrote using a Belcanto technique and It'll sound fantastic!
It is a shame that Montserrat didn't record more Mozart, except the "Cosi fan tutte". She surpasses the Countess of Elisabeth Schwarzkopf by far. The voice of Montserrat has simply everything: warmth, a perfect legato and a diction, which allows her to express feelings with an unbelievable softness... Also her "Dove sono" from "Le nozze di Figaro" is a revelation! Montserrat Caballé - one of the most underrated Mozart-singers of the last 50 years!
you are all such great opera singers, only trouble is, i dont see you muppets on here showing us how its done. and how rich and famous are you? when you can copy her attainment, perhaps you hapless armchair windbags could demonstrate. why not just listen and enjoy, like most of us?
youshite 5 months ago
She has beautiful voice - but-
no one sings the song as beautiful as Gundula Janowitz
now and for all times "Gundula Janowitz"
wambui37 6 months ago
Too late in her career for such a slow tempo ( although it remains a performance ). And the orchestra is soporific. Hear the Mozart she sang 20 years before; you certainly will be very surprise by the supreme quality of her style and mastery.
bpicaud1 7 months ago
too slow and it kept getting so slow that it almost ground to a halt.There was no line and sense of forward movement.She seemed to be singing note by note instead of in lovely, shapely and logical phrases.So it ultimately became rather boring and made me feel impatient.Ultra slow does not necesarily mean depth of emotion.
TheSmoshmy 8 months ago
hate it so much when she stops right before a high note... she doesn t even need to do that!!!!!!!!!!! hate it hate it hate it
miuzefreak 9 months ago
the tempo here is also very slow
miuzefreak 9 months ago
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that s because she became LAZY with time LOL ... for real! she would have never aloud herself to do something like that at the beginning of her career... Caballé was my first big "coup de coeur" along with english mezzo Janet Baker. Caballé does weird things sometimes... bizarre choices in the way she does things... but I still am a huge fan... she was at her best in the 60s and 70s
miuzefreak 9 months ago
Comment removed
miuzefreak 9 months ago
1987 was very late in Caballe's career and Mozart's Countess in Figaro is, despite being merely a lyric role, quite difficult to sing. It's pure voice and exposure and like with all of Mozart's music, if one note is not right, the entire aria falls apart. Here, Caballe maintains excellent voice and technique. She has a heavy, dark, mature voice that is not appropriate for the young Countess, but it's still very beautiful and well-sung.
AmericanEvita 1 year ago
No words, indeed! haha
cltony1987 1 year ago
Holy Fuck
Oleilord 1 year ago
La Superba....enough said.
lieutenantcjk 1 year ago 2
splenda
jrxpress0 1 year ago
Petite Tricheuse, Montsie, je t'aime ^^
TheCucumberMasked 1 year ago
is there nothing this great lady cannot sing?!! a wonderful artist and a beautiful person...long live Caballe!!
emf1918 1 year ago 5
Stunningly beautiful...One of Caballe's best performances during her later period.
I wish I could have been in the audience.
montsyblackmadonna 2 years ago 4
oh my :S what's wrong with her diction????
she omitted the consonants in several times !!!
oh =( but still her voice is very beautiful.
ariamortis 2 years ago
i'm impressed that with her incredible fiato, sometimes she's breathing between phrases.
sopranosII 2 years ago 9
Before I get crucified, I just want to say I love Montserrat Caballe's singing, BUt this, in my opinion, lacks dramatic intensity! It is boring! BUT, Since I am studying many interpretations, by far she has the most consistancy in tone and in the vocal line! I still maintain that Renee Fleming and Kiri Te Kanawa are still the best versions. BUt I love Caballe! Please don't send me hate mail! :)
dynamicstuff73 2 years ago
i wish i could sing like that
bandzondermensen 2 years ago 4
Beautiful voice, crystal clear! Great control!
I always admire Caballe!
jinquanzh 2 years ago 7
@jinquanzh this is true, she did have the greatest technique of all singers. People talk of Callas expression or of Sutherlands coloratura but Caballe had them all beat when it came to technique.
SangpourPlaisir 1 year ago 3
So perfect!
ccsabin 2 years ago
this is what comes to mind when I think of stereotypical opera. I automatically jump to Brunhilda...
itiacat 3 years ago
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troppofiato 3 years ago
she didn't miss any words
duaname 3 years ago
Comment removed
SangpourPlaisir 1 year ago
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@duaname It's not that she missed "words" is that she dropped consonants in several instances. I love her, to me, she is one of the greatest voices of the 20th century but like someone else mentioned earlier. You can't compare Caballe of the late 80s to Caballe of the early 70s, at her prime.
SangpourPlaisir 1 year ago
It is admittedly not Caballe in 1970. But portamenti is absolutely correct, all of it all the time. You are too opinionated and cannot read that what she is thinking and communicating about Mozart and the line of the aria itself. She is not in the opera here, and her thoughts, all of repose, are very beautiful. It is great singing even with its limitations. You must still be a student. You are so indignant, but you don't know very much yet.
Steinweg9 2 years ago 4
I'm opinionated because you disagree? And what are you? Learn a little about style and vocal technique and I'll have an intelligent discussion with you.
troppofiato 2 years ago
I know a good deal about vocal technique. I am a musician, a voice teacher myself. I first heard Caballe in the opera house in 1973. I am happy to engage in an intelligent discussion about any aspect of music. When I hear singing of this depth and content, with vast experience and wisdom in the approach and in the sound, I can forgive aspects of natural aging. Caballe's technique was perfect. When a mere opinionate says, "that's bad," then an intelligent dicsussion cannot be had.
Steinweg9 2 years ago 2
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Mozart is NO Belcanto ..
Leporello18 3 years ago
Rossini started the Belcanto, but Mozart was his greatest inspiration, you can sing almost everything Mozart wrote using a Belcanto technique and It'll sound fantastic!
leoperarm 3 years ago 6
Maestra!
yodavidnavarro 3 years ago 5
The ony annoying thing is that she did NOT sing more Mozart!!! If she had that bel canto approach on mozart, what a delight would have that been!!!!
ArturoPVLondon 3 years ago 5
And a warm and gracious lady...
Such a rare artist!
violajerk 3 years ago 6
A magnificent surpassing of the Countess: the Empress.
Yasmund 3 years ago 8
no words
jsaltod 3 years ago 6
No words.
noncondition 4 years ago 4
Is this clip taken from the opera or a recital? It is wonderful.Montserrat Caballe outsings all the other divas!!!!! Happy 75 birthday Montserrat.
punkred1 4 years ago
An opera, she's dressed for an opera?
jeffchester 4 years ago
A recital I believe.
lyghdha 3 years ago 2
she held me spell bound
sidonie3 4 years ago 2
es catalana
gatpelut 4 years ago
This role suited her perfectly and it's why it still suits her at this age.
Orfeus80 4 years ago
It is a shame that Montserrat didn't record more Mozart, except the "Cosi fan tutte". She surpasses the Countess of Elisabeth Schwarzkopf by far. The voice of Montserrat has simply everything: warmth, a perfect legato and a diction, which allows her to express feelings with an unbelievable softness... Also her "Dove sono" from "Le nozze di Figaro" is a revelation! Montserrat Caballé - one of the most underrated Mozart-singers of the last 50 years!
Klassizismus 4 years ago 4
Caballe could sing anything she wanted to. She could sing "Come to Jesus" in whole notes and it would be a work of art!
Dymension 4 years ago 8
so beautiful , so soft and sweet...
gheeah 4 years ago
Wow, never I knew that Caballe sang Mozart, she is wonderful in this
Pawobrat 4 years ago