Added: 4 years ago
From: GrandTierBox
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  • What an awfully constricted voice. What's all the fuss about. 

  • Sono addolorata per la prematura scomparsa di Salvatore Licitra, invio le condoglianze alla sua famiglia.

  • 8 adeptes de Lady GAGA

  • Disappointed...she's not black!

    He sings like Domingo!

    Martin

  • @myaskovsky2002 she's not black because in this production Aida is Egyptian, and Egypt is a XIX century European-like nation (that's why Amneris is dressed like a Victorian lady)

  • Bravi Stemme e Licitra!

  • Nice version. Great singing.

  • did you know my cousin used to be the manager of salvatore.....and i got to meet him multiple times and go to his apt in ny.....hehe he's so nice and he sang to me personally....hes so sweet!

  • Beautiful....

    

  • :-) You are here again???

  • A parte che anche Nina Stemme tende a un'emissione piuttosto intubata la sua voce è molto più educata e meglio 'messa' di quella di Licitra. Che se avesse studiato di più e meglio avrebbe potuto brillare come un grande tenore lirico spinto. Ora però temo che sia tardi...

  • L'opera distrugge le voci di tutti i cantanti, dovrebbero fare un pó piú di pause tra una recita e l'altra,peró non tutti riescono a riprendersi e cosi cantano con voci scoppiate.Poi con questi registi che si credono di essere chi sa chi!!!!

  • comme toutes les wagneriennes elle fait une splendide Aïda.

  • Nina è vero unica in timbre.

  • 1:15

    Morir! Si pura e bella!

    To die! So pure and lovely!

  • Licitra è davvero uno dei peggiori tenori del momento...

  • completamente acconsento.

  • eh confermo, purtroppo mi sa che si è sfasciato...

  • set hugging is an important acting tool in opera. pole leaning, rock embracing, helps pass the time till your cue.

  • Haven't heard Licitra sounding this good for ages. And Nina Stemme's always great...

  • "You had only to picture coolly and calmly

    what was actually happening here. Two people were being buried alive; their

    lungs full of the gases of the crypt, cramped with hunger, they would perish

    together, or even worse, one after the other; and then decay would do its un-

    speakable work on their bodies, until two skeletons lay there under those

    vaults, each indifferent and insensitive to whether it lay there alone or with

    another set of bones."

  • "It required no effort of imagination for Hans Castorp to share in the tenors

    ecstasy and gratitude, but as he sat there with folded hands, staring at the

    little black louvers, from between whose slats this all burst forth, ultimately

    what he felt, understood, and relished was the victorious ideality of music, of

    art, of human emotions, their sublime and incontrovertible ability to gloss

    over the crude horrors of reality."

  • Wish they sang it somewhat less far from me away than 1.000 kilometers........ :(

  • Both of them are gems on opera scene of today....

  • Maybe he only has one leg and he needs that rock to hold him up?

  • Why is he hugging that rock?

  • Salvatore Licitra has an excellent voice but he's always had difficulty singing in the higher registers where his notes are not solid and true. Still in the field of todays singers he can stand out and earn a living.

  • Nina Stemme meravigliosa...Licitra ormai è andato...

  • coached, sorry:)

  • Perhaps a bit couched as well.

  • :))

  • Licitra is a beautiful voice but always sings like a couched student without a personal style or feelings and Radames is not probably a good choice for him since he is a liric tenor

  • Agreed that Licitra has a beautiful voice. Prefer his performance in "Tosca". Aida is in no way an easy job for Role Radames. Still prefer Stefano's work for the piece. But its an unfair comment isnt it? Licitra is only 39 yo by now and have his offical debutt in stage performance less than 10 years.... I am still a great fans of him, despite he cannot sing a clean high C.

  • I wish he'd loosen up a little and become a mature musician, otherwise it souns correct but boaring:)

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