Added: 3 years ago
From: ruizdechavez
Views: 119,749
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  • i must find out what the name of that song is.. i heard it 2 years ago on the radio and have been trying to find it ever since

  • @MrMovieSound ISOLDES LIEBESTOD from Opera TRISTAN ent ISOLDE Richard WAGNER

  • @ruizdechavez finally we are united once again ..thanks

  • He WASN't influenced by Freud-- he was influenced by his own soul

  • This is not erotic, this is a comedy. lol

  • surreal i bizzaaaarrrooo .......y no el de superman lol

  • the best one.

    "he is a mutation" (Woody Allen)

  • I love old movies but this is overrated garbage

  • That comment was garbage too, if your going to dismiss something at least do it intelligently!

  • Ummm... wtf?

    Could someone please possibly take the trouble to explain why 6:05 transforms her into the old woman? in his mind?

  • @SibirianBlue i presume it's something to do with Freud's Oedipus theory that men fantasise about their mothers (and vice versa for girls about their fathers). Brunuel worked with Dali to create this movie, who was heavily influenced in his own art by Freud. There are constant references to eroticism in his work.

  • btw, if you're interested in Bunuel, his autobiography "My Last Sigh" is a fascinating book, one of my favorite autobiographies...

  • Buñuel wanted to top Un Chien Andalou with this one, more trippy and more surreal as he ever envisioned with Dali.

  • EL GENIO DE LUIS BUNUEL!!!

  • nunca nadie como lo fue el maestro " LUIS BUÑUEL " el es el surrealismo en su maxima expresion..............¡¡¡¡¡¡¡­¡¡¡¡¡¡¡¡¡¡

  • sexual frustration

  • This is pretty rebellious for a '30s film!

  • well it would be insane as salvador dali is the co-director of both L'Age d'Or and Un Chien Andalou. These two films are the blocks to how we construct film today (mise en scene)

  • Dali had hardly anything to do with this

  • @MiLlSzY89

    Salvador Dali only co-wrote the script to Un Chien Andalou, which is still certainly as much his vision as it is Bunuel's, but L'age d'or didn't have as much input from Dali, since he was offended by most of the anti-Catholic stuff. Rather, the entire Surrealist Group had some hand in giving ideas or editing parts of the script. Just because Dali is the most well-known Surrealist doesn't mean he was the only one with wildly strange and original ideas.

  • 4:16 omg?

  • That is absolutely insane for it's time.

  • The time in this film is not relevant. Buñuel is dealing with dreams and sexual frustration and those things are very human and not insane. The society in that time was hypocrite, same as today in some places.

  • I never said he was insane, I said that it was insane to show a woman doing that kind of sexual stuff in a film in 1930.

  • May be you are right. This movie was forbidden and the film was pulled out from distribution for nearly 50 years.

  • @ruizdechavez

    That was more to do with the extremely anti-religious/anti-Catholic gags.

  • @ruizdechavez That was the most completely irrelevant statement ever. Please don't try and act like you know what you're talking about. Thanks for uploading though.

  • @rockmycock69balls

    What he said is basically right, however the surrealist perspective would say that society is still pretty much hypocritical.

  • Excelente cineasta, de mis favoritos, además que se nacionalizó mexicano. Excelente. Si gustan vean mi video de corte surrealista (no es surrealista) se llama agonía natura. Saludos cordiales

  • La música es de Tristán e Isolda de Wagner...

  • Buñuel tenia una tendencia fetichísta muy grande a los pies femeninos, en muchas de las peliculas de Buñuel se ve un deseo y fijación muy fuerte hacia los pies y piernas.

  • Es cierto. El mejor ejemplo es en Viridiana, donde Silvia pinal enseña pierna dos veces. También Lilia Prado se la pasa enseñando pierna en la película Subida al cielo. Yo personalmene comparto el gusto por las piernas y pies femeninos con Buñuel. Saludos

  • @ruizdechavez Sin olvidar en los olvidados cuando Alma Delia Fuentes (Meche) se alza la falda para ponerse leche, o en Simón del Desierto cuando Silvia Pinal que es el diablo muestra sus piernas, o en Ensayo de un Crimen la forma en la que cae la sirvienta mostrando las piernas y también cuando al maniquí de Miroslava se le cae sólo la pierna, y así nos podemos seguir amigos ...

  • @surrealismario sin Olvidar a la pierna de palo de Tristana.

  • @Elrezodesobediente Así es, y que posteriormente toca el piano, que por cierto me recuerda también una escena de la película "El Fantasma de la Libertad" que la chica toca el piano desnuda y su hermano disfruta del momento y ahí hace una toma a sus piernas también, muy similar a Tristana.

  • más bien Buñuel fenía interés por los que tenían esta fascinación que no es exactamente lo mismo

  • that is shumacher from renoir's The Rules of the Game

  • Yes Gaston Modot was an actor in the two pictures: Renoir's The Rules of the Game (As Shumacher), and Buñuel's L'Age d'Or. (As "The Man")

    Thank you for comment.

  • ¡Y en "La Gran ilusión" de Renoir también actuó...

  • Gracias por el dato

  • haze: That's what I thought. :)

  • its a trend you still see today...when one actress makes the look popular, and its a known success, other studios made their actresses look the same. Keep in mind, back in those days there were not as many female actresses. Also keep in mind the art of on-screen makeup had not been perfected yet.

  • Good observation, the look of actresses is according to the moment and popularity

  • Se ven claramente las obsesiones sexuales del cineasta.

  • Gracias por comentar.

    Buñuel, como todos nosotros, tenía obsesiones sexuales. Su genio consistió en poderlas llevar a la pantalla.

  • All they look as my grandma. The reason, I don't know.

  • why do all the actresses in these old time movies look the same?

  • @jinkasima and modern "actresses" don't look the same?

  • @TheEloeo Yeah, they do as well! The new ones, I mean. I still can't tell the difference between Cate Blanchett and Gwyneth Paltrow half the time!

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