Acho a melhor a interpretação desta sonata, adoro o andamento que esta aqui e Heifetz esta impecavel o pianista tambem faz um ótimo trabalho. Outra bela interpretação é de Leonid Kogan
I'd be curious to know the date of this recording. Anyone know?? I have a Heifetz / Emanuel Bay recording of the Kreutzer dated September 22, 1960 which is not as good as this one with Moiseiwitsch.
The phrasing in the Adagio is wooden compared to Oistrakh's, but Heifetz gives us a real Presto where Oistrakh is maybe Allegro Moderato. Of the versions posted on YouTube, I like Milstein's best overall
To settle the argument of whether this is in A major or minor I asked the Music itself and she said her name is in neither major nor minor and in fact, she had no concept of A, B, or C. She also asked me why we must dress her up with a name for isn't her sheer beauty breathtaking enough?
@moldyoreo How so? You insulted a man for speaking somewhat poetically about music. Not only an insult but one only a 12 year old at the cafeteria table could muster. Are you so unpoetic you can't even comprehend the use of the term "pot calling the kettle black"? Please respond describing how what I said fits that idiom.
@Cancrizans You calling me unpoetic is a prime example of the pot calling the kettle black. Before you move on to poetry, attempt to correct your prose; the pot calling the kettle black is hardly a "term."
I don´t need internet, just the score and musical analyses: ONLY THE 1st FOUR bars are in A-Major, the rest of the introduction is in a-minor, the whole Presto is in a-minor (certainly with modulations to the dominant), the 2nd movement is in F-Major (VI.grade of a-minor) ... and the Finale has been lent from the previous Sonata op.30/2 - Moreover the Finale is never indication for major/minor - see the 5th or 9th symphony. Most sources got it wrong, but B. didn´t indicate a key at all!
Just wondering, did Heifetz change up the rhythm a bit to spice it up? Some of the sections that are fast spiccato are eighth notes in the sheet music dictation that I have but he plays it as sixteenth notes or less.
It's the shift from chord 2 to 3. Very tricky indeed intonation-wise. Kogan uses the same fingerings as Heifetz with similar results (Kogan is just a bit more careful.)
Milstein does not connect chord 1 to 2. It's clean but, IMHO, it is an unmusical choice. Oistrakh seems to have found the most successful combination for the 3.
You can be sure that each of these greatest violinists of the 20th century agonized about this and tried untold different fingerings.
ahhhh i see what you mean, especially after looking at the sheet music...VERY difficult indeed. Besides that tho, I actually prefer this recording to all the others you mentioned. This one has an edge to it that the others dont
Rachmaninoff stated that Moiseiwitsch played his music better than he did himself.....that thin, wiry tone of Heifetz is electric....I like the 1930s Becham Sibelius Concerto with Heifetz....
Wonderful to hear Moiseiwitsch in this ,I was very fortunate to see him in the Albert Hall once and I never heard such silence in an audience as they savoured every exquisite sound.And Heifetz recording tone here is remarkable.
It''s funny, even Heifetz has a bit of trouble with this infamous opening. Not that he doesn't play it well, but it is a sticky little passage--especially all alone and naked.
Acho a melhor a interpretação desta sonata, adoro o andamento que esta aqui e Heifetz esta impecavel o pianista tambem faz um ótimo trabalho. Outra bela interpretação é de Leonid Kogan
jeffersonfsoares 2 months ago
I'd be curious to know the date of this recording. Anyone know?? I have a Heifetz / Emanuel Bay recording of the Kreutzer dated September 22, 1960 which is not as good as this one with Moiseiwitsch.
TheTucsonJeff 5 months ago
The phrasing in the Adagio is wooden compared to Oistrakh's, but Heifetz gives us a real Presto where Oistrakh is maybe Allegro Moderato. Of the versions posted on YouTube, I like Milstein's best overall
gspaulsson 7 months ago
his skill is impeccable undoubtedly; however, i feel it a bit lack "sostenuto".
it's my feeling, though i'm no professional.
discernmentify 9 months ago
Best Kreutzer ever! Listen at his musicality, vibrato, spicato... Heifetz is the best.
javideleon24 1 year ago
Genial, la mejor sonata escrita, hace pensar en el verso de Machado: "Caminante, no hay camino"
93masacre 1 year ago
Sei il mio mito! O Beethoven! E lo resterai per sempre!
cicco93B 1 year ago
omg this is beautiful.... i think like tolstoy's character i could go into a state of mind where nothing else would matter except this sonata...
butterbeatsmargarin 1 year ago
Yiddish rubbish.
Ruggiero Ricci was better than Stern and Menuhin combined.
Salvatore Accardo is a Paganini specialist and technically, timbrally and bravuri far superior to Itzhak Perlman, Shlomo Milstein etc.
Why do listeners gush over these horrible Yiddischer Klezmer scratchers?
You obviously are tone deaf, have elective hearing, or mental acuity issues
purbanegoro 1 year ago
To settle the argument of whether this is in A major or minor I asked the Music itself and she said her name is in neither major nor minor and in fact, she had no concept of A, B, or C. She also asked me why we must dress her up with a name for isn't her sheer beauty breathtaking enough?
andycchu 1 year ago
@andycchu Are you a homosexual?
moldyoreo 1 year ago
@moldyoreo are you a completely unpoetic pedant?
Cancrizans 9 months ago
@Cancrizans no, but you are a pot calling a kettle black.
moldyoreo 9 months ago
@moldyoreo How so? You insulted a man for speaking somewhat poetically about music. Not only an insult but one only a 12 year old at the cafeteria table could muster. Are you so unpoetic you can't even comprehend the use of the term "pot calling the kettle black"? Please respond describing how what I said fits that idiom.
Cancrizans 6 months ago
@Cancrizans You calling me unpoetic is a prime example of the pot calling the kettle black. Before you move on to poetry, attempt to correct your prose; the pot calling the kettle black is hardly a "term."
moldyoreo 6 months ago
The KREUTZER is in a-minor - not in A-Major !
musicspotAT 2 years ago
@musicspotAT
The Kreutzer Sonata is in A major. Look it up on internet.
Garomi 2 years ago
I don´t need internet, just the score and musical analyses: ONLY THE 1st FOUR bars are in A-Major, the rest of the introduction is in a-minor, the whole Presto is in a-minor (certainly with modulations to the dominant), the 2nd movement is in F-Major (VI.grade of a-minor) ... and the Finale has been lent from the previous Sonata op.30/2 - Moreover the Finale is never indication for major/minor - see the 5th or 9th symphony. Most sources got it wrong, but B. didn´t indicate a key at all!
musicspotAT 2 years ago 4
Just wondering, did Heifetz change up the rhythm a bit to spice it up? Some of the sections that are fast spiccato are eighth notes in the sheet music dictation that I have but he plays it as sixteenth notes or less.
empoleon9999 1 year ago
@musicspotAT LOL
DGrieux 1 year ago
@musicspotAT
Just to be clear, I was laughing because this is a long debatable topic and I read about it on too many occasions here on youtube.
DGrieux 1 year ago
Certo notevolissima esecuzione, ma la domanda che sorge spontanea è: "Ma perché così veloce? Sono pagati a cottimo per la produzione delle note?
KathleenFerrier 2 years ago
Did Heifetz establish his fame by simply playing faster than others on every piece?
variousweetie 2 years ago
No; there was much more to it than his exceptional technique.
felixmendelssohn 2 years ago
It's the shift from chord 2 to 3. Very tricky indeed intonation-wise. Kogan uses the same fingerings as Heifetz with similar results (Kogan is just a bit more careful.)
Milstein does not connect chord 1 to 2. It's clean but, IMHO, it is an unmusical choice. Oistrakh seems to have found the most successful combination for the 3.
You can be sure that each of these greatest violinists of the 20th century agonized about this and tried untold different fingerings.
It's just REALLY hard!
ipmoic 2 years ago
ahhhh i see what you mean, especially after looking at the sheet music...VERY difficult indeed. Besides that tho, I actually prefer this recording to all the others you mentioned. This one has an edge to it that the others dont
tennisballer17 2 years ago
Amazing O__O
karmita 2 years ago
Rachmaninoff stated that Moiseiwitsch played his music better than he did himself.....that thin, wiry tone of Heifetz is electric....I like the 1930s Becham Sibelius Concerto with Heifetz....
j72050 2 years ago
Heifetz is so......centered!
Brilliant. Thank you.
vstasov 2 years ago 2
Wonderful to hear Moiseiwitsch in this ,I was very fortunate to see him in the Albert Hall once and I never heard such silence in an audience as they savoured every exquisite sound.And Heifetz recording tone here is remarkable.
acermusika 2 years ago 3
Wonderful recording. Heifetz is so unique!
harvard11 2 years ago
It''s funny, even Heifetz has a bit of trouble with this infamous opening. Not that he doesn't play it well, but it is a sticky little passage--especially all alone and naked.
Just ask any professional violinist!
ipmoic 2 years ago
what indicates that he has trouble with the opening?
tennisballer17 2 years ago
Stunning! Bravo! TY.
paulostroff99 2 years ago
i love heifetz's playing here, so much fire!!!
0ladystardust 2 years ago
Greatest recording of the Kreutzer I ever heard. The violinist is great, but Moiseiwitsch is also shining in this recording.
Sinfoniette 2 years ago 5
Remarkable!
OriginalMoonbeam 3 years ago 3
its funny how angry this piece is
Ele3tricEye 3 years ago
Eu amo Heifetz
bellonny 3 years ago 3
Agreed...wonderful!
ztefieh 3 years ago
Wonderful!!
snaaptaker 3 years ago 2