It is absolutely true!!!! When she just started the Oooooo dite alla giovine.... we all held our breath. The silence was eerie. Her voice sounded unearthly. It was heartbreaking...... I was actually there. There is no other Traviata like it.
Le ténoryton chante bien mais il ne fait pas son âge!Quand à Callas,toujours prenante et belle.Je sais ,je suis de parti-pris;mais on pardonne tout pour un instant sublime.
Fabulous.. a nearly perfect violetta.. wow. I am always so impressed with the incredible attention to every detail, she brings to opera, along with musical instincts that are like NO other.
@saagua1953 I have listened that and have complete recording, from 1934 Met, magnificent and amazing. But why need cooperation, you have to enjoy, they all are truly UNIQUE artists.
The one who wrote : quite lovely is jocking I suppose !!! Never ! Never ! I have heard dite alla giovane so moving ! It is nearly unbelievible !!! It is not a voice it is an anima
GOOD NEWS dear Callas fans!!!! Striker capitulates! The automated production of feces is over. He's a nervous wreck because the great Filaredo gang has destroyed the white knight on his black donkey. Striker, you are alone in a hopeless plight!Go home and lick your wounds!!! Hoohooohaahaahhhaaa..... what a wonderful world...!!! Striker is only a picture of misery.....LOL
GOOD NEWS dear Callas fans!!!! Striker capitulates! The automated production of feces is over. He's a nervous wreck because the great Filaredo gang has destroyed the white knight on his black donkey. Striker, you are alone in a hopeless plight!Go home and lick your wounds!!! Hoohooohaahaahhhaaa..... what a wonderful world...!!! Striker is only a picture of misery.....LOL
FILAREDOS, you shut your dirty Germanic mouth, you bastard NAzI, killer of innocent, unarmed people, you fuckers. Everyone now goes to fuck Netrebko up her ass.
Zanasi simply had a bright voice, but he was a good singer. He did NOT try to darken his voice to fake a colour! I saw him in "Nabucco" in Rome with Suliotis and perhaps in Caracalla as Amonasro or Conte di Luna. It was the real thing. I wish we had someone like him around today!
It is so refreshing to hear a Germont who's not borderline out of tune with a wobble a mile-wide. Unfortunately, I hear more raddegy Germonts than good ones. I realize that it's one of those roles that you don't want to sing when you're too young, but it's no excuse.
I believe this to be the very best of Callas's recorded Violettas. The 1955 La Scala performance suffers from Bastianini's gloriously sung, but unrelentingly forte Germont. Here Callas is helped immeasurably by Zanasi's beautifully inflected and sympathetically sung Germont. Valetti, the Alfredo at this performance was even better than Kraus. For me this ranks as highly as the Berlin Lucia and the La Scala Norma of 1955.
Astounding! Every nuance is conveyed. Schwarzkopf had explained some years earlier why she would not perform Traviata again. She had seen the real Violetta and knew at once that she could not compare. I have her recording with Panerai as Georgio. It is good ... but this is something else!!!
I have (a really bad recording) of the 58, and the 1955 London recording, but this is just amazing! I really ought to find a copy of this. Callas is the best!!
The Traviata excerpt is absolutely,wonderful. I have the CD of the Lisbon performance a few weeks earlier(I think it is), and this is even better in all respects.
Yes, this definitely takes the cake. Her interpretation, her emotions; even if you don't hear her you can feel her emotion as she sings with her crystalline voice! Brava, Callas!
I have read that the Covent Garden Traviata was her most touching. Based on this, I perfectly understand why. The subtelty, the colours, & the feeling is, in my mind, simply unparalleled. Her 'bella e- pura' freezes time like no other.
It is absolutely true!!!! When she just started the Oooooo dite alla giovine.... we all held our breath. The silence was eerie. Her voice sounded unearthly. It was heartbreaking...... I was actually there. There is no other Traviata like it.
Ariadne7710 3 months ago
Le ténoryton chante bien mais il ne fait pas son âge!Quand à Callas,toujours prenante et belle.Je sais ,je suis de parti-pris;mais on pardonne tout pour un instant sublime.
abracadabranque 1 year ago
bellissimo :D
anubi856 1 year ago
Fabulous.. a nearly perfect violetta.. wow. I am always so impressed with the incredible attention to every detail, she brings to opera, along with musical instincts that are like NO other.
leonardovittori1 1 year ago 3
You need to compare this with the Ponselle/Tibbet version.
saagua1953 1 year ago
@saagua1953 I have listened that and have complete recording, from 1934 Met, magnificent and amazing. But why need cooperation, you have to enjoy, they all are truly UNIQUE artists.
ditogam 1 year ago
As earlier said, imagine being there...
billyflynn2 1 year ago
The one who wrote : quite lovely is jocking I suppose !!! Never ! Never ! I have heard dite alla giovane so moving ! It is nearly unbelievible !!! It is not a voice it is an anima
motardbear15 2 years ago
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Filaredo the slut continues to diss the great Callas. We must all shit in his mouth, and cum in Anna's face.
striker9410 2 years ago
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belmanotre 2 years ago
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vandrops 2 years ago
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FILAREDOS, you shut your dirty Germanic mouth, you bastard NAzI, killer of innocent, unarmed people, you fuckers. Everyone now goes to fuck Netrebko up her ass.
striker9410 2 years ago
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Striker,
the fresh shit of every Callas-freak into your mouth, and Callas american sow mouth and her dead piglet Omero!!!
bellafredina 2 years ago
Callas- The greatest soprano Sfogato of all time!!!
striker9410 2 years ago 5
Just imagine being there and hearing this.
rerigras12 2 years ago 7
Incredible!
rerigras12 2 years ago 6
Zanasi simply had a bright voice, but he was a good singer. He did NOT try to darken his voice to fake a colour! I saw him in "Nabucco" in Rome with Suliotis and perhaps in Caracalla as Amonasro or Conte di Luna. It was the real thing. I wish we had someone like him around today!
cleanears 2 years ago
I agree, he is a very fine lyric baritone.. very pretty voice , beautiful and nuanced portrayal.
kgarmaker123 2 years ago 2
@cleanears I agree, Zanassi was a great SINGER.
dermotafan 1 year ago
Amazing...
This is for me one of the best Violettas ever...
pure and honest drama in her voice
BRAVA!
lamusicahera 2 years ago 4
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Drama? Only pathos - no more!
And best Violetta? Certainly only for you!
I admit, for a MEZZO her Violetto isn't bad but sopranos are much better!!!
sii468 2 years ago
sii468 HA! HA! The only pathos would be you, when I hold you down on the ground, and rub fresh dog-shit into your mouth.
mtnmanjt 2 years ago
Shut up!! She was all!!!! Not a mezzo a soprano or something else, she was all
doremicde 2 years ago 3
Sublime come sempre....
Canta con gli angeli...
Grazie Maria. Ti amiamo.
Faust075 2 years ago 3
OMG i had tears in my eyes!!! THX for uoloading this most beautiful piece!!
demondiva77 2 years ago 5
I am not a fan of most of Callas' later performances, but this one is quite lovely.
rawdonqueen 2 years ago
emozionante
biggervarenne 3 years ago 3
It is so refreshing to hear a Germont who's not borderline out of tune with a wobble a mile-wide. Unfortunately, I hear more raddegy Germonts than good ones. I realize that it's one of those roles that you don't want to sing when you're too young, but it's no excuse.
UranusRising 3 years ago 3
Yes, but he's sharp in quite a few places. Cornell MacNeil (w Stratas & Domingo) is the best Germont IMO who actually sings a legato.
zamyrabyrd 2 years ago
He sounds too young for my taste, or more like a tenor than a baritone.
Vairguy09 2 years ago
She commands her vocal chords to express what she feels, and she felt more than anyone.Period.
qbendanny1 3 years ago 26
Magnificent!
antoniobasto 3 years ago 6
trata de poner un mejor video
cesaredmondi 3 years ago
Stunningly beautiful and moving. Callas was the supreme singer/actress. Brava Maria!
jimthewriter 3 years ago 19
I believe this to be the very best of Callas's recorded Violettas. The 1955 La Scala performance suffers from Bastianini's gloriously sung, but unrelentingly forte Germont. Here Callas is helped immeasurably by Zanasi's beautifully inflected and sympathetically sung Germont. Valetti, the Alfredo at this performance was even better than Kraus. For me this ranks as highly as the Berlin Lucia and the La Scala Norma of 1955.
Tsaraslondon 3 years ago 6
bravissimaaaaaaaaaaaaa!!!!!
carlissima28 3 years ago 3
Can anyone pls. tell me when tis was recorded?I very much would like to find this version,breathtaking,marvelous!!
utineke 3 years ago 5
It was June 20, 1958.
operADB 3 years ago
la più grande di tutti.. un miracolo PF
donquisirob 3 years ago 2
Maria, the best there ever was or will be.
godlovesyou333 4 years ago 11
this is an amazing rendition of one of the most powerful scenes in all of opera
operadoc 4 years ago 4
this Germont probably sounded younger than his son.
pasfresh123 4 years ago 3
Wooooooooow brava callas!!!! ......^_^
00ceroalaizquierda00 4 years ago 4
Astounding! Every nuance is conveyed. Schwarzkopf had explained some years earlier why she would not perform Traviata again. She had seen the real Violetta and knew at once that she could not compare. I have her recording with Panerai as Georgio. It is good ... but this is something else!!!
Glenmed 4 years ago 6
I have (a really bad recording) of the 58, and the 1955 London recording, but this is just amazing! I really ought to find a copy of this. Callas is the best!!
jjcbss 4 years ago 5
"and this is even better in all respects".I was referring in particular to Callas and the recording quality.
lochness11 4 years ago 7
The Traviata excerpt is absolutely,wonderful. I have the CD of the Lisbon performance a few weeks earlier(I think it is), and this is even better in all respects.
lochness11 4 years ago 7
my best opera ... my favorite scene!!! Bravo CALLAS!
zovirotto 4 years ago 7
What a wonderful performance! It made me cry.....
qww122 4 years ago 5
Yes, this definitely takes the cake. Her interpretation, her emotions; even if you don't hear her you can feel her emotion as she sings with her crystalline voice! Brava, Callas!
dugbin 4 years ago 6
I have read that the Covent Garden Traviata was her most touching. Based on this, I perfectly understand why. The subtelty, the colours, & the feeling is, in my mind, simply unparalleled. Her 'bella e- pura' freezes time like no other.
VivaMariaCallas 4 years ago 6
In an interview she said she learned that "e-pura" with Serafin. She told it was like if Violete couldn´t say that word. Unique.
dural 4 years ago 4
Yes, and I think the slight hesitancy was quite effective. Serafin was a master and he taught her well.
operADB 4 years ago
I just adore that subtlety! She conveys Violetta's conflicts in a word. Fabulous Maria!
sevoflurane 4 years ago 6
It's true. That e-pura makes me cry, it's sooo unique. Serafin taught her a breathtaking strategy!
DoryViolet 2 years ago 2
Serafin didn't teach her any strategy. SHE was born that way !
Faust075 2 years ago 2
XDXD oh well...... anyway, it IS breathtaking!!!
DoryViolet 2 years ago 3
All singers are born that way, but many conductors like Serafin DO mold singers into world class singers. Meneghini also helped her in that way.
Vairguy09 2 years ago 2
Tell me Sutherland was this good in this role... or in any role.. She was a fine vocalizer, but she was not an artist like Callas.
kgarmaker123 2 years ago 4